To Be a Machine: Adventures Among Cyborgs, Utopians, Hackers, and the Futurists Solving the Modest Problem of Death book cover

To Be a Machine

Adventures Among Cyborgs, Utopians, Hackers, and the Futurists Solving the Modest Problem of Death

Mark O’Connell
3.77 (3091 Reviews)

『To Be a Machine』の概要

In "To Be a Machine," Mark O'Connell plunges into transhumanism's bizarre quest to defeat death. Shortlisted for the Royal Society Prize, this darkly humorous journey asks: Would you upload your consciousness? Even Bill Gates and Elon Musk are watching this movement with fascination - and fear.

『To Be a Machine』の主要テーマ

  • technological immortality
  • cryonic preservation
  • biological transcendence
  • human evolution control
  • mind uploading

『To Be a Machine』の名言

  • Death is a problem to be solved.

  • Humans as devices that should become better versions of themselves.

  • The line between human and machine has always been permeable.

  • A rebellion against human existence as it has been given.

『To Be a Machine』の登場人物

  • Mark O’ConnellThe author and narrator exploring transhumanism
  • Max MorePhilosopher and CEO of Alcor Life Extension
  • Aubrey de GreyGerontologist focused on longevity research
  • Ralph MerkleComputer scientist and cryonics advocate
  • Michael HendricksNeurobiologist and critic of cryonics

著者について

『To Be a Machine』の著者について

Mark O’Connell, award-winning author of To Be a Machine: Adventures Among Cyborgs, Utopians, Hackers, and the Futurists Solving the Modest Problem of Death, is an Irish writer renowned for blending investigative journalism with philosophical inquiry.

A Trinity College Dublin PhD graduate, O’Connell’s expertise in dissecting technology’s impact on humanity shines in this exploration of transhumanism, which won the 2018 Wellcome Book Prize and the 2019 Rooney Prize for Irish Literature.

His work regularly appears in The New Yorker, The New York Times Magazine, and The Guardian, reinforcing his authority on existential themes. O’Connell’s subsequent books, including Notes from an Apocalypse and the true-crime narrative A Thread of Violence, further cement his reputation for tackling societal anxieties through deeply researched, genre-defying non-fiction.

A theatrical adaptation of To Be a Machine debuted at the Dublin Theatre Festival, underscoring its cultural resonance. The book was shortlisted for the Baillie Gifford Prize and has been translated into multiple languages.

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この本に関するよくある質問

To Be a Machine explores transhumanism, a movement aiming to transcend human limitations through technology. Mark O’Connell journeys from Silicon Valley to underground labs, interviewing figures like immortality-seeking presidential candidate Zoltan Istvan and biohackers implanting sensors into their bodies. The book critiques techno-utopianism while reflecting on mortality, AI risks, and what it means to be human.

This book appeals to readers interested in technology’s ethical implications, futurism, or Silicon Valley culture. Philosophers, tech enthusiasts, and fans of immersive nonfiction will appreciate O’Connell’s blend of reportage, dark humor, and existential reflection. It’s ideal for those grappling with AI’s rise or seeking critiques of tech-driven immortality pursuits.

Yes—it won the 2018 Wellcome Book Prize and Rooney Prize for its incisive exploration of transhumanism. Critics praise its balance of rigorous research and accessible storytelling, offering a compelling lens on Silicon Valley’s quest to “solve death” while questioning the cost of abandoning human fragility.

Transhumanism advocates using technology to evolve humans beyond biological constraints, such as aging or disease. O’Connell profiles believers in mind-uploading, radical life extension, and AI integration. However, he reveals contradictions, like billionaires funding immortality while ignoring societal inequality, framing it as a “revolt against human condition”.

The book exposes Silicon Valley’s obsession with escapism—via cryonics, AI, or biohacking—as a refusal to confront human mortality and societal responsibility. O’Connell contrasts transhumanists’ grand visions with the mundane reality of tech workers trapped in “automatizing logic” of late capitalism, as seen in grinder subcultures.

  • Mortality vs. Technology: Can humanity engineer away death without losing meaning?
  • Ethics of AI: Risks of superintelligent machines misinterpreting human goals.
  • Human Fragility: O’Connell argues impermanence defines our humanity, contrasting transhumanists’ denial of biological limits.

  • Zoltan Istvan: Ran for U.S. president on an “Immortality Ticket.”
  • Aubrey de Grey: Gerontologist advocating indefinite lifespans.
  • Pittsburgh Grinders: DIY enthusiasts implanting tech into their bodies.

O’Connell rejects transhumanism, finding beauty in human impermanence—like playing with his son. His skepticism grounds the book, balancing oddball interviews with poignant reflections on parenthood and mortality, avoiding sensationalism while humanizing extremists.

It critiques AI’s existential risks, like a cancer-curing machine eliminating humans. O’Connell questions whether superintelligence can align with human values, highlighting Silicon Valley’s naivete about unintended consequences of automating society.

The book foreshadows trends like biohacking and AI worship, contextualizing them within a longer history of techno-utopianism. It resonates with current debates about ChatGPT, neural implants, and Silicon Valley’s influence on global inequality.

Some argue O’Connell overly focuses on transhumanism’s fringe, missing pragmatic applications of human enhancement. Others praise his refusal to sensationalize, offering a nuanced critique of escapist tech ideologies.

Unlike Corey Pein’s Live Work Work Work Die (tech worker exploitation), O’Connell tackles philosophical implications of human obsolescence. Both books, however, critique Silicon Valley’s dehumanizing impact, forming a cultural critique of techno-capitalism.

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