
In "String Theory," David Foster Wallace transforms tennis into transcendent art through five brilliant essays. Bill Gates praised this 138-page masterpiece where Wallace's wit dissects Roger Federer's genius and the sport's commercialization. Andrea Petkovic made it Racquet Magazine's first book club selection - what revelations await?
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A fourteen-year-old kid stands on a cracked asphalt court in Central Illinois, drenched in sweat, calculating wind vectors while his opponent prepares to serve. He's not particularly fast or strong, but he understands something his competitors don't: tennis is three-dimensional chess played at inhuman speeds. This unlikely figure-David Foster Wallace, future literary giant-would grow up to write the most philosophically rich exploration of tennis ever produced, transforming a sport of baseline rallies and overhead smashes into a meditation on beauty, limitation, and what it means to pursue excellence in a world indifferent to our striving. Wallace wasn't just any writer dabbling in sports journalism. As the author of *Infinite Jest*, one of the most celebrated novels of the late twentieth century, he brought an intellectual firepower to tennis writing that the sport had never seen. But his insights weren't born from detached observation-they emerged from his years as a regionally ranked junior player who understood both the game's mathematical elegance and its capacity to reveal uncomfortable truths about human nature.
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Criado por ex-alunos da Universidade de Columbia em San Francisco
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Criado por ex-alunos da Universidade de Columbia em San Francisco

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