
Guy Debord's revolutionary critique unmasks how media images dominate our reality. Fueling the 1968 Paris protests and influencing punk rock icons like The Sex Pistols, this prophetic text eerily predicted our Instagram-filtered lives decades before social media existed.
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In 1967, French philosopher Guy Debord published a slim volume that would become one of the most prescient critiques of modern society ever written. "The Society of the Spectacle" feels more relevant today than when it was written, dissecting how images mediate our social relationships in ways that have only intensified with time. What makes this text so compelling is its unflinching examination of how modern capitalism transforms authentic social life into a parade of representations-a world where having has been replaced by merely appearing, and where our relationships with each other are increasingly mediated through images we passively consume rather than experiences we actively create. From social media profiles to curated Instagram feeds, from celebrity worship to political theater, the spectacle has become the organizing principle of contemporary existence.
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Cree par des anciens de Columbia University a San Francisco
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Cree par des anciens de Columbia University a San Francisco

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