老约瑟夫·赫尔梅斯伯格不仅是教琴,他是在批发‘维也纳标准’。咱们现在听到的那种维也纳爱乐标志性的‘丝绒般’琴声,根儿全在赫尔梅斯伯格家族的课堂里。
Criado por ex-alunos da Universidade de Columbia em San Francisco
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Criado por ex-alunos da Universidade de Columbia em San Francisco

Lena: 哎,Miles,我前两天听维也纳爱乐乐团的录音,总觉得那种细腻又华丽的琴声特别有辨识度。结果查了一下才发现,这种所谓的“维也纳音色”,其实跟一个叫赫尔梅斯伯格的家族有极深的渊源。
Miles: 你说到点子上了。其实在 19 世纪的维也纳,这个名字简直就是音乐界的“教父”。尤其是老约瑟夫·赫尔梅斯伯格,他不仅是维也纳音乐学院的院长,还在长达 26 年的时间里带出了 150 多个小提琴家,可以说当时乐团里满座都是他的学生。
Lena: 真的假的?一个人带出了一支顶级乐团的底色?我原以为他只是个普通的小提琴手。
Miles: 他可不简单。你想想,在 1850 年代之前,很多乐团其实还是业余水平,是他硬生生把那些业余队伍带成了专业水准。而且他那个“赫尔梅斯伯格四重奏”,在当时几乎是维也纳室内乐的标杆,连贝多芬晚期的作品都是靠他们才真正普及开的。
Lena: 听起来他不仅是个教育家,还是个厉害的职业经理人。不过我发现他儿子也叫约瑟夫,外号还叫“皮皮”,这父子俩在乐坛的地位是怎么传承的?
Miles: 这就是这个家族有意思的地方了,从老约瑟夫到“皮皮”,他们几乎接管了维也纳所有核心的音乐机构。这就得从老约瑟夫如何执掌维也纳音乐学院的黄金时代说起了。