
Angela Davis's American Book Award-winning masterpiece unveils how Rainey, Smith, and Holiday's blues transcended music to become revolutionary feminist expressions. Through 200+ song transcriptions, Davis reveals how these pioneering Black women challenged racism and patriarchy, forever reshaping our understanding of resistance through art.
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Picture a smoky tent in rural Georgia, 1923. Ma Rainey steps onto the stage wearing a headpiece with a thousand feathers, her neck heavy with gold and pearls. The crowd roars-not just because she's about to sing, but because she represents something revolutionary: a Black woman who travels where she wants, says what she thinks, and gets paid handsomely for it. When she opens her mouth to sing "Prove It on Me Blues," declaring "They must've been women, 'cause I don't like no men," she's doing more than performing. She's creating a blueprint for resistance that will echo through generations, from Billie Holiday's haunting protest songs to Beyonce's "Formation."
Desglosa las ideas clave de Blues Legacies & Black Feminism en puntos fáciles de entender para comprender cómo los equipos innovadores crean, colaboran y crecen.
Destila Blues Legacies & Black Feminism en pistas de memoria rápidas que resaltan los principios clave de franqueza, trabajo en equipo y resiliencia creativa.

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Creado por exalumnos de la Universidad de Columbia en San Francisco
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Creado por exalumnos de la Universidad de Columbia en San Francisco

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