What is *Everybody Has a Podcast (Except You)* about?

*Everybody Has a Podcast (Except You)* is a humorous, practical guide by Justin, Travis, and Griffin McElroy that demystifies podcast creation. It covers ideation, equipment selection, content structuring, editing, and promotion, while debunking myths like instant profitability. The book emphasizes persistence over technical perfection, using the authors’ decade-long experience hosting hit shows like *My Brother, My Brother and Me*.

Who should read *Everybody Has a Podcast (Except You)*?

Aspiring podcasters, content creators, and fans of the McElroys’ comedy will find value here. The book suits beginners seeking step-by-step advice on launching a show, intermediate creators aiming to refine their format, and anyone interested in blending entertainment with practical tips. Its casual tone makes technical topics accessible for non-experts.

Is *Everybody Has a Podcast (Except You)* worth reading?

Yes, for its actionable advice and comedic insights. While it doesn’t guarantee financial success, it offers realistic strategies for content creation, avoiding common pitfalls (like using a *Rock Band* game microphone), and maintaining listener engagement. The McElroys’ self-deprecating humor keeps the guidance relatable, though advanced podcasters may find some sections basic.

What are the key lessons from *Everybody Has a Podcast (Except You)*?

- **Structure matters**: Divide episodes into predictable segments (intro, discussion blocks, outro) to retain attention. - **Equipment choices**: Avoid gimmicky tools; prioritize clarity and consistency. - **Storytelling > perfection**: Focus on engaging narratives rather than flawless production. - **Monetization realism**: Most podcasts won’t get rich, but niche audiences can sustain passion projects.

How does the book help structure a podcast episode?

The McElroys recommend a three-act framework: a concise intro (title/preview), segmented main content (e.g., listener stories, debates), and a brief outro (teasers/subscription prompts). This rhythm prevents stagnation, allows creative flexibility, and helps listeners navigate episodes comfortably.

What equipment tips do the McElroy brothers provide?

They advise against cheap gimmicks (e.g., repurposing a *Rock Band* microphone) and stress budget-friendly, reliable gear. Key recommendations include USB microphones for starters, free editing software like Audacity, and quiet recording spaces—prioritizing clear audio over expensive setups.

Does the book explain how to monetize a podcast?

Yes, but it tempers expectations. Strategies include sponsorships, Patreon subscriptions, and merchandise, but the authors emphasize building loyalty first. They caution against early monetization, noting most podcasts attract small, dedicated audiences rather than mass profitability.

What common podcasting mistakes does the book highlight?

- Overcomplicating equipment choices early. - Focusing on monetization before establishing content quality. - Neglecting consistent episode structuring. - Trying to imitate existing shows instead of developing a unique voice.

Todo mundo tem um podcast

Um Guia Passo a Passo da Primeira Família do Podcasting

Justin McElroy & Travis McElroy & Griffin McElroy

4.18(1456 Reviews)

Visão geral de Todo mundo tem um podcast

Dos pioneiros do podcasting, chega o guia definitivo que transformou mais de 1.441 aspirantes a criadores em apresentadores confiantes. O roteiro humorístico, porém abrangente, dos irmãos McElroy revela por que os podcasters da rede Maximum Fun o chamam de "inestimável" — desmistificando tudo, desde a seleção de equipamentos até estratégias de monetização.

Escolha como a história é contada

Um livro. Muitas maneiras de ouvi-lo.

As mesmas ideias de Todo mundo tem um podcast. Escolha a voz, a profundidade e o ritmo ideais para você. Mude quando quiser.

Capítulo 1

The Podcast Revolution Is Easier Than You Think

In a world where everyone seems to have a podcast, the McElroy brothers stand as unlikely pioneers. These three self-proclaimed "median talented" siblings have built an audio empire despite humble beginnings: Justin once got fired from Blockbuster for stealing Fight Club, Travis wore button-up shirts with tear-away pants in high school, and Griffin went viral for eating a banana with the peel on. Yet they've created #1 podcasts across multiple categories, building a devoted following that's grown into millions of listeners. What makes their success story particularly compelling is how accessible they make the medium seem. As they put it, podcasting is surprisingly easy at its core - buy a mic, talk into it, record, publish. But as with most creative endeavors, the difference between doing it and doing it well involves mastering multiple disciplines: hosting, organizing, editing, marketing, and more. Their book has become required reading for aspiring podcasters, with celebrities like Conan O'Brien and Paul Scheer recommending it as the definitive guide. In an industry projected to exceed $1 billion in advertising revenue by 2021, the McElroys offer a roadmap through territory they conquered through trial, error, and an uncanny ability to connect with listeners.

Capítulo 2

Finding Your Unique Voice in a Crowded Audio Landscape

The podcasting landscape has transformed dramatically since the medium's early days. In 2010, when the McElroys launched their flagship show "My Brother, My Brother and Me," podcasts could succeed without a specific focus. Today, with approximately 850,000 podcasts competing for attention, you need a compelling concept that sets you apart. Your podcast needs a strong pitch that can be condensed into a single sentence - one that listeners can easily share with friends. Think of Anna Faris's successful show with its crystal-clear premise: "Not-great-relationship advice from completely unqualified Hollywood types." The McElroys demonstrate this principle by showing how their own show would fail today with a weak pitch like "Three brothers give bad advice, but it's funny." In contrast, their show "The McElroy Brothers Will Be in 'Trolls 2'" has a self-explanatory title that lets listeners instantly decide if they're interested. Your motivation for podcasting will shape your show's identity. Whether you're seeking fame, spreading awareness about a topic you care about, contributing to a community, or just talking with friends, your underlying purpose matters. Podcasting is a long game, often requiring months or years before seeing audience growth or financial returns. While making a show just for fun with friends is perfectly valid, consider ways to make even casual concepts appealing to wider audiences. The best podcast topics emerge from genuine obsessions - the things you compulsively Google, the headlines you can't resist clicking, the subjects you passionately explain to disinterested friends. Justin shares his fascination with workplace training videos as an example, particularly "Wendy's Grill Skills" from the 1980s featuring a digital ghost rapping about burger-frying techniques. This led to his cereal podcast, The Empty Bowl, which has a smaller audience but fulfills him creatively. The beauty of the internet age is that niche topics can find their audience. Even if only 0.0002% of the world population is interested in your obscure passion, that's still 15,600 potential listeners. Specificity is key - don't be broadly focused like "Entertainment Tonight"; instead, dive deep into something like "Self-Produced Beanie Baby-Collecting Tips Videos Tonight."

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Capítulo 3

Building Your Podcast's Foundation

Once you've identified your topic, research what already exists in that space. With 32% of Americans listening to podcasts monthly, any show that brings new listeners benefits the entire ecosystem. Using Survivor as an example, search podcast directories to see what approaches already exist: recap shows with viewer audio, former contestant perspectives, historical reviews. This research helps you make informed decisions about whether to pursue a saturated market or pivot to another obsession. Your approach to a topic is where you'll differentiate yourself, and specificity is crucial. "The Worst Idea of All Time" isn't just about the movie Grown Ups 2 - it's reviewing that film weekly for an entire year. "99% Invisible" isn't just about design - it's about remarkable stories behind unremarkable things. If you have specific expertise, build around it, like how Sydnee McElroy's medical background shaped "Sawbones." For general topics, find a unique lens, like how "Trends Like These" uses social media popularity to determine newsworthy stories. When evaluating your concept, ask yourself: Do I want to invest my time creating this? Would I love to listen to this if someone else made it? If both answers are "yes," you're ready to name your show. Naming a podcast is more art than science, but some guidelines can help: shorter names are generally better (easier to remember and search for); avoid putting your name in the title unless you're already known; consider whether a manifesto-style name (like "Guys We F****d") that communicates tone works, or something less descriptive but thematically appropriate (like "Stop Podcasting Yourself"). Most importantly, ensure your name is original - ideally the only media using it, but at minimum the only podcast with that name.

Capítulo 4

The Power of Collaboration and Structure

Travis McElroy strongly recommends podcasting with someone you enjoy talking to. While some formats work well with one voice (like biographical storytelling), discussion-based shows benefit enormously from multiple perspectives. Having a cohost provides different viewpoints, keeps conversation flowing, and makes listeners feel included in a dialogue rather than being lectured to. Travis always works with cohosts because the energy exchange makes podcasting feel less like work. When choosing cohosts, decide between permanent partners or rotating guests. Rotating guests bring fresh energy and perspectives but make it harder to establish a consistent groove that listeners can settle into. Travis recommends limiting shows to 2-3 hosts - two for information-focused shows like "Shmanners," three for comedy shows like "My Brother, My Brother and Me" where having time to formulate jokes while others talk is valuable. Travis emphasizes the importance of including underrepresented voices on your podcast. He shares how "Trends Like These" improved dramatically when Courtney joined him and Brent, bringing perspectives and insights the two cisgender men simply didn't have. Including diverse voices isn't just about representation - it makes for better, more insightful content. Recording location is an often overlooked but important decision. While recording in the same room can enhance chemistry, it may lead hosts to rely on body language and visual cues that exclude listeners. Recording separately ensures everyone is reacting to the same audio stimuli as the audience and typically produces cleaner audio with each voice on its own track. Remote recording also simplifies scheduling, eliminating commute time and allowing for spontaneous sessions. Your podcast needs consistent structure with clear intros and outros, ideally accompanied by music that establishes your show's aesthetic. Your intro should introduce the title, hosts, and episode topic - remember, you never know which episode will be someone's first. Outros should include plugs for other projects, social media handles, and calls to action, but keep them concise to prevent listeners from tuning out early. The body of your podcast benefits from compartmentalization - like MBMBAM's alternating listener questions and Yahoo Answers - giving you control over pacing. While transitions between segments don't need to be explicitly announced, consistency across episodes helps meet listener expectations. Experiment with new segments only if they fit seamlessly, and don't hesitate to drop segments that aren't working.

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Capítulo 5

The Technical Side: Equipment and Recording Environment

Travis introduces the technical side of podcasting with enthusiasm, noting that while it might seem boring initially, understanding the basics will help new podcasters fall in love with the equipment. He breaks down the three main types of microphones in simple terms: 1. Dynamic Mics: Sturdy workhorses commonly found in theaters and venues, requiring no power to operate. While not as specialized as condensers, they're reliable for both studio and stage use. 2. Condenser Mics: These capture more detail but need more fine-tuning and require 48 volts of "phantom power" to operate, meaning you'll need a soundboard or interface between the mic and recording device. They excel in studio settings for voice-over work and podcasting. 3. Ribbon Mics: Old-school options that have recently regained popularity, less sensitive to higher frequencies and capturing them without harshness, ideal for achieving a vintage sound. Recording patterns determine how microphones capture sound. Cardioid patterns pick up sound mainly from the front, ideal when each person has their own mic. Omnidirectional patterns capture sound equally from all directions, perfect for recording multiple people with one mic but requiring quiet environments. Figure 8 patterns pick up sound from front and back, good for two-person recordings in a pinch. When connecting your microphone to recording devices, you have two main options. USB mics plug directly into computers with minimal setup but limited control and only one can be used at a time. XLR connections require cables and an audio interface but allow multiple mics and greater sound control. For beginners, a sub-$100 USB mic works fine, but avoid cheap XLR mics - they're a false economy. The Blue Yeti ($130) offers versatility with multiple recording patterns. For serious podcasters, the Shure SM58 ($100) provides professional quality and durability. Creating a recording space doesn't require a professional studio - just some practical know-how. The ideal recording environment balances four factors: accessibility, silence from outside noise, sound treatment to dampen echoes, and comfort. For a quick solution, record in a closet full of clothes. Otherwise, find a quiet corner - top floors avoid footfall noise, basements work if Wi-Fi reaches. Always record behind a closed door and eliminate ambient sounds like AC, fans, PC noise, and even aromatherapy machines. To control sound reflections, add acoustic treatments: professional panels (expensive), DIY alternatives, bookshelves (great for diffusion), moving blankets (cheap but ugly), rugs (for floor reflections), or clothing. Directional microphones help, but test recordings to check for echo. Don't neglect comfort - uncomfortable chairs, extreme temperatures, and cluttered spaces will affect your performance. Consider standing for better vocal delivery.

Capítulo 6

The Art of Recording: Performance and Conversation

Justin emphasizes the importance of checking your mental state before recording. If you're stressed, sad, anxious, or tired, consider rescheduling. Police your mood while recording - avoid potential stressors like business talk or phone notifications. Your cohosts might notice when you're not in a good headspace even before you do. Griffin warns about the challenge of maintaining focus during recording, especially with computers connected to the internet's "infinite distraction engine." He recommends closing unnecessary programs and putting your phone across the room before recording. The more focused you are, the easier it is to listen actively and keep conversation flowing. Griffin's most important advice is to constantly remember you're making content for actual listeners. This mindset helps you recognize when segments feel uncomfortable, conversations become unnatural, or content turns self-indulgent. Small transgressions like burping or going ten minutes without saying anything entertaining can drive listeners away. Travis emphasizes the importance of performance. Even when "being yourself," you need to bring more energy than everyday conversation - like telling a story to a roomful of people versus one friend. Consider your objectives and tactics: aim to fascinate, thrill, or inspire rather than simply talk. Think about what you want your audience to feel and adjust your energy accordingly, even if your character is just an amplified version of yourself. Travis addresses the common fear of drawing a blank when recording begins. He reassures that even after a decade of podcasting, the McElroys still spend about ten minutes finding something worth saying for their intros. For topic-based shows, establish criteria that subjects must meet to fit your format. Most importantly, choose topics you're genuinely interested in - nothing is more boring than listening to someone discuss a subject they don't care about. Justin emphasizes the crucial balance between wanting to say brilliant things and actively listening to cohosts. Good podcasting requires splitting your attention: the "front brain" listens and responds while the "back brain" develops your next contribution. Physical listening cues (smiles, nods) are important even in remote recording, as they boost your cohost's confidence and can actually improve your own mental engagement. Travis reveals the podcaster's superpower: editing. This fundamental ability transforms how you approach recording - no longer needing to worry about perfection in the moment. When disruptions occur (barking dogs, doorbells, sirens), simply pause, handle the issue, and resume. The power to edit means you don't need to fill dead air when looking up information or waiting for cohosts.

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Capítulo 7

Transforming Raw Audio into a Polished Podcast

Justin emphasizes the importance of saving your raw audio file before any editing begins. While editing can transform good recordings into very good ones, he cautions that it can't turn a fundamentally bad episode into gold. The first rule is critical: save your raw file immediately and keep it safe, giving you the freedom to experiment without fear of permanent mistakes. Justin recommends editing in multiple passes with increasing refinement, comparing it to sculpting Michelangelo's David. First, remove anything not for public consumption - bathroom breaks, embarrassing moments, or personal information. If you marked edit points with clicks or pauses during recording, remove those too. For the second editing pass, Justin recommends listening through the entire recording first, marking edits rather than making them immediately. This prevents cutting material that might be referenced later in the show. The rigor of editing depends on your goals - whether creating a tight twenty-minute show from an hour of audio or maintaining a conversational flow with occasional tangents. He suggests a key question for editing decisions: "Is this five minutes of material worth five minutes of someone's life?" If not, cut it - showing respect for your listeners' time. The final editing pass varies in intensity depending on your show's style. While chair creaking might become material for a casual show like "My Brother, My Brother and Me," it wouldn't work for the more educational "Sawbones." Justin emphasizes removing evidence of edits by listening for unnatural speech patterns and using cross-fades to smooth transitions. Griffin addresses music selection, acknowledging the complex copyright considerations. He delivers the bad news bluntly: you won't legally use Coldplay's "Viva La Vida" as your podcast theme without extraordinary connections or resources. Popular music is typically heavily copyrighted and prohibitively expensive to license. Alternatives include licensing from smaller acts through services like Machinimasound and Musicbed, obtaining written permission directly from artists, or using royalty-free music. For theme songs, Griffin emphasizes avoiding shrill sounds that might grate on listeners after repeated exposure, and ensuring vocals don't compete with dialogue. When mixing background music, Griffin advises caution: "Turn the music down to the point where the spoken word content of your show is clear and understandable. Then turn the music down some more."

Capítulo 8

Building Your Audience: Distribution and Connection

Justin explains the fundamentals of podcast hosting, clarifying that podcast directories like Apple Podcasts aren't where podcasts are stored but rather directories pointing to where they live. A hosting service provides the server space where podcast files reside and creates the RSS feed that directories use to find and update your show. Justin shares a common scenario where new podcasters meticulously prepare content, buy equipment, edit perfectly - but forget the critical step of uploading their podcast to a hosting service. Without this step, potential listeners have no way to discover or download the show, dooming it to failure before it begins. When choosing a hosting provider, consider factors like fees (some offer free tiers for beginners), statistics capabilities (download numbers, geographical data, listening platforms), advertising options, company stability and reputation, website generation, embeddable players, contribution options, cross-promotion opportunities, and customer support quality. Griffin explains the process of submitting your podcast to platforms like Apple Podcasts using their Podcast Connect service. While charting isn't the primary way listeners discover shows, it can help with visibility. Charts value newness and growth alongside total audience size, giving new podcasts a chance to appear in category-specific rankings. Justin reveals their "secret sauce" for podcast success: genuinely appreciating listeners. When someone gives you their precious time, you owe it to them not to waste it. This means caring about sound quality, editing out boring content, and having a recording plan. But most importantly, it means direct communication that shows listeners you value them. Creating a dedicated, easy-to-remember email address for your podcast is essential for opening communication with listeners. While social media is useful, email allows for more in-depth and private conversations. When starting out, respond to as many emails as possible - each early listener represents your chance at building an audience. When handling listener communications, respond to positive messages with gratitude and to constructive criticism with even more appreciation. For negative or trolling messages, you can ignore them, but surprisingly, responding with kindness often turns critics into fans. Many people don't expect creators to see their messages and are shocked when you respond thoughtfully.

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Capítulo 9

Monetization: From Merchandise to Advertising

Before rushing to sell merchandise, wait until your audience actually asks for it. Starting too early means you'll likely outgrow your initial merch strategy multiple times, creating unnecessary headaches. It can also appear crass for a new show with minimal listeners to immediately start selling products. Merchandise isn't primarily a marketing tool - an informal Twitter poll showed only 12% of people had ever checked out a podcast because they saw its name on a shirt. The best reason to create merch is to foster connection with your existing listeners. Fans wear podcast shirts not to recruit new listeners but because it makes them feel connected to shows they love and helps them identify fellow fans. There are three approaches to podcast merchandise: do it yourself, let someone else handle everything, or find a middle ground. The DIY approach offers the highest profit margins but requires significant time investment. Using services like TeeSpring or Society6 means less hassle but lower profits. For most shows, especially new ones, starting with an all-in-one service is advisable until you outgrow it. Travis believes crowdfunding is the superior monetization option for podcasts because it rewards audience dedication rather than size. A dedicated audience of 500 listeners each giving $5 monthly generates $30,000 annually - more meaningful than what small audience numbers would attract from advertisers. Lump sum crowdfunding (Kickstarter, Indiegogo, GoFundMe) provides a one-time payment after a campaign with defined start and end dates. Incremental funding through platforms like Patreon provides recurring payments (monthly or per-episode) at different support tiers. The biggest drawback to crowdfunding is managing donor rewards and relationships. Travis recommends offering additional content and access instead of physical goods - bonus episodes, livestreams, or newsletters are easier and cheaper to produce while still providing value to supporters. Advertising is the financial backbone of most professional podcasts, with industry revenue expected to exceed $1 billion by 2021. However, new podcasters shouldn't expect advertisers immediately - most agencies won't consider shows with fewer than several thousand monthly downloads. Traditional advertising isn't ideal for new podcasts with small audiences. Consider platforms like Anchor that connect smaller shows with advertisers, or focus on crowdfunding which better supports growing shows.

Capítulo 10

The Journey Begins With a Single Recording

Griffin concludes by encouraging readers to take action on what they've learned about podcasting, emphasizing that while theoretical knowledge is valuable, practical experience is irreplaceable. He stresses that the real learning happens in the doing - from setting up your first microphone to editing your first episode to publishing your first show. The most important step is to simply start recording something-anything-and then work to improve it over time through iterative feedback and practice. He reassures readers that while the technical aspects of podcasting are relatively straightforward - with basic equipment and software being more accessible than ever - creating compelling content that resonates with listeners takes dedication and consistent effort. The key is to adopt a growth mindset: make something, analyze it, improve it, and repeat. This approach prevents the common trap of perfectionism that keeps many aspiring podcasters from ever launching their first episode. The McElroys' journey serves as an inspiring case study. Starting with nothing more than a Rock Band microphone and a $15 Walmart headset, they built their podcast network into a multimedia empire that includes successful shows, books, and even a television show. Their story demonstrates that initial equipment limitations or technical inexperience shouldn't be barriers to entry. Their success stemmed not from state-of-the-art equipment or professional training, but from authentic connection with listeners, consistent improvement in their craft, and creating content that they themselves found genuinely entertaining and meaningful. The foundation of their audience connection, they emphasize, is deep respect for listeners. They advocate strongly against viewing audience members as mere download numbers or "earholes," instead encouraging podcasters to see them as individual people with valuable time and energy to share. This means being consistently reliable with episode releases, maintaining quality standards, and actively engaging with feedback. Their one-on-one marketing strategy is refreshingly simple: treat people like people, engage genuinely, and build real relationships with your community. This approach has proven particularly effective in the modern media landscape, where listeners can easily detect inauthentic content. When you create an audience that feels genuinely valued and respected, they become natural ambassadors for your show, sharing it with friends and helping build an organic, engaged community. The McElroys' success demonstrates that word-of-mouth marketing, driven by authentic connection, can be more powerful than traditional promotional strategies. The podcast revolution, ultimately, isn't about achieving technical perfection or attaining celebrity status - it's about authentic voices finding and nurturing their audiences. In a world saturated with highly produced, corporate media, genuine authenticity and personal connection might be the most valuable assets a new podcaster can offer. The barrier to entry has never been lower, but the opportunity to make a meaningful impact has never been higher.

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Temas principais em Todo mundo tem um podcast

audio content production
niche audience building
creative collaboration
brand identity development
digital storytelling

Citações de Todo mundo tem um podcast

Podcasting is a long game.
Specificity is key.
Your approach to a topic is where you'll differentiate yourself.
Naming a podcast is more art than science.
Including diverse voices isn't just about representation - it makes for better, more insightful content.

Personagens de Todo mundo tem um podcast

Justin McElroyAuthor and podcaster, co-host of several shows
Travis McElroyAuthor and podcaster, advocate for co-hosting
Griffin McElroyAuthor and podcaster, known for viral videos
Sydnee McElroyMedical professional and host of Sawbones

Sobre o Autor

Justin McElroy, Travis McElroy e Griffin McElroy são autores best-sellers do New York Times e pioneiros do podcasting, cujo trabalho colaborativo em comédia e mídia abrange mais de uma década.

O livro deles, Everybody Has a Podcast (Except You), une a experiência do trio em entretenimento de áudio com orientações práticas, refletindo sua abordagem de mistura de gêneros para não ficção infundida com humor.

Os irmãos ganharam destaque através de My Brother, My Brother and Me (2010), um podcast seminal de conselhos cômicos que evoluiu para uma série de TV no Seeso e consolidou seu status como ícones da comédia alternativa. Seu catálogo inclui a série de graphic novels The Adventure Zone (adaptada de seu podcast de actual-play de D&D) e The Sawbones Book (com a esposa de Justin, Dra. Sydnee McElroy), ambos best-sellers do NYT que exploram a história da medicina e a narrativa de fantasia.

Antes do podcasting, Justin cofundou o Polygon, um site líder em jornalismo de videogames, enquanto Travis e Griffin contribuíram para o sucesso inicial da plataforma. O trabalho deles foi traduzido para vários idiomas, adaptado para jogos de cartas e referenciado na grande mídia, com as graphic novels de The Adventure Zone passando 47 semanas na lista de best-sellers do NYT.

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avg rating

1M+ learners

"Instead of endless scrolling, I just hit play on BeFreed. It saves me so much time."

@Moemenn

"I never knew where to start with nonfiction—BeFreed’s book lists turned into podcasts gave me a clear path."

@Chloe, Solo founder, LA

117

"Perfect balance between learning and entertainment. Finished ‘Thinking, Fast and Slow’ on my commute this week."

@Raaaaaachelw

"Crazy how much I learned while walking the dog. BeFreed = small habits → big gains."

@Matt, YC alum

108

"Reading used to feel like a chore. Now it’s just part of my lifestyle."

@Erin, Investment Banking Associate , NYC

254

"Feels effortless compared to reading. I’ve finished 6 books this month already."

@djmikemoore

"BeFreed turned my guilty doomscrolling into something that feels productive and inspiring."

@Pitiful

4.5K

"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

"Instead of endless scrolling, I just hit play on BeFreed. It saves me so much time."

@Moemenn

"I never knew where to start with nonfiction—BeFreed’s book lists turned into podcasts gave me a clear path."

@Chloe, Solo founder, LA

117

"Perfect balance between learning and entertainment. Finished ‘Thinking, Fast and Slow’ on my commute this week."

@Raaaaaachelw

"Crazy how much I learned while walking the dog. BeFreed = small habits → big gains."

@Matt, YC alum

108

"Reading used to feel like a chore. Now it’s just part of my lifestyle."

@Erin, Investment Banking Associate , NYC

254

"Feels effortless compared to reading. I’ve finished 6 books this month already."

@djmikemoore

"BeFreed turned my guilty doomscrolling into something that feels productive and inspiring."

@Pitiful

4.5K

"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

"Instead of endless scrolling, I just hit play on BeFreed. It saves me so much time."

@Moemenn

"I never knew where to start with nonfiction—BeFreed’s book lists turned into podcasts gave me a clear path."

@Chloe, Solo founder, LA

117

"Perfect balance between learning and entertainment. Finished ‘Thinking, Fast and Slow’ on my commute this week."

@Raaaaaachelw

"Crazy how much I learned while walking the dog. BeFreed = small habits → big gains."

@Matt, YC alum

108

"Reading used to feel like a chore. Now it’s just part of my lifestyle."

@Erin, Investment Banking Associate , NYC

254

"Feels effortless compared to reading. I’ve finished 6 books this month already."

@djmikemoore

"BeFreed turned my guilty doomscrolling into something that feels productive and inspiring."

@Pitiful

4.5K

"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

Veja mais sobre como o BeFreed é discutido na web

Comece sua jornada de aprendizado, agora

Capítulo 10

Todo mundo tem um podcast

Visão GeralVisão geral de Todo mundo tem um podcast

Um livro. Muitas maneiras de ouvi-lo.

The Podcast Revolution Is Easier Than You Think

Finding Your Unique Voice in a Crowded Audio Landscape

Veja cada palavra enquanto a ouve

Building Your Podcast's Foundation

The Power of Collaboration and Structure

Aproveite ainda mais Todo mundo tem um podcast

The Technical Side: Equipment and Recording Environment

The Art of Recording: Performance and Conversation

Veja cada palavra enquanto a ouve

Transforming Raw Audio into a Polished Podcast

Building Your Audience: Distribution and Connection

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Monetization: From Merchandise to Advertising

The Journey Begins With a Single Recording

Você chegou ao fim de Todo mundo tem um podcast

Temas principais em Todo mundo tem um podcast

Citações de Todo mundo tem um podcast

Personagens de Todo mundo tem um podcast

Sobre o Autor

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Is Everybody Has a Podcast (Except You) worth reading?

What are the key lessons from Everybody Has a Podcast (Except You)?

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1,000,000+ curious minds.

1,000,000+ curious minds.

Um livro. Muitas maneiras de ouvi-lo.

The Podcast Revolution Is Easier Than You Think

Finding Your Unique Voice in a Crowded Audio Landscape

Veja cada palavra enquanto a ouve

Building Your Podcast's Foundation

The Power of Collaboration and Structure

Aproveite ainda mais Todo mundo tem um podcast

The Technical Side: Equipment and Recording Environment

The Art of Recording: Performance and Conversation

Veja cada palavra enquanto a ouve

Transforming Raw Audio into a Polished Podcast

Building Your Audience: Distribution and Connection

Aproveite ainda mais Todo mundo tem um podcast

Monetization: From Merchandise to Advertising

The Journey Begins With a Single Recording

Você chegou ao fim de Todo mundo tem um podcast

Usuários também gostaram

Descubra mais

Visão geral de Todo mundo tem um podcast