What is *How the Word Is Passed* by Clint Smith about?

*How the Word Is Passed* examines how America memorializes slavery through visits to historical sites like plantations, prisons, and monuments. Clint Smith, a poet and scholar, blends firsthand accounts, historical analysis, and personal reflection to reveal how systemic racism persists in cultural memory. The book challenges narratives that sanitize slavery’s legacy, urging honest reckoning with its enduring impact on racial and economic inequality.

Who should read *How the Word Is Passed*?

This book is essential for readers interested in U.S. history, social justice, and antiracism education. Educators, students, and advocates will find its exploration of public memory and historical accountability particularly valuable. Smith’s lyrical prose also appeals to fans of narrative nonfiction and poetic storytelling.

Is *How the Word Is Passed* worth reading?

Yes—it won widespread acclaim for its unflinching examination of slavery’s legacy, including a National Book Award nomination. Reviewers praise its blend of rigorous research, emotional depth, and accessible storytelling. The *Christian Science Monitor* calls it “a harrowing journey” that balances challenge with hope.

How does Clint Smith connect slavery’s history to modern issues?

Smith links slavery to contemporary racial inequality, mass incarceration, and cultural erasure. For example, he analyzes Angola Prison’s origins as a plantation to show how systems of Black subjugation evolved post-emancipation. These connections underscore how systemic racism remains embedded in America’s institutions.

What historical sites are featured in *How the Word Is Passed*?

Key locations include: - **Monticello**: Thomas Jefferson’s plantation, juxtaposing his Enlightenment ideals with enslaving 600 people. - **Whitney Plantation**: A museum centering enslaved Africans’ experiences through firsthand accounts. - **Angola Prison**: A former plantation-turned-prison symbolizing racialized incarceration.

How does Clint Smith use personal narratives in the book?

Smith interweaves interviews with descendants, tour guides, and his own family to humanize slavery’s legacy. His grandmother’s refrain, “I lived it,” anchors abstract historical truths in lived reality. This approach fosters empathy and bridges past injustices to present-day disparities.

What critiques exist about *How the Word Is Passed*?

Some critics note Smith occasionally overreaches in drawing parallels between past and present. However, most agree his methodology—grounding analysis in specific sites—strengthens the narrative. The *Christian Science Monitor* praises the book’s balance of rigor and accessibility despite these minor flaws.

How does the book address the concept of memory?

Smith argues memory shapes national identity: sites like Confederate monuments perpetuate false narratives, while honest storytelling (e.g., Whitney Plantation) fosters accountability. He posits that confronting “uncomfortable truths” is vital for societal progress.

Canti di schiavitù, storie di libertà book cover

Riassunto di Canti di schiavitù, storie di libertà

Clint Smith

4.53(15 Reviews)

Panoramica del Riassunto di Canti di schiavitù, storie di libertà

Il bestseller n. 1 del NYT di Clint Smith viaggia attraverso i luoghi della schiavitù in America, rivelando storie nascoste che plasmano il nostro presente. John Green ne ha lodato la prosa "pungente e vibrante", mentre l'opera si è aggiudicata il National Book Critics Circle Award affrontando verità che la maggior parte degli americani non ha mai imparato.

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Capitolo 1

The Unbroken Chain: America's Living Memory of Slavery

Standing on the banks of the Mississippi River at dusk, I watched as the yellowish-brown waters carried centuries of history beneath the glowing Crescent City Connection bridges of New Orleans. This same river once transported over one hundred thousand enslaved people after the 1808 ban on the transatlantic slave trade-a fact absent from most tourist brochures. Clint Smith's "How the Word Is Passed" has become a cultural phenomenon since its 2021 publication, spending 10 weeks on the New York Times bestseller list and winning the National Book Critics Circle Award. Oprah Winfrey called it "a must-read for anyone who wants to understand the roots of America's racial divisions," while Barack Obama included it in his summer reading recommendations. What makes this journey through America's landscape of slavery so compelling is Smith's ability to show how this history isn't confined to textbooks-it lives in the soil beneath our feet, in the buildings we pass daily, and in the living memories of people whose grandparents' grandparents were enslaved.

Capitolo 2

Monticello: Jefferson's Paradox and America's Founding Contradiction

At Monticello, Thomas Jefferson's carefully designed mountaintop plantation home, public historian Niya Bates has "zero patience" for those who claim the site is trying to tarnish Jefferson's legacy by discussing slavery. "It's telling the full truth of who he was," she explains. "Yes, he contributed great things... but he also owned people. He owned ancestors of people I know. That's reality." This tension between Jefferson's ideals and actions has become central to understanding both the man and the nation he helped create. The physical layout of Monticello itself reveals this contradiction in stark architectural terms. Jefferson's grave sits within an ornate cemetery, featuring majestic tombstones, elaborate ironwork, and gold ornamentation for his approximately two hundred descendants. The cemetery is meticulously maintained, with carved marble markers detailing family lineages. Meanwhile, down the hill, the burial ground for the enslaved features only weathered wooden fencing and unmarked graves - a stark visual representation of the value placed on different human lives. Archaeological studies have identified over 40 probable grave sites in this area, though hundreds more likely exist unmarked beneath the soil. Jefferson's intellectual pursuits, architectural innovations, and cosmopolitan lifestyle were only possible because of the enslaved people who sustained his world. They operated his nail factory, tended his elaborate gardens, prepared meals in his innovative kitchen, and maintained the complex systems he designed. Despite recognizing slavery's moral repugnance in his writings, calling it a "moral depravity" and a "hideous blot," Jefferson held hundreds in bondage throughout his life, separating families and freeing only a handful - mainly members of the Hemings family. When he died deeply in debt, about 130 enslaved people were sold at auction, tearing apart families who had lived at Monticello for generations. The sale ledgers still exist, documenting the prices paid for men, women, and children who had spent their entire lives on the mountain. Yet Monticello isn't defined solely by Jefferson. The hundreds of enslaved people who lived there built a vibrant community spanning generations, developing their own traditions, relationships, and methods of resistance. While Jefferson spent over half his life away from the plantation serving in various political roles, many enslaved people remained there their entire lives, creating and maintaining the very essence of Monticello. As one guide named David poignantly noted during a tour, "You're here. [Sally's brother James] Hemings got beat here. Not in a book, right? Right here is where that happened." The auction of enslaved people after Jefferson's death occurred "right there in the west lawn behind us," a space visitors still traverse today. This tension between celebrating Jefferson's democratic ideals while confronting his participation in human bondage represents America's founding contradiction. The same man who wrote that "all men are created equal" owned over 600 people during his lifetime, including his own children through Sally Hemings. His extensive writings on liberty and natural rights existed alongside detailed records of enslaved people's labor, escape attempts, and punishments. How we tell this story-what we emphasize and what we minimize-reveals as much about our present values as it does about our past. Modern Monticello's commitment to telling the full story, including both Jefferson's achievements and his moral failures, represents an important step toward understanding this complex legacy.

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Capitolo 3

Whitney Plantation: Centering the Enslaved Experience

At the Whitney Plantation in Louisiana, visitors encounter a fundamentally different approach to telling the story of slavery. Unlike traditional plantation tours that focus on architecture, furniture, and the lives of wealthy white owners, the Whitney centers the experiences of the enslaved. The Field of Angels memorial delivers a devastating emotional impact-a tribute to 2,200 enslaved children who died in Saint John the Baptist Parish between 1823 and 1863. Black granite plaques list children's names, surrounding a central statue depicting a winged woman cradling a limp child. For parents, this memorial strikes with visceral force. Most of these children died as toddlers from malnutrition and disease, though tour guide Yvonne acknowledges some enslaved women made the unimaginable choice to kill their children rather than see them grow up enslaved. Standing on a slave cabin porch, visitors can survey the plantation's expanse. The Big House sits framed by oak trees, while behind stands a memorial with the names of 100,000 people enslaved in Louisiana etched into black stone slabs. The enormity of this number staggers the imagination-these people's descendants might be all around us, perhaps even in our own families. As Smith poetically observes, "Lineage is a strand of smoke making its way into the sky even though we can't always tell where it's coming from." The Whitney exists as "a laboratory for historical ambition," attempting to rewrite narratives that have been falsified for generations. It asks the essential question: "How do you tell a story that has been told the wrong way for so long?" Though some critics find it imperfect or scattered, others see it as a necessary corrective that catalyzes crucial discussions about how plantations should truthfully represent slavery. Near the slave cabins stands a bell once used to control enslaved people's movements and announce punishments. Now repurposed, visitors ring it to honor those who lived and died here in the struggle for freedom. When pulled, the bell's chime reverberates "like a heavy heart"-a fitting metaphor for how we should approach this history.

Capitolo 4

Angola Prison: The Afterlife of Slavery

The road to Angola Prison takes travelers along I-10 West, the same highway that once meant Boy Scout camps and soccer tournaments for the author but represents a very different journey for others. The Louisiana State Penitentiary, commonly called Angola after the plantation that previously occupied the land, reveals how slavery transformed rather than ended after emancipation. The death row unit functions like a panopticon-a central control room with glass windows allowing guards to observe everything. Tiers extend outward like spider legs, each holding about twelve men in individual cells. During visits, incarcerated men are allowed out of their cells for a daily four-hour period but must remain on their tier. Some exercise, others talk, use computers, or make phone calls. The experience of walking through as a visitor feels like an invasion of their privacy, with the air too fragile for anything beyond silent nods. Norris, a former Angola inmate who now serves as a tour guide, is clearly beloved by those still incarcerated. Everyone knows him by name, their faces brightening when they see him. "It's challenging when I leave, because I'm leaving people that I care about," he explains. "I know I inspire them, but they give me the energy to keep fighting." The average sentence at Angola is eighty-seven years. The most disturbing parallel with chattel slavery becomes visible in Angola's fields, where incarcerated men in white-and-blue sweatshirts work with garden hoes, their bodies set against autumn trees. Seeing Black men laboring in these fields makes time feel like it's bending in on itself-the parallel with plantation slavery is literal, not metaphorical. Norris reveals that workers in the field earn just seven cents an hour, and only after an initial six-month period when they earn nothing while "paying off" their prison clothes. "This place really is just like the plantation was," he explains. "They lost all that free labor to emancipation, and now they've created laws to put them back in servitude." For Norris, picking cotton was particularly difficult: "It's like knowing your history, knowing what our folks went through, and all of a sudden, having one of these cotton sacks in your hand... I'm going through the very same thing that folks fought and died for, so I wouldn't have to go through it, and here it is all over again." This direct connection between slavery and mass incarceration isn't coincidental. After emancipation, Southern states enacted Black Codes and convict leasing systems specifically designed to recapture Black labor. Today, the 13th Amendment's exception for "punishment for crime" continues to allow forced labor within prison walls.

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Capitolo 5

Blandford Cemetery: The Mythology of the "Lost Cause"

At Blandford Cemetery in Petersburg, Virginia, the Confederate narrative lives on through stained glass and carefully curated history. The historic church's restoration was led by the Ladies' Memorial Association, who commissioned Tiffany Studios to create magnificent stained-glass windows. Louis Comfort Tiffany, son of the Tiffany & Co. founder, offered the windows at a significant discount-$350 instead of the standard $1,700 per window. Inside the church, thirteen stunning windows depict Christian saints surrounded by brilliant blues, greens, and violets. Each window contains three elements: a state seal, a saintly figure, and an inscription honoring Confederate soldiers. The dissonance between religious imagery and Confederate memorialization creates an unsettling effect-Christianity used to sanctify a cause fundamentally built on human bondage. When questioned about Confederate sympathizers visiting the site, tour guide Ken carefully reframes it as "Confederate empathy," noting that while many visitors come for the windows' beauty, others have ancestral connections to those buried there. Both Ken and his supervisor Martha acknowledge their overwhelmingly white visitor demographic, with Martha suggesting this is because Black visitors might feel uncomfortable with the context. Martha expresses personal discomfort with certain Confederate heritage groups who use the cemetery for Memorial Day events, distinguishing between historical preservation and celebration. She believes Robert E. Lee, whom she describes as humble, would have disapproved of monuments erected in his honor, citing his 1869 letter advocating to "not keep open the sores of war." However, Lee's own writings reveal his complex views on slavery-while calling it "a moral & political evil," he considered it "a greater evil to the white man than to the black race" and believed Black people were "better off here than in Africa." As a slave owner, Lee broke up families and brutally punished escaped enslaved people, having them whipped and their wounds washed with brine. During the Civil War, Lee's forces executed Black Union soldiers who attempted to surrender at the Battle of the Crater, which began near Blandford Cemetery-a connection the tour notably omits. This selective remembering and forgetting demonstrates how Confederate memorialization often sanitizes history to create a more palatable narrative.

Capitolo 6

Juneteenth: Freedom Delayed, Freedom Celebrated

Standing at Ashton Villa in Galveston, Texas, visitors can trace the building's historic facade where, on June 19, 1865, Union General Gordon Granger announced that all enslaved people in Texas were free-two and a half years after the Emancipation Proclamation. Nearby stands a statue of Al Edwards Sr., immortalized holding up House Bill 1016 that made Juneteenth a state holiday in Texas. Edwards, who passed away in 2020, will forever be remembered as "the man who officially brought Juneteenth to Texas-and to the country." The villa itself, an Italianate mansion built by wealthy merchant James Moreau Brown using enslaved labor, stands as a complex symbol of both oppression and liberation. Juneteenth represents a profound duality-a celebration born from tragedy. Enslavers across the South deliberately kept Black people in bondage for months after their legal emancipation, withholding news of freedom to extract additional forced labor during the critical cotton harvest season. Some enslavers waited until after harvest, while others simply refused to acknowledge the proclamation until forced by Union troops. The holiday serves as both solemn remembrance of what this country has done to Black Americans and celebration of all they've overcome. Early Juneteenth celebrations featured community gatherings, barbecues, prayer services, and the sharing of oral histories to ensure younger generations understood their heritage. The delayed freedom of Juneteenth reveals an essential truth about American history: liberation on paper doesn't automatically translate to liberation in practice. For the quarter-million enslaved people in Texas in 1865, freedom came only when it was physically enforced by Union troops. This pattern would repeat throughout American history-legal rights for Black Americans often requiring federal intervention against local resistance, from the Civil Rights Act of 1964 to school desegregation to voting rights enforcement. Juneteenth traditions evolved over generations, from early church-centered commemorations to modern festivals and educational events. Many celebrations incorporate red foods and drinks, symbolizing the blood shed in the struggle for freedom. The holiday gained momentum during the Civil Rights Movement, when it became a symbol of ongoing struggles for equality. After decades of grassroots observance, Juneteenth achieved federal holiday status in 2021, marking a national recognition of its significance. Today, Juneteenth stands as a memorial to those who never experienced freedom and those still waiting for its full realization. It serves as both celebration and call to action, reminding Americans that the work of freedom remains unfinished. The holiday prompts reflection on contemporary challenges to equality-from disparities in education and healthcare to ongoing battles over voting rights and criminal justice reform. Now a federal holiday, it represents both how far America has come and how much further we have to go in fulfilling the promise of freedom for all, while encouraging all Americans to engage with this crucial chapter of our shared history.

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Capitolo 7

Hidden Histories: New York's Complicity in Slavery

At the African Burial Ground in Lower Manhattan, tour guide Damaras concludes with powerful advice: "Question everything. Myself, everything you read, everything you hear. Fact-check, fact-check, fact-check. Don't believe anything if it makes you comfortable." This wisdom proves essential when exploring New York City's deep entanglement with slavery-a history that challenges the common Northern narrative of moral superiority. In Central Park sits the former site of Seneca Village, a thriving community of free Black people that existed from 1825 to 1857. With about 225 residents by 1855-two-thirds Black, one-third Irish immigrants, and some Germans-the community lived peacefully integrated, with families attending baptisms together and intermarrying. What made Seneca Village significant wasn't just that its Black residents were free, but that many owned property, providing stability, economic security, and crucially, voting rights. The village began when John and Elizabeth Whitehead divided their estate into 200 lots, with Andrew Williams, a Black shoe shiner, purchasing the first three plots for $125. By the 1850s, the community stretched from 82nd to 89th Street with homes, gardens, churches, and a school. Of the 71 Black property owners in New York City in 1850, one in five lived in Seneca Village. As New York expanded northward, wealthy residents who had seen European parks wanted something similar. In 1855, Mayor Fernando Wood-who would later push for New York to secede from the Union-used eminent domain to seize the land, forcibly removing residents in 1857 despite their resistance. The New-York Daily Times, which had derogatorily called the settlement "Nigger Village," later described the violent eviction: "The supremacy of law was upheld by the policemen's bludgeons, and with many broken heads and ensanguined eyes." Even the Statue of Liberty, that iconic symbol of American freedom, has a complicated relationship with slavery. The statue's creator, Edouard Rene de Laboulaye, was a French law professor and ardent abolitionist who proposed the gift after the Civil War ended and slavery was abolished. In early models, Lady Liberty held broken shackles symbolizing emancipation, but in the final version, these were moved to her feet, partially hidden beneath her robe-a powerful metaphor for how America has often hidden the history of slavery beneath more comfortable narratives of freedom.

Capitolo 8

Memory Across Oceans: Goree Island and the Global Legacy of Slavery

On a mild autumn morning in Dakar, Senegal, the author meets Momar Niang who will be his translator for a visit to Goree Island. Behind a desk covered with books and papers sits Eloi Coly, the curator and site manager of the House of Slaves. Wearing a gold-green boubou with red stripes and thick glasses, Eloi has dedicated 35 years to this site, choosing to live next door rather than commute from Dakar. "I believe that it's very important to keep the memory," he explains directly in English. "How to keep this memory and how to teach what's happened." Eloi explains that Europeans initially coveted Goree for its strategic trading position, not for slavery. Only after Native Americans began dying in large numbers on plantations did colonizers "turn to Africa" for replacement labor. As demand grew, Europeans justified their actions by dehumanizing Africans: "They considered Black Africans not as human beings but as simple merchandise." This system required partnerships with certain African tribal leaders who exchanged prisoners from rival tribes for European firearms and goods. "The only currency that was accepted by Europeans was slaves," Eloi emphasizes, though he rejects equivalence between African and European culpability: "It was the Europeans who organized this. [Africans] didn't know what the final destination was." When questions arise about historical numbers-scholars now estimate 33,000 enslaved people passed through Goree, not the millions once claimed-Eloi responds deliberately: "The number of slaves is not important when you talk about memory. When we talk about memory, we have to stand in the principles. One slave is too much." He views the House of Slaves as a symbol, "a place of remembrance" for a much broader phenomenon. Architectural historian Louis Nelson later explains that Eloi "bears a responsibility, socially and culturally, to affirm the legacy of the position he inherited." The original curator, Boubacar Joseph Ndiaye, had filled a gap in collective memory when few were willing to confront this history. Historian Ana Lucia Araujo describes Ndiaye as a kind of griot, using storytelling to force confrontation with a forgotten past: "This is the problem of the memory of slavery, that we have all these gaps. And you need to fill those gaps with something." Walking through the narrow alleyways before catching the last ferry, Momar points to street signs bearing French colonial names. "It's time to give to our streets the name of our heroes," he says firmly, "because we do have heroes in Africa."

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Capitolo 9

Living Memory: How Close We Are to Slavery's Legacy

My grandmother's regret over questions unasked echoes a common human experience. When asked what she would have wanted to know from her grandfather who was born into slavery, her eyes closed as she leaned back. "I would want to know, how did it feel? How was he treated? What motivated him not to run away? Not to be so angry?" She wondered how he became such a respected, gentle man despite his circumstances, how he managed to learn to read and write without public schools, and about his parents-topics he never discussed. Segregation enveloped her childhood. At four, she watched her elderly grandfather forced to stand for eight hours on a Greyhound bus despite available seats in the white section. At bus stations, they found dirty facilities for "Colored" passengers with often locked or broken bathrooms. "It was like, 'Okay we don't exist,'" she recalled. This discrimination extended everywhere-grocery stores, highways, restaurants. When she and her husband married and drove from Tallahassee to West Palm Beach, they had to pack their own food since no roadside establishments would serve them. Her education suffered similarly. Schools for Black children received tattered hand-me-down textbooks from white schools-pages torn out, previous students' names scrawled inside. Her dedicated teachers copied textbook content by hand. The curriculum itself was designed to instill inferiority: "We just were taught that Africans were nasty, bad people... They were monkeys... savages." She never learned about the Middle Passage or that Africans were forcibly brought to America. "I didn't learn the truth about slavery until actually I got out of school and went to college," she admitted. At the National Museum of African American History and Culture, she found the exhibits devastating yet familiar. "I lived it," she repeated. "I kept saying, 'I lived this.' So it wasn't anything new for me." When showing similar historical footage to her students years later, they'd ask incredulously, "Why didn't y'all fight back?" Her response: "A lot of people fought back, and they were killed. You never hear about them anymore." These stories are our inheritance-monuments to an era still coursing through the veins of living Americans. We tell ourselves racial violence happened long ago, yet many who participated in civil rights era violence still walk among us. The woman who stood with the Obamas to open the National Museum of African American History was the daughter of a man born into slavery. In the long arc of history, even the most explicit manifestations of racism happened just yesterday. What makes "How the Word Is Passed" so powerful is this compression of time-the realization that slavery isn't ancient history but a living memory that shapes our present. By walking these grounds and speaking with those who preserve this history, we come to understand that the past is never truly past. It lives in our landscapes, our institutions, our families, and our collective psyche. Only by confronting this truth honestly can we begin to build a future that truly honors the principles of freedom and equality that America has long claimed to represent.

★★★★★

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Temi chiave del Riassunto di Canti di schiavitù, storie di libertà

collective memory
public history
slavery's legacy
historical reckoning
monumental landscape

Le migliori citazioni dal Riassunto di Canti di schiavitù, storie di libertà

It lives in the soil beneath our feet.
That's reality.
Lineage is a strand of smoke making its way into the sky.
How do you tell a story that has been told the wrong way for so long?
When pulled, the bell's chime reverberates like a heavy heart.

Personaggi del Riassunto di Canti di schiavitù, storie di libertà

Clint SmithAuthor and narrator exploring the legacy of slavery
Niya BatesPublic historian at Monticello
YvonneTour guide at the Whitney Plantation

Sull'autore

Clint Smith è l'autore bestseller n. 1 del New York Times di How the Word Is Passed: A Reckoning With the History of Slavery Across America e Above Ground. È anche un celebre poeta, educatore e redattore presso The Atlantic.

La sua pluripremiata opera di saggistica, How the Word Is Passed, ha vinto il National Book Critics Circle Award ed è stata nominata uno dei 10 migliori libri del 2021 dal New York Times. Il libro esplora l'eredità della schiavitù attraverso i siti storici e il loro impatto sulla memoria collettiva. Nato e cresciuto a New Orleans, dove i monumenti confederati hanno plasmato la sua precoce comprensione delle narrazioni razziali, Smith ha conseguito un dottorato di ricerca in Educazione presso l'Università di Harvard. In precedenza ha insegnato inglese alle scuole superiori, ottenendo il premio Christine D. Sarbanes Teacher of the Year del Maryland.

Campione del National Poetry Slam, Smith è anche autore della raccolta di poesie Counting Descent, finalista per un NAACP Image Award. I suoi scritti sono apparsi su The New Yorker, The New York Times Magazine e Poetry Magazine. Conduce la serie educativa su YouTube Crash Course Black American History. How the Word Is Passed ha venduto oltre un milione di copie in tutto il mondo ed è tradotto in 15 lingue, consolidando il suo ruolo di opera fondamentale nel discorso storico contemporaneo.

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Sono istruttore di apprendimento accelerato PhotoReading da 24 anni… libri, lettura e apprendimento sono il mio pane, e BeFreed ha fatto un ottimo lavoro offrendo un approccio innovativo per trasmettere le informazioni in un modo facile da assimilare.

@BeFreed user

Non è solo un'app di riassunti di libri: ho usato l'opzione di lettura divertente ed è un riassunto molto migliore, un modo più efficace di afferrare le idee rispetto al metodo tradizionale. Solo questo vale la spesa.

@austinakon

Adoro questa app. La uso da diversi giorni e non riesco a smettere di ascoltare. Un ottimo modo per iniziare.

@jcrules328

Il programma mi piace davvero; lo sto provando da circa un mese e lo trovo una vera gemma. Funziona così bene perché con BeFreed posso creare i miei argomenti, e la voce è ottima, con una scelta illimitata di narrazioni.

@DanielCZ

Sul serio, non ho ancora esplorato l'app fino in fondo, ma dopo questi primi giorni sono davvero colpita… BeFreed è su un altro livello rispetto a qualsiasi altra app di apprendimento che abbia usato. Ti coinvolge tantissimo e migliora davvero la concentrazione: perfetta per chi non riesce a smettere di scrollare!

@ladyInfinity

Ho comprato BeFreed esattamente 23 giorni fa e da allora l'ho usata ogni singolo giorno. Si è integrata completamente nel mio flusso di lavoro e nelle mie abitudini di studio.

@jayallen

La verità è che l'app ha superato tutte le mie aspettative. Posso chiederle di generare audio su qualunque argomento, qualsiasi esso sia, e il risultato è impressionante. Il mio campo professionale è una specializzazione in psicoterapia, molto multidisciplinare; eppure le risposte sono molto accurate.

@Raguipa

Quello che apprezzo di più è quanto abbia ridotto il mio scrolling: passo meno tempo a cercare e più tempo ad assorbire informazioni. La combinazione di audiolibri completi, podcast e piani di apprendimento è brillante.

@colonyofcreatorsNGO

Sono istruttore di apprendimento accelerato PhotoReading da 24 anni… libri, lettura e apprendimento sono il mio pane, e BeFreed ha fatto un ottimo lavoro offrendo un approccio innovativo per trasmettere le informazioni in un modo facile da assimilare.

@BeFreed user

Non è solo un'app di riassunti di libri: ho usato l'opzione di lettura divertente ed è un riassunto molto migliore, un modo più efficace di afferrare le idee rispetto al metodo tradizionale. Solo questo vale la spesa.

@austinakon

Adoro questa app. La uso da diversi giorni e non riesco a smettere di ascoltare. Un ottimo modo per iniziare.

@jcrules328

Il programma mi piace davvero; lo sto provando da circa un mese e lo trovo una vera gemma. Funziona così bene perché con BeFreed posso creare i miei argomenti, e la voce è ottima, con una scelta illimitata di narrazioni.

@DanielCZ

Adoro poter ricevere informazioni e idee utili e condensate in un audio in stile podcast da 8-15 minuti. Non sono un grande fan dei podcast per via di tutto il riempitivo, ma qui si va dritti al punto.

@BeFreed user

Sto finendo il dottorato e devo leggere un sacco di materiale che non conosco… Con BeFreed basta inserire un prompt: l'app trova le fonti per te e genera un podcast audio. Trovo il processo di BeFreed più scorrevole di NotebookLM.

@Brad

Cerco spesso su YouTube qualcosa da ascoltare mentre preparo la colazione, cammino o sono in viaggio, e BeFreed offre un approccio ancora più mirato, senza pubblicità e senza riempitivi!

@BeFreed user

La cosa in assoluto migliore di questa piattaforma è la versatilità. Non c'è letteralmente nessun argomento fuori portata. Gestisce qualsiasi cosa le proponi… È raro trovare uno strumento di apprendimento senza limiti che mantenga davvero le promesse.

@jayallen

BeFreed è fantastica. Il design intuitivo mi fa passare meno tempo a navigare e più tempo a imparare. Il mix di audiolibri, podcast e piani di apprendimento è una combinazione geniale che ha cambiato completamente la mia routine quotidiana.

@BeFreed user

All'inizio mi ci è voluto un po' per capire come creare podcast in italiano e poi… boom! È fantastico! Posso chiedergli di spiegarmi qualsiasi argomento e lo fa benissimo, con grande intelligenza!

@matteo77

BeFreed è diventata la mia app quotidiana per gli audiolibri… Quello che mi piace di più è che inserisci il tuo testo e ottieni un audio da ascoltare ovunque.

@kotanzu1

Adoro poter ricevere informazioni e idee utili e condensate in un audio in stile podcast da 8-15 minuti. Non sono un grande fan dei podcast per via di tutto il riempitivo, ma qui si va dritti al punto.

@BeFreed user

Sto finendo il dottorato e devo leggere un sacco di materiale che non conosco… Con BeFreed basta inserire un prompt: l'app trova le fonti per te e genera un podcast audio. Trovo il processo di BeFreed più scorrevole di NotebookLM.

@Brad

Cerco spesso su YouTube qualcosa da ascoltare mentre preparo la colazione, cammino o sono in viaggio, e BeFreed offre un approccio ancora più mirato, senza pubblicità e senza riempitivi!

@BeFreed user

La cosa in assoluto migliore di questa piattaforma è la versatilità. Non c'è letteralmente nessun argomento fuori portata. Gestisce qualsiasi cosa le proponi… È raro trovare uno strumento di apprendimento senza limiti che mantenga davvero le promesse.

@jayallen

BeFreed è fantastica. Il design intuitivo mi fa passare meno tempo a navigare e più tempo a imparare. Il mix di audiolibri, podcast e piani di apprendimento è una combinazione geniale che ha cambiato completamente la mia routine quotidiana.

@BeFreed user

All'inizio mi ci è voluto un po' per capire come creare podcast in italiano e poi… boom! È fantastico! Posso chiedergli di spiegarmi qualsiasi argomento e lo fa benissimo, con grande intelligenza!

@matteo77

BeFreed è diventata la mia app quotidiana per gli audiolibri… Quello che mi piace di più è che inserisci il tuo testo e ottieni un audio da ascoltare ovunque.

@kotanzu1

Scopri di piu su come si parla di BeFreed nel web