
In "The Devil in the White City," Erik Larson masterfully intertwines the 1893 World's Fair with America's first serial killer. Leonardo DiCaprio secured film rights to this National Book Award finalist that reveals how architectural brilliance and unspeakable horror collided in Chicago's defining moment.
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In 1893, Chicago built the most magnificent temporary city the world had ever seen-632 acres of gleaming white palaces rising from swampland, visited by 27 million people in six months. Just three miles away, a charming doctor was murdering young women in a building he'd designed as a killing machine. This isn't fiction. Both stories unfolded simultaneously, representing the brightest and darkest possibilities of America's leap into modernity. The World's Columbian Exposition proved a rough frontier city could create transcendent beauty. H.H. Holmes proved that same anonymity and opportunity could cloak unimaginable evil. One man built a city to inspire humanity's highest aspirations. Another built a hotel to satisfy his darkest compulsions. Their parallel stories reveal an uncomfortable truth: progress and predation often walk hand in hand.
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Создано выпускниками Колумбийского университета в Сан-Франциско
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Создано выпускниками Колумбийского университета в Сан-Франциско

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