
In "Wild Game," Adrienne Brodeur's bestselling memoir, a daughter becomes complicit in her mother's affair, exploring toxic family dynamics that Ruth Ozeki called "utterly enthralling." What happens when the person who should protect you asks you to protect their darkest secret?
Adrienne Brodeur is the bestselling author of Wild Game: My Mother, Her Lover, and Me, a memoir exploring complex family dynamics, secrecy, and maternal relationships.
A literary force with decades of experience, Brodeur co-founded the award-winning magazine Zoetrope: All-Story with Francis Ford Coppola and served as editor-in-chief, cementing her reputation for cultivating literary talent. Her career spans editing at Harcourt and leadership roles at Aspen Words, where she launched the $35,000 Aspen Words Literary Prize.
Brodeur’s memoir, hailed by The New York Times as “exquisite and harrowing,” draws from her own life, detailing her teenage involvement in her mother’s affair. Her novel Little Monsters (2023), a New York Times Editors’ Choice, further showcases her skill in weaving familial intrigue.
Wild Game has been adapted for film by Chernin Entertainment, with Nick Hornby attached to the screenplay. The memoir was a Book of the Month Club pick and featured on NPR’s Best Books list.
Wild Game is a memoir exploring Adrienne Brodeur’s complex relationship with her mother, Malabar, who embroiled her in a decades-long affair with her stepfather’s best friend. The book traces how this secret shaped Brodeur’s adolescence, marriages, and mental health, ultimately examining themes of loyalty, betrayal, and resilience. Written with raw honesty, it exposes the blurred lines between love and manipulation in familial bonds.
This memoir resonates with readers interested in dysfunctional family dynamics, mother-daughter relationships, or psychological memoirs. Fans of Educated or The Glass Castle will appreciate its unflinching exploration of emotional manipulation and personal redemption. It’s also valuable for those studying memoir writing or moral ambiguity in storytelling.
Yes, Wild Game is a nonfiction account of Brodeur’s life, recounting her mother’s affair and its fallout. The author draws from personal journals and memories, offering a candid reflection on her role as both accomplice and victim in the family drama. Its factual basis amplifies its emotional impact.
Key themes include:
The memoir dissects the toxic codependency between Brodeur and Malabar, showcasing how a parent’s emotional needs can override a child’s boundaries. Malabar’s manipulation—casting Adrienne as her confidante—reveals the lasting scars of inverted caregiving roles. Critics praise it as a landmark study of maternal influence gone awry.
Cape Cod serves as both a picturesque backdrop and a metaphor for hidden tensions. The seaside setting contrasts with the family’s emotional chaos, symbolizing the divide between outward privilege and inner turmoil. Key moments, like the midnight confession, occur here, anchoring the story’s pivotal events.
Memorable lines include:
These quotes underscore the book’s focus on secrecy and emotional labor.
Brodeur’s prose is lyrical yet clinical, blending vivid scene-setting with psychological analysis. Her ability to humanize flawed characters—particularly Malabar—adds depth to the narrative. The memoir reads like literary fiction, balancing suspense and introspection.
Some readers find the relentless focus on Malabar’s narcissism emotionally exhausting. Others question Brodeur’s delayed accountability for her role in the affair. However, most praise its unflinching honesty and structural craft, with BookPage calling it a “remarkable story of resilience.”
Unlike trauma-centric memoirs, Wild Game emphasizes nuanced moral reckoning over victimhood. Its focus on complicity aligns it with The Liars’ Club, while its Cape Cod setting invites comparisons to Elena Ferrante’s coastal dramas. The book stands out for its exploration of active participation in familial dysfunction.
As the founder of Zoetrope: All-Story, a literary magazine, Brodeur brings a novelist’s eye to pacing and symbolism. Her editorial expertise sharpens the memoir’s structure, transforming personal pain into a universally resonant narrative about self-discovery.
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"Charles has been more child than husband," Malabar confided.
"I've never felt so alive," she'd confide to Adrienne.
"Ben is like a wild animal," she would tell Adrienne. "The man needs a jungle."
"No one will ever find out. We're being very careful, Rennie. Plus, we have you, our secret weapon."
"What kind of mother could leave her children for so long?" she'd ask Adrienne. "It's monstrous."
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What would you do if your mother woke you in the middle of the night to confess she'd just kissed your stepfather's best friend? At fourteen, most of us are navigating algebra and first crushes-not becoming accomplices to adultery. But that's exactly what happened to Adrienne Brodeur on a summer night in Cape Cod in 1980. Her mother Malabar didn't just share a secret; she handed over a burden that would shape the next decade of Adrienne's life. This wasn't a one-time confession whispered in desperation. It was an invitation into a world where boundaries dissolved, where daughter became confidante, where a teenager's job was to facilitate her mother's affair. For ten years, Adrienne lived split in two-the girl trying to build her own life and the accomplice ensuring her mother's happiness, no matter the cost.