
Patricia Evangelista's award-winning memoir exposes Duterte's brutal drug war through unflinching interviews with victims' families and killers themselves. Named among NYT's best books of 2023, this haunting chronicle asks: When does a nation normalize murder? "I'm not all bad. Some people need killing."
Patricia Chanco Evangelista is an acclaimed trauma journalist and the author of Some People Need Killing: A Memoir of Murder in My Country. She combines investigative rigor with frontline reporting to document political violence and human rights crises.
This memoir, blending narrative nonfiction with true crime analysis, draws from her nine years covering Rodrigo Duterte’s drug war for Rappler, where her award-winning “Impunity” series exposed systemic police collusion in extrajudicial killings.
A New America fellow and Yale Council on Southeast Asia Studies associate, Evangelista’s work has earned the Kate Webb Prize for dangerous-zone journalism and the 2024 Helen Bernstein Book Award for Excellence in Journalism. Her documentaries for ABS-CBN News Channel on disasters like Supertyphoon Haiyan received New York Festivals medals.
Some People Need Killing was named TIME’s #1 Nonfiction Book of 2023, a New York Times Top 10 pick, and longlisted for the Women’s Prize for Non-Fiction—solidifying its status as a defining account of state-sanctioned violence.
Some People Need Killing is a memoir and investigative report on Philippine President Rodrigo Duterte’s brutal anti-drug campaign, documenting state-sanctioned killings and vigilante violence from 2016-2022. Patricia Evangelista, a trauma journalist, immerses readers in the psychological and societal impact of extrajudicial murders, chronicling survivors’ stories and perpetrators’ twisted justifications. The title引用s a vigilante’s chilling rationale: “I’m not all bad. Some people need killing.”
This book is essential for readers interested in human rights, Southeast Asian politics, or investigative journalism. It appeals to true crime enthusiasts seeking gritty, real-world accounts and scholars studying authoritarianism’s erosion of democracy. The graphic content and ethical questions make it suited for mature audiences grappling with moral ambiguities in governance.
Yes—it’s a critically acclaimed “journalistic masterpiece” (The New Yorker) and one of TIME’s top nonfiction books of 2023. Its unflinching examination of state violence, combined with Evangelista’s lyrical prose, offers profound insights into fear, complicity, and resistance under tyranny.
The title引用s a vigilante’s defense of his actions during Duterte’s drug war, reflecting widespread desensitization to violence. This mantra rationalized murder as public service, exposing how dehumanizing rhetoric enabled ordinary citizens to justify atrocities.
As a trauma journalist and Rappler reporter, Evangelista spent six years embedding with killers, survivors, and activists. Her Pulitzer Center-supported investigations and awards like the Kate Webb Prize ground the narrative in rigor and empathy, blending reportage with intimate storytelling.
While praised for its bravery, some note the unrelenting brutality may overwhelm readers. Others highlight its narrow focus on Manila-centric accounts, though this intentional choice amplifies systemic patterns over isolated incidents.
Evangelista traces Duterte’s populist appeal to public frustration with crime and corruption, juxtaposing his “strongman” image with the human cost of his policies. She analyzes how media manipulation and disinformation fueled acceptance of state-sanctioned murder.
The book揭露s collusion between police and vigilante groups, who often carried out executions to bypass legal scrutiny. Evangelista documents how economic desperation and ideological indoctrination turned civilians into ruthless actors.
Through haunting interviews with victims’ families, Evangelista explores grief, guilt, and resilience. A mother’s account of bribing police to retrieve her son’s body exemplifies the erosion of trust in institutions.
The narrative connects Duterte’s policies to colonial legacies, poverty, and the Catholic Church’s influence. Evangelista argues the drug war exploited existing societal fractures to consolidate authoritarian control.
Evangelista employs novelistic pacing and vivid metaphors—describing bloodstains as “rosary beads”—to humanize statistics. This approach bridges investigative rigor with emotional resonance, immersing readers in survivors’ lived experiences.
As global authoritarianism surges, the book serves as a cautionary tale about dehumanizing rhetoric and the dangers of trading civil liberties for false security. Its lessons resonate with contemporary struggles for democracy worldwide.
Senti il libro attraverso la voce dell'autore
Trasforma la conoscenza in spunti coinvolgenti e ricchi di esempi
Cattura le idee chiave in un lampo per un apprendimento veloce
Goditi il libro in modo divertente e coinvolgente
I am the death squad.
We are Duterte.
Fuck the bleeding hearts.
it was a soldier who shot Ninoy.
Don't shoot, she's only a child.
Scomponi le idee chiave di Some People Need Killing in punti facili da capire per comprendere come i team innovativi creano, collaborano e crescono.
Vivi Some People Need Killing attraverso narrazioni vivide che trasformano le lezioni di innovazione in momenti che ricorderai e applicherai.
Chiedi qualsiasi cosa, scegli il tuo stile di apprendimento e co-crea intuizioni che risuonano davvero con te.

Creato da alumni della Columbia University a San Francisco
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A five-year-old girl named Danica Mae died from a bullet meant for her grandfather. Fourteen-year-old Christine watched police force her father to kneel before shooting him at close range-she blamed herself for letting go when they threw her against the wall. A girl called Love-Love stood between masked gunmen and her mother, begging them to kill her instead. One gunman hesitated: "Don't shoot, she's only a child." Before pulling the trigger on her mother, he declared: "We are Duterte." This is what happens when a nation's leader promises salvation through violence and tells his police force, "It's your duty to kill." Between 2016 and 2022, the Philippines transformed into a laboratory for state-sanctioned murder, where democracy didn't collapse-it voted for its own executioner.
The pattern was chillingly predictable. Police reports used identical language across thousands of operations: suspects "sensed the presence of lawmen," drew weapons, and died in shootouts. The word "nanlaban"-"he fought back"-became both judgment and justification. On August 15, 2017, police in Bulacan province conducted sixty-seven operations in twenty-four hours. Thirty-two people died. Police reported zero injuries to their own ranks-a 100% kill rate suggesting systematic execution rather than legitimate encounters. President Duterte called the bloodshed "maganda"-beautiful. The legal cover was elegant in its simplicity: the "presumption of regularity" meant official actions were presumed proper unless proven otherwise. To kill legally, authorities needed only to connect addicts with guns-a connection Duterte reinforced in speech after speech until it became normalized. The fruit vendor Efren Morillo survived his execution only by playing dead after being shot in the chest, then throwing himself down a ravine. His survival exposed the lie-but only because he lived to tell it.
When the murder of a South Korean businessman by police officers forced Duterte to temporarily suspend the drug war in January 2017, something revealing happened: vigilante killings stopped too. The connection between "independent" murders and state operations became undeniable. Angel, a vigilante who agreed to meet in a motel, explained how it worked. Under Commander Maning's orders, the Confederate Sentinels Group recruited garbage collectors, drivers, and security guards who saw themselves as soldiers in Duterte's war. Bounties ranged from 30,000 to 100,000 pesos per kill, split among team members. "The police knew," Angel insisted. "We couldn't have operated if they didn't know." Another killer, Simon, described himself as an ordinary religious man who believed Duterte was right-that addicts should die. His group killed about twenty people in seven months, targeting drug users, thieves, even unfaithful husbands. They operated with confidence, knowing police would release them if they mentioned the right commander's name. The outsourcing of murder allowed the state to maintain deniability while bodies piled up in Manila's streets.
Understanding how Filipinos embraced Duterte requires understanding what came before. After Ferdinand Magellan claimed the islands for Spain in 1521, centuries of colonial rule followed. When Filipinos finally fought for independence in 1898, America purchased the Philippines for $20 million and suppressed the Filipino republic with force. Then came Ferdinand Marcos, who declared martial law in 1972 to extend his rule, imprisoning 70,000 people and ordering over 3,000 extrajudicial killings. The 1986 People Power Revolution-when millions stood against Marcos's tanks on EDSA Avenue-became a foundational myth that shaped national identity. For a generation, it seemed democracy had won. But Duterte understood something crucial: many Filipinos didn't share that vision of democracy. He reimagined the Philippines as lawless badlands where addicts were armed threats and bureaucracy the enemy. At rallies, he boasted about sexual exploits, threatened drug users with death, and promised to kill every addict. He pointed to Davao's safety as proof his methods worked. Where others saw authoritarianism, his supporters saw strength. Ann Valdez didn't just support Duterte-she identified as him, calling him Father and proudly declaring herself DDS: Diehard Duterte Supporter.
For four years, journalists documented the drug war's carnage while most Filipinos in privileged areas went about their normal lives. Death remained an abstraction-until December 2020, when an eleven-second video changed everything. Off-duty police officer Jonel Nuezca stood arguing with neighbors Sonya and Anton Gregorio over a noise complaint. After his twelve-year-old daughter shoved Sonya and declared "My father is a policeman!", Sonya responded with a mocking singsong: "I don't care-eh-eh-eh." Nuezca snapped. Four gunshots in less than five seconds left both Sonya and Anton dead on the ground. The video flooded cyberspace with millions of views, triggering hashtags like #StoptheKillingsPH. Suddenly, people who had ignored years of similar killings expressed shock. Journalists who had covered the drug war felt frustrated-not by the violence itself, but by those expressing sudden indignation after ignoring a "four-year parade of coffins." Within twenty-four hours, officials rushed to distance themselves from Nuezca. Duterte called him "an isolated case" who was "sick in the head." The government successfully recast one cop as an exception rather than representative of a culture they had created and encouraged for years.
Rene Desierto was found on a bridge with packing tape wrapped around his head and a cardboard sign: "Drug Pusher. Do Not Imitate." His wife Ivy identified him by his feet, begging police to let her touch him. When investigators cut through the tape mask, they revealed nineteen stab wounds and evidence of garroting. Djastin "with a D" died gasping "Mama, help me" on railroad tracks at twenty-five. The Ocdin family lost three brothers to Duterte's war-Mark Andy being the last, killed on the final Sunday of Duterte's presidency. They had learned all the rituals of death: which hospital handled gunshot wounds, which councilor would lend a tent for the wake, where to buy balloons stamped "We Love You." Thirty-six years after EDSA's revolution overthrew Ferdinand Marcos, Ferdinand Marcos Jr. took his oath of office while jubilant crowds celebrated on the very avenue where citizens once marched against dictatorship. The Filipino greeting "Mabuhay"-meaning "to live"-became both wisdom and warning in a nation where extrajudicial killing became policy.
"Some people need killing" removes accountability-suggesting victims earned their deaths, erasing those who pulled triggers. But someone killed Djastin Lopez. Someone shot Danica Mae. Someone murdered Sonya and Anton Gregorio. The line from order to trigger to death can be drawn straight. Ninoy Aquino once asked: "Is the Filipino worth dying for?" He concluded yes, because Filipinos are brave and dignified. But what of those deemed criminals? What of those who voted for killers? Duterte's counter-philosophy answered: "The Filipino is worth killing for. The dead do not count." Every democracy must answer this question-not whether some deserve to die, but whether any government should decide who lives. Because once you accept that some need killing, you've accepted that someone makes that list. In the Philippines, that someone was a president who proudly declared himself the death squad.