
August Wilson's explosive drama about blues legend Ma Rainey confronts racism and exploitation in 1920s America. This Grammy-winning masterpiece from Wilson's celebrated Century Cycle recently captivated audiences with Chadwick Boseman's final, award-winning performance. What makes artists surrender their souls?
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In the frigid Chicago winter of 1927, the blues isn't just music-it's testimony. On the city's South Side, where Model T Fords share potholed streets with horse-drawn wagons and gangsters cruise past dandies, Ma Rainey arrives for a recording session that will become a battlefield. The Mother of the Blues understands something fundamental: her voice sells records to Black audiences across America, giving her rare leverage in a white-dominated industry. When she finally arrives-deliberately two hours late-the power dynamics crackle like electricity. The white producers need her voice on wax, but Ma knows they want to package and sell her culture without understanding its soul. "We're doing this song in the old way," she insists when her manager suggests using trumpeter Levee's jazzier arrangement. "And my nephew Sylvester is doing the introduction." When they protest his stutter, her response cuts through pretense: "Damn what you thought! What you look like telling me how to sing my song?" Each demand-from her specific brand of Coca-Cola to proper heating-becomes an act of resistance, small rebellions against a system designed to extract Black creativity while dismissing Black humanity.
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Создано выпускниками Колумбийского университета в Сан-Франциско
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Создано выпускниками Колумбийского университета в Сан-Франциско

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