
Before Oprah's 2001 selection catapulted it to bestseller status, Joyce Carol Oates' masterpiece explored how one Valentine's Day assault shattered an idyllic American family. What makes this haunting portrait of trauma, guilt, and healing so universally resonant that it became Oates' most widely read work?
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In the 1970s, the Mulvaneys of High Point Farm embodied the American dream. Their sprawling lavender farmhouse crowned a ridge in upstate New York, complete with verandas and fieldstone chimneys. Michael Sr., a self-made businessman, had lovingly restored this historic property that once served as an Underground Railroad safe house. His wife Corinne, with her bright carrot-colored hair, ran an antique business from their converted barn. Their four children completed this picture of familial bliss: Michael Jr. ("Mule"), the football star; Patrick, the brilliant intellectual; Marianne, the sunny cheerleader; and Judd, our narrator looking back on his family's dissolution. Life at High Point Farm was exhausting but fulfilling. Days began at 6 AM with barn chores before school, followed by more work with the animals after classes. Family dinners were intense affairs requiring "staying power" even in conversation. The Mulvaneys operated on an intricate system of coded nicknames that shifted with mood and circumstance-Michael Sr. could be "Dad," "Curly," or "Captain," while Marianne was "Button" or "Chickadee." These names required "exquisite calibration"-knowing which to use when revealed the complex emotional landscape of this tightly-knit family. "We Mulvaneys were joined at the heart," Judd tells us, in a time when everything felt "stark and intense and almost hurtful" in its capacity to excite his young mind.
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Создано выпускниками Колумбийского университета в Сан-Франциско
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Создано выпускниками Колумбийского университета в Сан-Франциско

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