
In "Live Wire," Kelly Ripa delivers unapologetically hilarious essays that outshine her 30-year TV career. The NYT bestseller reveals on-set chauvinism and mortifying moments with such raw wit that Entertainment Weekly called it "harder to put down than childbirth is to endure."
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The moment Kelly Ripa saw Mark Consuelos' photograph pinned to the casting board at "All My Children," something clicked-not a casual attraction, but a bone-deep certainty that defied logic. She was 24, standing in a rehearsal hall with Velcro rollers in her hair, a massive pimple covered in toothpaste, wearing a green leotard with ripped jeans and cowboy boots. He was 23, impossibly handsome, fresh from Spain. When they met, she broke into nervous chatter: "Hi! You sure you want to work here? Look at me... I used to be beautiful like you!" That night, she dreamed of him taking her and their little girl to Rome-a premonition that would prove eerily accurate. Within months, after a brief breakup that only intensified their connection, they eloped in Vegas. This wasn't Hollywood romance; it was two people recognizing something ancient and inevitable in each other. Twenty-five years later, watching him in green swim trunks with windswept black hair and Olympic-athlete physique, she still wonders if he's secretly CIA or has another family somewhere. The secret to their marriage? The dark art of compromise. Sometimes you go to war with each other, sometimes for each other.