
Foucault's revolutionary masterpiece reveals how prisons evolved from public torture to surveillance systems that shape modern society. Influencing everything from "Black Mirror" episodes to management theory, this dark exploration of power asks: Are we truly free, or just disciplined to believe we are?
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In 1757, Damiens the regicide was torn apart by horses in front of a roaring crowd in Paris. His flesh was burned with sulfur, his limbs pulled from their sockets, his body dismembered over the course of hours. Just eighty years later, prisoners woke to bells, marched in formation, worked in silence, ate at prescribed times, and slept under surveillance. What happened between these two moments reveals something profound about how power operates in our world-not through spectacular violence but through quiet, relentless control. Public executions weren't sadistic entertainment. They were carefully choreographed political theater where the sovereign demonstrated absolute power over the criminal's body. Every element was staged: the procession through town, the public confession, the precise placement of guards, the mandatory attendance of officials. The criminal's body became a canvas on which royal vengeance painted itself. But this spectacle contained a dangerous flaw. Crowds were unpredictable. They might cheer the condemned for his defiance, attack executioners they deemed cruel, or free prisoners they believed innocent. The scaffold became a flashpoint where royal violence met popular anger-and sometimes, the people won. By the late 18th century, reformers demanded change. Not primarily from compassion, but from pragmatism. They sought punishment without torture, consistency without spectacle. What emerged wasn't simply more humane-it was more efficient. Power learned to work through the mind rather than against the body, through systems rather than sovereigns.
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Создано выпускниками Колумбийского университета в Сан-Франциско
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Создано выпускниками Колумбийского университета в Сан-Франциско

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