Who should read *One Up* by Joost van Dreunen?

Investors, game developers, and business strategists in tech or entertainment will benefit most. The book offers actionable insights for navigating trends like live streaming and esports, making it valuable for professionals seeking growth opportunities in interactive media.

Is *One Up* worth reading for gaming industry insights?

Yes—it’s a data-driven guide praised for explaining inflection points in gaming history, from mobile gaming’s rise to platform wars. Reviewers highlight its relevance for understanding tech’s broader business landscape, calling it “required reading” for industry professionals.

What case studies does *One Up* include?

The book examines 200+ companies, with detailed analyses of Fortnite’s live-service model, Minecraft’s acquisition by Microsoft, and Pokémon GO’s AR success. Other cases explore Tencent’s global expansion and Valve’s Steam platform dominance.

How does *One Up* explain the success of free-to-play games?

Van Dreunen argues free-to-play titles like League of Legends thrive by prioritizing player retention over upfront sales. The model leverages microtransactions and seasonal updates, creating recurring revenue streams that outpace traditional game sales.

What frameworks does Joost van Dreunen propose for gaming companies?

The book emphasizes “bundling/unbundling” strategies—e.g., Xbox Game Pass reinventing content distribution. It also analyzes how companies balance creative risk (e.g., indie innovations) with scalable monetization (e.g., battle passes).

How does *One Up* critique traditional business strategies?

Van Dreunen shows how conventional approaches fail in gaming’s fast-paced market. For example, he contrasts Nintendo’s hardware-centric model with Epic Games’ cross-platform ecosystem, demonstrating adaptability’s role in survival.

What role does data play in *One Up*’s analysis?

The author uses 30+ years of sales, player engagement, and market share data to debunk myths. For instance, he quantifies mobile gaming’s 52% revenue share to explain its dominance over console/PC segments.

レベルアップの経済学

Q: What is *One Up: Creativity, Competition, and the Global Business of Video Games* about?

*One Up* analyzes how the $200B video game industry evolved from niche hobby to mainstream entertainment. Joost van Dreunen combines 30+ years of industry data and case studies (Activision Blizzard, Epic Games, Tencent) to show how creativity in business strategy—like digital distribution and free-to-play models—matches the innovation seen in game design.

創造性、競争、そしてグローバル・ビデオゲーム産業

ヨースト・ファン・ドルーネン

4.14(203 Reviews)

『レベルアップの経済学』の概要

「One Up」で、ゲーム業界のビジネスの進化を深く掘り下げましょう。テンセントのベン・フェーダー氏が「必読書」と称賛する、業界のバイブルです。ヴァン・ドルーネン氏は、3つの変革期がいかにエンターテインメントを再構築したかを明らかにしています。なぜ今、ゲームが現代メディアを支配しているのかを理解するための不可欠なプレイブックです。

語り方を選ぶ

1冊の本。さまざまな聴き方。

レベルアップの経済学の同じアイデアを、あなたに合う声・深さ・ペースで学べます。いつでも切り替えられます。

第1章

Gaming's Next Level: The Business Evolution Behind Your Favorite Pastime

When Tyler "Ninja" Blevins appeared on The Ellen DeGeneres Show in 2018, it marked a watershed moment for the gaming industry. This blue-haired 27-year-old had broken viewership records on Twitch, attracted 600,000 simultaneous viewers while playing Fortnite with Drake, and was earning millions in revenue. Traditional media executives were baffled by his success, struggling to understand why millions would watch someone else play video games. Yet this phenomenon perfectly encapsulates gaming's transformation from niche hobby to mainstream cultural and economic force. Joost van Dreunen's "One Up" arrives at a pivotal moment in gaming history, as an industry once dismissed as child's play now generates more revenue than Hollywood and the music industry combined. The book has become required reading in business schools worldwide, with industry titans from Microsoft to Tencent citing its insights. What makes this analysis particularly valuable is van Dreunen's dual perspective as both an NYU professor and founder of SuperData Research, giving him unprecedented access to the industry's inner workings that most observers-even many insiders-lack.

第2章

The Misunderstood Economics of Gaming

The video game industry suffers from a fundamental disconnect that has persisted for decades. Outsiders, including Wall Street analysts and traditional media, rarely take it seriously as a business, often dismissing it as mere entertainment for children. Meanwhile, industry insiders frequently disdain business analysis, clinging to the belief that artists and designers create all the value. This deep-seated schism has left understanding of the industry's inner workings remarkably limited-even among investors controlling billions in assets and industry professionals themselves. The industry perpetuates a powerful myth of the singular genius creator-a carefully crafted fabrication that Trip Hawkins of Electronic Arts deliberately established as a marketing tactic in the 1980s. This narrative positioned game designers as auteurs, similar to film directors, through the "Can a Computer Make You Cry?" campaign. However, this romanticized view overlooks how successful independent designers often rely heavily on financial support, publishing deals, and marketing expertise from others. It also ignores how industry structure, market demands, and business decisions fundamentally shape creative output, from game mechanics to monetization strategies. To truly understand games, we must look beyond creative singularity to examine the industry's complex structural dynamics. Games aren't born in economic vacuums but result from purposeful decisions by designers and business leaders navigating financial realities and market demands. Even iconic creations like Super Mario emerged not just from creative inspiration, but from carefully navigating technological constraints and market opportunities. Similarly, companies like Nintendo, Supercell, and Valve succeeded through sophisticated business strategies-including platform control, data-driven design, and innovative distribution models-as much as through creative talent. Much of gaming's success comes from effective exchange between creative vision and business models. Financial limitations should be viewed as design challenges, similar to technical restrictions like screen sizes, processing power, or network latency. For example, the free-to-play model didn't just change monetization-it fundamentally altered game design, forcing creators to build engaging experiences that could monetize through player choice rather than upfront purchase. However, the economics of the games business remains poorly understood, with conventional wisdom often disconnected from economic reality. This includes misconceptions about development costs, market sizing, and the true drivers of profitability in different gaming segments. The industry's rapid evolution through mobile, cloud gaming, and virtual reality has only complicated this picture, creating new business models and revenue streams that challenge traditional understanding. Success in modern gaming requires mastering both creative excellence and business sophistication, yet the industry's self-imposed divide between these domains continues to limit its potential.

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『レベルアップの経済学』の一語一語が音声に合わせてリアルタイムでハイライトされ、自然に読み進められます。

第3章

From Arcade Cabinets to Global Phenomenon

Contemporary interactive entertainment has evolved dramatically since the days of Pac-Man and Mario Bros. Gaming has transitioned from the fringes to become mainstream entertainment, moving beyond the stereotypical 18-34 year old male demographic. The phenomenon of Pokemon GO players taking to streets worldwide in 2016 visibly demonstrated how widespread gaming had become, with parks and public spaces suddenly filled with players of all ages hunting virtual creatures. Numerous titles now draw audiences of tens of millions, including Candy Crush Saga, which boasts over 250 million monthly active users, Roblox's 150 million players creating their own games, League of Legends' competitive esports scene, and Fortnite's cultural impact extending into music concerts and brand collaborations. This transformation has been driven by two key technological developments: widespread consumer broadband adoption and smartphone popularization. With over one billion fixed broadband subscribers and nearly six billion mobile broadband subscriptions globally, high-speed internet has removed physical boundaries that once restricted content distribution. Games that once required physical cartridges or discs can now be instantly downloaded or streamed. Meanwhile, smartphones have expanded the addressable audience and reduced intermediaries between creators and consumers, enabling indie developers to reach millions through app stores and creating new genres like hyper-casual games that appeal to previously untapped demographics. Gaming has become critical to many of the world's largest companies, fundamentally reshaping their business strategies and revenue streams. Apple generated approximately $11 billion from mobile games in 2018, exceeding its music services and iTunes revenue, with the App Store's success largely attributed to gaming. Sony earned $21 billion from its PlayStation division, representing about 23% of its annual income, driven by both hardware sales and digital content. Microsoft earned $10 billion from gaming through Xbox and PC platforms, while Chinese tech giant Tencent generated $19 billion through ownership of popular titles like League of Legends and strategic investments in companies like Epic Games. Tech giants like Google, Facebook, and Amazon are also aggressively investing in gaming services and technology. Google launched its Stadia cloud gaming platform, Facebook acquired virtual reality leader Oculus, and Amazon developed its own game engine Lumberyard while acquiring streaming platform Twitch for nearly $1 billion. These investments reflect their recognition of gaming as a key driver of future growth and technological innovation. Collectively, these organizations generate $827 billion in revenue, with video games representing about 8% of this total. Their share prices fluctuate based on the health of their gaming divisions, demonstrating how vital interactive entertainment has become to their business models. The success or failure of new gaming initiatives can significantly impact market capitalizations, as seen with major game releases and platform launches.

第4章

The Product Era: When Games Were Things You Bought

For decades, the gaming industry operated on a product-based model that mirrored the toy business. Publishers produced physical discs and cartridges that retailers sold to console players, with the industry characterized by seasonal sales patterns (heavily concentrated during holidays) and hit-driven economics. This model created a highly concentrated market where a handful of publishers, retailers, and platforms controlled most of the value chain. Nintendo exemplified this approach when it revitalized the industry after the devastating 1983 crash. While others saw video games as a passing fad, Nintendo implemented a strategic business model built on three pillars: uncompromising quality control, efficient distribution management, and effective marketing. Their mantra-"The name of the game is the game"-drove decisions like recalling faulty consoles, publishing Nintendo Power magazine at cost, and operating player help hotlines. Most crucially, Nintendo imposed strict licensing terms on third-party developers, requiring minimum orders, exclusivity agreements, royalty payments, and limiting annual releases to five titles per publisher. Despite initial resistance from publishers like EA's Trip Hawkins and Namco's Masaya Nakamura, who accused Nintendo of monopolistic practices, the strategy succeeded in rebuilding consumer confidence and retailer relationships through controlled inventory and quality-focused curation. GameStop emerged as the dominant specialty retailer in this era, developing a unique buy-sell-trade program that created a powerful economic engine. While retailers typically keep only 20% ($12) of a new $60 game's purchase price, with publishers receiving $24, GameStop's used game model transforms this equation. When customers trade in games for store credit (typically $25), GameStop resells these titles at reduced prices (around $55) while keeping 100% of the revenue. With popular games being resold approximately five times, GameStop can generate $162 in net revenue from a single title's lifecycle, compared to just $12 from a new sale.

『レベルアップの経済学』をもっと深く楽しむ

毎日の新しい気づきを10万件以上のレッスンから
言葉をハイライトして音声と同期
ライブラリを保存して、どの端末からでも利用

第5章

The Digital Transformation: From Products to Services

Beginning around 2009, the games industry underwent a fundamental transformation as widespread online connectivity enabled a shift to the games-as-a-service model. This new approach featured consumers downloading content directly to their devices and paying for additional content and in-game items over time. Games became highly accessible experiences that gradually monetize players, with many titles offered free initially but designed for long-term relationships and microtransactions. The service model's implications weren't immediately obvious to industry executives, who initially viewed digital sales as merely supplemental revenue. The industry's traditional success metric-units sold, especially in the weeks after launch-remained the focus for retailers, publishers, and investors. Looking purely at unit volume would suggest digitalization was only a modest part of the business, with CD-ROMs first replacing cartridges and remaining dominant even as downloads grew. Take-Two's 2013 release of Grand Theft Auto V exemplifies the successful transition to digital distribution in console gaming. Despite generating $1 billion in sales within three days and selling nearly 130 million copies to date, the title initially struggled with its online component. When GTA V: Online launched, the servers crashed under the unexpected load of millions of simultaneous players. This server failure proved merely a growing pain. The company's strategic decision to release at the end of the seventh console generation's lifecycle maximized its potential audience while competitors focused on next-generation hardware. By subsequently releasing on PS4 and Xbox One, Take-Two capitalized on digital distribution by methodically releasing its vast inventory of additional content, generating nearly $2 billion in add-on revenue over five years-far exceeding the $746 million earned from full game downloads during the same period. By 2014, digital-only companies overtook conventional legacy publishers in market dominance. Growing from a combined value of just $1 billion in 2005, online-only game companies generated $67 billion in aggregate revenue by 2018, compared to $47 billion for legacy companies. Newcomers like Tencent, Valve, Nexon, Niantic, NCSoft, and NetEase have claimed significant global market share by capitalizing on digitalization's momentum.

第6章

The Free-to-Play Revolution

The mobile market's initial growth masked its brutal competitive reality. As demonstrated by puzzle game THREES, even critically acclaimed premium titles could be quickly undermined by free clones. Despite fourteen months of development and industry awards including the Apple Design Award, THREES saw its success hijacked within days by free-to-play copycats that dominated the App Store rankings. This pattern repeated with other indie hits like Ridiculous Fishing and Flappy Bird, as experienced development shops with marketing resources exploited Apple's lack of content curation. The democratization of game development inadvertently created an environment where original creators competed against production muscle from emerging economies, with top-grossing titles maintaining visibility while smaller shops struggled in the expanding long tail. Even modest success can be meaningful in an industry with thousands of small studios. Monument Valley, created by an eight-person team at ustwo games, cost $852,000 and took fifty-five weeks to develop but generated over $14 million in its first two years. Its polished, innovative gameplay and aesthetic alignment with Apple's design sensibilities helped it stand apart. While this success secured ustwo's future for years, such outcomes aren't meaningful or easily replicable for billion-dollar multinationals. Free-to-play models allow publishers to reach previously inaccessible consumers by removing the $60 entry barrier. This demand heterogeneity strategy monetizes different customer types-most users pay nothing while a small subset spends far more than they would on traditional games. However, lowered barriers intensify competition, pushing publishers to pursue audiences beyond traditional economic and geographic boundaries into markets like Brazil, Russia, India, and China. The industry's gravity has shifted from Western to Eastern countries, with firms from South Korea, China, and Russia proving adept at profitable free-to-play models. Nexon's MapleStory succeeded in America through strategic understanding of its young player base-offering prepaid game cards for "unbanked" teenagers and focusing distribution through bike-accessible 7-Eleven stores.

聴きながら、すべての言葉を目で追えます

『レベルアップの経済学』の一語一語が音声に合わせてリアルタイムでハイライトされ、自然に読み進められます。

第7章

The Collaborative Art of Game Creation

Game design demands diverse technical skills working in harmony. A studio's greatest asset is its talent pool, not its technical components which are widely available to all. Successful studios differentiate themselves through organizational innovation and clear human resource strategies. While indie studios might consist of passionate friends working without business structure, large public companies often enforce demanding work cultures to meet shareholder expectations. The challenge at every level is balancing creative aspirations with business realities. How a company designs its organization becomes key to attracting the right talent, ideally creating environments that encourage collaboration while offering fair trade between high demands and creative impact. Game studios compete fiercely for talent, with company personality and reputation often making the critical difference. Leading studios create distinctive workspaces that reflect their creative identity-from Blizzard's larger-than-life game character statues to Rockstar's vintage arcade cabinets featuring their own titles. These aesthetic choices serve a strategic purpose: attracting diverse skilled creatives crucial to success. Research examining 139,727 industry professionals across 30 years reveals that cognitively heterogeneous teams with points of intersection produce the most critically acclaimed games. This finding challenges the myth of the lone genius, demonstrating that creativity emerges from cohesive groups with varied abilities working collaboratively rather than from individual brilliance. Despite the collaborative nature of game development, not all roles receive equal valuation. The industry's employment practices, work-life balance, and career mobility remain largely opaque, though growing research is bringing transparency to these issues. Salary surveys reveal that designers, despite their visible creative impact, are typically paid less than producers, creating a skewed talent distribution with many inexperienced people at the bottom and few established seniors at the top.

第8章

The Battle for Intellectual Property

The battle for intellectual property has become the defining struggle in the games industry. As development costs soar and competition intensifies, owning recognizable IP represents the difference between sustainable growth and market irrelevance. Publishers now invest billions acquiring established franchises and developing new ones, recognizing that familiar characters and worlds drive engagement across platforms. In 2005, Electronic Arts and Take-Two engaged in what one executive called the "Sports Video Game Battle of 2004," competing for dominance in sports gaming through exclusive licenses and aggressive pricing. Take-Two initiated the conflict by acquiring Sega's ESPN games and pricing them at $19.99 compared to EA's $49.99 titles. This strategy proved effective when Take-Two's higher-rated games captured market leadership on Xbox. Rather than continuing a price war, EA secured a five-year exclusive NFL license and a fifteen-year ESPN deal, effectively boxing out competitors. Take-Two countered by securing a seven-year MLB agreement. This aggressive competition exemplifies the costs and risks of IP-based strategies. While expensive, EA's approach proved successful-their Madden NFL franchise has sold over 100 million copies and generated more than $4 billion in revenue. Strong IP serves as a quality signal in oversaturated markets like mobile gaming, where consumers struggle to find worthwhile content amid overwhelming options. Initially, established publishers hesitated to enter mobile gaming, uncertain of the smartphone's long-term viability and reluctant to risk devaluing premium franchises in an unproven marketplace dominated by startups. Even as mobile gaming grew, major companies like Nintendo delayed entry-Super Mario Run didn't launch until late 2016, nearly a decade after the first iPhone. Others like Take-Two and Electronic Arts merely ported older titles rather than developing new mobile-specific experiences for their valuable franchises.

『レベルアップの経済学』をもっと深く楽しむ

毎日の新しい気づきを10万件以上のレッスンから
言葉をハイライトして音声と同期
ライブラリを保存して、どの端末からでも利用

第9章

The Rise of Gaming as Spectator Entertainment

The phenomenon of watching others play video games has transformed from a niche activity to mainstream entertainment, revolutionizing how people consume gaming content. What started as friends gathering around arcade cabinets in the 1980s has evolved into a sophisticated ecosystem where hundreds of millions tune in daily to watch skilled players, entertainers, and influencers across platforms like Twitch, YouTube Gaming, and Facebook Gaming. This shift represents gaming's evolution beyond interactive entertainment into spectator media, creating new revenue streams, celebrity personalities, and engagement models that rival traditional sports and entertainment. The ecosystem has developed distinct content categories: esports broadcasts featuring professional competitive gaming, "Let's Play" videos showcasing gameplay walkthroughs, speedrunning communities attempting to complete games as quickly as possible, and personality-driven live streams where hosts interact directly with viewers. Each format has spawned its own subcultures, stars, and monetization strategies. Major tournaments like The International for Dota 2 now offer prize pools exceeding $40 million, while platforms like Twitch average over 2.5 million concurrent viewers. Gaming video content creators have transformed into wealthy celebrities, with figures like PewDiePie earning $7 million in 2013 and Ninja making around $10 million in 2018 through various revenue streams. Their success stems from being perceived as more authentic and relatable than traditional marketing, creating parasocial relationships with viewers who feel personally connected to their favorite creators. As streamers grow, they develop sophisticated business models incorporating multiple revenue streams - direct donations (bits, superchats), monthly subscriptions, advertising revenue, merchandise lines, sponsored content deals, and affiliate commissions from game sales. This commercialization creates increasing tension between maintaining authentic connections with audiences and maximizing income opportunities. Legal and ethical challenges have emerged, exemplified by Warner Bros' settlement with the FTC for undisclosed paid promotions of Shadow of Mordor, and controversies over gambling promotion through "loot box" openings. Governments worldwide now regulate streamers like traditional broadcasters, implementing requirements for disclosure of paid partnerships and age-appropriate content warnings. Meanwhile, platforms like YouTube have introduced complex "demonetization" policies affecting channels featuring violent content, forcing creators to adapt their content strategies or risk losing significant revenue. These challenges highlight the growing pains of an industry balancing commercial success with community trust and regulatory compliance. The impact extends beyond entertainment, as educational institutions now offer esports scholarships, businesses invest in gaming influencer marketing, and traditional media companies acquire gaming content networks. This mainstreaming of gaming spectatorship continues to reshape both the gaming industry and broader digital entertainment landscape.

第10章

Next-Generation Revenue Models

The gaming industry is evolving beyond traditional purchase models toward diverse revenue streams that maximize engagement and lifetime value. These next-generation approaches blend subscription services, microtransactions, battle passes, and cross-platform monetization to create sustainable business models. By treating games as ongoing services rather than one-time products, developers can maintain continuous relationships with players while generating predictable revenue. Digitization offered numerous benefits to the gaming industry. Consumer responsiveness fueled successes like Valve's Steam platform, which resolved distribution inefficiencies and revitalized PC gaming with 13 million users by 2007. Digital formats made global distribution possible, opening new markets and enabling platform convergence where consoles evolved into multimedia devices. However, digitization also introduced challenges. Global access attracted new competitors while requiring navigation of local regulations in markets like Brazil and China. Digital marketplaces with low marginal costs led to price deflation, with "free" content becoming standard. Traditional value chain participants faced growing fixed costs while pursuing recurrent revenue models. Network effects resembled hit-driven business risks, and supply glut made discovery increasingly difficult, especially on mobile platforms where marketing budgets created artificial entry barriers. Several recurring innovation themes have emerged as gaming companies navigate the new economic landscape. Pricing strategy innovations include GameStop's inimitable secondhand sales model driving store traffic and Nexon's free-to-play approach capturing young U.S. players accustomed to $60 titles. Marketing innovations range from Nintendo's quality control and consumer loyalty focus that revived the post-1984 industry to Electronic Arts' blockbuster approach positioning designers as celebrities. Organizational innovation proved crucial, with Naughty Dog attracting talent through flat structures that facilitate creative input, Supercell producing mobile hits by focusing on top talent in a lean organization, and Valve enabling creativity both internally and through Steam. Distribution innovations include Take-Two's post-GTA V shift from brick-and-mortar to digital distribution capturing billions in recurrent revenue, while Microsoft and Sony disproved console death predictions by adding microtransactions and streaming content.

聴きながら、すべての言葉を目で追えます

『レベルアップの経済学』の一語一語が音声に合わせてリアルタイムでハイライトされ、自然に読み進められます。

第11章

Gaming's Future: Integration and Expansion

As the games industry continues to evolve, it has transformed from a product-based model to a sophisticated service and media ecosystem. The industry now operates at the intersection of technology, entertainment, and business innovation, with diverse revenue models that sustain ongoing player relationships. This maturation reflects gaming's journey from niche hobby to mainstream cultural force, where companies must balance creative vision with commercial sustainability. Gaming has evolved into mainstream entertainment through both superior content and business innovation. Major technology conglomerates have integrated gaming into their core strategies: Amazon acquired Twitch and established Amazon Games Studios while developing cloud gaming to compete with Microsoft, Sony, and Google; Apple invested in its Arcade subscription service offering premium mobile content without microtransactions to appeal to mainstream customers like parents. The PC gaming market has experienced a remarkable resurgence after years of being overshadowed by consoles. Where once retailers relegated PC games to dusty back corners, digital distribution platforms like Steam have revitalized the platform by solving distribution challenges and creating new engagement models. The rise of competitive esports, particularly in genres like MOBAs and battle royales, has further cemented PC gaming's central position in gaming culture. The future belongs to those who can navigate this complex landscape while maintaining authentic connections with increasingly diverse gaming communities. As boundaries between gaming and other forms of entertainment continue to blur, the industry's economic significance and cultural impact will only grow-transforming not just how we play, but how we create, connect, and consume entertainment in the digital age.

★★★★★

『レベルアップの経済学』を最後まで読み終えました

100万人以上の学習者に愛用されています

“23日間、毎日使い続けています。今では日課の一部です。”

jayallen

『レベルアップの経済学』の主要テーマ

video game economics
interactive entertainment strategy
monetization model evolution
digital distribution dynamics
creative business management

『レベルアップの経済学』の名言

Financial limitations should be viewed as design challenges.
Games aren't born in economic vacuums.
Gaming has transitioned from the fringes to become mainstream entertainment.
Success in modern gaming requires mastering both creative excellence and business sophistication.
The economics of the games business remains poorly understood.

『レベルアップの経済学』の登場人物

Joost van DreunenAuthor, NYU professor, and industry analyst
Tyler "Ninja" BlevinsProfessional gamer and record-breaking streamer
Trip HawkinsFounder of Electronic Arts

著者について

Joost van Dreunenは、『One Up: Creativity, Competition, and the Global Business of Video Games』の著者であり、ゲーム、ビジネス、テクノロジーの交差点における第一人者です。

コロンビア大学で博士号を取得し、ニューヨーク大学（NYU）スターン・スクール・オブ・ビジネスの客員教授を務めるvan Dreunenは、市場調査会社SuperData Research（2018年にニールセンが買収）の共同設立および経営を含む、20年以上の業界経験を活かしています。

彼の著書では、実証的な分析とEpic GamesやTencentといった巨頭のケーススタディを融合させ、創造性と戦略がいかにして2,000億ドル規模のゲーム産業を形成したかを探求しています。van Dreunenは、ゲームとエンターテインメントのトレンドを分析する週刊ニュースレター『SuperJoost Playlist』を通じて専門知識を発信しているほか、コンサルティングや投資活動を通じてファンドやスタートアップへのアドバイスも行っています。

ウェドブッシュ証券のマイケル・パクター氏から「ゲームビジネスに興味がある人なら必読の一冊」と称賛された『One Up』は、進化し続けるデジタルエンターテインメントの世界を舵取りする投資家やエグゼクティブにとって不可欠な読み物となっています。

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コロンビア大学卒業生がサンフランシスコで開発

LOVED BY

1,000,000+ curious minds.

4.7

avg rating

1M+ learners

"Instead of endless scrolling, I just hit play on BeFreed. It saves me so much time."

@Moemenn

"I never knew where to start with nonfiction—BeFreed’s book lists turned into podcasts gave me a clear path."

@Chloe, Solo founder, LA

117

"Perfect balance between learning and entertainment. Finished ‘Thinking, Fast and Slow’ on my commute this week."

@Raaaaaachelw

"Crazy how much I learned while walking the dog. BeFreed = small habits → big gains."

@Matt, YC alum

108

"Reading used to feel like a chore. Now it’s just part of my lifestyle."

@Erin, Investment Banking Associate , NYC

254

"Feels effortless compared to reading. I’ve finished 6 books this month already."

@djmikemoore

"BeFreed turned my guilty doomscrolling into something that feels productive and inspiring."

@Pitiful

4.5K

"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

"Instead of endless scrolling, I just hit play on BeFreed. It saves me so much time."

@Moemenn

"I never knew where to start with nonfiction—BeFreed’s book lists turned into podcasts gave me a clear path."

@Chloe, Solo founder, LA

117

"Perfect balance between learning and entertainment. Finished ‘Thinking, Fast and Slow’ on my commute this week."

@Raaaaaachelw

"Crazy how much I learned while walking the dog. BeFreed = small habits → big gains."

@Matt, YC alum

108

"Reading used to feel like a chore. Now it’s just part of my lifestyle."

@Erin, Investment Banking Associate , NYC

254

"Feels effortless compared to reading. I’ve finished 6 books this month already."

@djmikemoore

"BeFreed turned my guilty doomscrolling into something that feels productive and inspiring."

@Pitiful

4.5K

"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

"Instead of endless scrolling, I just hit play on BeFreed. It saves me so much time."

@Moemenn

"I never knew where to start with nonfiction—BeFreed’s book lists turned into podcasts gave me a clear path."

@Chloe, Solo founder, LA

117

"Perfect balance between learning and entertainment. Finished ‘Thinking, Fast and Slow’ on my commute this week."

@Raaaaaachelw

"Crazy how much I learned while walking the dog. BeFreed = small habits → big gains."

@Matt, YC alum

108

"Reading used to feel like a chore. Now it’s just part of my lifestyle."

@Erin, Investment Banking Associate , NYC

254

"Feels effortless compared to reading. I’ve finished 6 books this month already."

@djmikemoore

"BeFreed turned my guilty doomscrolling into something that feels productive and inspiring."

@Pitiful

4.5K

"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

BeFreedがウェブ上でどのように話題になっているかをもっと見る

今すぐ学習の旅を始めよう

第9章

レベルアップの経済学

概要『レベルアップの経済学』の概要

1冊の本。さまざまな聴き方。

Gaming's Next Level: The Business Evolution Behind Your Favorite Pastime

The Misunderstood Economics of Gaming

聴きながら、すべての言葉を目で追えます

From Arcade Cabinets to Global Phenomenon

The Product Era: When Games Were Things You Bought

『レベルアップの経済学』をもっと深く楽しむ

The Digital Transformation: From Products to Services

The Free-to-Play Revolution

聴きながら、すべての言葉を目で追えます

The Collaborative Art of Game Creation

The Battle for Intellectual Property

『レベルアップの経済学』をもっと深く楽しむ

The Rise of Gaming as Spectator Entertainment

Next-Generation Revenue Models

聴きながら、すべての言葉を目で追えます

Gaming's Future: Integration and Expansion

『レベルアップの経済学』を最後まで読み終えました

『レベルアップの経済学』の主要テーマ

『レベルアップの経済学』の名言

『レベルアップの経済学』の登場人物

著者について

レベルアップの経済学の要約をダウンロード

他のユーザーのお気に入り

この本に関するよくある質問

What is One Up: Creativity, Competition, and the Global Business of Video Games about?

Who should read One Up by Joost van Dreunen?

Is One Up worth reading for gaming industry insights?

What case studies does One Up include?

もっと見る

1,000,000+ curious minds.

1,000,000+ curious minds.

1冊の本。さまざまな聴き方。

Gaming's Next Level: The Business Evolution Behind Your Favorite Pastime

The Misunderstood Economics of Gaming

聴きながら、すべての言葉を目で追えます

From Arcade Cabinets to Global Phenomenon

The Product Era: When Games Were Things You Bought

『レベルアップの経済学』をもっと深く楽しむ

The Digital Transformation: From Products to Services

The Free-to-Play Revolution

聴きながら、すべての言葉を目で追えます

The Collaborative Art of Game Creation

The Battle for Intellectual Property

『レベルアップの経済学』をもっと深く楽しむ

The Rise of Gaming as Spectator Entertainment

Next-Generation Revenue Models

聴きながら、すべての言葉を目で追えます

Gaming's Future: Integration and Expansion

『レベルアップの経済学』を最後まで読み終えました

他のユーザーのお気に入り

もっと見る

『レベルアップの経済学』の概要