
When puppets attack and childhood homes hide deadly secrets, Grady Hendrix's pandemic-penned horror masterpiece awaits. Nominated for the August Derleth Award, this terrifying exploration of family trauma proves some inheritances are deadlier than others. What's scarier - ghosts or family reunions?
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Louise's carefully constructed life in San Francisco shatters with a single phone call from her estranged brother Mark: their parents have died in a car accident. Now she must return to Charleston with her young daughter Poppy to face the childhood home she escaped years ago. The siblings haven't spoken in years, their relationship fractured by resentments that run bone-deep. As they reunite to handle funeral arrangements and clear out the family home, something feels terribly wrong beyond their grief. The colonial-style house holds more than just painful memories-something sinister lurks within its walls, something connected to their mother's extensive collection of handcrafted puppets that seem to be watching their every move. The most unsettling is Pupkin, their mother's first and favorite creation-a weathered cloth-faced doll with unnervingly realistic glass eyes. When Louise finds him sitting in her father's chair, positioned exactly how her father used to sit, she assumes Mark is playing cruel tricks. But as the puppets begin appearing in impossible places-balanced on ceiling fan blades, peering from air vents-both siblings are forced to confront a terrifying possibility: what if these objects have lives of their own?
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Cree par des anciens de Columbia University a San Francisco
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Cree par des anciens de Columbia University a San Francisco

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