
In "The House in the Pines," a woman confronts haunting memories to solve a mysterious death. Reese Witherspoon's enthusiastic endorsement propelled this debut thriller to a nine-week NYT bestseller streak, outperforming Stephen King. Can you trust your own recollections when uncovering buried truths?
Ana Reyes is the New York Times bestselling author of The House in the Pines, a psychological thriller that explores trauma, obsession, and the fragile nature of memory. With an MFA from Louisiana State University, Reyes brings literary depth to the thriller genre, crafting atmospheric narratives that examine complex female friendships, inherited trauma, and the psychological aftermath of loss. She draws on her half-Guatemalan heritage and personal experiences to create emotionally authentic characters navigating grief and self-discovery.
Reyes began writing The House in the Pines during her graduate studies at LSU, dedicating seven years to perfecting the manuscript. She teaches creative writing and has been featured in The New York Times Book Review, NPR's "The Roundtable," and on numerous literary podcasts. Her work has appeared in Bodega, Pear Noir, and The New Delta Review.
The House in the Pines was selected as Reese Witherspoon's Book Club pick for January 2023 and spent nine weeks on the New York Times Best Seller list, establishing Reyes as a compelling new voice in psychological suspense.
The House in the Pines by Ana Reyes is a psychological thriller following Maya, a Boston woman who discovers a YouTube video showing a young woman's mysterious death in the presence of her ex-boyfriend Frank. This unravels seven years of suppressed memories about her best friend Aubrey's similar death and draws Maya back to the Berkshires to uncover the truth about Frank's hypnotic hold and a secluded cabin in the woods.
Ana Reyes is a New York Times bestselling author with an MFA from Louisiana State University. She teaches creative writing and worked as a screenplay reader before pursuing her own writing. Originally from Texas, she later moved to Massachusetts and currently lives in Easthampton with her husband. The House in the Pines is her debut novel, which she began writing during her MFA program and spent seven years perfecting.
The House in the Pines appeals to readers who enjoy psychological thrillers with complex female friendships and unreliable memory. Fans of suspenseful, character-driven mysteries exploring inherited trauma and identity will find it compelling. Reese Witherspoon described it as a "can't-put-it-down" wild ride, making it ideal for readers seeking page-turners with deeper emotional resonance and cultural themes woven throughout.
The House in the Pines earned widespread acclaim, spending nine consecutive weeks on the New York Times bestseller list and surpassing works by Stephen King and Barbara Kingsolver. Selected as Reese's Book Club's January 2023 pick and a Costco Buyer's Pick, the novel delivers an addictive psychological thriller with smart storytelling. Readers praise its exploration of memory, trauma, and cultural heritage alongside its gripping suspense.
Maya struggles with secret addiction in Boston when she discovers a viral video showing a woman dying opposite a man named Frank—her enigmatic ex-boyfriend. Seven years earlier, her best friend Aubrey died mysteriously in Frank's presence under identical circumstances. Maya returns to her Berkshires hometown to investigate the connection between these deaths, Frank's strange psychological power, and clues hidden in her deceased Guatemalan father's unpublished manuscript.
Ana Reyes weaves together themes of memory fragility, inherited trauma, and cultural identity throughout The House in the Pines. The novel examines how Guatemala's Civil War—called the Silent Holocaust—impacted Maya's family across generations. Reyes explores:
The House in the Pines integrates Guatemala's Civil War history through Maya's father's backstory and unpublished book. Ana Reyes includes the conflict's connection to United Fruit Company (now Chiquita) and U.S. interference that destabilized Guatemala, causing nearly 250,000 deaths. This historical context explains Maya's father's absence and explores inherited trauma—how growing up without him due to this genocide shaped Maya's identity and carried forward intergenerational pain she must understand to heal.
Frank is the enigmatic antagonist who developed a strange, hypnotic hold over both Maya and her friend Aubrey during their youth. Two women mysteriously dropped dead in his presence under seemingly identical circumstances seven years apart—first Aubrey, then another woman captured on YouTube video. Frank's cabin in the pines becomes a central location drawing Maya back as she investigates his psychological power and uncovers the dark truth behind these unexplained deaths.
Reese Witherspoon selected The House in the Pines as her first book club pick of 2023, shortly after its January release. Her endorsement describing it as a "can't-put-it-down wild ride" propelled the debut novel to nine consecutive weeks on the New York Times bestseller list. Following Witherspoon's recommendation, Costco also named it a January Buyer's Pick, amplifying visibility and transforming Ana Reyes into a bestselling author living "the debut novelist's dream".
The spark for The House in the Pines came from a house Ana Reyes first imagined at age 11 when writing her first story for a public library contest. Influenced by Christopher Pike and R.L. Stine's supernatural YA fiction, she created this mysterious location that stayed with her for two decades. In her early 30s, enrolled in LSU's MFA program, that house image returned and became the foundation for her psychological thriller.
Ana Reyes spent seven years writing The House in the Pines, beginning it as her MFA thesis at Louisiana State University. She worked through countless drafts while teaching creative writing as an adjunct professor at multiple colleges. The novel's prologue—read at the Delta Mouth Literary Festival—remained unchanged from her original LSU draft, though much evolved through extensive revision guided by her thesis advisor Jennifer Davis's principle that "people just want to feel something".
Maya serves as The House in the Pines' protagonist investigating two mysterious deaths connected to her ex-boyfriend Frank. Ana Reyes initially modeled Maya after herself, incorporating her half-Guatemalan heritage, but the character evolved independently. Maya's journey encompasses:
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Each attempt to quit ends in failure, driving her deeper into secrecy and shame.
Maya is barely holding herself together, her life unraveling thread by thread.
Maya knows she can't ignore this pattern.
Maya has always felt like an outsider.
Her dreams of becoming a writer fading like pressed flowers between forgotten pages.
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Maya's life is unraveling thread by thread. Secretly buying Klonopin from her friend Wendy, she carefully hides her addiction from her boyfriend Dan while battling withdrawal symptoms-insomnia that keeps her staring at shadows until dawn, brain zaps that feel like electrical currents shooting through her skull. During one sleepless night, scrolling through social media, Maya discovers a viral video that stops her heart. Titled "Girl Dies on Camera," the grainy security footage shows a familiar face she hasn't seen in seven years-Frank Bellamy-sitting across from a dark-haired woman in a fluorescent-lit diner. Without warning, the woman slumps forward, dead before her face hits the table. The video triggers an avalanche of memories Maya has spent years suppressing. Seven years earlier, she watched her best friend Aubrey collapse in exactly the same way while talking with Frank. Maya had screamed accusations, convinced Frank orchestrated Aubrey's death, though she couldn't explain how. The police found no evidence of foul play, and her desperate insistence on Frank's guilt led her family to worry about her mental health. They arranged sessions with a doctor who diagnosed her with brief psychotic disorder and prescribed antipsychotics. Now, watching this new death unfold in Frank's presence in the same inexplicable way, Maya feels both vindicated and terrified. Despite Dan's gentle attempts to rationalize the coincidence, Maya knows she can't ignore this pattern. What power does Frank possess that allows him to end lives with just a conversation?
Growing up caught between worlds-Hispanic in appearance but raised by a single white mother with little connection to her Guatemalan heritage-Maya has always felt like an outsider. Her father, Jairo, was killed in Guatemala's civil war at 22, shot after protesting an army massacre. A month before Aubrey died, Maya lost her grandmother in Guatemala, a woman she'd never met. Despite safety concerns, she attended the funeral where relatives she'd never known embraced her, including her aunt Carolina who strongly resembled her. Before leaving, her grandfather gave Maya her father's unfinished manuscript titled "Olvide que era hijo de reyes" ("I forgot I was the son of kings"), which later revealed Frank's manipulation techniques. Maya's family history held another shadow-her mother's sister Lisa, whose mental health issues led to her death at twenty-one. This history haunted Maya, especially after her mother forced her to take antipsychotics when she questioned Frank after Aubrey's death.
The cabin in the pines represents the core mystery of Maya and Frank's relationship. He described it with extraordinary detail-cathedral ceilings, glowing pine panels, warming firelight-so vividly Maya could almost smell the sap. Years later, after the viral video, Maya investigates. Following the forest path, she discovers a devastating truth: no magnificent cabin exists, just a deteriorating concrete foundation with Frank's meager possessions scattered across it. When confronted, Frank claims he invented the cabin out of shame. But as he describes it again, his voice becoming hypnotic, Maya experiences a terrifying perceptual shift. The world blurs and suddenly she's standing inside the cabin until cold rain breaks the spell. Maya's declaration-"There is no cabin"-shatters the illusion. This revelation becomes key to understanding Frank's abilities. The cabin never physically existed-it was purely a hypnotic suggestion, a shared hallucination he could induce at will. How many of our own cherished memories might be equally constructed?
Maya discovers Frank's father, Oren Bellamy, was a certified hypnotherapist who published on "personality traits associated with high absorption scores." She finds the Clear Horizons Wellness Center website with testimonials about "Dr. Hart" helping people overcome grief through a "proprietary therapeutic method." While researching "CHT," Maya experiences something disturbing-she can see "Certified... therapist" but cannot perceive the middle word. Eventually, she discovers Oren was a hypnotherapist, though she initially couldn't perceive "hypno." Maya realizes Frank had implanted suggestions preventing her from perceiving the word "hypnosis," blocking her from discovering what he'd done to her. Frank later reveals his disturbing childhood-he discovered his father using hypnosis on him and his mother, then learned these methods himself by breaking into his father's study. Maya finds Dr. Bellamy's academic journal featuring his "Bellamy Induction" method, which uses classical conditioning with common objects like keys to instantly hypnotize subjects-explaining how Frank controlled victims and induced physiological reactions leading to death.
Maya and Aubrey connected deeply in ninth grade English over Sylvia Plath and Emily Dickinson, finding kinship as outsiders. Aubrey, with striking green eyes and natural charm, moved frequently due to her father's military career - making friends easily but struggling with lasting bonds. Their friendship flourished through formative experiences: experimenting with LSD while sharing fears and weekend trips to Hamilton Falls where they challenged each other to leap from higher ledges. Frank's arrival created immediate tension. Maya's infatuation turned possessive when she noticed his attention toward Aubrey. During their confrontation, Aubrey revealed Frank had orchestrated their "accidental" meetings, describing him as "controlling" and questioning his influence on Maya's decision to defer college. They briefly reconciled when Aubrey revealed a green-striped scarf she'd been knitting as Maya's going-away present. That night, they danced like old times. This reconciliation made the next day's tragedy even more devastating: after a mysterious encounter with Frank, Aubrey was found dead, leaving Maya haunted by unanswered questions.
Maya struggles to prove Frank's invisible crimes. Detective Donnelly dismisses her claim that Frank killed Aubrey "just by talking to her," while Maya can't explain how his words seemed to weave into her thoughts, altering her reality. Her breakthrough comes when she records Frank at a bar. Despite ambient noise, the recording captures his hypnotic cadence-especially when discussing heavy limbs and his cabin. Most telling is Maya's own voice becoming increasingly slurred, providing the first concrete evidence of his manipulation. Detective Diaz proves more receptive than Donnelly, taking the recording seriously and noting the unusual vocal patterns. She promises to investigate thoroughly, making Maya feel believed. The investigation exposes Frank's "Dr. David Hart" persona at Clear Horizons Wellness Center and uncovers his family history, including his mother's multiple identity changes, likely fleeing Oren's abuse. Though Frank's fate remains unclear, Maya begins healing-adopting a traumatized dog, reducing medication, maintaining sobriety through AA, and creating a writing space in Dan's apartment surrounded by her father's research.
When life's narrative is hijacked, as in Maya's journey from manipulation to self-authorship, we confront perception's fragility - symbolized by the novel's imaginary cabin. Maya rebuilds her foundation by reconnecting with her Guatemalan heritage through her father's manuscript, restoring authentic relationships, and addressing her addiction. This manuscript becomes a cultural bridge to an identity beyond Frank's manipulation. Though posthypnotic suggestions occasionally surface, Maya discovers writing - authoring her own narrative - effectively counters manipulation. Her planned Guatemala trip represents both cultural reconnection and reclaiming her voice. Maya realizes that while complete certainty remains elusive, we find stability through authentic connections and creative expression. Some doubts may persist, but choosing which reality to inhabit remains our decision. In a world of manipulated perceptions, becoming the author of your own story may be the most revolutionary act possible.