
Foucault's groundbreaking exploration of how society redefined madness across centuries - from medieval wisdom to institutional confinement. This provocative critique reshaped psychology, inspired the antipsychiatry movement, and continues challenging our assumptions: who truly decides the boundary between sanity and insanity?
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What if everything we think we know about mental illness is a social construct? Michel Foucault's "Madness and Civilization" isn't just a history-it's a radical reimagining of how Western society has defined sanity by creating its opposite. In medieval Europe, madness occupied a strange, almost sacred position. The mad weren't simply sick-they were vessels of mysterious truth, celebrated in Shakespeare's insightful fools and Bosch's fantastical paintings. Towns would expel their madmen on "Ships of Fools," creating a curious traffic in the insane. These ritual embarkations reflected a deep imaginary relationship between water and madness-purifying while carrying away. The madman became the ultimate Passenger, with truth and homeland only in the expanse between places that could never belong to him. Why did madness fascinate Renaissance culture? Because it represented the world's dizzying unreason while speaking truth in simpleton's language. The madman's laugh anticipated death's laugh, disarming it. These grotesque figures revealed secrets of our own nature-the beast set free, acquiring a fantastic nature that stalks humanity and reveals its truth. The Fool, in his innocence, possessed intact the difficult, hermetic knowledge that the man of reason sees only in fragments.
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Создано выпускниками Колумбийского университета в Сан-Франциско
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Создано выпускниками Колумбийского университета в Сан-Франциско

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