
Obsession turns surreal in Beth Morgan's genre-defying debut that blends Instagram culture with Cronenberg-esque horror. "Bananas good" (Carmen Maria Machado) and "holy shit" fun (Literary Hub), this millennial nightmare explores how our carefully curated digital selves can become monstrous reality.
I cannot generate the requested takeaways because "A Touch of Jen" by Beth Morgan is a fiction novel, not a non-fiction book.
The book is a psychological horror/social satire novel about a couple named Remy and Alicia who become obsessed with stalking their former coworker Jen on Instagram. The story escalates from social commentary into psychedelic horror involving a surfing trip, a murder, and supernatural elements.
Your prompt framework is designed for non-fiction books (specifically mentioning concepts like "pain-body," "awakened doing," and Eckhart Tolle's "A New Earth"), which doesn't apply to this literary fiction work.
If you need:
I'd be happy to provide those instead. Or if you meant to request takeaways from a different non-fiction book, please clarify which title you'd like me to analyze.
Beth Morgan is the debut novelist behind A Touch of Jen, a darkly comic exploration of social media obsession, identity, and the absurdity of modern self-improvement culture. This genre-bending literary thriller—described as "Ottessa Moshfegh meets David Cronenberg"—starts as psychological realism before spiraling into surreal, fantastical territory, reflecting Morgan's interest in subverting the traditional hero's journey and exposing the self-absorption of contemporary individualism.
Morgan earned her MFA from Brooklyn College, where she sold her novel to Little, Brown just months into the program—a rare achievement that impressed even her professors.
Her short fiction has appeared in prestigious literary journals including the Kenyon Review Online and the Iowa Review. Based in Brooklyn, she draws on years of experience working service jobs in New York to craft sharp satire about millennial ennui and the pressures of modern life. The book's unique blend of humor, horror, and cultural critique has earned comparisons to some of contemporary fiction's most daring voices.
A Touch of Jen follows Remy and Alicia, two insecure restaurant workers in New York City whose toxic relationship revolves around their shared obsession with Jen, a former coworker who appears to live a perfect life on Instagram. When they unexpectedly meet Jen in person and join her on a surfing trip to the Hamptons, their fantasies spiral into increasingly disturbing territory. The novel begins as millennial social satire before transforming into psychedelic horror, exploring how social media obsession and the pursuit of self-improvement can unleash dark, violent consequences.
Beth Morgan is an American author who made her literary debut with A Touch of Jen, published by Little, Brown in July 2021. Her writing has appeared in prestigious literary journals including the Kenyon Review Online and the Iowa Review. Morgan lives in Brooklyn, New York, and her debut novel has been praised for capturing the loneliness and authenticity crises of the internet age with dark humor and psychological insight.
A Touch of Jen is ideal for readers who enjoy literary horror with sharp social commentary, particularly fans of Ottessa Moshfegh's My Year of Rest and Relaxation or David Cronenberg's body horror. The novel appeals to millennials interested in critiques of Instagram culture, influencer worship, and toxic self-improvement trends. Readers who appreciate unlikeable protagonists, dark comedy, and genre-bending narratives that blend psychological realism with supernatural elements will find this book compelling.
A Touch of Jen is worth reading for its viciously funny dissection of social media obsession and the dark side of wellness culture, though readers should expect a jarring tonal shift. The first half delivers biting millennial satire with painfully accurate depictions of Instagram-fueled envy and identity erosion, while the final third becomes campy horror with graphic violence. Critics praise Beth Morgan's ambitious debut for capturing internet-age loneliness with "deft strokes," though some found the supernatural ending confusing compared to the sharp social observations earlier.
A Touch of Jen explores the destructive allure of self-improvement and how social media erodes authentic identity through constant performance. The novel examines class resentment, with Remy and Alicia's working-class insecurity contrasting sharply with Jen's wealthy, aspirational lifestyle. Beth Morgan also investigates obsession, toxic relationships, and the violence lurking beneath carefully curated Instagram personas. The book questions whether genuine self-actualization is possible when our lives are filtered through digital fantasies and influencer culture.
The spod in A Touch of Jen is an enclosed hot tub that Alicia obsessively builds, essentially functioning as a sensory deprivation chamber or womb-like vessel. Inspired by her experiences on the Montauk trip, Alicia becomes fixated on creating this prototype, constantly reassuring herself and others that "Perfection isn't really the goal here". The spod represents Alicia's descent into delusion and her attempt to physically manifest transformation, mirroring how she tries to become Jen through mimicry and self-improvement rituals.
The Apple Bush is a fictional self-help book within A Touch of Jen written by A. B. Fisketjon, described as "a healer, lifestyle expert, and spiritual counselor". The book teaches readers about manifesting universal energy to become the ultimate version of themselves—a concept Jen and her wealthy friends enthusiastically embrace. Beth Morgan uses The Apple Bush to satirize New Age wellness culture and manifestation trends that promise transformation while masking deeper issues of class, authenticity, and toxic self-optimization.
A Touch of Jen examines how Instagram creates parasocial obsessions by allowing Remy and Alicia to compulsively study Jen's filtered vacation photos, photoshopped bar pictures, and carefully crafted captions. Beth Morgan depicts how social media enables mass fraudulence that erodes the self through constant digital performance, making users vulnerable to influencer worship while impeding authentic human connection. The novel shows characters projecting their fantasies onto Instagram personas, with Alicia even role-playing as Jen during sex, illustrating how online personas colonize intimate reality.
A Touch of Jen blends multiple genres, starting as millennial social comedy and satire before transforming into psychedelic body horror. Critics describe it as "Ottessa Moshfegh meets David Cronenberg" or specifically "My Year of Rest and Relaxation meets The Fly". The first two-thirds function as dark literary fiction with sharp social observation, while the final third embraces supernatural horror with graphic violence and grotesque imagery. This genre-bending approach makes A Touch of Jen both wildly entertaining and literarily ambitious.
The ending of A Touch of Jen takes a dramatic turn into supernatural horror after the relatively realistic first two-thirds. Following the Montauk trip, eerie events escalate as Alicia's transformation into Jen intensifies, culminating in graphic violence and body horror. The novel ventures into "the kind of gore usually reserved for less introspective literary genres," with grotesque imagery and an act of violence that earlier literary predecessors only hinted at. Some critics found this supernatural climax confusing compared to the sharp social satire preceding it.
A Touch of Jen shares significant similarities with Ottessa Moshfegh's My Year of Rest and Relaxation beyond surface-level marketing comparisons. Both novels feature a New York City setting, deliberately unlikeable and bizarre protagonists, characters recovering from eating disorders, and delusional quests toward wellness motivated by deep trauma and grief. However, Beth Morgan takes her narrative further into explicit horror territory, embracing campy violence and body horror where Moshfegh maintained psychological realism. A Touch of Jen also focuses more directly on social media's role in identity erosion.
The primary criticism of A Touch of Jen concerns its tonal shift, with the supernatural horror ending feeling disjointed from the sharp social satire that dominates the first two-thirds. Kirkus Reviews noted the conclusion was "slightly confusing" despite the novel's otherwise "deft strokes" in capturing internet-age loneliness. Some critics suggested Beth Morgan's decision to embrace campy gore produced "sometimes mixed results" that overshadowed the book's more nuanced exploration of social media, class resentment, and authenticity. The New Republic observed Morgan "sidesteps most artistic concerns by declining to take her material too seriously".
Siente el libro a través de la voz del autor
Convierte el conocimiento en ideas atractivas y llenas de ejemplos
Captura ideas clave en un instante para un aprendizaje rápido
Disfruta el libro de una manera divertida y atractiva
Their obsession has replaced genuine connection.
This could be us!!!!!
Remy feels threatened by the prospect of his fantasy becoming reality.
The invitation has accelerated their obsession.
Remy fails to recapture his past connection with her.
Desglosa las ideas clave de Touch of Jen en puntos fáciles de entender para comprender cómo los equipos innovadores crean, colaboran y crecen.
Experimenta Touch of Jen a través de narraciones vívidas que convierten las lecciones de innovación en momentos que recordarás y aplicarás.
Pregunta cualquier cosa, elige tu estilo de aprendizaje y co-crea ideas que realmente resuenen contigo.

Creado por exalumnos de la Universidad de Columbia en San Francisco
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Creado por exalumnos de la Universidad de Columbia en San Francisco

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Have you ever scrolled through someone's social media and felt like you knew them intimately? In "A Touch of Jen," this common behavior spirals into something far more sinister. At its heart lies the disturbing relationship between Remy and Alicia, a couple whose connection is built entirely around their shared obsession with Jen, a former coworker of Remy's. Their intimate moments revolve around elaborate role-playing where Alicia pretends to be Jen, complete with discussions of her "freckled boobs" and "adult braces." After sex, they lie in bed scrolling through Jen's vacation photos on separate phones, analyzing every shadow and detail with religious devotion. Their fixation extends beyond the bedroom into every aspect of their lives. When Alicia finds a thrift store halter top resembling one Jen once wore, Remy buys it on the condition she only wears it at home, where he can "superimpose" his memory of Jen onto her. Their relationship exists in this strange limbo-neither fully with each other nor with the object of their obsession. The power dynamic between them shifts constantly, with Remy cruelly joking that he shares a "mystical connection" with Jen rather than with Alicia, revealing the toxic foundation upon which their relationship is built.
The fantasy world Remy and Alicia constructed shatters when they unexpectedly meet Jen at an Apple Store. Despite their inexperience, Jen invites them surfing in the Hamptons, creating immediate tension-Remy grows hostile while Alicia becomes more fixated, sending him Montauk beach photos captioned "This could be us!!!!!" Their preparation exposes deeper issues. Alicia secretly purchases earrings from Jen's website and experiences disturbing episodes where Remy photographs her eating messily. When questioned about past bulimia, she explains she hasn't been "systematic" about it since her teens, using a strained metaphor about recovery requiring "escape velocity." Against Remy's wishes, Alicia uses his laptop to confirm their trip participation. This privacy violation sparks an argument that evolves into a troubling encounter where Alicia follows Remy into the shower, impersonating Jen. The invitation has intensified their obsession while threatening the fantasy they've carefully maintained.
The trip shatters Remy and Alicia's image of Jen. Her apartment is humid and messy, with beer cans and ashtrays everywhere. She speaks with a podcaster-like drawl and seems more lethargic than Remy remembers. Most jarring is her boyfriend Horus, "impossibly handsome with mint-colored eyes," whose carefree attitude both unsettles and fascinates Remy. At Horus's beach house, power dynamics shift. Remy struggles with surfing while Alicia unexpectedly thrives, catching nearly half her waves on her first attempt. This success transforms Alicia, who begins confidently networking and adopting surfer terminology - irritating Remy who texts that she's using her "fake voice." Surfing becomes a metaphor for their relationship: Remy fails to reconnect with Jen while Alicia begins embodying Jen-like qualities. During a late-night talk, Jen reveals feeling self-conscious about her "palate" around Horus and admits he "basically owns" her business, providing financial freedom but limited independence. The weekend evolves into a pressure cooker of jealousy, identity confusion, and resentment.
Throughout the narrative, characters reference "The Apple Bush" by A.B. Fisketjon, a self-help book introducing "Signifiers of Flow" that guide one toward their "Consummate Result" or ultimate purpose. When Remy first hears about it, Jen describes it as paradoxically "garbage" yet "life-changing." This contradiction reflects the book's role-seemingly new-age nonsense that nonetheless contains dangerous truths about reality. During a beach conversation, Jen explains how to recognize these "Signifiers." When Remy dismisses this as privileged thinking, Jen touches his arm, suggesting cynics underestimate positive thinking's power. The philosophy becomes central as supernatural elements emerge. After Alicia's death, during her transformation into "Alicia-as-Jen," she embraces the book's teachings, calling Jen "a Signifier of Flow." Later, we learn that Andrea from grief therapy is actually A.B. Fisketjon herself, who explains that the monster attacking Remy is a "Fully Manifested Toxic Antagonist" or "Paranormalagus" appearing when "Signifiers towards a Consummate Result" are strong.
After the disastrous beach trip, Alicia transforms into "Alicia-as-Jen." The shift begins at the Hungry Goat cafe when she refuses Cassie's attempt to delegate trash duty and deliberately causes Jake Gyllenhaal to drop his water bottle by smearing it with lotion. She makes a snide Zodiac Killer reference to him, briefly tasting the power of being Jen-like. This small defiance triggers a complete identity shift. Alicia starts buying Jen's skincare products and purchases wood at Home Depot, speaking with unusual confidence. The physical manifestation becomes the "Spod" - a makeshift hot tub enclosure she builds in their apartment. This crude wooden structure covered with tarp becomes her sanctuary where she fully embodies her new identity, responding to Remy with: "Alicia isn't here right now." The climax occurs when the real Jen confronts Alicia wearing her stolen earrings and sweater, escalating until Jen threatens a restraining order. Afterward, Alicia feels transformed - no longer imitating Jen but becoming something new and potentially more dangerous.
After Alicia's bicycle accident death, Remy's grief manifests supernaturally-strange noises, footsteps, and eating sounds plague his apartment. These occurrences intensify when he downloads an AI texting app saved as "Alicia New," which sends cryptic messages beyond its programming capabilities, showing typing bubbles before responding. Horror fully emerges when Remy battles a monstrous creature with an insect-like face and translucent blue exterior. Using martial arts and Alicia's letter opener, he fights the entity, which leaves black goo before vanishing in bright light. This encounter leads him to Carla, who introduces him to Andrea-revealed as A.B. Fisketjon, author of The Apple Bush. The supernatural peaks when Remy sees multiple versions of Alicia glitching beside him. Through messages like "The obstacle is the occasion," he becomes convinced that killing Horus will create an opportunity to bond with Jen through shared grief. This supernatural turn elevates the novel's exploration of obsession to a metaphysical level, suggesting fixations can literally reshape reality.
The novel climaxes as Remy's misinterpretation of his "Consummate Result" turns violent. After finding Jake murdered by the Paranormalagus, Remy and Carla go to Jen's apartment. At her door, Remy deliberately leaves Carla outside, watching through the glass as the creature kills her. Inside, Remy finds Jen alone, not Horus as expected. As the Paranormalagus pounds on the door, Remy realizes the creature resembles Jen. This revelation triggers his most horrific act - he strangles and drowns Jen in the bathtub. As he does, the Paranormalagus mirrors her injuries and dies alongside her. Remy escapes with Jen's body in a suitcase, placing her corpse into Alicia's Spod. Later, knocking from the Spod wakes him while the parrot mimics "Hello, Alicia. I love you, Alicia." Then someone sits beside him - it's Jen, appearing uninjured as always. This disturbing finale reveals how our obsessions can transform us into monsters worse than supernatural creatures. When we reduce people to objects of desire, we destroy ourselves. In a world of social media fantasies, the question remains: how much of ourselves have we already lost?