What business strategies does Weintraub share in the memoir?

Key strategies include: - **Persistence**: Cold-calling Colonel Parker for years to land Elvis. - **Packaging**: Framing proposals to highlight mutual benefit. - **Networking**: Leveraging connections like Armand Hammer and George H.W. Bush for unconventional deals.

When I Stop Talking, You'll Know I'm Dead Summary, PDF, EPUB, Audio

Q: What is *When I Stop Talking, You'll Know I'm Dead* about?

*When I Stop Talking, You'll Know I'm Dead* is Jerry Weintraub’s memoir chronicling his rise from a Bronx upbringing to becoming a legendary concert promoter and Hollywood producer. It details his work with icons like Elvis Presley, Frank Sinatra, and Bob Dylan, alongside film triumphs like *The Karate Kid* and *Ocean’s Eleven*. The book blends career anecdotes with street-smart business philosophy, emphasizing hustle, networking, and seizing opportunities.

Q: What famous films did Jerry Weintraub produce?

Weintraub produced *Nashville* (1975), *The Karate Kid* series, and the *Ocean’s Eleven* trilogy. He also executive-produced HBO’s *Behind the Candelabra*, winning an Emmy for his work.

Jerry Weintraub (1937–2015) was a legendary Hollywood producer, music promoter, and deal-maker whose memoir When I Stop Talking, You'll Know I'm Dead captures his quintessential American journey in entertainment and business. A Bronx-born impresario, Weintraub reshaped pop culture through iconic projects spanning music, film, and television—including producing Elvis Presley’s concert tours, launching Robert Altman’s critically acclaimed Nashville (1975), and creating the Ocean’s Eleven trilogy with Steven Soderbergh.

His genre-defining work in comedies (Oh, God!), coming-of-age stories (The Karate Kid), and star-driven heist films cemented his reputation as a hands-on producer who blended commercial appeal with artistic ambition.

Weintraub’s career intersected with political and cultural powerhouses, from Frank Sinatra and Led Zeppelin to U.S. presidents and global leaders. A three-time Emmy winner, he executive-produced HBO’s Behind the Candelabra (2013) and the climate documentary Years of Living Dangerously (2014). His memoir—praised for its wit, wisdom, and insights into improvisational success—remains a cult favorite among entrepreneurs, artists, and film enthusiasts, distilling five decades of entertainment industry mastery into actionable lessons on creativity and negotiation.

What is When I Stop Talking, You'll Know I'm Dead about?

When I Stop Talking, You'll Know I'm Dead is Jerry Weintraub’s memoir chronicling his rise from a Bronx upbringing to becoming a legendary concert promoter and Hollywood producer. It details his work with icons like Elvis Presley, Frank Sinatra, and Bob Dylan, alongside film triumphs like The Karate Kid and Ocean’s Eleven. The book blends career anecdotes with street-smart business philosophy, emphasizing hustle, networking, and seizing opportunities.

Who should read When I Stop Talking, You'll Know I'm Dead?

Entrepreneurs, entertainers, and fans of Hollywood history will find this memoir invaluable. Its lessons on negotiation, risk-taking, and reinvention resonate with aspiring creatives and business leaders. Readers interested in behind-the-scenes stories of Elvis’s tours, Rat Pack antics, or 1970s filmmaking will enjoy Weintraub’s firsthand accounts.

Is When I Stop Talking, You'll Know I'm Dead worth reading?

Yes—the book offers a masterclass in deal-making wrapped in entertaining tales of Weintraub’s adventures. Reviewers praise its mix of humor, wisdom, and practical advice, calling it a guide for “turning no into yes” in both business and life. Fans of memoirs like The Kid Stays in the Picture will appreciate its candid tone.

What are Jerry Weintraub’s key life philosophies in the book?

Weintraub advocates “savoring life” while relentlessly pursuing opportunities. He emphasizes packaging ideas persuasively, trusting intuition, and building relationships. A recurring theme: success stems from grit (“never take no for an answer”) paired with joy in the journey.

How did Jerry Weintraub revolutionize concert promotions?

Weintraub pioneered arena tours by persuading Elvis Presley’s team to let him book large venues, proving artists could profit beyond nightclubs. He later replicated this model with Sinatra, Led Zeppelin, and others, transforming live music into a global industry.

Key strategies include:

Persistence: Cold-calling Colonel Parker for years to land Elvis.
Packaging: Framing proposals to highlight mutual benefit.
Networking: Leveraging connections like Armand Hammer and George H.W. Bush for unconventional deals.

What famous films did Jerry Weintraub produce?

Weintraub produced Nashville (1975), The Karate Kid series, and the Ocean’s Eleven trilogy. He also executive-produced HBO’s Behind the Candelabra, winning an Emmy for his work.

How does Weintraub describe working with Elvis Presley?

He recounts Elvis’s 1969 comeback tour as a career turning point, detailing the singer’s professionalism and the logistical chaos of early arena shows. Weintraub credits Colonel Parker’s mentorship in shaping his promotional tactics.

What does the title When I Stop Talking, You’ll Know I’m Dead mean?

The title reflects Weintraub’s relentless drive and love for storytelling. He jokes that only death could silence his passion for deal-making and sharing tales from his extraordinary life.

How does the book address overcoming rejection?

Weintraub shares how he transformed 10+ years of rejections into opportunities, like persistently pitching Elvis’s team. He advises reframing “no” as a challenge to innovate, not a final answer.

What critiques exist about the book’s style?

Some readers note the memoir prioritizes entertaining anecdotes over deep introspection. However, most praise its conversational tone and actionable insights, comparing it to “learning from a wise uncle over drinks”.

How does When I Stop Talking… compare to other Hollywood memoirs?

Unlike purely nostalgic accounts, Weintraub’s book focuses on teachable moments—similar to Robert Evans’ The Kid Stays in the Picture but with greater emphasis on business strategy. It’s often recommended alongside Shep Gordon’s They Call Me Supermensch.