
"Boy Parts" follows a disturbing photographer's twisted obsessions. Blackwell's Fiction Book of 2020 and adapted for stage, Clark's provocative debut makes readers "howl with laughter and shut their eyes in horror" (Guardian). What dark desires will you recognize in yourself?
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Her camera becomes a weapon, a tool for control in a world where women are typically the ones being controlled.
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Criado por ex-alunos da Universidade de Columbia em San Francisco
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Criado por ex-alunos da Universidade de Columbia em San Francisco

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Irina sees the world through a lens of power and control. As a photographer in Newcastle, she doesn't just capture images of young men-she captures them. Her subjects are carefully selected: vulnerable, malleable, often working-class boys she can manipulate into compromising positions for her explicit art. When we meet her, she's just been assaulted by a woman who discovered Irina photographed her underage son. This incident sets the tone for everything that follows-a world where art and exploitation blur into something both fascinating and horrifying. What makes Irina so compelling isn't just her predatory nature, but her unapologetic refusal to play by society's rules. When harassed by a businessman at the bar where she works, she feels nothing but contempt. When her boss Ryan refuses to send her home after her assault, she manipulates the situation without hesitation. There's something almost refreshing about her refusal to be the good girl, to smile and accommodate. But beneath this confidence lies something darker. Her camera isn't just a tool-it's a weapon. "I force him into uncomfortable yoga poses while photographing us together, ignoring his concerns about my facial bruise," she says about one model. Through her eyes, we become uncomfortably complicit in her objectification of these men. What would we think if a male photographer treated female models this way?