What is *On the Move* by Oliver Sacks about?

*On the Move* is Oliver Sacks' memoir tracing his journey from a rebellious, motorcycle-riding young man grappling with sexuality and drug addiction to becoming a celebrated neurologist and author. It explores his professional breakthroughs, personal struggles, and formative experiences—including weightlifting, psychedelic experimentation, and cross-country travels—that shaped his unique approach to medicine and storytelling.

Who should read *On the Move*?

This book appeals to fans of Sacks’ clinical works (*Awakenings*, *The Man Who Mistook His Wife for a Hat*), memoir enthusiasts, and readers interested in neurodiversity. It offers insights into LGBTQ+ identity in mid-20th-century academia, the intersection of science and creativity, and the resilience required to rebuild a life after setbacks.

Is *On the Move* worth reading?

Yes—critics praise its raw honesty, vivid anecdotes (like Sacks’ amphetamine-fueled manuscript losses), and reflections on how his wild youth informed his empathy for patients. The *LA Times* calls it “a fascinating case study of an iconoclastic adulthood,” though some note emotional detachment in describing relationships.

What are the key themes in *On the Move*?

- **Self-reinvention**: From closeted Oxford student to San Francisco biker. - **Risk-taking**: Motorcycle crashes, drug experimentation, and professional gambles. - **Intersection of science/art**: How Sacks’ literary flair transformed dry case studies into bestsellers.

How does *On the Move* compare to Sacks’ other works?

Unlike his patient-focused books, this memoir delves into Sacks’ private life—his sexual identity, family tensions, and insecurities. However, it mirrors his clinical writing’s blend of curiosity, vulnerability, and vivid storytelling.

What critiques exist about *On the Move*?

Some reviewers note Sacks’ emotionally distant tone when discussing romantic relationships, possibly rooted in childhood trauma. Others highlight abrupt transitions between personal and professional narratives.

What iconic quotes come from *On the Move*?

- **On identity**: “I had to make myself… through acts of becoming.” - **On writing**: “My journal was my only confidant.” These lines encapsulate Sacks’ lifelong quest for self-discovery through action and reflection.

How does *On the Move* address LGBTQ+ themes?

Sacks recounts coming out to his father in 1951, fearing his mother’s reaction. The memoir contextualizes his closeted early career and later openness—a trajectory mirroring societal shifts in LGBTQ+ acceptance.

온 더 무브 요약

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올리버 색스

4.03(21326 Reviews)

온 더 무브 요약 개요

올리버 색스(Oliver Sacks)의 자서전 "온 더 무브(On the Move)"에 대해 정확한 서문을 작성할 수 있는 구체적인 사실 정보를 가지고 있지 않습니다. 신경과 전문의로서의 비범한 삶을 탐구하는 이 회고록에 대한 검증된 정보 없이는, 사실 관계가 정확하면서도 독자의 흥미를 끌 수 있는 서문을 책임감 있게 작성할 수 없습니다.

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1장

The Extraordinary Journey of a Neurological Explorer

In the world of neurology, few names evoke the same sense of wonder and human connection as Oliver Sacks. His memoir "On the Move" stands as a testament to a life lived in perpetual motion-intellectually, physically, and emotionally. This deeply personal account has become required reading for medical students at Harvard and Stanford, with Bill Gates naming it one of his all-time favorite books. Through Sacks' eyes, we experience the extraordinary journey of a man whose insatiable curiosity about the human condition transformed our understanding of the brain and what it means to be human. His work bridges science and humanity in a way that continues to inspire millions, from medical professionals to casual readers fascinated by the mysteries of the mind.

2장

Motorcycles and Movement: The Quest for Freedom

When young Oliver was a boarding school child during World War II, he found escape in dreams of movement and power. Motorcycles became his particular obsession, fueled by memories of his father's Scott Flying Squirrel and boyhood fantasies of speed and freedom. At eighteen, despite parental opposition, he acquired his first bike-a secondhand BSA Bantam with faulty brakes that once left him circling Regent's Park endlessly when the throttle jammed. This inauspicious beginning led to progressively more powerful machines, including a 250cc Norton that saved his life through two near-accidents, and eventually a 600cc Norton Dominator. The North Circular Road around London in the 1950s had no speed limits, and the legendary Ace Cafe became a gathering place for motorcyclists. "Doing the ton"-reaching one hundred miles per hour-was the minimum criterion for joining the elite Ton-Up Boys. While Sacks enjoyed road racing on his souped-up "Dommie," he couldn't match the 1000cc Vincents favored by the inner circle. Once, he tried a Vincent but found it horribly unstable compared to his wonderfully balanced Norton with its "feather bed" frame. This passion for motorcycles would follow Sacks to America, where he found the classless society he'd dreamed of among fellow riders. In San Francisco, he joined Sunday morning rides over the Golden Gate Bridge and up Mount Tamalpais. "Those early morning rides, feeling the wind and smelling eucalyptus, have an almost intolerable sweetness in memory," he wrote. He thought nothing of riding seven hundred miles at a stretch, exploring Northern California's gold country, Oregon's Crater Lake, and Death Valley. His most ambitious journey was an 8,000-mile cross-country expedition on his BMW R69, during which he experienced America's vastness and diversity in the most immediate way possible. For Sacks, motorcycles represented more than transportation-they embodied freedom, risk, and a form of meditation. The motorcycle responded almost as an extension of his own body, creating a union between bike and rider unlike anything experienced in a car. This lifelong love affair with motorcycles reflected his larger approach to life: direct engagement, sensory immersion, and an embrace of both danger and beauty.

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온 더 무브 요약의 각 단어가 오디오에 맞춰 실시간으로 강조되어 편하게 따라 읽을 수 있습니다.

3장

Oxford and Academic Awakening

Sacks arrived at Oxford University in 1951, a tumultuous year marked by his beloved Auntie Birdie's death and a painful confrontation with his parents about his sexuality. When his father asked if he preferred boys and Sacks admitted he did, his mother's reaction was devastating: "You are an abomination. I wish you had never been born." Though she never mentioned it again, something had come between them, and her words, influenced by biblical verses and her Orthodox upbringing, haunted him for years. At Oxford, Sacks struggled academically at first, failing his "prelims" three times before finally passing. He missed the easy mix of arts and sciences he'd enjoyed at St. Paul's School with brilliant friends Jonathan Miller and Eric Korn. The science departments were physically and socially separated from the rest of the university, creating an intellectual isolation he found stifling. His academic performance was paradoxical-he ranked near-bottom in anatomy finals yet won the prestigious Theodore Williams Scholarship in Human Anatomy by drunkenly answering just one of seven questions with an inspired essay. The university's magnificent libraries became his sanctuary. He particularly loved Queen's College library, reportedly designed by Christopher Wren. In its underground stacks, he held ancient books like Gesner's illustrated Historiae animalium and discovered Darwin's original editions. There he fell in love with Thomas Browne's magnificent language and was introduced to seventeenth and eighteenth-century literature. These weren't locked away as rare books but sat freely on shelves, giving him a profound sense of history and language. His closest Oxford friend was Kalman Cohen, a Rhodes scholar and mathematical logician with extraordinary intellectual focus. Though different-Cohen's highly focused mind versus Sacks' wildly associative one-they complemented each other perfectly. Together they hitchhiked through Europe, ending up bald-headed with lice and sampling every liqueur in Vienna. After a disastrous attempt at laboratory research involving chickens, earthworms, and frogs, Sacks became convinced he could never be a research scientist. With his research failing and friends gone, he sank into despair, finding relief only in nightly runs along the Isis followed by swims and frantic philosophical writings he called "Nightcaps." His concerned tutor contacted his parents, who arranged for him to join Ein HaShofet, a kibbutz near Haifa, where physical labor transformed him-he lost nearly 60 pounds and felt more at home in his body than ever before.

4장

Medical Training and Awakening to Human Complexity

In 1956, Sacks returned home and began medical school, rotating through various specialties. To his surprise, he particularly enjoyed obstetrics, where midwives and he would bicycle to homes for deliveries, experiencing the human drama in a way hospital work lacked. Their training emphasized bedside teaching-learning to listen to patients, ask the right questions, and use their hands as therapeutic tools. After qualifying in December 1958, Sacks began at the Middlesex Hospital where his eldest brother Marcus had trained. After six months on the medical unit, he moved to the neurological unit under Michael Kremer and Roger Gilliatt-a brilliantly incongruous pair. Kremer was genial and intuitive, able to diagnose rare conditions at a glance and deeply empathetic with patients. Gilliatt was forbidding and methodical, with ferocious black eyebrows that terrified junior doctors, preferring systematic examination over intuitive leaps. Both influenced Sacks profoundly-Kremer teaching observation and intuition, Gilliatt emphasizing physiological mechanisms. His Oxford pre-med studies hadn't prepared him for real medicine-encountering passionate individuals with agonizing problems that went beyond mere diagnosis and treatment to questions about quality of life. This reality hit him when Joshua, a young swimmer, was admitted with puzzling leg pains that turned out to be leukemic infiltrations of sensory nerves. When Sacks prevented the young man from jumping from a second-floor ward balcony, Joshua later told him, "You shouldn't have pulled me back," before dying in agony days later. As his medical training concluded, Sacks faced a decision about military service. Disappointed that his Colonial Service option in New Guinea had disappeared, he decided to leave England. The "brain drain" of the 1950s saw many qualified professionals departing the crowded, rigid British system, and Sacks felt America's more capacious medical world would have room for him. He also wanted to escape the shadow of too many Dr. Sackses competing in London's medical circles. He flew to Montreal on his twenty-seventh birthday, eventually making his way across Canada and down to San Francisco, where he instantly fell in love with the city and its magnificent surroundings.

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5장

San Francisco and the Birth of a Clinical Identity

Upon arriving in San Francisco-a city he had long dreamed of-Sacks faced the challenge of having no green card and thus no legal employment. Through his former neurology chief's connections, he secured an informal position with neurosurgeons Grant Levin and Bert Feinstein at Mount Zion Hospital. They were pioneers in stereotactic surgery, a technique for safely accessing otherwise unreachable areas of the brain. Unable to pay him a salary due to his immigration status, they kept him afloat with twenty-dollar notes while he helped evaluate their patients before and after surgery. For eight months before his official internship began, Sacks worked with Levin and Feinstein-a fascinating complementary pair. Grant Levin was "unhurried and judicious" while Feinstein was "passionate and intense." Their partnership reminded him of other productive duos he'd admired: his London neurological chiefs Kremer and Gilliatt, the chemistry pioneers Kirchhoff and Bunsen, Watson and Crick with their DNA discoveries, and the vision researchers Hubel and Wiesel. Their neurosurgical unit included not just surgeons but an engineer, a physicist, and visiting physiologist Benjamin Libet-creating a rich intellectual environment where Sacks could continue his neurological education. San Francisco offered rich cultural experiences that deepened his love for the city. Through Grant Levin's generosity, he attended conferences like "The Control of Mind" where he saw his idols Aldous Huxley and Arthur Koestler. Huxley, nearly blind with "pebble like eyes" and "corpse like hair," delivered a brilliant speech on education that brought the audience to their feet. Koestler, with his "litvuk face ostentatiously lined, seamed with great furrows of anguish and intelligence," spoke on the creative process. In San Francisco, Sacks also formed a significant friendship with poet Thom Gunn. He had been determined to meet Gunn since reading his collection "The Sense of Movement." When they finally met at a party, Sacks felt unformed compared to Gunn's maturity and assurance. He resonated deeply with Gunn's motorcycle poems like "On the Move" and "The Unsettled Motorcyclist's Vision of His Death." Thom was "lapidary and incisive" while Sacks was "centrifugal and effusive," but his directness was always tempered with tenderness. By early 1961, Sacks had received his green card, becoming a "resident alien" with intentions of gaining citizenship without forfeiting his British nationality. After passing his state board exams, he planned an ambitious 8,000-mile journey across America, estimating 50 days and $400, hoping to avoid "sunstroke, frostbite, imprisonment, earthquakes, food poisoning and mechanical disaster" on what he anticipated would be "the greatest time of my life."

6장

Muscle Beach and the Physical Life

After completing his American journey, Sacks returned to New York in June 1961, where he borrowed money from a cousin to buy a new BMW R60 motorcycle. He then embarked on a solitary return journey to California, covering thousands of miles across empty roads through South Dakota and Wyoming. The experience was magical and dreamlike, with the motorcycle responding almost as an extension of his own body. Upon returning to San Francisco just in time to begin his internship at Mount Zion Hospital, Sacks decided to "bulk up" for weightlifting. He had previous weightlifting experience from London's Maccabi Jewish sports club, where he'd competed in power-lifting alongside Olympic lifters like Ben Helfgott. At London's Central YMCA, he trained under Ken McDonald, an Australian Olympic lifter with massive thighs who specialized in squats. During a lifting exhibition with Ken, Sacks managed a 525-pound deadlift to Ken's 700 pounds, but days later developed excruciating back pain that would plague him for forty years. At San Francisco's Central YMCA, he encountered Karl Norberg, a seventy-year-old former Swedish longshoreman whose phenomenal natural strength let him easily bench press nearly 400 pounds. This white-haired, gorilla-like man with his broad chest and bowlegged stance could warm up with twelve reps at weights no one else could lift, eventually working up to nearly 500 pounds. Inspired by Karl, Sacks trained obsessively at a small San Rafael gym, focusing on squats. He developed a routine of five sets of five reps with 555 pounds every fifth day-a symmetry that amused others at the gym. When encouraged to attempt the California squat record, he succeeded with 600 pounds, which served as his introduction to the power-lifting world. After his UCLA residency began in 1962, Sacks settled near Muscle Beach in Venice, quickly earning acceptance among the weightlifting elite. After matching Olympic lifter Dave Ashman pound-for-pound in front squats up to 550 pounds, then pushing to 575, he earned the nickname "Dr. Squat." The beach featured legendary strongmen: Mac Batchelor, the world's arm-wrestling champion with hands powerful enough to allegedly bend silver dollars; the semi-divine giants Chuck Ahrens (who could one-arm side press 375 pounds) and Steve Merjanian (inventor of the incline bench press); and Hal Connolly, an Olympic hammer thrower who overcame Erb's palsy in one arm to become a champion. Sacks sometimes wondered why he pushed himself so relentlessly in weight lifting. Though he became very strong, it did nothing to change his timid, diffident character. His excessive squatting eventually exacted a price-he ruptured one quadriceps tendon in 1974 and the other in 1984. While hospitalized, he was visited by Dave Sheppard from his Muscle Beach days, who himself was awaiting hip replacements due to severe arthritis. Looking at their half-destroyed bodies, Dave said simply, "What fools we were."

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온 더 무브 요약의 각 단어가 오디오에 맞춰 실시간으로 강조되어 편하게 따라 읽을 수 있습니다.

7장

Awakenings: Medical Breakthrough and Literary Birth

In the fall of 1966, Sacks started seeing patients at Beth Abraham, a chronic disease hospital where he discovered some eighty patients who were survivors of the encephalitis lethargica pandemic from the 1920s. These patients had been frozen in deeply parkinsonian states for decades, with their consciousness suspended yet intact minds and personalities behind their statuesque appearances. He was fascinated by this disease that manifested differently in each patient-a true "phantasmagoria" that revealed the organization of the nervous system at its most primitive levels. After learning about George Cotzias's breakthrough with L-dopa for Parkinson's disease in 1967, Sacks cautiously began a double-blind trial with six patients in March 1969. The effects were spectacular-patients who had been almost inanimate for decades burst into explosive life. But complications soon followed: unpredictable fluctuations, extreme sensitivity to the drug, and bizarre reactions that couldn't be controlled by simple dose adjustments. The system seemed to have a dynamic of its own, with nothing between too much L-dopa and too little. These patients revealed the artificial divide between neurology and psychiatry. Their disorders spanned both realms-parkinsonism, myoclonus, chorea, tics, strange compulsions, obsessions, and gusts of passion. Their "awakenings" were not merely physical but intellectual, perceptual, and emotional-a global animation that contradicted the compartmentalized neuroanatomy taught in the 1960s. In 1968, Sacks read Luria's "Mind of a Mnemonist"-initially thinking it was a novel before realizing it was the deepest, most detailed case history he'd ever encountered, with the dramatic power and structure of a novel. Luria had achieved international renown as neuropsychology's founder, but believed his richly human case histories were equally important as his scientific treatises. His endeavor to combine classical science with romantic storytelling became Sacks' own model, altering the focus of his life and serving as an exemplar not only for Awakenings but everything else he would write. In 1972, Sacks felt compelled to articulate his overwhelming experiences with the postencephalitic patients but couldn't find an appropriate form combining scientific objectivity with the closeness he felt with them. That summer, he returned to London, taking a flat near Hampstead Heath. Every morning he'd walk and swim on the Heath, spend afternoons writing, then read the latest installment to his mother each evening. She was both emotional listener and sharp critic, with "ringing true" as her ultimate value. In this way, they wrote the case histories together during that enchanted, creative summer. The book received excellent reviews from the general press, winning the 1974 Hawthornden Prize for "imaginative literature," but faced "strange mutism" from the medical profession. After one reviewer suggested his patients were fictional, they insisted, "Show us, or the book will never be believed." Though Sacks had misgivings about exposing their identities on film, Duncan Dallas of Yorkshire Television impressed him with his combination of scientific knowledge and human feeling. The resulting documentary, incorporating Sacks' Super 8 footage from 1969 and patient interviews, was broadcast in England in 1974-the only documentary account of these last survivors of a forgotten epidemic.

8장

The Man Who Mistook His Wife for a Hat: Finding a Literary Voice

Although Sacks' book "A Leg to Stand On" consumed nearly a decade, he simultaneously pursued other subjects, particularly Tourette's syndrome. In 1971, New York Times journalist Israel Shenker approached him for a follow-up on his L-dopa patients. Sacks described how many were experiencing odd reactions including sudden tics and expletives resembling Tourette's syndrome-a condition he'd read about but never witnessed. After Shenker's article detailed this "astonishing topography of tics," Sacks began receiving letters from people with multiple tics. Though reluctant to see patients who found him through the newspaper, he made an exception for "Witty Ticcy Ray," whose rapid-fire tics and remarkable speed of thought fascinated him. After meeting Ray, Sacks' perception shifted dramatically-suddenly he spotted multiple people with apparent Tourette's syndrome on New York streets daily. This astonished him since the condition was described as extremely rare (one or two per million), but he realized it must be at least a thousand times more common. His "neurological eye" had been tuned to recognize it. In 1980, Sacks wrote about Ray, whom he'd followed for nearly ten years. Anxious about his reaction, he read him the piece at his home. Though Ray twitched throughout and once exclaimed "You take a few liberties!" he ultimately approved, saying "It's essentially true. But don't publish it here. Publish it in London." This piece, "Witty Ticcy Ray," published in the London Review of Books, was his first full-length case history about living a full life despite a complex neurological condition. Its reception encouraged him to write more such narratives. Later, after describing a patient with visual agnosia during a seminar, Sacks wrote "The Man Who Mistook His Wife for a Hat" and sent it to the same publication, not realizing it would become the title story of a collection. In summer 1983 at Blue Mountain Center, he experienced writer's block for two weeks until reading Bunuel's memoirs triggered memories of Jimmie, an amnesic sailor. He wrote "The Lost Mariner" and sent it to Bob Silvers at The New York Review of Books. Following his suggestion to incorporate clinical notes for immediacy, Sacks published several pieces that would form the nucleus of The Man Who Mistook His Wife for a Hat. The book was published in November 1985 in the UK and January 1986 in the US with a modest initial printing of fifteen thousand copies. Unexpectedly, it became a bestseller, remaining on the New York Times list for twenty-six weeks. What moved Sacks most were the letters from readers who had experienced similar neurological problems but never shared them with anyone, or from people who asked about his patients as if they were real acquaintances. With Hat's success, he became a public figure with all its advantages and disadvantages-greater contact with people but less creative solitude, and continued dismissal from many medical colleagues who viewed "popular" writing as unserious.

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9장

A New Vision of the Mind: From Neural Darwinism to Consciousness

In March 1986, after publishing "Hat," Sacks received a letter from Mr. I., a 65-year-old artist who had become completely colorblind following a car accident. Despite perfect visual acuity, he saw the world entirely in black and white. Most strikingly, he had lost not only the ability to see color but also to imagine it-even his dreams and migraine auras were now colorless. This suggested damage not to his retina but to specialized color-processing areas in his brain. Months earlier, Sacks had attended a lecture by Semir Zeki on the neurophysiology of color perception, where he discussed how a specific brain area (V4) "constructs" color. This opened a new way of thinking about the neural basis of consciousness that he found exhilarating. At a Carnegie Hall concert featuring Mozart's Mass in C Minor and Requiem, Sacks was writing continuously in his notebook when Ralph Siegel, a young neurophysiologist from the Salk Institute and one of Francis Crick's proteges, recognized him and introduced himself. Ralph was excited to hear about Sacks' colorblind artist patient, Mr. I., and outlined several tests that could help pinpoint where color construction had broken down in the painter's brain. For twenty years they remained close friends, with Ralph bringing his physicist's computational approach to neuroscience while Sacks shared his patients' phenomenological experiences. Though Sacks read Watson and Crick's famous "double helix" paper in 1953 while at Oxford, he didn't immediately grasp its significance. When he met Crick at a 1986 conference, Crick pulled him aside at dinner saying, "Tell me stories!"-particularly about altered vision from brain damage. Sacks described his patients, including Mr. I., and each case sparked bursts of hypotheses from Crick. Working with Mr. I. shifted Sacks' thinking from "naive realism" toward seeing the brain-mind as essentially constructive and creative. In the mid-1950s, neurology faced a conceptual crisis-the clinico-anatomical model that located brain damage and correlated it with symptoms couldn't explain learning, memory reconstruction, neural plasticity, or consciousness. In 1986, Sacks discovered Gerald Edelman's revolutionary work through Israel Rosenfield's article. Edelman's 1987 book Neural Darwinism presented his theory of neuronal group selection, a radical concept that was difficult to penetrate due to its density and lack of concrete examples. While Crick cracked the genetic code for building bodies, Edelman realized that genes couldn't specify every neural connection. Development involves contingencies-nerve cells die, migrate, and form unpredictable connections. Edelman conceived that processes analogous to natural selection operate within individual organisms, with life experiences strengthening certain neural connections while weakening others. The basic unit of selection isn't a single neuron but groups of fifty to a thousand interconnected neurons. The brain's functional machinery consists of millions of neuronal groups organized into "maps" that converse in ever-changing patterns. These maps respond selectively to elemental categories like movement or color, involving thousands of synchronized neuronal groups. Edelman emphasized that perception requires creating categories-"Every perception is an act of creation." His concept of "reentrant signaling" explains how scattered mappings synchronize to form rich percepts. After dining with Edelman in Florence, Sacks experienced a profound intellectual liberation. Edelman's theory freed him from "epistemological despair" and computer analogies, offering instead a rich biological framework for mind and consciousness-the first truly global theory of individuality and autonomy.

10장

Finding Home: From Wanderer to Beloved

Despite living in America for decades, Sacks continued regarding England as home, visiting frequently and feeling stronger as a writer whenever he stood on English soil. This sense of England as "home" weakened in 1990 when his father died and their family house was sold, leaving him without a place to return to. Though he remained a "resident alien" in America with his UK passport, he was deeply moved when named to the Queen's Birthday Honours List in 2008, becoming a Commander of the Order of the British Empire. During the ceremony at Buckingham Palace, he felt as if England were saying, "You have done useful, honorable work. Come home. All is forgiven." Sacks continued seeing patients at Beth Abraham, the Little Sisters, and elsewhere while writing books like Seeing Voices, Island, and Uncle Tungsten. In 2005, he visited Clive Wearing, an amnesic musician who could still play organ despite remembering almost nothing of his adult life. This inspired him to write Musicophilia, which began as a modest project but expanded as he explored musical synesthesia, amusia, musical talents emerging from frontotemporal dementia, musical seizures, and the therapeutic power of music. In December 2005, at age seventy, Sacks discovered he had melanoma in his right eye. Though initially terrifying, he learned ocular melanomas rarely metastasize. During treatment, his vision fluctuated dramatically, producing fascinating visual phenomena that he meticulously documented. By September 2009, his right eye hemorrhaged and went blind, causing new perceptual challenges including loss of stereo vision and right-side neglect. He approached these symptoms as an "experimentum suitatis," performing perceptual experiments on himself. Shortly after turning seventy-five in 2008, Sacks met Billy, a writer who had moved from San Francisco to New York. They began having dinners together, and a friendship grew between them. Only in December 2009, while recovering from surgeries and in terrible pain, did he realize the depth of their connection when Billy told him, "I have conceived a deep love for you." Sacks recognized he felt the same, and his eyes filled with tears. This relationship transformed him deeply, requiring geological changes in his lifetime habits of solitude and self-absorption. After previous loves throughout his life, now at seventy-seven, he discovered the tranquil joy of sharing his life with someone. Throughout his life, Sacks remained "ink-stained," accumulating nearly a thousand journals. He kept notebooks everywhere-beside his bed for dreams and nighttime thoughts, by swimming pools and seashores where thoughts often came in fully formed paragraphs. Though he rarely reviewed these journals, the act of writing itself clarified his thoughts and feelings, serving as an indispensable form of talking to himself. For Sacks, writing at its best transported him to a place of total absorption where he was oblivious to distractions, worries, and time's passage. Despite having written millions of words over his lifetime, the act remained as fresh and joyful as when he began nearly seventy years earlier.

★★★★★

온 더 무브 요약 완독을 축하합니다

“23일째 매일 사용하고 있어요. 이제 제 일상의 한 부분이 되었습니다.”

jayallen

온 더 무브 요약의 핵심 주제

neurological exploration
motorcycle subculture
scientific humanism
intellectual isolation
medical empathy

온 더 무브 요약의 명문장

You are an abomination. I wish you had never been born.
Doing the ton-reaching one hundred miles per hour-was the minimum criterion for joining the elite Ton-Up Boys.
You shouldn't have pulled me back.
Motorcycles represented more than transportation-they embodied freedom, risk, and a form of meditation.

온 더 무브 요약의 등장인물

Oliver SacksNeurologist and author of the memoir
Jonathan MillerBrilliant school friend from St. Paul's School
Eric KornBrilliant school friend from St. Paul's School
Kalman CohenRhodes scholar and Sacks' closest Oxford friend
Auntie BirdieBeloved aunt whose death impacted Sacks deeply

저자 소개

올리버 울프 색스(Oliver Wolf Sacks, 1933–2015)는 베스트셀러 작가이자 저명한 신경과 전문의로, 그의 회고록 *온 더 무브(On the Move)*는 정체성, 과학적 호기심, 그리고 1960년대의 반문화에서 선구적인 신경과학에 이르기까지 그의 변혁적인 여정을 탐구합니다.

런던의 의사 집안에서 태어난 색스는 옥스퍼드에서 수련을 쌓았으며, 아내를 모자로 착각한 남자와 오스카상 후보에 오른 영화의 원작인 *깨어남(Awakenings)*과 같은 서정적인 사례 연구를 통해 신경학의 지평을 다시 넓혔습니다. 뮤지코필리아와 화성의 인류학자를 포함한 그의 13권의 저서들은 임상적 통찰력과 깊은 인류애를 결합하여, 뉴욕 타임스로부터 "의학계의 계관시인"이라는 칭호를 얻었습니다.

뉴욕 대학교(NYU)와 컬럼비아 대학교의 교수였던 색스는 40년 이상 신경과학에 기여하는 동시에 뉴요커와 뉴욕 타임스에 글을 기고했습니다. 그의 마지막 작품들인 온 더 무브, 고맙습니다(Gratitude), 그리고 사후 출간된 에세이들은 화학, 오토바이, 환자 옹호에 대한 그의 평생의 열정을 보여줍니다.

36개 언어로 번역된 그의 저서들은 오페라, 다큐멘터리, 전 세계 학술 커리큘럼에 영감을 주었으며, 깨어남은 여전히 신경정신의학 문헌의 초석으로 남아 있습니다.

온 더 무브 요약 다운로드

온 더 무브 요약을 무료 PDF 또는 EPUB으로 받으세요. 인쇄하거나 오프라인에서 언제든 읽을 수 있습니다.

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컬럼비아 대학교 동문들이 제작 | 샌프란시스코에서 개발

BeFreed는 호기심 넘치는 글로벌 커뮤니티를 하나로 연결합니다

4.7

평균 평점

앱 평가 7.84천 개 이상

BeFreed 커뮤니티

정말이지 아직 앱을 다 써 보지도 않았는데, 며칠 써 본 것만으로도 깊은 인상을 받았어요… BeFreed는 제가 써 본 어떤 학습 앱과도 차원이 달라요. 몰입감이 엄청나고 집중력도 실제로 좋아져서, 스마트폰을 하염없이 스크롤하는 분들께 딱이에요!

@ladyInfinity

정확히 23일 전에 BeFreed를 구입했는데, 그날부터 하루도 빠짐없이 쓰고 있어요. 제 일상 업무 흐름과 학습 습관에 완전히 자리 잡았어요.

@jayallen

솔직히 이 앱은 제 기대를 전부 뛰어넘었어요. 어떤 주제든 오디오로 만들어 달라고 할 수 있고, 결과물이 놀라워요. 제 전문 분야는 심리치료 쪽이고 여러 학문이 얽혀 있는데도 답변이 아주 정확해요.

@Raguipa

제일 고마운 건 스크롤하는 시간이 확 줄었다는 거예요. 검색하는 시간은 줄고 흡수하는 시간은 늘었어요. 오디오북 전권, 팟캐스트, 학습 플랜의 조합이 정말 훌륭해요.

@colonyofcreatorsNGO

저는 24년째 PhotoReading 속진 학습 강사로 일하고 있어요… 책과 독서, 배움이 제 전문인데, BeFreed는 정보를 소화하기 쉽게 전달하는 혁신적인 방식을 정말 잘 구현했어요.

@BeFreed user

단순한 책 요약 앱이 아니에요. '재미' 스타일을 써 봤는데, 전통적인 방식보다 훨씬 나은 요약이고 아이디어를 이해하기도 쉬워요. 이것만으로도 값어치를 해요.

@austinakon

이 앱이 정말 좋아요. 며칠 써 봤는데 듣는 걸 멈출 수가 없어요. 시작하기에 이보다 좋을 수 없어요.

@jcrules328

정말 마음에 들어요. 한 달 정도 써 봤는데 숨은 보석을 찾은 기분이에요. BeFreed로 제가 원하는 주제를 직접 만들 수 있어서 좋고, 목소리도 훌륭한 데다 내레이션 선택지가 무궁무진해요.

@DanielCZ

정말이지 아직 앱을 다 써 보지도 않았는데, 며칠 써 본 것만으로도 깊은 인상을 받았어요… BeFreed는 제가 써 본 어떤 학습 앱과도 차원이 달라요. 몰입감이 엄청나고 집중력도 실제로 좋아져서, 스마트폰을 하염없이 스크롤하는 분들께 딱이에요!

@ladyInfinity

정확히 23일 전에 BeFreed를 구입했는데, 그날부터 하루도 빠짐없이 쓰고 있어요. 제 일상 업무 흐름과 학습 습관에 완전히 자리 잡았어요.

@jayallen

솔직히 이 앱은 제 기대를 전부 뛰어넘었어요. 어떤 주제든 오디오로 만들어 달라고 할 수 있고, 결과물이 놀라워요. 제 전문 분야는 심리치료 쪽이고 여러 학문이 얽혀 있는데도 답변이 아주 정확해요.

@Raguipa

제일 고마운 건 스크롤하는 시간이 확 줄었다는 거예요. 검색하는 시간은 줄고 흡수하는 시간은 늘었어요. 오디오북 전권, 팟캐스트, 학습 플랜의 조합이 정말 훌륭해요.

@colonyofcreatorsNGO

저는 24년째 PhotoReading 속진 학습 강사로 일하고 있어요… 책과 독서, 배움이 제 전문인데, BeFreed는 정보를 소화하기 쉽게 전달하는 혁신적인 방식을 정말 잘 구현했어요.

@BeFreed user

단순한 책 요약 앱이 아니에요. '재미' 스타일을 써 봤는데, 전통적인 방식보다 훨씬 나은 요약이고 아이디어를 이해하기도 쉬워요. 이것만으로도 값어치를 해요.

@austinakon

이 앱이 정말 좋아요. 며칠 써 봤는데 듣는 걸 멈출 수가 없어요. 시작하기에 이보다 좋을 수 없어요.

@jcrules328

정말 마음에 들어요. 한 달 정도 써 봤는데 숨은 보석을 찾은 기분이에요. BeFreed로 제가 원하는 주제를 직접 만들 수 있어서 좋고, 목소리도 훌륭한 데다 내레이션 선택지가 무궁무진해요.

@DanielCZ

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@BeFreed user

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@Brad

아침을 준비하거나 산책하거나 출퇴근할 때 들을 것을 YouTube에서 자주 찾곤 했는데, BeFreed는 광고도 군더더기도 없이 훨씬 더 딱 맞는 걸 들려줘요!

@BeFreed user

이 플랫폼의 가장 큰 장점은 활용도예요. 다루지 못하는 주제가 말 그대로 하나도 없어요. 무엇을 던져도 다 소화해요… 제한이 전혀 없으면서 약속을 실제로 지키는 학습 도구는 정말 드물어요.

@jayallen

BeFreed는 환상적이에요. 디자인이 편해서 헤매는 시간은 줄고 배우는 시간은 늘었어요. 오디오북, 팟캐스트, 학습 플랜의 조합은 천재적이에요. 제 하루가 완전히 달라졌어요.

@BeFreed user

처음엔 이탈리아어로 팟캐스트를 만드는 방법을 이해하는 데 시간이 좀 걸렸는데, 알고 나니까 — 와! 정말 대단해요! 어떤 주제든 설명해 달라고 하면 정말 똑똑하게 잘 설명해 줘요!

@matteo77

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@kotanzu1

유용한 정보와 아이디어를 8~15분짜리 팟캐스트 스타일 오디오로 압축해서 들을 수 있다는 게 정말 좋아요. 원래 팟캐스트는 군더더기가 많아서 안 좋아했는데, 여기는 그걸 싹 걷어냈어요.

@BeFreed user

박사 과정을 마무리하는 중이라 낯선 자료를 많이 읽어야 해요… BeFreed에서는 프롬프트만 입력하면 앱이 자료를 찾아서 오디오 팟캐스트로 만들어 줘요. BeFreed의 과정이 NotebookLM보다 더 매끄럽게 느껴져요.

@Brad

아침을 준비하거나 산책하거나 출퇴근할 때 들을 것을 YouTube에서 자주 찾곤 했는데, BeFreed는 광고도 군더더기도 없이 훨씬 더 딱 맞는 걸 들려줘요!

@BeFreed user

이 플랫폼의 가장 큰 장점은 활용도예요. 다루지 못하는 주제가 말 그대로 하나도 없어요. 무엇을 던져도 다 소화해요… 제한이 전혀 없으면서 약속을 실제로 지키는 학습 도구는 정말 드물어요.

@jayallen

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처음엔 이탈리아어로 팟캐스트를 만드는 방법을 이해하는 데 시간이 좀 걸렸는데, 알고 나니까 — 와! 정말 대단해요! 어떤 주제든 설명해 달라고 하면 정말 똑똑하게 잘 설명해 줘요!

@matteo77

BeFreed는 제가 매일 쓰는 오디오북 앱이 됐어요… 제일 마음에 드는 건 텍스트를 넣으면 이동 중에도 들을 수 있는 오디오로 만들어 준다는 점이에요.

@kotanzu1

웹에서 BeFreed가 어떻게 논의되고 있는지 더 보기

지금 바로 학습 여정을 시작하세요

9장

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온 더 무브 요약 다운로드

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Who should read On the Move?

Is On the Move worth reading?

What are the key themes in On the Move?

더 알아보기

BeFreed는 호기심 넘치는 글로벌 커뮤니티를 하나로 연결합니다

다양한 학습 방식으로 온 더 무브 요약 살펴보기

The Extraordinary Journey of a Neurological Explorer

Motorcycles and Movement: The Quest for Freedom

들리는 모든 단어를 눈으로 확인하세요

Oxford and Academic Awakening

Medical Training and Awakening to Human Complexity

온 더 무브 요약에서 더 많은 것을 얻으세요

San Francisco and the Birth of a Clinical Identity

Muscle Beach and the Physical Life

들리는 모든 단어를 눈으로 확인하세요

Awakenings: Medical Breakthrough and Literary Birth

The Man Who Mistook His Wife for a Hat: Finding a Literary Voice

온 더 무브 요약에서 더 많은 것을 얻으세요

A New Vision of the Mind: From Neural Darwinism to Consciousness

Finding Home: From Wanderer to Beloved

온 더 무브 요약 완독을 축하합니다

다른 사용자들도 좋아한 책

더 알아보기