
In Atwood's chilling dystopia, women are reduced to their reproductive function. This 1985 masterpiece - now a cultural symbol with red-robed protesters worldwide - eerily foreshadows modern debates on bodily autonomy. What frightens most? Oprah's must-read feels increasingly, dangerously possible.
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In the Republic of Gilead, what was once the United States has transformed into a nightmare of biblical proportions. Following environmental disasters and plummeting birth rates, a fundamentalist coup has established a theocracy where women are categorized by their reproductive capacity and function. The story unfolds through the eyes of Offred, a Handmaid whose sole purpose is to bear children for the ruling elite. Her name itself-literally meaning "Of Fred," her Commander-signals her status as property rather than person. What makes this dystopia truly terrifying isn't just its brutality but its methodical construction. The transition happened with frightening efficiency: first the President assassinated, then Congress gunned down, the Constitution "temporarily" suspended. One day, Offred attempts to buy cigarettes and discovers her bank card no longer works. All women's accounts have been frozen. That afternoon, she and all female colleagues are dismissed from their jobs. "It's the law," her director explains tearfully while armed men wait in the corridor. Her husband Luke's response-"It's only a job"-reveals his failure to grasp what's happening. "I feel as if somebody cut off my feet," she thinks, capturing the crippling effect of losing independence. Freedom rarely disappears overnight. Instead, it evaporates slowly while people are distracted by daily concerns, each new restriction normalized by the previous one. "Nothing changes instantaneously," Offred reflects. "In a gradually heating bathtub you'd be boiled to death before you knew it."
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Создано выпускниками Колумбийского университета в Сан-Франциско
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Создано выпускниками Колумбийского университета в Сан-Франциско

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