
Ibsen's revolutionary 1879 drama ignited a "storm of outraged controversy" by daring to challenge women's societal roles. The world's most-performed play in 2006, it once forced Ibsen to write an alternative ending when an actress refused to abandon her fictional children.
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Behind the elegant facade of the Helmer household lies a marriage built on illusion. When Henrik Ibsen's "A Doll's House" premiered in 1879, its ending scandalized society - a woman abandoning her husband and children was unthinkable. Yet Nora Helmer's departure through that door became one of theater's most revolutionary moments. This wasn't just another domestic drama; it was a profound challenge to Victorian society's most cherished institutions. The play stripped away the veneer of the "perfect marriage" to reveal the suffocating reality beneath. What makes this work so enduring isn't just its feminist message, but how it transforms an ordinary Norwegian household into the battleground for questions about identity, love, and personal freedom that still resonate today. When that door slammed shut, it opened countless others for generations of women - and for modern drama itself.
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Criado por ex-alunos da Universidade de Columbia em San Francisco
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Criado por ex-alunos da Universidade de Columbia em San Francisco

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