
Lesbian necromancers in space! Tamsyn Muir's genre-bending masterpiece blends sci-fi, fantasy, and murder mystery into a cult phenomenon that was a Hugo Award finalist. Adri Joy called it "the queer necromantic murder mystery you've been missing all your life."
Tamsyn Elizabeth Muir, the New Zealand-born speculative fiction writer, is the bestselling author of Gideon the Ninth and the acclaimed Locked Tomb series. She is celebrated for blending science fantasy, horror, and dark humor in her unique storytelling.
A 2010 graduate of the prestigious Clarion Writers Workshop, Muir draws on her Roman Catholic upbringing and LGBTQ+ identity to craft narratives rich in themes of sacrifice, religious devotion, and morally complex relationships. Her debut novel Gideon the Ninth (2019) won the Locus Award for Best First Novel and became a Nebula Award finalist. It launched a genre-defying trilogy that continues with Harrow the Ninth and Alecto the Ninth.
Before becoming a full-time writer, Muir taught English and ESL, experience that informs her sharp dialogue and character-driven storytelling. Her short fiction, including Shirley Jackson Award finalist “The Magician’s Apprentice” and World Fantasy-nominated “The Deepwater Bride,” established her reputation for intricate worldbuilding. Now based in Oxford, UK, Muir’s work has been translated into over 20 languages, with The Locked Tomb series optioned for television adaptation.
Gideon the Ninth follows eighteen-year-old Gideon Nav, a sword-wielding orphan trapped in the Ninth House, a decaying necromantic cult guarding a mysterious Locked Tomb. When rival houses gather for a deadly competition to serve the Emperor, Gideon becomes cavalier to her nemesis Harrowhark Nonagesimus, navigating lethal trials, bone magic, and political intrigue. The novel blends gothic sci-fi, dark humor, and queer romance amid skeletons and cosmic horror.
Fans of genre-blending stories will enjoy this mix of sci-fi, fantasy, and horror. Ideal for readers seeking LGBTQ+ representation (featuring a lesbian protagonist), intricate world-building, and witty dialogue. Those comfortable with nonlinear plots and necromantic themes will appreciate its uniqueness, though it may challenge readers preferring straightforward narratives.
Yes, for readers who enjoy bold, unconventional storytelling. While some criticize its convoluted plot, others praise its originality, dark humor, and emotional depth. The sequel, Harrow the Ninth, has stronger acclaim, making this a compelling entry into Muir’s Locked Tomb series.
The novel merges gothic horror (haunted mansions, skeletal constructs), space opera (interplanetary politics), and dark comedy (Gideon’s sarcastic narration). Muir juxtaposes sword fights with necromantic puzzles, creating a tone both macabre and irreverent.
Some readers find the plot disjointed and world-building overly complex. The middle section drags before accelerating into a violent climax. However, its bold voice and emotional payoff polarize critics—hailed as “brutally imaginative” by fans but “messy” by detractors.
Harrowhark is the Reverend Daughter of the Ninth House, a genius necromancer burdened by guilt after her parents’ suicides. Her fraught dynamic with Gideon evolves from rivalry to reluctant alliance, driven by shared trauma and Harrow’s secret love for the Locked Tomb’s occupant.
The Tomb contains a mysterious figure Harrow idolizes, central to the Ninth House’s purpose. Its secrets tie into the Emperor’s immortality and a pivotal sacrifice involving Gideon’s past, revealed in the climax.
Gideon’s lesbian identity is woven organically into her character—highlighted through her crush on Dulcinea and wry observations. The novel avoids tokenism, presenting queerness as intrinsic to its world.
This tagline captures its premise: Gideon and Harrow’s enemies-to-allies arc unfolds in a cosmic gothic setting, combining swashbuckling action with necromantic rituals. The phrase emphasizes its unapologetic queer themes and genre mashup.
The shocking finale reveals existential threats to the Emperor and Harrow’s unresolved connection to the Tomb. Gideon’s fate leaves room for metaphysical twists in Harrow the Ninth, which expands the series’ scope.
Yes—its themes of resilience and defying oppressive systems resonate amid contemporary conversations about identity and power. The series’ cult following ensures ongoing discussions, aided by the 2024 Alecto the Ninth release.
通过作者的声音感受这本书
将知识转化为引人入胜、富含实例的见解
快速捕捉核心观点,高效学习
以有趣互动的方式享受这本书
Gideon Nav, Ninth House cavalier, did not recoil from a challenge.
One flesh, one end.
Their relationship is defined by mutual loathing.
The competition quickly becomes a race.
The murders transform the competition into something far darker.
将《Gideon the Ninth》的核心观点拆解为易于理解的要点,了解创新团队如何创造、协作和成长。
将《Gideon the Ninth》提炼为快速记忆要点,突出坦诚、团队合作和创造力的关键原则。

通过生动的故事体验《Gideon the Ninth》,将创新经验转化为令人难忘且可应用的精彩时刻。
随心提问,选择声音,共同创造真正与你产生共鸣的见解。

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In a cosmos where death is merely raw material and bone manipulation is high art, the Emperor's immortal Lyctors are dying after ten millennia of service. Enter Gideon Nav - irreverent, sword-obsessed, and desperate to escape the gloomy halls of the Ninth House where she's been trapped since infancy. Her nemesis? Harrowhark Nonagesimus, the Ninth House heir and necromantic prodigy who has tormented Gideon for eighteen years with skeleton constructs and cruel punishments. When the Emperor summons all nine Houses to compete for the honor of becoming new Lyctors, Harrow makes Gideon an unexpected offer: serve as her cavalier during this mysterious challenge, and afterward receive freedom. The Ninth House exists in perpetual twilight, where skeleton servants tend fields and black-robed nuns perform endless prayers before the mysterious Locked Tomb. Gideon's position is uniquely miserable - neither noble nor servant, but an indentured orphan whose mother arrived brain-dead in a dragchute with infant Gideon in a bio-container. For eighteen years, she's endured Harrow's torments while dreaming of escape to join the Cohort, the Emperor's military. When Harrow thwarts Gideon's eighty-seventh escape attempt, their bitter exchange reveals years of hostility. "You're a waste of resources," Harrow sneers, while Gideon responds with obscene gestures and smuggled magazines. Yet Harrow needs Gideon - specifically her sword arm - to answer the Emperor's summons. With their actual cavalier having fled, Harrow reluctantly offers Gideon freedom in exchange for service. What follows is three months of intensive rapier training that contradicts everything Gideon knows about two-handed combat.