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    How to write a damn good novel, II by James N. Frey Summary

    How to write a damn good novel, II
    James N. Frey
    4.07 (714 Reviews)
    CreativityEducationSelf-growth
    Panoramica
    Punti Chiave
    Autore
    Domande Frequenti

    Overview of How to write a damn good novel, II

    Master storyteller James N. Frey's sequel delivers advanced techniques that transformed countless manuscripts into bestsellers. Nominated for the prestigious Edgar Award, Frey reveals the secrets that made one reader declare, "It changed the way I write, and think about stories." Your breakthrough awaits.

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    Crucial ConversationsThe Perfect MarriageInto the WildNever Split the DifferenceAttachedGood to GreatSay Nothing
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    Liste di lettura delle celebrita
    Elon MuskCharlie KirkBill GatesSteve JobsAndrew HubermanJoe RoganJordan Peterson
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    Pulitzer PrizeNational Book AwardGoodreads Choice AwardsNobel Prize in LiteratureNew York TimesCaldecott MedalNebula Award
    Argomenti in evidenza
    ManagementAmerican HistoryWarTradingStoicismAnxietySex
    Migliori libri per anno
    2025 Best Non Fiction Books2024 Best Non Fiction Books2023 Best Non Fiction Books
    Strumenti di apprendimento
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    Autori in evidenza
    Chimamanda Ngozi AdichieGeorge OrwellO. J. SimpsonBarbara O'NeillWinston ChurchillCharlie Kirk
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    Punti chiave

    1

    The Novelist's Secret Weapon: Creating the Fictive Dream

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    Fiction isn't just storytelling-it's hypnosis. When Stephen King describes his craft, he speaks of inducing a trance state so powerful readers forget they're reading at all. This "fictive dream," as James N. Frey calls it, transports readers into an alternate reality where your characters breathe and your settings materialize around them. Unlike nonfiction that informs, fiction transforms consciousness. When readers are fully transported, the real world evaporates-they're living inside your story. Creating this dream state requires specific sensory details that appear on the mind's viewing screen. When you write, "He walked into the silent garden at sundown and felt the soft breeze through the holly bushes, the scent of jasmine strong in the air," you're not just describing-you're conjuring reality. This is why "showing" rather than "telling" matters so deeply. Telling forces analytical thinking; showing creates experience. The path to reader transportation begins with sympathy. Contrary to conventional wisdom, characters don't need to be admirable-they need to evoke pity. Place them in situations of suffering, humiliation, or danger, and readers will care. This is why great novels introduce characters at vulnerable moments: Jean Valjean starving, Elizabeth Bennet snubbed, Raskolnikov in poverty. Even despicable characters win our hearts when we see their suffering.

    2

    The Reader's Emotional Journey: Sympathy, Identification, Empathy

    3

    Suspense: The Art of Making Readers Care

    4

    Creating Unforgettable Characters: Beyond Wimps and Wackos

    5

    The Power of Premise: Your Story's Blueprint

    6

    Finding Your Voice and Avoiding Fatal Mistakes

    7

    Writing with Passion: The Ultimate Reward