What is The First to Die at the End by Adam Silvera about?

The First to Die at the End by Adam Silvera is a young adult prequel exploring the origins of Death-Cast, a service that predicts when people will die. Set on Death-Cast's inaugural night in New York City, the story follows Orion Pagan and Valentino Prince, who meet by chance in Times Square. When Valentino receives the very first Death-Cast call, the two boys embark on a life-changing journey together, exploring love, mortality, and living fully in their final hours.

Who should read The First to Die at the End?

The First to Die at the End is perfect for young adult readers who enjoy emotional, character-driven stories with LGBTQ+ representation. Fans of Adam Silvera's previous work, particularly They Both Die at the End, will appreciate this prequel's exploration of Death-Cast's origins. The book resonates with readers interested in themes of mortality, first love, identity, and seizing the moment, making it ideal for anyone seeking a thought-provoking and heartfelt contemporary romance.

Is The First to Die at the End worth reading?

The First to Die at the End is worth reading for those who appreciate emotionally intense, character-focused narratives that explore life's fragility. Adam Silvera crafts a compelling prequel that stands alone while enriching the They Both Die at the End universe. The book's exploration of living authentically, forming meaningful connections under time pressure, and confronting mortality offers profound insights. However, readers seeking lighthearted content should note the heavy emotional themes and tragic elements throughout.

Do I need to read They Both Die at the End before The First to Die at the End?

The First to Die at the End works as a standalone novel and does not require reading They Both Die at the End first. Adam Silvera designed this prequel to introduce new readers to the Death-Cast concept while providing existing fans with backstory about the service's launch. However, reading They Both Die at the End afterward enhances appreciation for how Death-Cast evolves and impacts society, creating a richer understanding of Silvera's fictional world and its emotional weight.

What is Death-Cast in The First to Die at the End?

Death-Cast in The First to Die at the End is a revolutionary service created by Joaquin Rosa that calls people between midnight and 3 a.m. to inform them they will die within the next 24 hours. The novel chronicles Death-Cast's very first night of operation, exploring both the technology's promise and its flaws. The service aims to help people live their final day fully and say proper goodbyes, but technical glitches cause some "Deckers" to die without receiving calls.

Who are Orion Pagan and Valentino Prince in The First to Die at the End?

Orion Pagan is a New York teenager with a serious heart condition who eagerly awaits Death-Cast's launch, seeking closure after his parents died on September 11, 2001. Valentino Prince is an aspiring model from Arizona starting fresh in New York after escaping his homophobic parents. When they meet in Times Square, Valentino receives the first Death-Cast call. Despite knowing their time is limited, they form an instant romantic connection and spend Valentino's End Day exploring the city together.

What are the main themes in The First to Die at the End?

The First to Die at the End explores mortality and the urgency of living authentically when time is limited. Adam Silvera examines how knowledge of death transforms daily choices and relationships, emphasizing genuine human connection over material pursuits. The novel addresses LGBTQ+ identity, family acceptance, and finding chosen family when biological families reject you. Additional themes include fate versus free will, the ethics of predicting death, overcoming fear to embrace new experiences, and the profound impact one meaningful day can have on a person's life.

How does The First to Die at the End end?

The First to Die at the End concludes tragically when Valentino intervenes in a domestic violence situation at his apartment building. Frankie, an abusive husband who is also a Decker who never received his Death-Cast call, beats Valentino and throws him down the stairs, causing fatal injuries. Valentino, who had arranged to donate his heart to Orion after falling in love with him, undergoes the transplant surgery. His heart saves Orion's life, allowing part of Valentino to live on in the person he loved.

L'ultima notte della nostra vita. Il primo a morire alla fine

Il prequel di L'ultima notte della nostra vita

Adam Silvera

4(126461 Reviews)

Panoramica di L'ultima notte della nostra vita. Il primo a morire alla fine

Nel bestseller n. 1 del NYT di Silvera, due sconosciuti si incontrano durante la notte inaugurale di Death-Cast, in cui uno dei due riceve la chiamata della morte. Questo fenomeno di TikTok ha dato vita a un accordo per un adattamento televisivo, affascinando la Gen Z con la sua profonda esplorazione della fragilità della vita. Cosa faresti nel tuo ultimo giorno?

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Capitolo 1

When Death Calls: A Race Against Time and Fate

In a world where technology has conquered many frontiers, one final mystery remains: death's timing. Adam Silvera's prequel to his bestselling novel "They Both Die at the End" introduces us to Death-Cast-a revolutionary service that can predict when someone will die, giving them one last day to live fully before their time runs out. This captivating story explores how foreknowledge of death transforms lives, relationships, and society itself on the very first night Death-Cast goes live. With over 4 million copies sold of the original novel and a Netflix adaptation in development, Silvera's exploration of mortality continues to resonate deeply with readers seeking both emotional catharsis and profound questions about how we choose to live when faced with our inevitable end.

Capitolo 2

Two Strangers, One Fateful Night

Times Square pulses with energy on Death-Cast Eve-the night before the revolutionary service goes live. Among the crowd stands eighteen-year-old Orion Pagan, a young man with a failing heart who has lived his entire life afraid of sudden death. Having lost his parents in the 9/11 attacks when he was just nine years old, Orion understands mortality's cruel unpredictability better than most. He attends the Death-Cast premiere with his best friend Dalma, hoping that midnight will come and go without his phone ringing. Meanwhile, Valentino Prince has just arrived in New York from Phoenix, feeling reborn as he starts fresh in the big city. Tall, handsome, and ready to pursue his modeling dreams, Valentino has escaped his parents' rejection after coming out as gay. His twin sister Scarlett will join him tomorrow. As he settles into his disappointingly small sixth-floor walk-up apartment, he considers registering for Death-Cast-another way to break from his parents' paranoia and control. As midnight approaches, these two strangers find themselves standing next to each other in Times Square, watching as people share emotional stories about why they signed up for Death-Cast. Despite his nervousness, Orion approaches Valentino, rambling about Death-Cast and the possibility of the world ending. They introduce themselves, clearly drawn to each other, and learn about their different reasons for being there. The countdown to midnight begins, and Orion closes his eyes tight, shaking with fear about what might happen when Death-Cast goes live. "I write short stories because I am one," Orion thinks to himself. "I wish I was a novel." Looking up at Valentino, he wonders what life could've offered if he had more pages in his story. At exactly midnight, a phone begins to ring. But it's not Orion's-it's Valentino's. Just one minute after Death-Cast goes live, Valentino receives the first-ever End Day call in history, informing him that sometime in the next twenty-four hours, he will die. Before he can process this devastating news, gunshots tear through Times Square as a man in a skull mask appears, aiming directly at Valentino. While everyone flees, Valentino stands frozen. Orion breaks away from Dalma and runs at Valentino, knocking him down right as the gun fires-but the heroic act triggers Orion's heart condition, sending him into cardiac arrest. In that chaotic moment, their fates become intertwined in ways neither could have imagined.

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Capitolo 3

Death-Cast: The Business of Mortality

Behind the scenes at Death-Cast headquarters, founder Joaquin Rosa makes the first call to Valentino Prince with a heavy sense of purpose and responsibility weighing on his shoulders. The sleek, modern building in downtown Manhattan houses what might be the most controversial technological advancement in human history. Though many people would like him dead for creating such a disruptive technology - with death threats arriving daily and security teams working around the clock - Joaquin remains steadfast in his belief that he's fundamentally changing life as we know it. The mystery of Death-Cast's prediction methodology has sparked worldwide speculation and debate. Theories range from the amusing to the absurd: psychics equipped with futuristic crystal balls, quantum computers processing vast amounts of biological data, time-travelers returning with tomorrow's obituaries, or even deals with supernatural entities. Joaquin won't reveal the truth behind any of these theories, maintaining that "once that door opens, there will be no closing it." This secrecy has only fueled public fascination and skepticism in equal measure. The call center itself represents a careful balance between functionality and humanity. The open floor plans allow for natural light and easy supervision, while personalized spaces feature joyful pictures of family members and peaceful landscapes. Meditation rooms and water fountains create a serene atmosphere designed to protect the heralds' mental well-being during their emotionally demanding work. Joaquin's wife Naya, a former grief counselor, insisted on human operators rather than robocalls, arguing that discovering your death through an automated recording would be unnecessarily cruel and potentially traumatic. Twenty carefully vetted heralds sit ready to make calls, each selected through an intensive screening process that evaluates both emotional intelligence and psychological resilience. Among them is Rolando Rubio, a former school counselor whose gentle demeanor and experience with crisis intervention make him particularly effective at delivering the news. Andrea Donahue, known for her efficiency and professional demeanor, privately questions whether Death-Cast is even real - though she maintains her skepticism hasn't affected her performance. As the night progresses, serious problems emerge that threaten to undermine the entire operation. A distraught woman calls to report that her boyfriend William Wilde, killed in a tragic accident in Times Square, never received his End Day call. A thorough check of records confirms no outgoing calls to either the Decker or his emergency contacts. This failure represents Joaquin's worst nightmare - his empire potentially crumbling on launch day, with Deckers across the country unaware of their impending fate. By morning, eleven registered deaths have occurred without notification, forcing Joaquin to prepare a public statement addressing the system flaw. "Death-Cast won't just tell people when they'll die," Joaquin had promised investors and the public alike. "We'll make sure their lives don't go unlived." But as the first End Day unfolds, the company's perfect vision encounters the messy reality of human lives, technological limitations, and the weight of playing messenger between life and death. The question remains whether Death-Cast can deliver on its revolutionary promise or if the burden of predicting mortality will prove too heavy to bear.

Capitolo 4

A Heart for a Heart: The Ultimate Gift

At Lenox Hill Hospital, Valentino makes a life-altering decision that will reshape both his final hours and another's future. After learning about Orion's condition in detail - the repeated hospitalizations, the weakening heart muscle, the countless medications - Valentino witnesses firsthand the cruel paradox of organ donation waiting lists. While Orion has survived his recent cardiac arrest, his heart condition remains severe. Despite his deteriorating health, he isn't considered critical enough to move up the transplant list, trapped in a devastating limbo between living and dying. Looking at Orion's hazel eyes and hunched frame, noting how his chest rises and falls with visible effort, Valentino experiences a moment of profound clarity. The universe, he realizes, has orchestrated this meeting for a purpose far greater than chance could explain. "You're going to live," he tells Orion with quiet certainty. When Orion responds with weary resignation that he'll live until tomorrow, Valentino's voice grows stronger, more insistent. "I think destiny brought us together so I can change your future. You don't need the waitlist anymore, Orion. I'll give you my heart." The offer hangs in the air like a thunderclap. Orion, stunned into silence, finally protests that organ donation isn't that straightforward. But Valentino has already thought this through - he's blood type O, making him a universal donor. This isn't new knowledge; he learned it during the frantic days following his sister Scarlett's accident, when he'd been prepared to donate whatever she needed. When Orion expresses concern about surgical risks, Valentino points out a crucial fact: Death-Cast didn't call Orion today, meaning he's destined to survive the procedure. "This isn't fair," Orion says, voice breaking. "How you've been living isn't fair either," Valentino responds, his conviction unwavering. "But that's not your problem. You deserve to live-" "I'm not going to!" Valentino shouts, his cheeks flushed with emotion and certainty. Rapid medical tests confirm what Valentino somehow knew - they're a perfect match, down to the tissue typing. Orion breaks down in tears, overwhelmed by the magnitude of this impossible gift. The brutal arithmetic of transplantation weighs heavily: for Orion to live, Valentino must first die. This knowledge creates an unbreakable bond between them, transforming their remaining hours together into something sacred and profound. This extraordinary act of generosity raises fundamental questions about the nature of fate and free will. Is Valentino merely accepting his predetermined death, or is he seizing control of his destiny by choosing how his life ends? The heart, long considered the seat of emotion and spirit, carries deeper significance - can a transplanted heart carry forward not just life but something of its original owner's essence? As their story unfolds in the precious hours remaining, these questions take on increasing urgency and emotional resonance, highlighting how the deepest meanings of life often reveal themselves in its final moments.

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Capitolo 5

One Last Day: Making Memories Before Midnight

Rather than remaining in the hospital waiting for death, Valentino decides to experience his final hours fully. With Orion by his side, he embarks on a whirlwind tour of New York City-his new home that he'll never truly get to know. Their journey becomes a series of "firsts" that Orion captures on camera: Valentino's first bodega visit, playing with the store cat; posing at a pay phone; buying a bacon, egg, and cheese sandwich he gives to a homeless woman; shouting "I'M FUCKING FREE!" on a street corner. They visit meaningful locations like the High Line (a former "Death Avenue" railway transformed into a park-a metaphor for how Valentino's heart might live on through Orion) and Ground Zero, where Orion's parents died. At this sacred site, Valentino gently acknowledges that Orion's parents must have died in the towers, because "someone as special as you would never be abandoned." This shared vulnerability deepens their connection, as both young men carry profound losses. Their day takes an unexpected turn when news breaks that Death-Cast has malfunctioned-some Deckers weren't notified, and the problem won't be fixed until tomorrow. This shatters their sense of security; Orion could die today too, and Valentino's sister Scarlett might not make it to New York in time to say goodbye. When Scarlett calls with devastating news that her flight was grounded after the pilot received his own End Day call, Valentino tries to comfort her while hiding his heartbreak at not seeing her one last time. Despite these setbacks, Valentino and Orion's connection continues to deepen. On the Brooklyn Bridge, they carve their names into a wooden bench, Valentino's O flowing into Orion's as if passing on his heart. When Orion confesses his fear of dying without ever having been in love, Valentino initiates their first kiss-a tender moment that becomes passionate as Valentino lifts Orion up. "One second into my first kiss with Orion," Valentino thinks, "I'm already hoping it won't be my last." As evening approaches, they visit Orion's family home, where his guardians welcome Valentino with open arms, presenting him with New York souvenirs and treating him like family. In Orion's bedroom-the "O-Zone"-they share an intimate first date where Orion reads Valentino his short story "Golden Heart" about a character who receives a heart transplant. This leads to their first sexual experience together, moving slowly and cherishing each moment with their hands pressed to each other's beating hearts. These precious hours reveal how knowing the end is coming can transform ordinary moments into profound experiences-and how connections formed even in the shadow of death can be among life's most meaningful.

Capitolo 6

Parallel Lives: Other Stories of Death-Cast Eve

While Valentino and Orion's story forms the emotional core of the novel, Silvera weaves in several interconnected narratives that expand our understanding of how Death-Cast impacts different lives, creating a complex web of human experiences in the shadow of predicted death. Scarlett Prince, Valentino's twin sister, faces her own nightmare when her plane is grounded after the pilot receives his End Day call. Captain Harry E. Pearson locks himself in the cockpit to protect passengers, creating chaos onboard as panic spreads through the cabin. The situation becomes increasingly tense as passengers realize they're trapped with someone who will die that day. Scarlett desperately tries to reach her brother, devastated that she might not see him before he dies. Her determination to reach New York shows the profound bond between the twins-"if given the choice, I'd always want Scarlett alive and me dead," Valentino thinks at one point. Throughout their lives, the twins have shared everything from childhood secrets to future dreams, making their potential final separation even more heart-wrenching. Meanwhile, landlord Frankie Dario sees a dark opportunity to profit from Death-Cast by photographing Deckers in their final moments, revealing how some exploit others' tragedies for personal gain. His predatory behavior extends beyond his business practices into his home life, where his abusive relationship with his wife Gloria and their son Paz creates a powder keg of tension and fear. Gloria secretly dreams of escaping her marriage, especially after reconnecting with her old flame Rolando Rubio-who happens to be a Death-Cast herald. Their clandestine communications represent hope for Gloria but also increase the dangerous volatility of her home situation. Rolando Rubio's story provides a unique glimpse into the emotional toll of working within the Death-Cast system. After spending nearly an hour comforting his first Decker, an elderly man named Clint who just wanted to share his life story, Rolando is harshly reprimanded by his supervisor Joaquin for breaking protocol. The conversation with Clint deeply affects Rolando, who realizes he can't maintain the clinical detachment expected of heralds. By morning, Rolando quits his position, unable to become numb to announcing deaths to strangers. In a touching twist, he later encounters Clint at a local cafe and joins him for his last breakfast, forming a meaningful connection despite their brief acquaintance. Their shared meal becomes a poignant reminder that even in a world of predicted death, genuine human connections can still flourish. These interconnected stories create a rich tapestry showing how Death-Cast ripples through society-affecting relationships, challenging ethical boundaries, and forcing people to confront their own mortality in unexpected ways. Each character's story highlights different aspects of living in a world where death announces itself: the desperation of loved ones trying to reach each other, the exploitation of others' tragedy, the search for escape from toxic situations, and the profound impact of human connection in the face of death. Through these parallel narratives, Silvera demonstrates how the Death-Cast system not only affects those receiving the calls but transforms the entire fabric of human society and relationships.

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Capitolo 7

The Final Hours: Tragedy and Sacrifice

As evening falls, Valentino receives confirmation that the hospital board has approved his heart donation surgery. With just hours remaining, Floyd drives Valentino and Orion back to Valentino's apartment to collect bedding and pillows for Scarlett's eventual arrival. The mood is somber yet tender as they climb the stairs, sharing a kiss on each floor. Their peaceful moment is shattered when they hear shouting from Frankie's apartment. When a woman screams for help, Valentino drops the bedding and races up the stairs despite his fear and Orion's pleas to stay back. He finds Frankie beating Rolando while Gloria lies injured on the floor. When young Paz begs for help, Valentino intervenes, pulling Frankie off Rolando. The confrontation turns violent. Frankie strikes Valentino with a broken chair leg, hitting him repeatedly in the head before kicking him down the stairs. As he falls, Valentino grabs Orion instead of the banister, and they tumble down together with Valentino holding Orion tight to absorb the impact. In a shocking turn, seven-year-old Paz retrieves a gun from the closet and shoots his father to protect his mother, becoming the twelfth Decker that Death-Cast failed to call. Though Valentino survives the fall, he suffers severe head injuries. At the hospital, Dr. Emeterio confirms he's showing signs of brain death. Despite his grief, Orion agrees to receive Valentino's heart-fulfilling both their wishes. Before surgery, Orion says a final goodbye to Valentino, whispering words he should have said sooner. The surgery is successful, giving Orion a new chance at life while Valentino passes away at 9:11 p.m.-a time doubly significant for Orion given his parents' deaths on 9/11. This climactic sequence powerfully illustrates how Death-Cast's predictions come true despite attempts to avoid them, yet also shows how one person's end can become another's beginning through the profound gift of organ donation.

Capitolo 8

Legacy: How Endings Become Beginnings

Days after the surgery, Orion recovers in the intensive care unit with Valentino's heart beating steadily in his chest. The medical team monitors him closely, celebrating each small victory in his recovery. While the transplant addresses his life-threatening physical condition, Orion poignantly observes that the cocktail of immunosuppressants and painkillers "don't do shit about heartbreak - not even when they've put my boyfriend's heart inside me." His family maintains an unwavering vigil, with Dalma refusing to leave his side, sleeping in an uncomfortable hospital chair and fiercely advocating for his care with the medical staff. When Valentino's twin sister Scarlett finally makes her way to New York from Chicago, her hospital visit becomes a profound moment of shared grief and healing. Though visibly struggling with her own devastating loss, she approaches Orion with remarkable grace. She thanks him not just for being there for her brother, but for giving Valentino a day filled with joy and love. Their conversation becomes an intimate exchange of memories as Scarlett asks to hear every detail of Valentino's final day - from his favorite expressions to his smallest gestures. She presents Orion with a carefully curated photo album documenting their whirlwind romance: the impromptu subway runway shots capturing Valentino's radiant smile, tender moments on the High Line where they shared their dreams, and their joyous adventures in Times Square. Most significantly, she reveals the existence of another video on Valentino's camera - a private message recorded specifically for Orion. At this news, his newly transplanted heart responds with a surge of emotion that the cardiac monitors instantly detect. Inspired by Valentino's story, Dalma channels her grief into innovation by developing "The Last Friend app." This groundbreaking platform would revolutionize how society handles Death-Cast alerts by ensuring no Decker faces their End Day in isolation. The app allows users to create detailed profiles and select compatible companions for their final hours, transforming a lonely countdown into an opportunity for meaningful connection. She recognizes that while Orion naturally became Valentino's Last Friend through fate, many others might benefit from intentional matching. Though she acknowledges that using such an app requires tremendous emotional courage - knowing loss is inevitable - she believes the potential for profound human connection makes it worthwhile. Death-Cast itself emerges stronger from these events, despite initial controversy. Airlines begin implementing sophisticated systems to coordinate flights around pilot clearances, while law enforcement agencies seek partnerships to enhance death investigations. The medical community, inspired by Valentino's successful heart donation to Orion, updates organ donation protocols for Deckers. Though millions still harbor reservations about the service, Joaquin envisions global expansion, positioning Death-Cast as an essential tool for saving and enriching lives rather than merely predicting their end. The novel concludes with a resonant meditation on agency and choice: while Death-Cast can predict the when of death, it cannot - and should not - dictate the how of living. Through Valentino and Orion's remarkable story, we witness how the foreknowledge of death, rather than paralyzing them, catalyzes extraordinary demonstrations of human resilience, selfless generosity, and a love powerful enough to quite literally keep a heart beating beyond its original lifetime.

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Capitolo 9

The Heart of the Matter: Love in the Face of Death

At its core, "The First to Die at the End" is a love story unlike any other-one where the ticking clock of mortality accelerates the connection between two young men who might otherwise have spent weeks or months circling each other. The novel asks us to consider what truly matters when time is limited, and how we might live differently if we knew exactly when our story would end. Valentino and Orion's relationship evolves from strangers to soulmates in less than twenty-four hours, yet never feels rushed or unearned. Their connection is built on genuine vulnerability-Orion sharing the trauma of losing his parents on 9/11 and living with a failing heart; Valentino revealing his rejection by his parents and his dreams for a future he'll never experience. When Valentino decides to donate his heart to Orion, it's both a literal and metaphorical gift of love that ensures a part of him will live on. Their story challenges us to consider our own lives: Are we waiting too long to express our feelings? Are we postponing joy for some uncertain future? What would we do differently if we knew exactly how much time we had left? Through this tender, tragic romance, Silvera suggests that love might be the ultimate defiance against death-not because it makes us immortal, but because it gives our limited time profound meaning. As Orion reflects while recovering with Valentino's heart beating in his chest: "I was Valentino's Last Friend-and more, as the scar across my chest proves." In a world obsessed with extending life at all costs, "The First to Die at the End" offers a different perspective: perhaps what matters most is not how long we live, but how deeply we connect with others during whatever time we're given. In Valentino and Orion's story, we find a poignant reminder that even in the face of certain death, love remains the most powerful force for creating meaning in our lives.

★★★★★

Hai raggiunto la fine di L'ultima notte della nostra vita. Il primo a morire alla fine

Amato da oltre 1 milione di persone

“Sono passati 23 giorni e l'ho usata ogni giorno. Ora fa parte della mia routine quotidiana.”

jayallen

Temi chiave in L'ultima notte della nostra vita. Il primo a morire alla fine

mortality awareness
technological fatalism
instant connection
grief processing
carpe diem

Citazioni da L'ultima notte della nostra vita. Il primo a morire alla fine

"I write short stories because I am one," Orion thinks to himself.
"Once that door opens, there will be no closing it."
"Death-Cast won't just tell people when they'll die," Joaquin had promised.
"We'll make sure their lives don't go unlived."
You're going to live.

Personaggi di L'ultima notte della nostra vita. Il primo a morire alla fine

Orion PaganA young man with a failing heart condition
Valentino PrinceThe first person to receive a Death-Cast call
Joaquin RosaThe founder of Death-Cast
DalmaOrion's best friend
Rolando RubioA compassionate herald at Death-Cast

Sull'autore

Adam Silvera è l'autore bestseller #1 del New York Times di The First to Die at the End (L'ultimo giorno. Il primo a morire), un avvincente romanzo per giovani adulti che esplora l'amore, la mortalità e il vivere autenticamente di fronte alla morte.

Nato nel 1990 e cresciuto nel South Bronx, Silvera è diventato una voce di primo piano nella narrativa young adult LGBTQ+, creando storie emotivamente risonanti che affrontano i temi dell'identità, del dolore e della ricerca della speranza nei momenti più difficili della vita. Questo prequel del suo successo strepitoso They Both Die at the End (L'ultima notte della nostra vita) espande la sua amata serie Death-Cast, che immagina un mondo in cui le persone ricevono un preavviso del loro ultimo giorno.

Prima di raggiungere il successo letterario, Silvera ha lavorato come libraio e recensore di libri, esperienze che hanno plasmato la sua comprensione di ciò che fa breccia nei giovani lettori. Le sue altre opere acclamate includono More Happy Than Not, History Is All You Left Me e la serie fantasy Infinity Cycle.

Nel 2020, Queerty lo ha nominato tra i cinquanta eroi LGBTQ che guidano la nazione verso l'uguaglianza. La sua serie Death-Cast è in fase di adattamento per la televisione, con Silvera nel ruolo di creatore, sceneggiatore e produttore esecutivo.

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483

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@Pitiful

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"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

"Instead of endless scrolling, I just hit play on BeFreed. It saves me so much time."

@Moemenn

"I never knew where to start with nonfiction—BeFreed’s book lists turned into podcasts gave me a clear path."

@Chloe, Solo founder, LA

117

"Perfect balance between learning and entertainment. Finished ‘Thinking, Fast and Slow’ on my commute this week."

@Raaaaaachelw

"Crazy how much I learned while walking the dog. BeFreed = small habits → big gains."

@Matt, YC alum

108

"Reading used to feel like a chore. Now it’s just part of my lifestyle."

@Erin, Investment Banking Associate , NYC

254

"Feels effortless compared to reading. I’ve finished 6 books this month already."

@djmikemoore

"BeFreed turned my guilty doomscrolling into something that feels productive and inspiring."

@Pitiful

4.5K

"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

"Instead of endless scrolling, I just hit play on BeFreed. It saves me so much time."

@Moemenn

"I never knew where to start with nonfiction—BeFreed’s book lists turned into podcasts gave me a clear path."

@Chloe, Solo founder, LA

117

"Perfect balance between learning and entertainment. Finished ‘Thinking, Fast and Slow’ on my commute this week."

@Raaaaaachelw

"Crazy how much I learned while walking the dog. BeFreed = small habits → big gains."

@Matt, YC alum

108

"Reading used to feel like a chore. Now it’s just part of my lifestyle."

@Erin, Investment Banking Associate , NYC

254

"Feels effortless compared to reading. I’ve finished 6 books this month already."

@djmikemoore

"BeFreed turned my guilty doomscrolling into something that feels productive and inspiring."

@Pitiful

4.5K

"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

Scopri di piu su come si parla di BeFreed nel web

Inizia il tuo percorso di apprendimento, ora

Capitolo 8

L'ultima notte della nostra vita. Il primo a morire alla fine

PanoramicaPanoramica di L'ultima notte della nostra vita. Il primo a morire alla fine

Un libro. Tanti modi per ascoltarlo.

When Death Calls: A Race Against Time and Fate

Two Strangers, One Fateful Night

Vedi ogni parola mentre la ascolti

Death-Cast: The Business of Mortality

A Heart for a Heart: The Ultimate Gift

Ottieni di più da L'ultima notte della nostra vita. Il primo a morire alla fine

One Last Day: Making Memories Before Midnight

Parallel Lives: Other Stories of Death-Cast Eve

Vedi ogni parola mentre la ascolti

The Final Hours: Tragedy and Sacrifice

Legacy: How Endings Become Beginnings

Ottieni di più da L'ultima notte della nostra vita. Il primo a morire alla fine

The Heart of the Matter: Love in the Face of Death

Hai raggiunto la fine di L'ultima notte della nostra vita. Il primo a morire alla fine

Temi chiave in L'ultima notte della nostra vita. Il primo a morire alla fine

Citazioni da L'ultima notte della nostra vita. Il primo a morire alla fine

Personaggi di L'ultima notte della nostra vita. Il primo a morire alla fine

Sull'autore

Scarica il riassunto di L'ultima notte della nostra vita. Il primo a morire alla fine

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FAQ su questo libro

What is The First to Die at the End by Adam Silvera about?

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Scopri di più

1,000,000+ curious minds.

1,000,000+ curious minds.

Un libro. Tanti modi per ascoltarlo.

When Death Calls: A Race Against Time and Fate

Two Strangers, One Fateful Night

Vedi ogni parola mentre la ascolti

Death-Cast: The Business of Mortality

A Heart for a Heart: The Ultimate Gift

Ottieni di più da L'ultima notte della nostra vita. Il primo a morire alla fine

One Last Day: Making Memories Before Midnight

Parallel Lives: Other Stories of Death-Cast Eve

Vedi ogni parola mentre la ascolti

The Final Hours: Tragedy and Sacrifice

Legacy: How Endings Become Beginnings

Ottieni di più da L'ultima notte della nostra vita. Il primo a morire alla fine

The Heart of the Matter: Love in the Face of Death

Hai raggiunto la fine di L'ultima notte della nostra vita. Il primo a morire alla fine

Agli utenti è piaciuto anche

Scopri di più

Panoramica di L'ultima notte della nostra vita. Il primo a morire alla fine