What is *How to Date Men When You Hate Men* about?

*How to Date Men When You Hate Men* is a comedy-philosophy book by Blythe Roberson that humorously dissects modern dating within patriarchal systems. It explores crushes, flirting, dating apps, and emotional challenges through a feminist lens, blending sharp wit with social critique. Roberson reframes dating frustrations—like decoding texts or "performative chillness"—as universal experiences, all while questioning societal norms that complicate relationships.

Who should read *How to Date Men When You Hate Men*?

This book is ideal for feminists, comedy lovers, or anyone navigating modern dating. It resonates with readers seeking relatable takes on crushes, dating app fatigue, or societal pressures. Roberson’s humor appeals to fans of Phoebe Robinson or *The Onion*’s style, though those expecting deep systemic analysis may find it lighter on activism.

Is *How to Date Men When You Hate Men* worth reading?

Yes, for its humor and relatability. Stephen Colbert and Phoebe Robinson praise its wit, and reviewers call it "hilarious" and "universally frustrating." While some note it focuses more on dating than hating men, its candid takes on digital flirting and "Schrödinger’s Relationship" offer fresh insights. Ideal for lighthearted feminist commentary.

Who is author Blythe Roberson?

Blythe Roberson is a comedian and writer for *The New Yorker*, *The Onion*, and *Wait Wait... Don’t Tell Me!*. She researches for *The Late Show with Stephen Colbert* and authored travel comedy *America the Beautiful?*. Raised in Wisconsin, she blends academic insight (Harvard) with absurdist humor to critique society and gender dynamics.

What topics are covered in *How to Date Men When You Hate Men*?

The book divides into four sections: "Crushes" (e.g., tracking blurry-faced obsessions), "Flirting" (text interpretation, missed connections), "Dating" (app pitfalls, defining "chill"), and "Psychic Wounds" (emotional fallout). It satirizes modern rituals like overanalyzing messages or using dating apps to "find friends" instead of hobbies.

How does the book use humor to address dating struggles?

Roberson turns frustrations into comedy—like creating a "crush-tracking app" or listing "Men I Thought Were Flirting with Me." She mocks performative aloofness and "digital flirting" fails, using absurdity to highlight how patriarchy complicates romance. This approach makes systemic issues digestible while validating reader experiences.

What are key takeaways from *How to Date Men When You Hate Men*?

- Dating frustrations stem from patriarchal systems, not personal failure. - Embrace specificity: ditch vague "chillness" for clear intent. - Apps worsen ambiguity; real-world interactions reduce miscommunication. - Roberson urges reframing self-worth beyond romantic validation, using humor to reclaim agency.

How does the book critique modern dating challenges?

It lampoons dating-app culture ("Is this a date?"), text-over-analysis, and societal pressure to couple up. Roberson argues apps enable "Schrödinger’s Relationship"—undefined connections thriving on ambiguity. She advocates ditching "The Rules" for self-defined boundaries, mocking how patriarchy pathologizes women’s desires.

Como Sair com Homens Quando Você Odeia Homens book cover

Resumo de Como Sair com Homens Quando Você Odeia Homens

Blythe Roberson

3.17(8872 Reviews)

Visão geral do Resumo de Como Sair com Homens Quando Você Odeia Homens

Em "How to Date Men When You Hate Men", a comediante Blythe Roberson navega de forma hilária pelos paradoxos do namoro feminista que Stephen Colbert não resistiu em endossar. Por que sua "meditação política" pós-#MeToo sobre a misoginia estrutural ressoa com tantas mulheres que ainda desejam romance apesar das armadilhas patriarcais?

Escolha como a história é contada

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Capítulo 1

Love in the Age of Patriarchy: A Feminist's Hilarious Guide

Blythe Roberson's "How to Date Men When You Hate Men" exploded onto the literary scene as a refreshing voice in the crowded relationship advice genre. Unlike traditional dating guides promising to help women "catch" a man, Roberson's book became a cultural phenomenon for its unflinching examination of heterosexual dating under patriarchy. Endorsed by comedy legends like Phoebe Robinson and featured in The New York Times, this philosophical comedy memoir resonated with millennial women navigating the contradictions of modern romance. What makes Roberson's perspective unique is her willingness to admit what many women think but rarely say: that she simultaneously desires men while recognizing how that very desire might perpetuate her own oppression. With the sharp wit of a seasoned comedian and the analytical depth of a social theorist, Roberson articulates the fundamental paradox of being a straight feminist woman in the 21st century - how to pursue romance while acknowledging its problematic foundations.

Capítulo 2

Finding Joy in a World of Raccoon-Filled Cement Mixers

The meaning of life seems deceptively simple: treat everyone with kindness and experience joy. Yet society makes this nearly impossible in romance - like trying to kiss someone while a cement mixer dumps raccoons on you, with Woody Allen at the controls. We become cocooned in societal expectations, beauty standards, and patriarchal narratives that we must gradually slough off through reading, therapy, and self-reflection. These expectations manifest in countless ways: the pressure to be partnered by a certain age, the subtle messaging that successful women are "intimidating," and the persistent myth that true love should feel like a romantic comedy. Simply eliminating negativity doesn't create joy - that just achieves "being chill," a state of emotional numbness often mistaken for enlightenment. Without cultural models of joyful romance, we must create our own by staying present and essentially making it up as we go. This might mean rejecting traditional dating scripts, celebrating small moments of connection, or finding pleasure in the simple act of attraction itself. The key is opting into romance because it brings genuine happiness, not because society demands it or because your Instagram feed is filled with engagement photos. Crushes represent a perfect example of this joy-seeking approach. Rather than viewing them as desperate pursuits, Roberson nurtures her collection of crushes like precious gemstones - beautiful objects with rumored magical properties that simply bring her pleasure. She likens them to collecting trading cards or maintaining a garden - each one unique, requiring different kinds of attention and offering different rewards. Society wrongly views women's crushes as frivolous distractions, but having multiple crushes creates a healthier dynamic than the laser-focused obsession many experience in adolescence. It distributes emotional energy across multiple channels rather than concentrating it destructively on one person. These crushes aren't really about the person being crushed on - they're about accessing potential love energy within yourself using another person as catalyst. Like childhood crushes or celebrity infatuations, they involve imagination and projection, serving as mirrors for our own desires and growth. Using idle moments to envision entire relationship arcs serves as both mental practice (like athletes visualizing performance) and entertainment. In your mind, he's perfectly polite, free of subconscious misogyny, and texts back promptly - before his actual-person-existing-everyday-ness inevitably complicates things. These daydreams can be particularly valuable for processing past relationships or preparing for future ones. Early crushes help you figure out your attractions without reciprocity getting in the way. They create a template for what you find important in a partner, similar to how young girls use boy bands as blank slates to project their desires. Whether it's the quiet artist in art class or the charismatic leader in debate club, these early attractions shape our understanding of what draws us to others. The first major crush often creates your "type" - you become completely magnetized by someone during those formative years, though you might barely remember anything about their actual personality later. These early experiences create emotional blueprints that influence our romantic choices well into adulthood, for better or worse.

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Capítulo 3

The Patriarchal Trap of Romance Obsession

Just as Naomi Wolf's "The Beauty Myth" reveals how beauty standards politically sedate women, romance does the same thing. When obsessing over mixed signals from a guy, you're not focusing on the intersectional-socialist-matriarchal revolution. Society has always told women that finding a partner is paramount - historically as economic necessity, now as constant cultural pressure. This propaganda forces women to think about romance constantly in ways men don't, creating an extra mental burden. The Bachelor perfectly recreates this dynamic by isolating women to compete for one mediocre man. The "scarcity principle" perpetuated by alarmist dating statistics further panics women into focusing on romance instead of, say, unionizing. Women face a double bind: punished for not having partners, but if they conform and spend time thinking about romance, they're labeled "boy crazy." This patriarchal trap steals time that could be spent on literally anything else - from running for office to simply relaxing in a hot tub. The fastest route to turning a manageable crush into an obsessive one is allowing yourself to constantly think about them. It's more pleasant than contemplating anti-vaxxers or America's isolationism, and comforting to imagine a happy future. But this inevitably leads to talking about your crush constantly, which is both creepy and boring. There's a perverse pleasure in publicly wallowing in this obsession, in being what Barthes might call "a social catastrophe." By constantly thinking and speaking about him, your love becomes as real in everyone else's mind as it is in yours. But thinking about your crush too much suffocates any real relationship with narratives you've created, depriving it of space to grow and surprise. Instead of obsessing over almost-relationships, try planning detailed road trips, debating who should have played Young Dumbledore, questioning why social media platforms protect powerful white men but not marginalized groups, contemplating Leonardo da Vinci's procrastination habits, or discussing that drunk possum that broke into a liquor store. Though you'll probably just check if anyone tagged that hot dude on Instagram in the last twelve minutes.

Capítulo 4

The Art and Science of Flirtation

Flirting is a delicate game of giving and interpreting signals that sustains entire rom-coms and brunches. While it's important to start gently and become progressively more direct, deciphering early signals is nearly impossible because they're either too subtle or entirely imagined. We're motivated to see signals that don't exist, partly because society bases women's worth on desirability and partly because we view ourselves as protagonists. Women are socialized to read emotional cues while men often miss them entirely. With age and experience, interpreting signals improves, but uncertainty remains. This uncertainty can be thrillingly addictive - like Kate Bolick notes in Spinster, this brief period of romantic possibility was historically the only exciting year in a woman's life. Barthes wrote about agonizing over signals, suggesting language as the solution to ambiguity. But language itself is insufficient to express the complexity of human emotion, and texting provides no respite from analysis paralysis. If you need to analyze someone's texts to find hidden interest, they probably aren't into you. People who genuinely like you simply ask to hang out or say yes when you do. Yet an English degree trains you to interpret texts through countless theoretical lenses - close reading, biographical reading, semiotics, psychoanalytic criticism, deconstruction - giving you the dubious superpower to analyze any message as either profound interest or complete rejection. It's nearly impossible to definitively prove someone was flirting with you, as discovered when a man who'd been flirting for three months insisted he'd never once flirted. Despite evidence including witch store visits, dog-watching, tarot readings, online state trivia quizzes, "chilling" in offices daily, doing crosswords by candlelight at 1am, actually listening when spoken to, and awkward head-patting, he denied any flirtation. Like Supreme Court Justice Potter Stewart's famous "I know it when I see it" obscenity ruling, flirting can't be precisely defined but is certain when it occurs. When confronted, men often retreat to save their pride, denying flirtation in ways that make women feel "relationship crazy." Touch is the most fundamental flirt - a gentle preview of potential physical intimacy. When discussing touching, three critical rules apply for respectful flirting: First, only initiate touch in appropriate contexts where both parties are open to romantic exploration. Second, follow an escalation pattern, starting with non-threatening touches before moving to more intimate ones. Third, consider power dynamics - "flirt up" rather than using structural privilege to make less-privileged people uncomfortable.

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Capítulo 5

Dating in the Digital Age

The quintessential question of our generation remains: "Was it a date?" While not as important as dismantling white-supremacist capitalist patriarchy or addressing climate change, this question has become genuinely more difficult to answer in contemporary times than at previous points in history. Smartphones and casual sex culture have blurred the lines between dating and hanging out. People either meet explicitly through apps or "slide sideways" into romantic situations with friends. Obsessing over whether something was a "date" is ultimately pointless - the word itself has become meaningless through shifting definitions. Better to communicate feelings directly than agonize over labels. Dating as a concept has been rapidly evolving since Americans first started doing it around 1900, and perhaps the uncertainty is part of what makes new relationships thrilling. If clarity is needed, extremely direct approaches work best: explicitly saying "Thank you for meeting me here for our date," declaring "It's a romantic date!" when finalizing plans, or announcing "What a fun date we are already having!" fifteen minutes in. Dating apps offer the primary advantage of establishing upfront that you're definitely on a date. However, they also create problems: time constraints, the commodification of self, and the psychological burden of being judged primarily on appearance. Research shows too many choices make people less satisfied with their decisions, and endless swiping creates the illusion that a perfect match is always just one more profile away. Alternative places to meet potential partners include jury duty ("legally forced to hang out with people who haven't dated your friends"), staying at a friend's house on vacation, art museums (specifically near David Hockney paintings), ceramics classes, artist collectives, cafes, concerts, and even church. The modern dating expectation of "being chill" - acting disinterested while actually obsessing - creates an absurd situation where anything that isn't "chill" becomes disproportionately significant. Playing hard to get rarely works, and when men do it, it's just annoying. Women adopting "chill" behavior are essentially taking on traditionally masculine traits of emotional suppression - a pitfall of feminism that adopts failed masculine structures rather than creating new, more honest approaches.

Capítulo 6

Navigating Relationships Under Patriarchy

The concept of dating someone you aspire to be like rather than just admire reveals how women have historically been socialized to watch men do things rather than participate themselves. Claire Vaye Watkins' essay "On Pandering" explores this "watching boys do stuff" phenomenon - a deeply ingrained gendered dynamic where women often confuse artistic admiration with romantic interest. This pattern appears across creative fields, from literature to music to film, where women frequently find themselves drawn to men who embody the creative pursuits they themselves desire. Nora Ephron's famous questioning of whether she wanted to be a journalist or date one exemplifies this common confusion, highlighting how women's ambitions can become tangled with their romantic attractions. While men occasionally date women they want to emulate, societal conditioning often leads insecure men to actively avoid successful women. This manifests in various ways, from "professionally insecure woke boys" who openly admit they could never date women more professionally successful than themselves, to subtle forms of sabotage in relationships where women begin to outpace their partners. After Trump's election, what some had dismissed as mere quirky insecurity revealed itself as straightforward sexism - a systemic pattern that effectively punishes ambitious women by limiting their romantic options. This dynamic plays out across industries, with particularly stark examples in tech, academia, and corporate leadership. When even self-proclaimed progressive men feel uncomfortable with successful female partners, women face a dramatically reduced dating pool. These insecure men might deploy various justifications - claiming they just want to feel masculine, avoid social judgment, or maintain traditional dynamics - but their behavior ultimately enforces patriarchal norms. The impact extends beyond individual relationships to shape workplace dynamics, social networks, and professional advancement opportunities. Long-term relationships present even more complex challenges. Marriage statistics paint an alarming picture: while marriage significantly benefits men, it often proves detrimental to women. Elizabeth Gilbert's research reveals that married men live longer, accumulate more wealth, advance more quickly in their careers, experience less addiction and depression, and report higher levels of happiness. For women, the data shows the opposite trajectory: married women earn 7% less than their unmarried counterparts, face increased risks of depression and anxiety, and are more likely to die violently - with a significant portion of that violence coming from their husbands. Studies show married women perform an average of seven more hours of unpaid domestic labor per week than single women. No woman would logically choose to clean a man's house, raise his children, and serve as his unpaid therapist, yet persistent cultural narratives continue to tell girls that life lacks meaning without romantic love. Society reinforces this through media, family expectations, and institutional structures that privilege married couples. Despite these concerning realities, there remain compelling reasons why women pursue partnership: society has defined relationship success primarily through the marriage path, marriage provides massive external validation and social acceptance, and many people naturally crave romantic stability and companionship. The challenge lies in navigating these desires while maintaining awareness of the systemic inequities that shape modern relationships.

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Capítulo 7

The Aftermath: Breakups and Moving Forward

Breakups reveal how love might be a sham serving capitalism and patriarchy. It sells greeting cards, chocolates, and diamond rings (just weird-looking rocks that weren't even traditional until a century ago). It enforces patriarchy by tethering women to men long enough to legally bind their lives together. The problem with dismissing love as fake is that most people experience it. Though subjective like pain, love clearly exists. But is it sustainable? Evolutionary biology suggests love might be a reproductive strategy keeping couples together just long enough to raise a child through infancy - about three to four years, which coincides with worldwide divorce peaks. Should we bother with love knowing it won't last? Nothing in life lasts - fruit rots, TV shows end, everyone dies, the universe faces heat death. Yet experiences are meaningful while they last. As Kafka said, "The meaning of life is that it ends." You have one life to find people to love and be loved by. Romantic rejection is painfully personal but ultimately good - it means you're being brave. The most important compatibility indicator isn't shared interests but whether they're interested in you. If someone isn't into you, you're fundamentally incompatible. Despite countless books and movies, unrequited love isn't romantic - it's boring. With political uncertainty and environmental challenges, why waste time convincing someone you're worthwhile? Breakup cliches like "It's not you, it's me" sound like lies because they're the same lines from Hugh Grant movies. "You deserve better than me" is particularly problematic - no one has ever made a pros-and-cons spreadsheet to determine if they deserve their partner, then nobly ended things out of duty. Men use this line to position themselves as self-sacrificing victims, stealing even your right to pain because supposedly they're doing you a favor. With women already navigating impossible beauty standards and contradictory relationship expectations, honest communication during breakups is essential. Ghosting assumes we're all so chill that incompatible people will mutually forget each other at the same rate - but this never happens. One person is always agonizing while the other just stops responding.

Capítulo 8

Reclaiming Narrative Power Through Art

Women writing about relationships are pathologized and diminished in countless ways. When Taylor Swift creates emotionally specific art about her experiences, she's labeled "boy crazy" and "desperate." Women like Joyce Maynard are branded "narcissists" for writing about relationships with powerful men like J.D. Salinger, who coerced her at eighteen into a relationship that society somehow thinks he owns more than she does. Meanwhile, men like Kerouac and Knausgaard face no criticism for extensive autobiographical work. Women's relationship writing is either dismissed as "pathological" or diminished as merely "relatable" - a sexist term suggesting women's resonant experiences lack literary merit, while men writing similar content are praised as brave. This dismissal prevents women from speaking truth about intimate power structures. Yet personal experience creates better art through specificity and emotional stakes, as F. Scott Fitzgerald himself advised - though he hypocritically stole his wife Zelda's experiences while institutionalizing her for trying to reclaim them. When it comes to love and relationships, Walt Whitman reminds us "there is no unreturn'd love, the pay is certain one way or another." Even if romance fails, you can always write your way through it. This isn't about turning pain into career success or material, but creating something meaningful from your experiences - finding humor in pain, ordering chaos into stories that make people laugh or cry. Whatever happens romantically - whether you end up alone or in a happy relationship - you'll always have the ability to transform experiences into something beautiful, hilarious, or genius. Creating narrative is essential to having a coherent sense of self, and developing socially responsible stories might change how we conceptualize love. As David Foster Wallace said, "We need narrative like we need space-time: it's a built-in thing." In our one life on this "floating orange," love remains one of the most significant ways to find happiness. As Nora Ephron responded when asked why she only wrote about relationships: "Is there something else?" Beyond friendships, meaningful work, helping others, and appreciating nature's beauty, there really isn't anything else but love.

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Capítulo 9

The Full Tree: Finding Completeness Within

Despite pervasive societal messages that women need romantic love to be complete, we are already "full trees" - self-actualized people operating at maximum capacity. This metaphor originated from a chance encounter when a man commented on adopting two sibling cats, saying "alone, they could never become a full tree." While romantic love is "dope-as-hell" and can enhance life immensely, it's not the prerequisite for completeness that society often portrays it to be. This messaging appears everywhere - from Disney movies to wedding-focused reality shows to well-meaning relatives who constantly ask about dating prospects. Research in positive psychology demonstrates that our happiness largely revolves around our baseline "happiness set point," which remains relatively stable regardless of relationship status. Studies show that even major life events, including marriage, only temporarily shift our happiness levels before we return to our natural baseline. You don't need love to count as a human - you already ARE human, "a bunch of insane neurons floating around in a body" with decades to explore what kind of tree you are. This exploration can take countless forms: career advancement, creative pursuits, spiritual growth, community building, or simply learning to be comfortable in your own skin. "Prose before bros" describes the conscious choice of prioritizing writing and creative work over dating - "I am single because I do not have time to date, because I am always inside writing about how I am single." This dynamic has historical roots: male writers traditionally had wives handling domestic duties, allowing them to focus solely on their craft, while women writers faced numerous obstacles, including societal disapproval and practical barriers. Being a woman who writes openly about love and relationships often comes with additional costs to potential relationships - one hookup candidly admitted this kind of writing was "intimidating" to men. But as Lady Gaga wisely noted, "your career will never wake up and tell you that it doesn't love you anymore." Creative fulfillment offers a different kind of sustenance that can be just as meaningful as romantic love. The ubiquitous claim that you'll find love "when you least expect it" essentially polices women into suppressing their natural desires despite being socialized from childhood to seek partners. It's a patriarchal double bind telling women not to actively pursue romance while simultaneously expecting them to magically find it. After years of "least expecting" love while focusing on career, personal growth, and other priorities, many women still don't find it! The reality is that finding meaningful love requires actual effort - opening yourself emotionally, making time for dating, and actively pursuing connection. This well-worn adage might have worked in earlier eras when people married young and were naturally forced into daily interaction with peers through school or small community settings. However, for adult single women navigating modern dating landscapes, it just translates to "be less desperate." Instead of internalizing this contradictory message, it's more productive to recognize that creating meaningful connections requires intention, vulnerability, and the courage to pursue what brings genuine joy - whether that's romance, friendship, creative work, or simply being at peace with yourself as a complete and worthy human being. The full tree metaphor reminds us that we're already whole, and anything we add to our lives should enhance, not complete, our existing abundance.

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Melhores citações do Resumo de Como Sair com Homens Quando Você Odeia Homens

Society makes romance nearly impossible.
Simply eliminating negativity doesn't create joy.
Crushes aren't really about the person being crushed on.
Romance politically sedates women.
Thinking about your crush too much suffocates any real relationship.

Personagens do Resumo de Como Sair com Homens Quando Você Odeia Homens

Blythe RobersonAuthor and protagonist of the memoir
Naomi WolfAuthor of The Beauty Myth discussed in the text
Woody AllenDirector used as a metaphor for patriarchal control

Sobre o Autor

Blythe Roberson, autora de How to Date Men When You Hate Men, é uma comediante e escritora perspicaz, celebrada por suas visões incisivas sobre o romance moderno e o feminismo.

Este livro de autoajuda focado no humor mistura anedotas sinceras de encontros com críticas feministas, refletindo a trajetória de Roberson como colaboradora da The New Yorker, The Onion e VICE.

Sua experiência profissional inclui pesquisa para o programa The Late Show with Stephen Colbert e a autoria do livro de memórias de viagem America the Beautiful?, que narra sua viagem solo de carro pelos parques nacionais dos EUA.

O trabalho de Roberson já foi destaque no The New York Times e no Washington Post, e ela compartilha regularmente suas percepções por meio de podcasts como Normal Gossip e shows de comédia ao vivo. Seus livros ressoam com leitores que buscam humor e honestidade ao navegar pelos relacionamentos contemporâneos.

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@djmikemoore

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"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

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"Makes me feel smarter every time before going to work"

@Cashflowbubu

"Instead of endless scrolling, I just hit play on BeFreed. It saves me so much time."

@Moemenn

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@Chloe, Solo founder, LA

117

"Perfect balance between learning and entertainment. Finished ‘Thinking, Fast and Slow’ on my commute this week."

@Raaaaaachelw

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"Feels effortless compared to reading. I’ve finished 6 books this month already."

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"BeFreed turned my guilty doomscrolling into something that feels productive and inspiring."

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@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

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"It is great for me to learn something from the book without reading it."

@OojasSalunke

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"Makes me feel smarter every time before going to work"

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@Raaaaaachelw

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"Reading used to feel like a chore. Now it’s just part of my lifestyle."

@Erin, Investment Banking Associate , NYC

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483

"Makes me feel smarter every time before going to work"

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