
In Samuel Beckett's masterpiece where "nothing happens, yet keeps audiences glued," two tramps wait endlessly for someone who never arrives. Voted "most significant English play of the 20th century," this absurdist revolution asks: what meaning exists in our own perpetual waiting?
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A bare stage. A single tree. Two men in worn clothes, waiting. One struggles with his boot while the other watches. "Nothing to be done," comes the opening line - a phrase that will echo through every moment of what follows. This is where we meet Vladimir and Estragon, two souls bound together by habit, hope, and the simple fact that they're waiting for someone named Godot. But here's the thing: Godot never shows up. Not in Act I. Not in Act II. And if there were an Act III, he wouldn't appear then either. What sounds like theatrical suicide - a play where nothing happens, twice - became the most influential drama of the twentieth century. Why? Because in their endless waiting, these two tramps stumbled onto something we all recognize: the strange, stubborn persistence of hope in a universe that offers no guarantees.
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Creato da alumni della Columbia University a San Francisco

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