What is The Actor's Life by Jenna Fischer about?

The Actor's Life by Jenna Fischer is a practical survival guide for aspiring actors that combines memoir with professional advice. Fischer chronicles her eight-year struggle in Los Angeles before landing her Emmy-nominated role as Pam Beesly on The Office, offering candid insights on headshots, agents, auditions, and navigating rejection. The book provides step-by-step guidance on breaking into the entertainment industry while sharing both hilarious and discouraging moments from her journey.

Who should read The Actor's Life by Jenna Fischer?

The Actor's Life is primarily designed for aspiring actors who want practical industry guidance and inspiration to persevere through rejection. However, the book's universal themes of following dreams and overcoming obstacles make it valuable for anyone pursuing creative careers or facing professional setbacks. It's particularly recommended for theater students interested in professional acting, writers, and anyone needing "don't give up" motivation.

Is The Actor's Life by Jenna Fischer worth reading?

The Actor's Life is worth reading for its honest, accessible approach to the entertainment industry and universally applicable career advice. Fischer's conversational writing style makes you feel like you're having coffee with a trusted friend who's genuinely invested in your success. Even non-actors find value in the book's messages about perseverance, creating opportunities, and maintaining artistic integrity during difficult times.

Who is Jenna Fischer and why did she write this book?

Jenna Fischer is an Emmy-nominated actress best known for playing Pam Beesly on The Office, for which she won two SAG Awards. She wrote The Actor's Life because she wished she'd had a handbook during her eight years of struggle in Los Angeles—someone to manage expectations, educate her about the business, and reassure her during moments of despair. The book originated from a resonant MySpace post she wrote in 2006 about her trials as an aspiring actor.

What practical advice does The Actor's Life cover for aspiring actors?

The Actor's Life provides comprehensive guidance on essential industry basics including getting the right headshot, finding representation, joining SAG, and building a professional résumé. Fischer offers detailed chapters on auditioning techniques, callbacks, behaving professionally on set, and avoiding scams like auditions in someone's apartment. She emphasizes creating your own DIY acting projects and joining forces with like-minded artists rather than waiting for opportunities.

How long did Jenna Fischer struggle before landing The Office?

Jenna Fischer spent eight years struggling in Los Angeles after moving there at age 22 with just a theater degree, a beat-up car, and saved cash. During this nearly decade-long period, she faced constant rejection, frustration, and doubt while working undesirable office jobs and booking only small speaking parts on shows like Spin City and That 70's Show. She even had a breakdown at Pottery Barn because she felt like such a loser before eventually landing her breakthrough role.

What role did The Artist's Way play in Jenna Fischer's journey?

The Artist's Way significantly influenced Fischer's approach to her acting career and helped her maintain an artistic mindset during difficult times. The book's principles guided her on how to live like an artist even while struggling, encouraging her to create opportunities rather than wait passively for success. Fischer discusses how this iconic creative guide provided both practical tools and emotional support throughout her journey in The Actor's Life.

Does The Actor's Life include advice from other actors?

The Actor's Life concludes with interviews featuring various actors and their advice for those entering the profession. Throughout the book, Fischer references influential figures like her manager Naomi Odenkirk and friend Molly Shannon who helped her navigate the industry. The book includes inspirational quotes from diverse personalities including Einstein, Jon Hamm, Debra Messing, Marilyn Monroe, and Sheryl Sandberg to reinforce key messages.

Resumo de A vida de ator

um guia de sobrevivência

Jenna Fischer

4.17(9625 Reviews)

Visão geral do Resumo de A vida de ator

Antes de conquistar seu papel icônico como Pam em *The Office*, Jenna Fischer passou oito anos lutando em Hollywood. O guia de sobrevivência desta atriz indicada ao Emmy revela segredos de bastidores que a maioria das escolas de atuação nunca ensina - o roteiro que ela gostaria que alguém tivesse lhe dado.

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Capítulo 1

From Aspiring to Inspiring: The Real Journey of an Actor

Have you ever wondered what it really takes to make it in Hollywood? Not the glamorous red-carpet version we see in magazines, but the raw, unfiltered reality of rejection, tiny apartments, and eating what Jenna Fischer calls "Actor's Pizza" (bread with ketchup packets and American cheese). In "The Actor's Life: A Survival Guide," Fischer pulls back the curtain on her eight-year struggle before landing her iconic role as Pam Beesly on NBC's "The Office." This isn't just another celebrity memoir-it's a practical roadmap for aspiring actors, filled with hard-earned wisdom from someone who lived through the trenches. The book has become required reading in acting schools across America, with Steve Carell calling it "the book I wish I had when I was starting out." Whether you're an aspiring actor or simply curious about the reality behind the Hollywood dream, Fischer's journey reveals the persistence, creativity, and resilience required to build a career in the entertainment industry.

Capítulo 2

The Foundation: Training and Making the Big Move

I believe proper training is the most essential foundation for any aspiring actor. My journey began at Truman State University in Kirksville, Missouri, where I earned a BA in theater. College provided a safe environment to experiment with diverse roles I'd never get in the professional world-like playing Meg, the wild, boozy sister in "Crimes of the Heart." Though my school lacked a film department, we created our own projects, including "KPD Blues," a satire of NYPD Blue that aired on the college TV station. This early experience of creating my own work would become one of the most valuable skills in my career toolkit. Training isn't just for beginners-it's a lifelong commitment. A good acting class should be safe and nurturing, never abusive or exploitative. If you're serious about succeeding, you need proper technique to compete against thousands of other trained actors who are fighting for the same roles. Moving to a major market like Los Angeles or New York is essential, but comes with significant sacrifices. My first LA apartment was a dingy, dark place in West Hollywood with leaded glass windows, stained carpet, and a bathroom so scary my sister refused to use it. My bedroom consisted of a futon on the floor with cardboard box nightstands. Our neighbors included a suicidal painter and a bedridden Russian woman. Despite these conditions, the location was considered "good"-central, near a laundromat, and in a safe neighborhood. The financial reality is harsh: while the median income for SAG actors is $52,000, most earn less than $7,000 annually from acting. After agent and manager commissions (15-25%) and taxes (25-30%), even a $52,000 salary leaves just $29,000 in take-home pay. Before moving, build a substantial nest egg-I moved with $8,000 and it was gone within six months.

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Capítulo 3

Building Your Community: The Power of Collaboration

When I first arrived in Los Angeles, I made a critical mistake. With my theater degree in hand, I arrogantly avoided acting classes and theater companies, thinking I was above the "grunt work" of building sets or taking tickets. I sat alone in my apartment submitting for auditions through Backstage magazine while my roommate joined a theater company. He was constantly busy, meeting people, creating projects, and living the life of an artist while I lived as a "righteous hermit" watching Law & Order reruns. My life transformed when I finally started joining things-volunteering at theater box offices, taking improv and on-camera acting classes, and connecting with like-minded artists. We created our own projects together, sometimes with me acting, sometimes making props. The collaborative environment made all the difference. Success came when I stopped asking "what's in it for me?" and started looking for opportunities to help others. Most actors are natural hermits, but you've got to fight that urge to spend all day alone. Creating a family of weird, creative, supportive people is essential-just look at Amy Poehler and Tina Fey who met in improv class. Or consider the cast of "It's Always Sunny in Philadelphia," who were all struggling actors before they created their own show together. When starting out, you'll need a day job to pay bills since auditions and bookings will be sparse. The best strategy is finding flexible work with night and weekend hours: hotel desk clerk, waiter, bartender, dog walker, or early morning positions like barista. I leveraged my typing skills to get office temp jobs and did weekend catering work. The challenge is that employers are hesitant to hire aspiring actors, knowing they'll leave for opportunities. Though I initially tried honesty in interviews, I quickly learned the art of creative lying-doctor appointments instead of auditions, emergency dental surgery instead of one-day shoots, and for women, the unquestionable OB/GYN appointment. Despite my deceptions, I was always an excellent worker, which helped me maintain employment. Give your day job 110%-abundance breeds abundance, and this work ethic will transfer to your acting career.

Capítulo 4

The Molly Shannon Moment: Finding Inspiration in the Struggle

Early in my career, I desperately wanted to attend the Saturday Night Live party at the Television Critics Association event, but it started at 5 PM when I was never finished with my transcription work. I hatched an elaborate plan, pretending to be sick for two days, even applying makeup to look pale. My boss sent me home early, allowing me to transform in my car into party attire. I convinced a limo driver to drop me at the red carpet, where I awkwardly inserted myself into Molly Shannon's press circle, making terrible jokes until I could speak with her alone. When I finally confessed I was an aspiring actress, Molly gave me life-changing advice: "Don't give up. It took me ten years to get on SNL... You just never know." This moment sustained me through years of struggle. Unfortunately, my boss caught me at the party and immediately fired me-but it was worth it for Molly's inspiration. Ten years later, at my "Walk Hard" premiere, I reconnected with Molly and thanked her for that crucial encouragement. The key to surviving as an actor is finding value in difficult situations, using experiences to feed your creativity. Mining for gold isn't easy, but persistence pays off. Every setback, every humiliation, every odd job becomes material for your craft if you maintain the right perspective.

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Capítulo 5

The Business Side: Headshots, Union Membership, and Building Your Resume

Starting in Los Angeles, I naively thought finding an agent would be simple. I sent countless headshots to theatrical agents requesting meetings, but faced constant rejection. The reality was harsh-I had minimal experience and wasn't in the Screen Actors Guild. Agents want clients who can make them money immediately, not just show potential. Headshots are crucial yet dreaded by actors. Despite using a free college headshot initially, I quickly learned the importance of professional photos that accurately represent what you're selling. My journey through multiple headshots shows common mistakes: wearing the same overalls repeatedly, ignoring photographer advice, and choosing photos that portrayed me inaccurately. After several failed attempts, I finally understood what I needed to communicate: sweet, trustworthy, open, cute, and vulnerable. This authentic headshot ultimately got me the audition for Pam on "The Office." Casting director Allison Jones still remembered it years later, proving a good headshot's lasting impact. When choosing headshots, never select them yourself-rely on photographers, teachers, industry professionals or even strangers rather than friends and family who can't see you objectively. Current industry standards require color photos, with sessions costing $400-$650 in LA/Chicago and $500-$875 in New York, plus additional costs for makeup and printing. Getting into SAG-AFTRA presents a classic catch-22: you need union membership for professional acting jobs, but need professional work to join the union. The two most common paths to membership are through commercials or extra work. Commercial agents differ from theatrical agents by focusing exclusively on commercial work and typically maintaining larger client lists. While it's generally easier to get commercial representation than theatrical, finding a good, legitimate commercial agent is crucial. Commercial auditions often involve no scripted lines, focusing instead on improvisation and appearance. Success requires studying the storyboards, understanding the tone of the commercial, and remembering that the product-not the actor-is the real star. Working as an extra is another path to union membership and requires no training, headshots, or agents. On union productions, non-union extras can be "bumped up" to union status, earning a voucher. Three vouchers make you eligible to join SAG-AFTRA. While extra work provides valuable set experience, it's far from glamorous-often involving uncomfortable waiting conditions, portable toilets, and mediocre food. Once you've collected three vouchers, received a Taft-Hartley, or booked a union commercial, you become "SAG-AFTRA Eligible." Before rushing to join, consider the financial commitment: $3,000 initiation fee plus annual dues of $206 and 1.575% of your SAG earnings. Additionally, union members cannot work non-union jobs under threat of fines or expulsion.

Capítulo 6

Finding Representation: Agents, Managers, and Building Relationships

I view my acting career as a corporation where I'm both the product and CEO. Like many startups, mine began with a big idea and grit, submitting headshots and resumes from my kitchen table. Eventually, though, I needed representation to access professional union jobs regularly. The best way to advance your career is to be seen performing. Even small roles in seemingly insignificant projects can lead to life-changing connections. I reluctantly accepted a tiny seven-line part in a friend's HBO Workspace showcase, which initially seemed like a waste of time. After performing it three separate times over months, Jim's manager Naomi Odenkirk approached me, impressed by my simple but memorable performance. She's remained my manager for over fifteen years, helping shape my career in television comedy and setting up the general meeting with Allison Jones that led to my role on "The Office." When meeting an agent, be yourself-no dancing shoes or Starbucks. The meeting allows them to get to know your personality and assess what roles might suit you. After small talk, when asked about your goals, be specific rather than general. Instead of saying "I'd do anything!" I learned to say "I love doing comedy. I'm mainly interested in booking roles in television comedy because, eventually, I'd love to be on an ensemble comedy with a lot of characters." Specificity helps agents help you. Remember this is a mutual interview-don't be blinded by an agency's size or reputation. What matters is the individual agent. Will they take your calls? Are they passionate about getting you to the next level? Do you like them? Most importantly, do they believe in you? My first agent from a paid showcase never seemed passionate about me and got me few auditions. Charlie was different-he was enthusiastic about me as an artist, took time to understand my goals, and created a strategy for my career. He started me with small roles, then guest spots, then series regular auditions. He followed up with casting directors for feedback and spent time coaching me. The worst thing you can have is an agent who doesn't work for you. Once you've signed with an agent, develop a genuine relationship with them. You want to be on their mind when they browse breakdowns. Get to know them as a person-their interests, family, hobbies. Professionally, consult them on headshots and reels, and inform them about industry relationships you're developing. Don't pester them about missed auditions, but don't stop hustling either. Remember: an agent only gets 10% because they only do 10% of the work-you must do the other 90%.

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Capítulo 7

The Audition Process: Preparation, Performance, and Perseverance

Every actor has audition horror stories, including me. Once I bombed an improvised audition with Larry David, freezing up completely and then awkwardly trying to hug him as I left. Another time, I broke down crying after flubbing a line for a lead role. Nervousness is normal for actors-I'd feel my teeth throbbing, while a friend of mine would involuntarily pass gas from anxiety. The waiting room experience was particularly daunting, sitting among actresses who looked just like me, mentally comparing our respective agents and chances. Though I tried various calming techniques, only experience truly helped reduce my nerves. The more auditions I attended, the more comfortable I became, though the anxiety never completely disappeared. Success isn't booking every role-it's creating consistent quality work across all your auditions. My journey to "The Office" illustrates this perfectly: I first auditioned for Allison Jones for a small role on "Freaks and Geeks," then for "Undeclared" (where I eventually got a one-liner), and continued auditioning for her for five years before landing Pam Beesly. What mattered wasn't booking each role, but demonstrating I was a reliable actor capable of consistent work. Every audition plants seeds for future opportunities. Being a good actor and being a good auditioner require completely different skills. After four years of acting school and four more years of struggling, I discovered Robert D'Avanzo's six-week on-camera audition class-the Holy Grail of audition technique. Within four weeks of his class, I received twelve callbacks in a row and booked my first TV role. One key lesson: "You Are Enough." Instead of trying to figure out what casting directors want, bring yourself authentically to the role. This approach helped me land Pam on "The Office" when Allison Jones advised me to "Dare to bore me." I showed up looking like a real receptionist-ill-fitting pants, wrinkled button-down, minimal makeup-and during the improv section, gave short, awkward answers with long pauses, embracing the documentary style. After eight years of struggling, I was ready to quit acting. The rejection had worn me down completely. When I called my agent to quit, he insisted I was on the right track, noting most actors never make it to network tests. My manager challenged me directly: "Are you an actor or aren't you?" Even my acting teacher Robert yelled at me: "This is what it means to be an actor! Scrambling for auditions, tons of rejection, and little bits of work in between! You are already doing it!" I put a Chuck Norris quote on my bathroom mirror: "A lot of people give up just before they're about to make it." I gave myself one more year-and that's when Allison called me to audition for "The Office." The casting notice specifically requested "Unknowns only, NO names"-finally my lack of success was a virtue!

Capítulo 8

Life on Set: The Reality Behind the Glamour

Getting your first speaking role in film or television is a momentous occasion. My first came after five years of struggling in Los Angeles-a three-line part as "Waitress" on "Spin City" with Charlie Sheen. Despite the tiny role, I created an elaborate backstory and obsessed over line delivery, particularly "Is Pepsi okay?" The experience taught me several universal truths about working on set: most of your day is spent waiting around; the most prepared person is always the one with just three lines; as a day player, you should pretend not to hear the stars' conversations; and sets always have abundant food. A typical shooting day lasts 12-14 hours, starting around 6 AM. Arrive showered with clean hair and no makeup. Allow extra time to get to set-directions are often wrong, your name might not be at the gate, and parking can be far from base camp. Your call time is when you should arrive at base camp, not when you park. Being late gets noted on the production report sent to the studio. With a SAG speaking role, you'll get a trailer or private dressing room-typically a small room in a "honeywagon" for day players. You'll sign paperwork, meet with wardrobe, visit hair and makeup, then wait in your trailer-possibly for hours-until they're ready for your scene. This waiting is the hardest part of the job; as actors say, "They pay me to wait; I do the acting for free." When finally called to set, you'll first rehearse the scene, holding sides and reading aloud. This initial rehearsal focuses on logistics, not performance-the director and DP need to determine blocking. After setting the blocking, the crew watches another rehearsal to plan camera, lighting and sound placement. You'll then be dismissed while the crew sets up, which takes 15-45 minutes for TV or several hours for film. On average, you get four to five takes to nail your performance. Don't worry if a take doesn't work due to technical issues-consistency is key. You don't need to be perfect in every take; the editor can piece together a good performance from different takes. Never stop a scene unless there's a serious problem-only the director calls "cut." Even if you flub a line or hear distractions off-camera, keep going. The best perk of booking an acting gig as a starving artist is the free food! There are two sources: Catering provides meals while Craft Services ("Crafty") offers snacks. You'll get two hot catered meals daily: breakfast upon arrival and "lunch" served six hours after Crew Call. The Craft Services snack table is usually near the set with coffee, drinks, and treats. On "The Office," our Crafty served hot snacks twice daily that were practically meals-tacos, pasta, Thai food, homemade soup.

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Capítulo 9

Creating Your Own Path: Taking Risks and Making Opportunities

Jenna's career transformation came when she finally took the risk of changing agents. Though loyal to Charlie, she recognized her career had stalled because his small agency couldn't get her bigger auditions. After making the difficult decision to leave Charlie, Jenna partnered with Tom, who immediately secured her more prestigious auditions. This led to guest roles on "That '70s Show," "Six Feet Under," and her first pilot. Within two years, she was earning enough from acting to quit her day job. Creating your own work is the single most valuable thing an actor can do for both professional advancement and personal fulfillment. Rob McElhenney created "It's Always Sunny in Philadelphia" with friends Charlie Day and Glenn Howerton for under $200. Mark Proksch's "K-Strass Yo-Yo Guy" YouTube pranks landed him a role on "The Office" (and a wife-he married the writer who discovered him). My own breakthrough came from creating a mockumentary about misguided charity workers. Though initially just a fun project with friends, the experience proved invaluable when auditioning for "The Office," as I'd spent a year practicing the exact mock-documentary style the show required. The key insight is to embrace imperfection: "Whatever you decide to make, tell yourself it's going to suck... And then, do it anyway. Something awful is better than something incomplete." Finishing projects builds your creative "vault"-material you can draw upon later when opportunities arise. In a candid and vulnerable moment, I reveal I was fired from a CBS pilot starring Matt LeBlanc. After taking time off to raise my second child, I'd landed what seemed like the perfect comeback role-a family-friendly sitcom fifteen minutes from home, directed by legendary James Burrows. Despite everyone's confidence the show would be picked up, I received devastating news: while the show was moving forward, I was being replaced because focus groups "didn't believe Pam would marry Joey"-our previous iconic roles created chemistry issues. To cope with the rejection, I comfort ate, putting on a brave face publicly while feeling "heavy and hopeless" inside. I found solace in discovering other successful actors who were fired from James Burrows shows (Lisa Kudrow, Ray Romano, Bob Odenkirk), and followed my friend Sean Gunn's advice to celebrate getting fired with a trip to Palm Springs. The experience reinforces my understanding that "no job really changes everything"-even after an Emmy nomination and ten years on "The Office," I still face rejection. Ironically, getting fired opened doors to better opportunities: starring in Steve Martin's play "Meteor Shower," working with Ben Stiller in "Brad's Status," and appearing on "Drunk History."

Capítulo 10

Wisdom from the Trenches: Lessons from Veteran Actors

Reed Birney's story exemplifies extraordinary persistence through decades of struggle. After early success with "Gemini" moving to Broadway when he was just 22, Birney endured years of struggle. At 52, after a disappointing experience in a major theater production with just seven lines, he had an epiphany: "Stop taking parts because you think it's a career move. You just gotta play parts that are interesting to you." This led him to the challenging play "Blasted" which transformed everything-both his confidence and his career trajectory. After 35 difficult years and 8 good ones, Reed won a Tony Award for "The Humans" in 2016, proving that persistence and following artistic passion can eventually pay off, even after decades of struggle. Natalie Zea shares how a strict professor at acting school taught her the importance of punctuality-a zero-tolerance policy for tardiness that instilled professional discipline she still maintains today. Despite an initially promising start, Natalie endured a two-year drought before booking a Snickers commercial. Her career slowly built with voiceovers and commercials until she could quit bartending. Her most devastating career setback came when her first series regular role on "Eyes" was canceled after five episodes, sending her into a breakdown that led to an impulsive six-week Paris trip. This experience ultimately built her resilience, and she soon booked "Dirty Sexy Money," leading to steadier work thereafter. Sean Gunn began his acting journey at just six years old in a summer school acting class taught by my mother. After college at The Theatre School at DePaul University, Sean quickly found representation and booked his first two TV auditions. His big break came in 2000 on "Gilmore Girls," starting as a one-day role as a "DSL Installer" that evolved into the beloved character Kirk. Despite seven successful seasons, Sean faced a decade-long drought after the show ended, forcing him to humble himself and essentially start over. Derek Waters, creator of Comedy Central's "Drunk History," shares his journey from struggling actor to successful creator. When acting opportunities dried up, Waters began creating short films with friends, leading to "Drunk History"-which started as a UCB sketch in 2007, won at Sundance in 2010, and eventually became a Comedy Central series. Waters emphasizes creating your own opportunities rather than waiting for roles. The collective wisdom from these veteran actors is clear: persistence is everything, rejection is inevitable, and creating your own opportunities is essential. Success rarely comes overnight-most "overnight successes" are the result of years or even decades of persistent work, learning, and relationship-building. The actors who make it aren't necessarily the most talented, but rather those who refuse to give up, who keep showing up, and who find ways to create value even when the industry isn't recognizing them.

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Temas principais do Resumo de A vida de ator

entertainment industry survival
audition process reality
creative entrepreneurship
professional persistence
hollywood career logistics

Melhores citações do Resumo de A vida de ator

The good news is that the life of an actor is a life of hope.
I learned that my job wasn’t to be good. My job was to be castable.
I was told that if you want to be a working actor, you have to love to audition.
The trick is to surrender to the total and complete lack of control.
I learned that the key to surviving as an actor is to find ways to feel successful, even when you aren’t getting acting jobs.

Personagens do Resumo de A vida de ator

Jenna FischerAuthor and actress who played Pam on The Office
Steve CarellActor and colleague who provided the foreword
Molly ShannonSNL actress who gave Jenna life-changing advice
Amy PoehlerComedic actress used as an example of collaboration
Tina FeyComedic actress used as an example of collaboration

Sobre o Autor

Jenna Fischer é a atriz indicada ao Emmy e autora best-seller de The Actor's Life: A Survival Guide, uma memória prática e manual para aspirantes a atores que navegam por Hollywood.

Mais conhecida por seu papel icônico como Pam Beesly em The Office da NBC (2005–2013), Fischer baseia-se em sua própria jornada de oito anos de rejeição, empregos temporários e perseverança antes de conseguir seu papel de destaque. Nascida em Fort Wayne, Indiana, e criada em St. Louis, ela mudou-se para Los Angeles em 1998 com um diploma de teatro e trabalhou como recepcionista e assistente administrativa — experiências que informaram profundamente tanto sua personagem quanto sua escrita.

O tom sincero e encorajador de Fischer em The Actor's Life reflete seu compromisso em desmistificar a indústria do entretenimento, oferecendo conselhos sobre fotos de divulgação, agentes, audições e como evitar golpes. Ela coapresenta o podcast imensamente popular Office Ladies com Angela Kinsey, que já acumulou mais de 200 milhões de downloads e venceu o prêmio de Podcast do Ano da iHeart Radio em 2021. Seu segundo livro, Office BFF's: Tales of The Office from Two Best Friends Who Were There, coescrito com Kinsey, narra a amizade delas e histórias de bastidores da amada série.

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4.5K

"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

Veja mais sobre como o BeFreed é discutido na web

Criado por ex-alunos da Universidade de Columbia em San Francisco

BeFreed Reúne Uma Comunidade Global De Mentes Curiosas

4.7

avaliação média

Mais de 7,84 mil avaliações do app

BeFreed Community

"Instead of endless scrolling, I just hit play on BeFreed. It saves me so much time."

@Moemenn

"I never knew where to start with nonfiction—BeFreed’s book lists turned into podcasts gave me a clear path."

@Chloe, Solo founder, LA

117

"Perfect balance between learning and entertainment. Finished ‘Thinking, Fast and Slow’ on my commute this week."

@Raaaaaachelw

"Crazy how much I learned while walking the dog. BeFreed = small habits → big gains."

@Matt, YC alum

108

"Reading used to feel like a chore. Now it’s just part of my lifestyle."

@Erin, Investment Banking Associate , NYC

254

"Feels effortless compared to reading. I’ve finished 6 books this month already."

@djmikemoore

"BeFreed turned my guilty doomscrolling into something that feels productive and inspiring."

@Pitiful

4.5K

"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

"Instead of endless scrolling, I just hit play on BeFreed. It saves me so much time."

@Moemenn

"I never knew where to start with nonfiction—BeFreed’s book lists turned into podcasts gave me a clear path."

@Chloe, Solo founder, LA

117

"Perfect balance between learning and entertainment. Finished ‘Thinking, Fast and Slow’ on my commute this week."

@Raaaaaachelw

"Crazy how much I learned while walking the dog. BeFreed = small habits → big gains."

@Matt, YC alum

108

"Reading used to feel like a chore. Now it’s just part of my lifestyle."

@Erin, Investment Banking Associate , NYC

254

"Feels effortless compared to reading. I’ve finished 6 books this month already."

@djmikemoore

"BeFreed turned my guilty doomscrolling into something that feels productive and inspiring."

@Pitiful

4.5K

"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

"Instead of endless scrolling, I just hit play on BeFreed. It saves me so much time."

@Moemenn

"I never knew where to start with nonfiction—BeFreed’s book lists turned into podcasts gave me a clear path."

@Chloe, Solo founder, LA

117

"Perfect balance between learning and entertainment. Finished ‘Thinking, Fast and Slow’ on my commute this week."

@Raaaaaachelw

"Crazy how much I learned while walking the dog. BeFreed = small habits → big gains."

@Matt, YC alum

108

"Reading used to feel like a chore. Now it’s just part of my lifestyle."

@Erin, Investment Banking Associate , NYC

254

"Feels effortless compared to reading. I’ve finished 6 books this month already."

@djmikemoore

"BeFreed turned my guilty doomscrolling into something that feels productive and inspiring."

@Pitiful

4.5K

"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

Veja mais sobre como o BeFreed é discutido na web

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