
Discover why "Steal Like an Artist" became a New York Times bestseller by challenging the myth of originality. Austin Kleon's manifesto for creative theft has sparked a decade-long revolution in how we approach creativity - nothing is original, and that's precisely the point.
Austin Kleon is the New York Times bestselling author of Steal Like an Artist, a groundbreaking guide to creativity in the digital age.
As a writer and artist known for blending words, visuals, and practical wisdom, Kleon explores themes of artistic inspiration, creative authenticity, and the power of sharing work. His unique approach stems from his background as a web designer, librarian, and creator of the viral "newspaper blackout" poetry format.
Kleon’s other works, including Show Your Work! and Keep Going, further cement his reputation as a leading voice on sustaining creativity. He has been featured on NPR’s Morning Edition, PBS Newshour, and in The Wall Street Journal, and speaks globally for organizations like Pixar, Google, and TEDx.
Kleon’s newsletter and blog offer ongoing insights into artistic practice. Steal Like an Artist has sold over two million copies worldwide and been translated into 30+ languages.
Steal Like an Artist is a creativity manifesto that challenges traditional notions of originality. Austin Kleon argues that all creative work builds on existing ideas, encouraging readers to ethically "steal" inspiration, remix concepts, and embrace side projects. The book offers 10 practical principles, such as fostering curiosity and using analog tools, to help artists and professionals unlock their creative potential.
Austin Kleon is a New York Times bestselling author, artist, and speaker known for his books on creativity, including Show Your Work! and Keep Going. His work, translated into over 30 languages, blends actionable advice with illustrations. Kleon has spoken at organizations like Pixar and Google and is recognized for his insights on digital-age creativity.
Aspiring artists, entrepreneurs, and anyone seeking to inject creativity into their personal or professional life will benefit. The book is particularly valuable for individuals facing creative blocks or those intimidated by starting new projects. Kleon’s advice applies to writers, designers, and hobbyists alike.
Yes—the book’s concise, actionable insights make it a standout for creativity seekers. A global bestseller translated into 20+ languages, it distills complex ideas into digestible lessons. Readers praise its practicality, with exercises like keeping a "swipe file" of inspiration and prioritizing hands-on creation over perfectionism.
Key ideas include:
The phrase advocates borrowing ideas ethically by studying, remixing, and crediting influences. Kleon compares it to musicians sampling tracks—building on the past to create something new. It’s not about imitation but "code-switching" between inspirations to develop a unique voice.
Absolutely. Kleon’s advice targets those starting their creative journey, offering frameworks to overcome self-doubt. Tips like "write the book you want to read" and "don’t wait until you know who you are" demystify creativity, making it accessible to novices.
This technique involves redacting newspaper articles with a marker to create poetry, leaving only words that form new meanings. Kleon popularized it in his first book, demonstrating how constraints can spark creativity. It’s a hands-on example of "stealing" from existing content.
Kleon asserts that nothing is truly original—creativity is about "genealogy" of ideas, not purity. He cites historical figures like Shakespeare, who remixed existing stories, and advises focusing on how ideas are combined rather than their novelty.
Notable lines include:
Some argue the book oversimplifies creativity or lacks depth for advanced practitioners. However, most reviewers praise its motivational tone and practicality, noting its value as a primer rather than an exhaustive guide.
Unlike dense guides like The War of Art or Big Magic, Kleon’s work is visual, concise, and action-oriented. It’s often paired with Atomic Habits for its focus on incremental progress, but stands out for its emphasis on collaborative creativity over individual genius.
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Nothing is truly original.
You create to find yourself.
Good artists copy, great artists steal.
All creativity is magnificent theft.
Create what's missing.
Break down key ideas from Steal Like an Artist into bite-sized takeaways to understand how innovative teams create, collaborate, and grow.
Distill Steal Like an Artist into rapid-fire memory cues that highlight key principles of candor, teamwork, and creative resilience.

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Ask anything, pick the voice, and co-create insights that truly resonate with you.

From Columbia University alumni built in San Francisco
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From Columbia University alumni built in San Francisco

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What if the pressure to be completely original is the very thing killing your creativity? For years, we've been sold a dangerous myth: that true artists conjure genius from thin air, that authentic creativity means starting from nothing. But Salvador Dali traced other artists' work. Bob Dylan borrowed melodies without apology. The Beatles built their sound on Elvis, who built his on blues musicians who built theirs on field songs. The uncomfortable truth is this: nothing is original. Every creative work is a remix of what came before, and once you accept this, you're finally free to create. The problem isn't that we steal-it's that we pretend we don't. Creativity isn't about divine inspiration striking from nowhere. It's about collecting influences like treasures, combining them in ways only you can, and transforming them through your unique sensibility. Your job isn't to be original. It's to be honest about what moves you and brave enough to mix those influences into something that reflects your particular obsessions. Think of Quentin Tarantino-his films are essentially collages of martial arts movies, spaghetti westerns, and exploitation flicks, yet they're unmistakably his. He doesn't hide his theft; he celebrates it. Begin by copying your heroes. Not to plagiarize, but to learn. Musicians play other people's songs before composing their own. Writers imitate favorite authors before developing their voice. Copy not just one influence but many, and here's where the magic happens: your imitations will be imperfect. Those "mistakes"-the ways you deviate because of your limitations or misunderstandings-become your signature. Leonard Cohen wasn't technically the best singer, but his limitations created his distinctive sound. Your flaws are your style waiting to emerge.