What is Sometimes I Lie by Alice Feeney about?

Sometimes I Lie is a psychological thriller about Amber Reynolds, who wakes up in a hospital coma unable to move, speak, or open her eyes, but can hear everything around her. The narrative alternates between three timelines: Amber's present state in the ICU, the week leading up to her mysterious car accident, and childhood diary entries from 1991. As Amber pieces together fragmented memories, she suspects her husband Paul may be involved while grappling with workplace betrayals, a dangerous ex-boyfriend, and her complicated relationship with her sister Claire.

Who should read Sometimes I Lie by Alice Feeney?

Sometimes I Lie is ideal for readers who enjoy unreliable narrators, compelling female protagonists, and psychological thrillers with endless plot twists. This book particularly appeals to fans of suspenseful narratives that constantly challenge perceptions of reality and keep readers guessing until the final page. If you appreciate stories that mess with your head beyond typical thrillers, with chilling characters and masterfully executed twists that you won't see coming, Alice Feeney's debut will captivate you.

Is Sometimes I Lie by Alice Feeney worth reading?

Sometimes I Lie is widely considered one of the best twisty-turny psychological thrillers, with readers praising its pure genius and unpredictable plot twists. The book features a brilliantly executed narrative that keeps your heart pounding and breath caught in your throat as you constantly try to distinguish reality from deception. While some readers found the early chapters linger too long on dream sequences and hallucinations, most agree there's a clear turning point when the book transforms from "not bad" to "really effin' good".

Who is Alice Feeney and what makes her writing unique?

Alice Feeney is a psychological thriller author who gained significant attention with Sometimes I Lie as her debut novel, demonstrating exceptional skill in crafting unreliable narrator stories. Her writing style stands out for taking the psychological thriller genre a step further, creating clever and compelling narratives told from unique perspectives that challenge readers' perceptions. Feeney's ability to frame narrative secrets perfectly ensures readers don't even fully work out the questions they should be asking, never mind the answers.

What does the title Sometimes I Lie mean in Alice Feeney's book?

The title Sometimes I Lie refers to Amber Reynolds being an unreliable narrator, one of three key things she wants readers to know about herself from the beginning. This admission sets up the entire psychological thriller, forcing readers to constantly question which parts of Amber's narrative—her memories, perceptions, and claims—are truthful. The ambiguity becomes central to the book's power, leaving readers unable to determine whether Amber is a devious psychopath or an innocent victim, since she readily and frequently admits to lying.

How does the narrative structure work in Sometimes I Lie?

Sometimes I Lie uses three distinct narrative threads that gradually converge: "Now" follows Amber lying in her hospital bed in a coma, "Then" explores the week before her Christmas Day accident, and "Before" presents diary entries from 1991. This alternating structure allows Alice Feeney to drip-feed information about the characters and their roles in Amber's predicament, building suspense throughout. The diary entries initially seem disconnected but eventually reveal one of the biggest plot twists when readers discover their true significance.

What is the relationship between Amber and Claire in Sometimes I Lie?

Claire appears to be Amber's sister but is actually a childhood friend whom Amber first met when she was 10 years old, going by her middle name Taylor. The 1991 diary entries reveal that Claire was adopted by Amber's parents after Claire's parents died in a Christmas Day housefire that Claire apparently set to bond with Amber. Their relationship is deeply toxic and controlling, with Claire having shielded Amber from bullies as children but later becoming manipulative, culminating in Amber poisoning Claire and her husband on Valentine's Day.

Who is Edward Clarke in Sometimes I Lie and what is his role?

Edward Clarke is Amber's ex-boyfriend who becomes a central antagonist after their chance reconnection in London. Edward, now working as a low-level hospital orderly, still seethes over Amber's accusations of unwanted advances years earlier when he was a promising med student—accusations that destroyed his medical career. He torments and rapes Amber while she's helpless in the ICU, though she later discovers her sister Claire actually filed the original complaint that ruined Edward's career.

Às Vezes Eu Minto

Alice Feeney

3.74(362422 Reviews)

Fiction

Visão geral de Às Vezes Eu Minto

Uma cama de hospital. Boxing Day. Amber Reynolds está consciente, mas paralisada - e alguém está mentindo. Este premiado thriller psicológico, com seu narrador magistralmente não confiável, tornou-se a estreia de sucesso de Feeney, rendendo comparações a "Garota Exemplar" enquanto explora verdades sombrias sobre trauma e decepção.

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Capítulo 1

Unraveling Deception: A Mind-Bending Psychological Thriller

Alice Feeney's debut novel "Sometimes I Lie" has taken the psychological thriller world by storm, earning praise from Stephen King who called it "a gripping, immersive tale of psychological suspense." The book became an instant Sunday Times bestseller and has been translated into over 20 languages. Its popularity soared when Sarah Michelle Gellar and Ellen DeGeneres announced they were adapting it for television. What makes this thriller particularly compelling is its unreliable narrator and the tagline that haunts readers from the first page: "My name is Amber Reynolds. There are three things you should know about me: 1. I'm in a coma. 2. My husband doesn't love me anymore. 3. Sometimes I lie." With this brilliant hook, Feeney, a former BBC journalist, crafts a story that keeps readers questioning reality until the very last page.

Capítulo 2

Trapped in Consciousness: Amber's Comatose Nightmare

Amber Reynolds finds herself in a hospital bed, fully conscious but unable to move or communicate - a medical state known as locked-in syndrome that represents every person's deepest fears. This terrifying state of awareness without expression is brilliantly portrayed through her internal monologue, which becomes increasingly frantic as she realizes her situation. "I've always delighted in the free fall between sleep and wakefulness," she tells us, before the horrifying realization hits that she's trapped in her own body. The steady beeping of machines, the squeak of nurses' shoes on linoleum, the casual conversations about her condition, and the complete inability to respond create an immediate sense of claustrophobia that pulls readers into her nightmare. The hospital scenes are particularly effective because they tap into primal fears - being aware but helpless, hearing others discuss you as though you're not present, feeling the cold touch of latex gloves against skin that can't react. When nurses refer to her as "poor love" and "what a mess," Amber's silent scream of "My name is Amber Reynolds!" highlights her desperate need to assert her identity while being treated as an object. This powerlessness is compounded by the routine indignities of hospital care: being turned, cleaned, and discussed in clinical terms that reduce her to a collection of symptoms and vital signs. The situation becomes even more distressing when her husband Paul visits. Through Amber's heightened awareness, we notice subtle details: the way his cologne seems stronger than usual, how his voice carries an unfamiliar edge, the slight tremor in his hand when he touches her face. She senses something deeply wrong: "I can't remember what happened, but I know with unwavering certainty that this man, my husband, had something to do with it." Each visit adds another layer of suspicion, as Paul's behavior oscillates between devoted spouse and something more sinister. The coma becomes a perfect device for exploring truth and deception, serving as both prison and observation post. Amber can only receive information, unable to question inconsistencies or defend herself against accusations and assumptions. When doctors discuss her injuries with Paul, revealing unexplained bruises that predate her accident, we begin to question whether Amber is a victim of abuse or whether something more complex is at play. The medical staff's whispered conversations and Paul's careful explanations create a web of doubt that grows with each passing hour. Her internal world becomes increasingly disturbing as she experiences hallucinations of a little girl in a pink dressing gown singing twisted nursery rhymes. These visions blur the line between memory, dream, and reality, creating a psychological landscape as confining as her physical state. The girl appears during the quiet hospital nights, her songs mixing with the steady rhythm of the heart monitor, leaving readers to wonder whether she's a manifestation of trauma, a recovered memory, or something more sinister lurking in Amber's subconscious.

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Capítulo 3

The Crumbling Career: Professional Jealousy and Revenge

Before her accident, Amber's professional life was unraveling in ways that reveal her darker nature. As co-host of a popular radio show called "Coffee Morning," she finds herself threatened with replacement by her colleague Madeline Frost, a rising star known for her sharp wit and growing audience appeal. When her producer Matthew delivers this devastating news during a tense meeting in his glass-walled office - "You're great, we love you, but Madeline is Coffee Morning" - Amber's response isn't to improve her performance but to plot revenge, revealing a fundamental flaw in her character. Her friendship with Jo, initially seeming like casual workplace camaraderie, transforms into a conspiratorial alliance leading to "PROJECT MADELINE." Their scheme, meticulously planned over wine-fueled evenings, aims to make Madeline believe she's the one being replaced. This plot reveals Amber's willingness to manipulate and deceive rather than confront problems directly or work on her professional development. When Jo instructs her to buy new clothes and return to work looking "confident and carefree," Amber embraces the deception with disturbing enthusiasm, even burning their planning notes in a bar fireplace, ready to "color outside the lines for once" - a phrase that takes on darker significance as events unfold. The workplace sabotage escalates to shocking levels, executed with calculated precision. Amber creates a fake Twitter account, @CoffeeMorningInsider, spreading rumors that "Madeline Frost is leaving Coffee Morning" with the hashtag #FrostBitesTheDust. She carefully times these posts to coincide with important meetings and show recordings. She plants threatening letters among Madeline's papers, each one more unsettling than the last, and ultimately engineers Madeline's downfall through a particularly devious plan - deliberately leaving her microphone on as she makes offensive comments about vulnerable children and pregnant women during what Madeline believes is a private conversation. The calculated nature of this destruction reveals Amber's capacity for patient, meticulous revenge - a trait that becomes increasingly significant as the story unfolds and her true nature emerges. What's particularly disturbing is how Amber justifies her actions through an elaborate system of self-deception. She focuses obsessively on Madeline's flaws - her occasional tardiness, her supposedly fake laugh, her "try-hard" designer outfits - rather than examining her own behavior or professional shortcomings. When Madeline's career implodes after her offensive comments go live on air, Amber "feigns surprise while secretly delighting in her downfall," even comforting Madeline with false sympathy while privately celebrating her victory. This capacity for deception and lack of remorse provides early clues that Amber may not be the reliable narrator she presents herself to be, setting up a pattern of manipulation that extends far beyond workplace rivalry. The entire episode serves as a crucial character study, revealing how Amber's seemingly professional facade masks a deeply manipulative personality capable of sustained deception and calculated revenge. Her actions during this period foreshadow the larger questions about truth and reliability that emerge later in the narrative.

Capítulo 4

A Marriage of Secrets: Amber and Paul's Fractured Relationship

Amber's marriage to Paul, a writer she met while working as a TV reporter, appears to be disintegrating under the weight of unspoken tensions and suspicions. Their once-promising relationship has devolved into constant arguments, sexual distance, and mutual distrust. When Amber finds black satin lingerie in Paul's wardrobe that's too small for her, she immediately suspects infidelity, particularly with her sister Claire. The marriage is further strained by their inability to conceive a child. This reproductive struggle has pushed Paul toward alcoholism in the past, with Amber recalling how "he'd stay up all night in the shed with his laptop and a bottle, writing words that didn't belong together." Their failure to communicate honestly about this pain creates a widening gulf between them, with Paul retreating to his writing shed while Amber obsessively maintains control over their home environment. What makes their relationship particularly intriguing is how both partners withhold crucial information from each other. Amber doesn't tell Paul about losing her job, her pregnancy, or her encounters with her ex-boyfriend Edward. Paul, meanwhile, keeps secrets about his interactions with Claire and his discovery of childhood diaries in their attic. Their marriage becomes a dance of half-truths and omissions, with neither partner fully trusting the other. The complexity of their relationship is captured in a poignant scene where Paul sets up a Christmas tree decorated with ornaments from their travels together. This gesture of love contrasts sharply with Amber's suspicions about his fidelity, creating an emotional dissonance that characterizes their marriage. When Paul later sets up a hidden camera in Amber's hospital room, insisting he knows she's "in there" despite what doctors believe, we see both his devotion and his controlling nature-a duality that mirrors the larger themes of the novel.

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Capítulo 5

The Twisted Sister: Claire's Dangerous Presence

Claire, introduced as Amber's younger sister, brings an immediate sense of unease to the narrative. Described as beautiful and blonde where Amber is dark-haired, Claire is positioned as the "new and improved daughter" their parents always wanted. This sibling rivalry takes on sinister dimensions as the story progresses, revealing layers of manipulation and betrayal. The sisters' interactions are charged with tension and unspoken threats. When Claire visits Amber's home uninvited, entering through the back door without waiting to be invited, Amber makes a pointed comment about Claire spending more time with Paul than she has lately. Claire's response-reminding Amber she's "only around the corner"-feels more threatening than comforting. Their relationship is further complicated by Paul's apparent closeness with Claire, creating a triangle of suspicion and jealousy. As the story unfolds, we learn that Claire isn't actually Amber's biological sister but her childhood friend Taylor, whose identity Amber stole after a traumatic event. This revelation completely recontextualizes their relationship, explaining the undercurrent of hostility and manipulation that defines their interactions. Claire/Taylor knows Amber's darkest secrets and holds this knowledge over her, creating a power dynamic that extends far beyond normal sibling rivalry. The most chilling aspect of their relationship emerges when we learn that Claire deliberately caused a gas explosion that killed her parents when they were children, claiming she did it for Amber so they could stay together. This act of violence bonds them in a twisted way, with Claire telling Amber, "You should have told me" and "We used to tell each other everything" before deliberately crashing the car on Christmas night, sending Amber through the windshield while pregnant. Their relationship embodies the novel's central themes of identity theft, manipulation, and the dangerous consequences of obsessive attachment.

Capítulo 6

Childhood Trauma: The Diary Entries That Reveal Everything

The novel's "Before" sections, presented as diary entries from 1991-1993, provide crucial insights into the formation of Amber's disturbed psychology. These entries, initially believed to be Amber's childhood writings, reveal a deeply troubled young girl struggling with family dysfunction, social isolation, and growing psychological disturbance. The diary writer describes sleeping in her deceased grandmother's bed, finding comfort there despite her mother's offer to redecorate. Her family life is characterized by parental alcoholism, constant arguments, and emotional neglect. "After dinner, I watch TV alone until my mother's alarm signals bedtime at nine. Once I'm in bed, my parents resume arguing. To drown out their fighting, I hum 'The wheels on the bus'-a song Nana used to sing." The entries document the writer's growing friendship with Taylor, noting with fascination that they share the same birthday and were born in the same hospital just hours apart. This connection becomes obsessive as the writer envies Taylor's seemingly perfect family life: "I list three things Taylor has that I don't: cool parents, a nice home, and her very own stars." When Taylor introduces her imaginary friend Jo, the writer agrees to "borrow" Jo to help with loneliness, foreshadowing the blurring of fantasy and reality that characterizes adult Amber's psychology. The most disturbing revelation comes when we learn these diaries actually belonged to Claire/Taylor, not Amber. The final diary entry reveals that Amber, whose real name was Claire, has completely assumed Taylor's identity after the tragic fire, writing: "I have the family I always wanted-calling Taylor's parents 'Mum' and 'Dad'-though Taylor herself is unhappy." This identity theft explains Amber's adult behavior patterns, including her obsessive-compulsive tendencies, her capacity for deception, and her complex relationship with the woman she calls her sister.

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Capítulo 7

The Dangerous Ex: Edward's Obsessive Pursuit

Edward, Amber's ex-boyfriend from university, introduces another layer of threat to the narrative. Their initial encounter on Oxford Street - after a decade of silence - appears deceptively casual. Edward's unnaturally preserved appearance, as if frozen in time since their university days, serves as the first subtle warning sign. He presents himself as a successful professional who has moved to London with his girlfriend, yet something in his demeanor unsettles Amber. The exchange of business cards and practiced small talk masks a deeper, more sinister reality that will soon emerge. The transformation from chance encounter to nightmare accelerates after Amber agrees to drinks with Edward. She wakes up naked and disoriented in an unfamiliar apartment, her memory fragmented. The true horror unfolds as she explores the space, discovering an elaborate shrine to their shared past - and her present. Multiple corkboards line the walls, displaying a disturbing chronology: faded photos from their university years transition into recent surveillance shots. These images capture intimate moments of her daily routine - buying coffee at her regular cafe, entering her workplace, waiting on Underground platforms. The methodical arrangement reveals years of calculated stalking, each photo meticulously dated and annotated with details about her movements. The hospital setting - traditionally a place of healing - becomes a theater of terror when Edward's role as a night porter comes to light. His position grants him unrestricted access to all wings, all patients, all hours. He exploits this access to visit Amber's room during the quietest hours, when skeleton crews of staff mean fewer witnesses. During these visits, while Amber lies helpless but conscious, Edward reveals the full depth of his obsession and grievance. His confession about being a former medical student whose career was derailed carries particular weight in this sterile hospital setting - a perverse echo of the professional role he once aspired to. The truth about Claire's involvement adds another devastating layer. Her fabricated complaints to Edward's medical school, crafted to appear as testimonies from multiple female victims, didn't just derail his career - they poisoned his perception of Amber. This revelation reframes Edward's current actions as both revenge and reclamation of control, transforming him from spurned lover to calculated predator. Edward's systematic tampering with Amber's IV drip - adjusting medications to prolong her helpless state - demonstrates the evolution of his obsession from emotional to physically controlling. His technical knowledge from his abbreviated medical training makes him especially dangerous, allowing him to maintain Amber's vulnerability while avoiding detection. This medical manipulation represents the ultimate perversion of care into control, highlighting how thoroughly his obsession has corrupted any genuine feelings he might once have held.

Capítulo 8

The Shocking Truth: Unraveling Amber's Web of Lies

As the novel reaches its climax, the carefully constructed layers of deception begin to unravel, revealing shocking truths about Amber's identity and actions. We learn that Amber has been living a life built on lies-she isn't who she claims to be, her relationship with Claire isn't what it appears, and her victimhood is far more complex than initially presented. The most stunning revelation is that Amber was originally named Claire, while her "sister" Claire was actually Taylor. After the childhood fire that killed Taylor's parents, Amber assumed Taylor's identity and was adopted by Taylor's relatives. This identity theft explains the gold bracelet with their shared birthdate that appears throughout the narrative-a symbol of their twisted connection and Amber's crime of stealing not just a bracelet but an entire life. Amber's unreliability as a narrator becomes increasingly apparent as we discover she has fabricated relationships and events. Her supposed friendship with Jo, who helped plan Madeline's downfall, is revealed to be entirely imaginary-Jo was Taylor's childhood imaginary friend that Amber "borrowed" and incorporated into her adult life. This explains Paul's confusion when he tries to contact Jo after Amber's accident, only to learn no such person exists at her workplace. The final sections of the novel deliver the most chilling truth of all-Amber's capacity for calculated violence. Six weeks after leaving the hospital, she methodically murders Claire/Taylor and her husband David, poisoning their meal and setting up Madeline to take the blame by using her credit card to buy petrol and forging threatening letters. She then adopts their twin children as her own, giving Paul "the children he always wanted" while eliminating anyone who knew her true identity. The novel's final twist comes when Amber discovers her childhood bracelet with her birth date on a tray-evidence that someone knows who she really is, suggesting her web of lies may yet unravel again. This open-ended conclusion leaves readers questioning whether justice will eventually catch up with Amber or whether she'll continue her pattern of deception and violence to protect her stolen identity.

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Capítulo 9

The Psychological Depths: Identity, Truth, and Self-Deception

At its core, "Sometimes I Lie" explores profound questions about identity and self-knowledge. Amber's opening statement-"Sometimes I lie"-is both a warning to readers and a confession of her fractured relationship with truth. Throughout the novel, we witness how lies can become so ingrained that they transform into a kind of personal reality for the liar. Amber's identity theft is not merely a plot device but a metaphor for the human capacity to reinvent ourselves, sometimes at terrible cost. Her childhood diary entries reveal a profound envy of Taylor's life: "I couldn't help thinking how different my life would be if I'd been born into Taylor's family instead, with their Volvo and living grandparents." This coveting of another's existence eventually leads to Amber literally stealing Taylor's identity, suggesting that our desire to escape our circumstances can lead to moral corruption. The novel also explores how trauma shapes identity. Both girls experience significant childhood trauma-Amber through parental neglect and alcoholism, Taylor through the deliberate destruction of her family. These experiences create a toxic bond between them that continues into adulthood, with neither able to fully escape their shared past. When adult Claire/Taylor tells Amber, "You should have told me" about her pregnancy, we see how their twisted expectation of complete transparency persists despite their dysfunctional relationship. Perhaps most disturbing is the novel's suggestion that we can lie to ourselves so effectively that we lose sight of our true nature. Amber consistently portrays herself as a victim-of workplace bullying, of her husband's potential infidelity, of Edward's stalking-while concealing her own capacity for manipulation and violence. This self-deception allows her to justify increasingly disturbing actions, culminating in multiple murders that she frames as necessary for her survival and happiness. By the novel's end, we're left questioning whether anyone can truly know themselves or others completely. As Amber observes, we are all "children disguised as adults," hiding our true selves behind carefully constructed personas. This unsettling conclusion suggests that identity itself may be a form of fiction-a story we tell ourselves and others that may bear little resemblance to the truth.

Capítulo 10

The Lingering Questions: A Masterclass in Psychological Suspense

Feeney's debut novel demonstrates remarkable skill in maintaining suspense through carefully paced revelations and strategic withholding of information. The three-part structure - Now, Then, and Before - creates a disorienting timeline that mirrors Amber's fractured consciousness, forcing readers to piece together the truth from fragments of memory, dream, and deception. This complex chronological weaving serves multiple purposes: it reflects Amber's psychological state, creates narrative tension, and cleverly disguises crucial plot elements that only become apparent upon a second reading. The novel's brilliance lies in how it constantly shifts our sympathies and suspicions. Initially, we fear for Amber as a vulnerable woman in a coma, potentially the victim of her husband's violence. Her helplessness in the hospital bed generates immediate empathy, while Paul's suspicious behavior and Edward's controlling tendencies plant seeds of doubt about their intentions. As the narrative progresses, our suspicions shift to Claire, whose seemingly perfect exterior masks deeper motivations, then to Edward, whose past reveals troubling patterns. Finally, we recognize Amber herself as the most dangerous character of all - a revelation that forces readers to reevaluate everything they've assumed about victimhood and reliability. This kaleidoscopic perspective keeps readers off-balance, creating the psychological equivalent of walking on shifting sand. Feeney leaves several questions deliberately unresolved, enhancing the novel's unsettling effect. The mysterious appearance of the childhood bracelet on the tray at the novel's conclusion suggests Amber's carefully constructed new life remains precarious. This single object serves as both a threat and a reminder, carrying the weight of her past deceptions. The fate of Edward after Amber's awakening is similarly unresolved, creating another potential threat lurking in the background. His absence from the conclusion leaves readers wondering whether he might return to expose her lies or seek revenge. These open threads suggest that deception creates not closure but ongoing vulnerability - lies require constant maintenance and vigilance, a psychological burden that never truly lifts. The novel's final image - Amber discovering her childhood bracelet with her true birth date - serves as both a warning and a promise. Someone knows who she really is, threatening the identity she's stolen and the family she's appropriated through murder. This unresolved tension creates a powerful commentary on the nature of identity and truth. The bracelet becomes a physical manifestation of her past sins, suggesting that no matter how carefully constructed our facades might be, authentic identity has a way of asserting itself. In this way, "Sometimes I Lie" becomes not just a thriller but a moral parable about the inescapable nature of truth and the destructive power of self-deception. The novel suggests that our lies, like ripples in a pond, continue to expand outward long after the initial deception, creating patterns of consequence that can never be fully controlled or contained.

★★★★★

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Temas principais em Às Vezes Eu Minto

unreliable narrator
locked-in syndrome
workplace sabotage
childhood trauma memories
marital deception

Citações de Às Vezes Eu Minto

Sometimes I lie.
My husband doesn't love me anymore.
I'm in a coma.
color outside the lines for once

Personagens de Às Vezes Eu Minto

Amber ReynoldsThe unreliable narrator trapped in a coma
Madeline FrostAmber's professional rival and radio co-host
JoAmber's friend and workplace co-conspirator
MatthewThe radio producer who threatens Amber's career

Sobre o Autor

Alice Feeney é a autora best-seller do New York Times de Sometimes I Lie (publicado no Brasil como Às Vezes Eu Minto), um suspense psicológico envolvente que explora a memória, a traição e a falta de confiabilidade da percepção. Com base em dezesseis anos como jornalista da BBC — onde trabalhou como repórter, editora de notícias e produtora — Feeney traz rigor investigativo e tensão narrativa à sua ficção.

Sua estreia foi inspirada por uma lesão na cabeça que a deixou temporariamente incapaz de se comunicar, conferindo uma autenticidade arrepiante ao terrível dilema de sua protagonista.

Graduada pela Faber Academy, Feeney escreveu Sometimes I Lie durante intervalos de almoço e trajetos de trem antes de conseguir representação com o renomado agente literário Jonny Geller em 2016. Seus romances subsequentes — I Know Who You Are, His & Hers e Rock Paper Scissors — consolidaram sua reputação como uma mestre do suspense psicológico.

Seus livros foram traduzidos para mais de vinte e cinco idiomas e tiveram os direitos adquiridos para grandes adaptações cinematográficas, com Rock Paper Scissors atualmente em desenvolvimento como uma série da Netflix.

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"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

"Instead of endless scrolling, I just hit play on BeFreed. It saves me so much time."

@Moemenn

"I never knew where to start with nonfiction—BeFreed’s book lists turned into podcasts gave me a clear path."

@Chloe, Solo founder, LA

117

"Perfect balance between learning and entertainment. Finished ‘Thinking, Fast and Slow’ on my commute this week."

@Raaaaaachelw

"Crazy how much I learned while walking the dog. BeFreed = small habits → big gains."

@Matt, YC alum

108

"Reading used to feel like a chore. Now it’s just part of my lifestyle."

@Erin, Investment Banking Associate , NYC

254

"Feels effortless compared to reading. I’ve finished 6 books this month already."

@djmikemoore

"BeFreed turned my guilty doomscrolling into something that feels productive and inspiring."

@Pitiful

4.5K

"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

"Instead of endless scrolling, I just hit play on BeFreed. It saves me so much time."

@Moemenn

"I never knew where to start with nonfiction—BeFreed’s book lists turned into podcasts gave me a clear path."

@Chloe, Solo founder, LA

117

"Perfect balance between learning and entertainment. Finished ‘Thinking, Fast and Slow’ on my commute this week."

@Raaaaaachelw

"Crazy how much I learned while walking the dog. BeFreed = small habits → big gains."

@Matt, YC alum

108

"Reading used to feel like a chore. Now it’s just part of my lifestyle."

@Erin, Investment Banking Associate , NYC

254

"Feels effortless compared to reading. I’ve finished 6 books this month already."

@djmikemoore

"BeFreed turned my guilty doomscrolling into something that feels productive and inspiring."

@Pitiful

4.5K

"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

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Unraveling Deception: A Mind-Bending Psychological Thriller

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