What is *The Choice: Embrace the Possible* about?

*The Choice: Embrace the Possible* is a memoir by Holocaust survivor Dr. Edith Eva Eger, detailing her imprisonment at Auschwitz, survival through trauma, and journey to becoming a psychologist. It explores how she overcame survivor’s guilt, forgave herself, and now teaches others to break free from mental prisons by embracing resilience and the power of choice.

Who should read *The Choice: Embrace the Possible*?

This book is ideal for readers seeking inspiration from survival stories, those interested in trauma recovery, or anyone grappling with guilt, fear, or self-limiting beliefs. It’s particularly valuable for psychology enthusiasts and individuals navigating personal transformation.

Is *The Choice: Embrace the Possible* worth reading?

Yes—ranked a *New York Times* bestseller and praised by Oprah Winfrey and Desmond Tutu, the book offers profound insights into resilience and healing. Its blend of memoir and therapeutic wisdom makes it a timeless resource for understanding human strength.

What does "the biggest prison is in your mind" mean in *The Choice*?

This metaphor underscores Eger’s belief that self-imposed limitations—like shame, anger, or unresolved trauma—can trap us more than physical prisons. She argues freedom comes from taking responsibility for one’s mindset and releasing self-judgment.

How did Edith Eger’s dance for Josef Mengele impact her survival?

Forced to dance for Nazi officer Josef Mengele at Auschwitz, Eger used this moment to mentally escape brutality by focusing on technique and memories of her mother. This act symbolized her refusal to let oppression destroy her inner spirit.

What lessons does *The Choice* offer about forgiveness?

Eger emphasizes forgiving oneself as the hardest but most liberating step. By returning to Auschwitz decades later, she reconciled with her past, urging readers to release blame and focus on creating a compassionate legacy.

How does *The Choice* compare to other Holocaust memoirs?

Unlike purely historical accounts, Eger’s memoir integrates psychological frameworks for healing, making it both a survival narrative and a guide to overcoming adversity through mindset shifts.

Can *The Choice* help with modern-day challenges like anxiety or grief?

Absolutely. Eger’s principles—such as reframing trauma as empowerment and choosing hope—apply to contemporary struggles, offering tools to navigate loss, career stress, or relationship conflicts with resilience.

A Bailarina de Auschwitz

Abraçar o Possível

Edith Eva Eger

4.51(1564 Reviews)

Visão geral de A Bailarina de Auschwitz

As memórias da sobrevivente do Holocausto, Dra. Edith Eva Eger, revelam como escolher a liberdade em meio a um trauma inimaginável transforma o sofrimento em força. Elogiado por Elizabeth Zaborowska e comparado à obra de Viktor Frankl, este best-seller do New York Times desbloqueia o poder da perspectiva em seus momentos mais sombrios.

Escolha como a história é contada

Um livro. Muitas maneiras de ouvi-lo.

As mesmas ideias de A Bailarina de Auschwitz. Escolha a voz, a profundidade e o ritmo ideais para você. Mude quando quiser.

Capítulo 1

Dancing Through Darkness: How Freedom Begins in the Mind

When Captain Jason Fuller enters my El Paso office in 1980, I immediately sense danger. Though physically present, this tall, athletic man appears wooden-rigid body, distant blue eyes, frozen jaw, completely silent. As he sits stiffly on my white couch, I search for a way to reach him through his catatonic state. Taking command, I declare: "We're going for a walk. Captain, we will take Tess to the park-now." Though panicked, the good soldier stands. "Yes, ma'am." This moment exemplifies what Oprah Winfrey later called "one of the most important books I've ever read" after featuring Edith Eva Eger on her show. Since its 2017 publication, "The Choice" has become a global phenomenon, translated into more than thirty languages and embraced by celebrities from Viola Davis to Prince Harry. Beyond its critical acclaim, the book has sparked a movement in trauma psychology, challenging the notion that our past must dictate our future. As Eger often says, "The opposite of depression is expression"-a philosophy that has made her a sought-after speaker well into her nineties, bringing her wisdom to military personnel, corporations, and universities worldwide.

Capítulo 2

The Four Questions That Changed Everything

If I could distill my entire life into one moment, it would be this: three women in dark wool coats waiting, arms linked, in a barren yard. My mother, my sister Magda, and me-exhausted, dusty, standing in line at Auschwitz. This is our last moment together, though we don't know it yet. Growing up Jewish in Czechoslovakia made us double minorities-ethnic Hungarians in a Czech country, and Jews. When Hungary annexed Kosice in 1938, we celebrated, not understanding that Admiral Horthy's arrival marked the beginning of growing antisemitism. By 1939, Hungarian Nazis had evicted us from our apartment. While other Jewish families fled Europe, we didn't talk about leaving. Even in 1940, when I'm thirteen and the nyilas begin rounding up Jewish men for forced labor camps, we use denial as protection. We're made to wear yellow stars but try to hide them under our coats. I focus on ballet, gymnastics, and my book club, where I meet Eric. Our love blossoms amid growing restrictions-we sneak out without our stars to see American films and make plans for our future together. In 1943, my father is taken to a forced labor camp. After seven months, he returns just before Passover, while I'm devastated after being removed from the Olympic training team because of my "background." I vow revenge through perfection, planning to train my replacement flawlessly. On Passover 1944, we learn that Germans are beginning to round up Jews. My parents argue bitterly-my mother for returning to Kassa, my father lamenting missed opportunities to flee. As I recite the traditional question "Why is this night different from all other nights?" my father circles the table, kissing each of us while crying. Before dawn breaks, we'll know the answer when soldiers pound on our door.

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Capítulo 3

When Freedom Lives Only in the Mind

They come for us in the dark, ordering us to pack one suitcase for all four of us. While my mother frantically gathers practical supplies-flour, chicken fat, blankets-I choose to wear my thin blue silk dress, the one Eric kissed me in. Despite the April chill, I want to be desirable, protected by this memory of love. We're loaded onto wagons and taken to the Jakab brick factory, joining nearly twelve thousand imprisoned Jews. We sleep on floors, hunger becomes constant, and people are beaten for minor offenses. I find Eric in the camp, and we meet daily, dreaming of our future together. After a month, our section is evacuated. Eric calls to me through the truck slats: "I'll never forget your eyes. I'll never forget your hands." This becomes my survival mantra. The cattle car journey is hellish-a hundred people per car, one bucket for waste, one loaf per eight people. My father grows despondent while my mother withdraws inward, offering me crucial advice: "No one can take away from you what you've put in your mind." When we arrive at Auschwitz, Dr. Mengele separates us-sending my mother left while pushing Magda and me right with false assurances we'll see her after she "takes a shower." A prisoner in a striped dress approaches me, yanks my coral earrings from my ears, and when I ask about seeing my mother, she points to the smoking chimney: "Your mother is burning in there. You better start talking about her in the past tense." In this moment, I discover what my ballet master meant when he said "all your ecstasy in life is going to come from the inside." As Magda stares at the chimney where our mother was sent, I can't process the incomprehensible reality. I focus only on surviving each moment with my sister as my anchor. We endure the humiliation of being stripped, shorn of our hair, and left naked for hours awaiting uniforms. When Magda asks how she looks without hair, I find the one truth that won't wound: "Your eyes are so beautiful. I never noticed them when they were covered up by all that hair." In this moment, I realize we have a choice-to focus on what we've lost or what we still have.

Capítulo 4

Dancing on the Edge of Death

When Dr. Mengele enters our barracks seeking entertainment, other inmates push me forward as a trained dancer. As "The Blue Danube" plays, I dance in my ill-fitting uniform, hearing him discuss with officers which girls will be killed next. I close my eyes and escape into my mind, transforming the barracks floor into the Budapest opera stage. In this transcendent moment, I realize Mengele is more imprisoned than I am-I'm free in my mind while he must live with his atrocities. My performance earns me a loaf of bread, which I share with Magda and our bunkmates. We learn survival rules: steal from guards but never inmates; cooperation trumps competition; commit to someone outside yourself. For me, that's Magda and the hope of seeing Eric again. We create inner sanctuaries through imagination-cooking elaborate meals in our minds while starving, hosting beauty pageants in our gray dresses, discussing marriage and love. One day in the showers, Mengele himself appears, calling me "my little dancer" and leading me naked into his office. As he examines me and begins unbuttoning his coat, I focus only on staying alive inside my mind, repeating "yes I can, yes I can." When a phone call interrupts him, I flee. The fear never leaves me, but I keep my inner mantra: "I survived today. Tomorrow I will be free." In summer 1944, Magda and I notice no more Hungarian Jews are arriving at Auschwitz. One winter morning, we stand in line to be tattooed. When my turn comes, the officer grabs my wrist but then shoves me aside, saying "I'm not going to waste the ink on you." I'm pushed into "the death line," but notice Magda has been placed in another line. Without planning, I begin doing cartwheels across the yard, hands to earth, feet to sky, expecting a bullet any second. A guard stares but doesn't shoot-he even seems to wink at me. In those precious seconds of distraction, Magda runs across to join my line. This spontaneous act of defiance saves both our lives.

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Capítulo 5

The Fragile Thread of Survival

Soon we're evacuated from Auschwitz by cattle car. A Wehrmacht soldier with kind eyes tells us, "You have to eat. No matter what they do, remember to eat, because you might get free, maybe soon." We're taken to what appears to be a children's summer camp in Germany, where we work in a thread factory that slices our hands despite the leather gloves we wear. One night in the kitchen, we laugh as we secretly toast potato peels I've hidden in my underwear. "We've escaped the gas chamber, but we'll die eating potato peels," someone jokes. This laughter, this camaraderie becomes our sustenance. After weeks, we're forced onto the tops of ammunition trains as human shields against British bombs. When bombs hit our train, I jump and run toward the forest-freedom just footsteps away. But I don't see Magda. In that split second, I choose to return rather than escape alone. I find her in a ditch with a dead girl in her lap, blood streaming from Magda's chin. We continue marching for days or weeks as the snow melts, watching our numbers dwindle from exhaustion, exposure, fever, and hunger. When we spot a farm, Magda darts away while the guards smoke, desperate to find food. I watch her zigzag toward the garden fence, then lose sight of her when gunshots ring out. I pray to my mother for help. Magda returns safely but empty-handed. In March, I fall ill with fever at an ammunition factory. Magda hides me under a coat while she works. During my feverish sleep, bombs hit and set the factory on fire. When I regain consciousness, I see the burning bridge to the factory. Magda appears through the flames-she's crossed the burning bridge to return to me rather than escaping. "You idiot," I tell her, "you could have run." By April, as spring brings green grass, we continue marching. When Magda begins to lose hope during another night without food, I slip out of our sleeping quarters despite warnings that anyone leaving will be shot. I scale a garden wall and pull carrots from the earth. As I jump back down, a Wehrmacht soldier catches me. He points his gun at my chest, and I prepare to die. Instead, he marches me back inside. The next morning, he returns-not to punish me, but to bring me a loaf of dark rye bread. "You must have been very hungry to do what you did," he says, his eyes full of kindness.

Capítulo 6

The Moment Between Life and Death

At Mauthausen, we sleep on the stairs, awaiting what feels like certain death. Rumors circulate: "We die in the morning." I struggle with my final thoughts, not wanting them to be despondent or cliched. I think of Eric, of physical desire, lamenting that I'll die a virgin without experiencing what my body was meant to know. I mourn not just what I've lost-mother, father, sister, boyfriend, country, home-but what I'll never know: the future, my potential, children I'll never have. This becomes the Death March from Mauthausen to Gunskirchen. Of two thousand girls, only one hundred will survive. When I stumble, girls form a human chair to carry me, one recognizing me as the girl who shared bread at Auschwitz. Gunskirchen Lager is a worse hell than anything we've experienced-a camp built for hundreds now housing eighteen thousand. Disease ravages our bodies: typhus, dysentery, white lice, open sores. We sleep three deep, with the dead beneath us. The camp has only one twenty-hole latrine; those who soil themselves are shot. The earth is a mud pit of excrement. I collapse with what I'll later learn is a broken back. I lie among corpses, hallucinating my family while witnessing horrors-a man eating human flesh, a pregnant woman forced to labor with her legs tied together, a child used for target practice. When starvation overwhelms me, I choose to eat grass rather than human flesh. "This is what it means to choose. To eat or not eat. To eat grass or to eat flesh." Days blur until cries awaken me: "The Americans have arrived!" I see jeeps, soldiers with American flags emblazoned with the number 71. When they call for survivors to raise their hands, I can barely move. A Black American soldier finds me, pressing colorful chocolate candies into my hand-the first sweetness I've tasted in so long. As he works to free me from the pile of bodies, I feel thankfulness "prickling all across my skin." Eventually, he places me on the grass where Magda joins me. We have survived the final selection. We are alive. We are together. We are free.

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Capítulo 7

The Long Journey Home

Freedom isn't the jubilant celebration I once imagined. We're a "silent river" of barely-alive skeletons flowing from Gunskirchen toward the nearest town. I ride a squeaking cart with Magda walking beside me, my body wracked with pain I'd previously had no luxury to acknowledge. We're a "slow-moving parade of ghouls" with jutting bones and hollow faces. The GIs bring Magda and me to a German family's home, where I'm placed in a wooden crib, weighing just seventy pounds, barely able to think beyond pain and need. One night, two drunk American soldiers burst into our room. One tries to assault me while his friend keeps watch. Too weak to fight, I can only manage a warble when I try to scream. The soldier pulls his gun, but then leaves without harming me. He returns the next morning, weeping and repeating "Forgive me," bringing army rations that he spoon-feeds me. For six weeks, he visits daily, helping me relearn to walk despite my burning back pain. The journey home is bittersweet. On the train from Wels to Vienna, Magda and I scratch at our lice-ridden bodies, caught between hope and grief. "Home. We are going home," I think, immediately followed by the crushing realization that returning means confronting our losses anew. We know our mother, father, and grandparents are dead. We learn that of fifteen thousand deportees from our hometown, only seventy survived. Boarding another train toward Prague, we face immediate antisemitism-"Nasa lude," sneers a Slovak man, forcing Jews to ride atop the train car. In Prague, I'm overwhelmed by the normalcy of city life-bakeries, shops, perfume-proof that ordinary existence continued while we suffered. Then a miracle: I spot a concert poster featuring my sister Klara with her violin. Arriving in Kosice, now part of Czechoslovakia instead of Hungary, we walk toward our old apartment and suddenly Klara appears, carrying her violin. She drops it, embraces me, and becomes instantly maternal. She's been surviving by playing violin concerts, living in disguise. Through it all, I remember our mother's wisdom: "When you can't go in through a door, go in through a window."

Capítulo 8

The Choice to Begin Again

By June's end, still suffering from back pain and chest congestion, I'm diagnosed with typhoid fever, pneumonia, pleurisy, and a broken back. I also receive devastating news: Eric died at Auschwitz the day before liberation. When my condition worsens, I'm sent to a tuberculosis hospital in the Tatra Mountains. There I meet Bela, a gruff older man who initially dismisses me but later visits my room to make me laugh despite doctors' warnings that laughter would cause pain. I decide to marry Bela-not out of love like with Eric, but as a step back into life. Klara objects, calling us "two cripples," which only strengthens my resolve. We marry on November 12, 1946, at Kosice city hall with just eight people present. While my sisters continue life in Kosice, I begin an unexpected life of luxury in the Eger mansion in Presov. Bela introduces me to Presov's elite, and I mimic their behaviors-drinking cognac, smoking cigarettes with a silver holder Bela buys me-feeling like an elegant parrot. We don't discuss our wartime experiences, maintaining a conspiracy of silence, convinced that locking away the past will keep us safe and happy. In early spring, I discover I'm pregnant. Despite the family doctor warning that I'm too weak and should abort, I refuse, determined to "give life." As my pregnancy progresses, my confidence grows along with my body. In September, I give birth to a daughter we name Marianne. Meanwhile, political threats emerge as Bela refuses a Communist Party position. On May 19, 1949, I return home to find Mariska weeping-the Communists have arrested Bela. After bribing the warden with my diamond ring, we escape by train. In Vienna, we take refuge at the Rothschild Hospital with thousands of other refugees. Our plan has been to join friends in Israel, where our fortune awaits in a boxcar. But I discover papers from the American consulate offering us rare immigration opportunity. The catch: Bela's tuberculosis history would disqualify him. I make the hardest decision of my life, telling Bela I'm taking Marianne to America with or without him. After agonizing deliberation, he abandons our Israel plans and fortune, choosing us over security. With Csicsi posing as Bela for the medical examination, we secure our visas through deception.

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Capítulo 9

America: The Second Liberation

October 28, 1949 feels like the most optimistic day of my life as we approach New York harbor. Standing on deck with Marianne, I point out Lady Liberty, telling her "We're in America. The land of the free." For twenty precious minutes, I believe the past can't touch us here. I board a city bus in Baltimore heading to the clothing factory where I earn 7 per dozen cutting threads from boys' boxer shorts. The factory's clattering machines remind me of Germany's thread factory after Auschwitz. We live with Bela's bitter brother George in a cramped Baltimore apartment. One day on the bus, I forget to pay my fare the American way. When the driver shouts "Pay or get off!" I collapse in terror, experiencing what I'll later understand as a flashback-my first of many. Bela falls ill with tuberculosis, leaving me terrified for Marianne who visits him daily. An aptitude test reveals he's suited to be an orchestra conductor or accountant. With Bela training as an accountant's assistant, I change jobs repeatedly seeking better pay and belonging. At an insurance company, I'm promoted only to hear a colleague warn, "Don't ever sit next to the Jews at lunch. They smell." At a luggage company, my Jewish boss humiliates me for answering phones: "No greener will represent this company." I give birth to Audrey in 1954, named after Audrey Hepburn. Bela fails his CPA test and is told his accent and stutter will prevent employment regardless. In summer 1955, we load our old gray Ford and leave Baltimore for El Paso, Texas. Bela's cousin Bob has promised better opportunities in this border town where immigrants are less marginalized.

Capítulo 10

Breaking the Prison of Silence

In January 1969, Bela and I tell our children we're separating. My choice to divorce Bela stems from complex realizations about my mother's life and my own. My mother had abandoned her career and independence to marry my father, choosing the life expected of her rather than the one she wanted. With Bela, I feared I'd done the same-exchanging my dreams for security. At forty-the age my mother was when she died-I felt cheated of essential experiences. My youth had been stolen by war, camps, and denial. I'd become a mother before grieving my own mother's death. I blamed Bela for my stuckness, though it wasn't his fault I'd chosen to hide my true self. Unexpectedly, Viktor Frankl himself reached out after someone sent him my essay "Viktor Frankl and Me." His letter-"From one survivor to another"-began a correspondence and friendship exploring why we survived and how to make meaning from suffering. After my divorce from Bela, I initially felt relief-my migraines disappeared and I embraced a new social life. But soon a gray fog settled over me. Even on my college graduation day, I couldn't attend the ceremony, trapped by my own belief that "I don't deserve to have survived." I had become my own jailor. When Bela unexpectedly invited me to dinner and asked if we might have "more to build together," I realized the emptiness I'd felt wasn't about our marriage but the void I carried within. Two years after our divorce, at age forty-four, we remarried in a Jewish ceremony. Our love became "as stable as the mountain range, as enveloping and fluid as a sea."

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Capítulo 11

The Healing Path

Viktor Frankl wrote, "It did not really matter what we expected from life, but rather what life expected from us." After being named Teacher of the Year in El Paso in 1972, I still felt I hadn't discovered my true calling. When I mentioned pursuing a doctorate in psychology to my principal, I hesitated: "By the time I finish school I'll be fifty." He simply replied, "You're going to be fifty anyhow." Taking his wisdom to heart, I earned an MA in educational psychology in 1974 and a PhD in clinical psychology in 1978. My academic journey introduced me to influential thinkers like Martin Seligman, whose research helped answer a question that had haunted me since liberation: Why did so many inmates return to the camps after being freed? Seligman's concept of "learned helplessness" explained why liberated prisoners returned to camps-when we believe nothing we do can improve our circumstances, we stop taking action on our own behalf. Albert Ellis taught me how our negative core beliefs drive harmful behaviors. From Carl Rogers, I learned the power of unconditional positive regard. In 1975, I traveled to Israel with Bela to interview Holocaust survivors for my dissertation on Richard Farson's calamity theory of growth. I wanted to understand how people create joyful, purposeful lives despite trauma, and how suffering itself might catalyze positive change. My research confirmed my clinical touchstone: We can choose to be our own jailors, or we can choose to be free.

Capítulo 12

Return to the Heart of Darkness

At fifty-three, I've transformed from an orphaned refugee into Dr. Edith Eva Eger, a respected psychologist who helps others heal from trauma. Yet despite my professional success, I haven't returned to Germany since the war. When invited to speak at Berchtesgaden, Hitler's former retreat, I'm torn. My daughter Marianne warns me about a Danish couple who suffered heart attacks after revisiting Auschwitz. Bela challenges me: "If you don't go to Germany, then Hitler won the war." His words hit hard, forcing me to recognize that avoiding Germany means staying trapped on an emotional seesaw with my past. I realize that true freedom requires confronting what terrifies me. Standing where Hitler once stood, I listen for echoes of evil but hear only silence. Instead, I feel the pulse of spring melting winter's grip. "I release you!" I shout to my old sorrow. The next morning, I address the chaplains with "Tempora mutantur, et nos mutamur in illis"-times change and we change with them. Lying in Goebbels's bed at Berchtesgaden, I realize I need to perform the rite of grief that has eluded me my whole life. I decide to return to Auschwitz. Though embassy officials initially resist due to labor riots across Poland, I persuade them with my survivor story, and Bela and I receive visas. At Auschwitz, Bela and I stand before the wrought-iron sign: ARBEIT MACHT FREI. The landscape is dominated by relentless fences, crumbling barracks, and the geometry of systematic death. Most haunting is the absence of birds-no birds live here, even now. Alone at Birkenau, I'm transported back. In memory, I relive the moment with Dr. Mengele when he asked if the woman beside me was my mother or sister. I answered "Mother"-the word I've spent my life trying to banish from consciousness. He sent her left, to death, while pushing me right, toward life. I call to her across the years, begging forgiveness for not saying "sister," which might have saved her. I take a small gray stone-in Jewish tradition, stones placed on graves signify the dead live on in our hearts. This stone represents my enduring love and the guilt I came to face. I leave it where my barracks once stood, saying goodbye to my parents and thanking Auschwitz for teaching me I was hurt but not broken, victimized but not a victim.

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Capítulo 13

The Dance of Freedom

At the Third World Congress on Logotherapy in 1983, Viktor Frankl and I danced together-two aging survivors who had learned to thrive. Through our decades-long friendship and my work with patients, I've discovered that painful experiences aren't liabilities but gifts that provide perspective and meaning. Though healing follows no universal template, there are learnable steps in the dance of freedom. The first step is taking responsibility for our feelings-noticing, accepting, checking, and staying with them rather than avoiding or blaming others. I taught Captain Jason Fuller to manage his emotions with this mantra, helping him identify primary feelings (sad, mad, glad, scared) and respond rather than react. The second step in the dance of freedom is learning to take necessary risks for true self-realization. My own journey required returning to Auschwitz despite external warnings and internal fear. Taking risks doesn't mean reckless endangerment, but embracing our fears so they don't imprison us. Time doesn't heal. It's what you do with the time. Healing becomes possible through three choices: taking responsibility, taking risks, and finally releasing the wound by letting go of the past or grief. When I worked with parents who lost their son to suicide, I confronted the mother directly: "Who's dead? Jeremy? Or you?" I explained that perpetual mourning becomes a victim's mentality that prevents true healing. In summer 2010, I addressed an Army unit returning from Afghanistan with high suicide rates. During my speech, I experienced a profound realization-I was addressing the 71st Infantry, the very unit that liberated me on May 4, 1945. Overcome with emotion, I shifted from asking "Why me? Why did I survive?" to "Why not me?" I thanked these soldiers, telling them their sacrifice has meaning, ending with my signature high kick that declares "I made it!" My message remains: You can't change what happened or what was done to you, but you can choose how you live now. You can choose to be free.

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Temas principais em A Bailarina de Auschwitz

holocaust survival
trauma recovery
mental freedom
victimhood vs victimisation
radical forgiveness

Citações de A Bailarina de Auschwitz

"No one can take away from you what you've put in your mind."
"The opposite of depression is expression"
"I'll never forget your eyes. I'll never forget your hands."
"Your mother is burning in there. You better start talking about her in the past tense."
"We've escaped the gas chamber, but we'll die eating potato peels," someone jokes.

Personagens de A Bailarina de Auschwitz

Edith Eva EgerThe protagonist, a ballet dancer and survivor
MagdaEdith's sister and constant companion in camps
Dr. MengeleThe SS officer and physician at Auschwitz
EricEdith's first love and source of motivation
Captain Jason FullerA catatonic veteran and patient in Edith's office

Sobre o Autor

A Dra. Edith Eva Eger, autora da biografia best-seller A Bailarina de Auschwitz (título original: The Choice: Embrace the Possible), é uma renomada psicóloga clínica, sobrevivente do Holocausto e autoridade internacional em recuperação de traumas. Nascida na Hungria em 1927, suas experiências angustiantes em Auschwitz e sua subsequente libertação fundamentam suas profundas percepções sobre resiliência, perdão e cura.

Doutora pela Universidade do Texas em El Paso, a Dra. Eger tratou pacientes por décadas em seu consultório em La Jolla, enquanto atuava como membro do corpo docente da Universidade da Califórnia, San Diego. Seu trabalho foi destaque na CNN, no The Oprah Winfrey Show e em um documentário holandês sobre o Holocausto.

A Bailarina de Auschwitz combina memórias com sabedoria terapêutica, explorando temas de sobrevivência, crescimento pós-traumático e a retomada da autonomia — uma estrutura expandida em seu livro seguinte, A Liberdade é uma Escolha: 12 Lições para Superar o que te Prende (título original: The Gift: 12 Lessons to Save Your Life). Traduzido para mais de 50 idiomas e endossado por pensadores como Viktor Frankl, A Bailarina de Auschwitz vendeu milhões de cópias globalmente, consolidando o status da Dra. Eger como uma voz transformadora na psicologia e no testemunho do Holocausto.

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@Cashflowbubu

Veja mais sobre como o BeFreed é discutido na web

Criado por ex-alunos da Universidade de Columbia em San Francisco

LOVED BY

1,000,000+ curious minds.

4.7

avg rating

1M+ learners

"Instead of endless scrolling, I just hit play on BeFreed. It saves me so much time."

@Moemenn

"I never knew where to start with nonfiction—BeFreed’s book lists turned into podcasts gave me a clear path."

@Chloe, Solo founder, LA

117

"Perfect balance between learning and entertainment. Finished ‘Thinking, Fast and Slow’ on my commute this week."

@Raaaaaachelw

"Crazy how much I learned while walking the dog. BeFreed = small habits → big gains."

@Matt, YC alum

108

"Reading used to feel like a chore. Now it’s just part of my lifestyle."

@Erin, Investment Banking Associate , NYC

254

"Feels effortless compared to reading. I’ve finished 6 books this month already."

@djmikemoore

"BeFreed turned my guilty doomscrolling into something that feels productive and inspiring."

@Pitiful

4.5K

"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

"Instead of endless scrolling, I just hit play on BeFreed. It saves me so much time."

@Moemenn

"I never knew where to start with nonfiction—BeFreed’s book lists turned into podcasts gave me a clear path."

@Chloe, Solo founder, LA

117

"Perfect balance between learning and entertainment. Finished ‘Thinking, Fast and Slow’ on my commute this week."

@Raaaaaachelw

"Crazy how much I learned while walking the dog. BeFreed = small habits → big gains."

@Matt, YC alum

108

"Reading used to feel like a chore. Now it’s just part of my lifestyle."

@Erin, Investment Banking Associate , NYC

254

"Feels effortless compared to reading. I’ve finished 6 books this month already."

@djmikemoore

"BeFreed turned my guilty doomscrolling into something that feels productive and inspiring."

@Pitiful

4.5K

"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

"Instead of endless scrolling, I just hit play on BeFreed. It saves me so much time."

@Moemenn

"I never knew where to start with nonfiction—BeFreed’s book lists turned into podcasts gave me a clear path."

@Chloe, Solo founder, LA

117

"Perfect balance between learning and entertainment. Finished ‘Thinking, Fast and Slow’ on my commute this week."

@Raaaaaachelw

"Crazy how much I learned while walking the dog. BeFreed = small habits → big gains."

@Matt, YC alum

108

"Reading used to feel like a chore. Now it’s just part of my lifestyle."

@Erin, Investment Banking Associate , NYC

254

"Feels effortless compared to reading. I’ve finished 6 books this month already."

@djmikemoore

"BeFreed turned my guilty doomscrolling into something that feels productive and inspiring."

@Pitiful

4.5K

"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

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A Bailarina de Auschwitz

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1,000,000+ curious minds.

1,000,000+ curious minds.

Um livro. Muitas maneiras de ouvi-lo.

Dancing Through Darkness: How Freedom Begins in the Mind

The Four Questions That Changed Everything

Veja cada palavra enquanto a ouve

When Freedom Lives Only in the Mind

Dancing on the Edge of Death

Aproveite ainda mais A Bailarina de Auschwitz

The Fragile Thread of Survival

The Moment Between Life and Death

Veja cada palavra enquanto a ouve

The Long Journey Home

The Choice to Begin Again

Aproveite ainda mais A Bailarina de Auschwitz

America: The Second Liberation

Breaking the Prison of Silence

Veja cada palavra enquanto a ouve

The Healing Path

Return to the Heart of Darkness

Aproveite ainda mais A Bailarina de Auschwitz

The Dance of Freedom

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