
In "Racism as Zoological Witchcraft," Aph Ko brilliantly deconstructs how white supremacy dehumanizes both Black bodies and animals. This compact 125-page manifesto has transformed social justice discourse by challenging us: What if racism and animal exploitation share the same colonial roots?
Aph Ko is a decolonial theorist, activist, and author of Racism as Zoological Witchcraft: A Guide to Getting Out, a groundbreaking work blending critical race theory, animal ethics, and anti-colonial analysis. She holds a B.A. in Women’s and Gender Studies and an M.A. in Communication. Ko's scholarship examines how racism and animal exploitation intersect through systems of dehumanization.
She co-authored the influential essay collection Aphro-ism: Essays on Pop Culture, Feminism, and Black Veganism from Two Sisters with her sister Syl Ko, reframing animal rights through an anti-racist lens.
Ko founded Black Vegans Rock, a pioneering platform spotlighting Black vegan voices that won a 2016 VegNews Bloggy Award and earned recognition from PETA for amplifying marginalized perspectives. Her work as associate producer on the Sundance-awarded documentary Always in Season and contributions to The New York Times, Huffington Post, and academic journals establish her as a leading voice at the intersection of social justice movements. The Praxis of Justice in an Era of Black Lives Matter, which she co-edited, further cements her role in contemporary critical theory.
Racism as Zoological Witchcraft argues that white supremacy operates through dehumanizing Black individuals by equating them with animals, a process Aph Ko terms "zoological witchcraft." The book connects colonial violence, racial capitalism, and speciesism, revealing how systemic oppression relies on degrading both Black bodies and nonhuman animals to sustain power structures.
Aph Ko is a Black vegan theorist, digital media producer, and author known for pioneering work linking anti-racism and animal rights. She holds degrees in Women’s/Gender Studies and Communication, founded Black Vegans Rock, and co-authored Aphro-ism. Her work has been featured in The New York Times and VegNews, and she produced the Sundance-winning documentary Always in Season.
This book is essential for scholars and activists exploring intersectional anti-racism, decolonial theory, or critical animal studies. It appeals to readers seeking fresh frameworks to dismantle systemic oppression, particularly those interested in how race, speciesism, and capitalism interconnect.
Yes—it offers a groundbreaking lens to analyze racism, blending sharp theoretical insights with historical examples like the eroticization of Black bodies and the leather industry’s ties to slavery. Ko’s critique of fragmented activism challenges readers to rethink social justice strategies.
Ko defines it as a colonial practice where whiteness spiritually and materially consumes Blackness by reducing it to animality. This process justifies violence, such as slavery’s bodily exploitation and modern cultural appropriation, while reinforcing white dominance through dehumanization.
The human/animal binary is a colonial construct used to classify Black and Indigenous people as "nonhuman," enabling their exploitation. Ko argues this binary fuels racism and speciesism simultaneously, as both oppressed groups are deemed disposable by white supremacy.
Ko critiques mainstream intersectionality for treating oppressions (racism, sexism, speciesism) as separate issues, which dilutes their systemic connections. She advocates for an afro-zoological approach that centers how animality underpins all racialized violence.
The book cites enslavers tanning Black skin into leather, sexualizing Black bodies, and commodifying enslaved people as livestock. These acts exemplify zoological witchcraft’s literal and symbolic consumption of Black humanity.
Ko ties veganism to anti-racism by exposing how animal exploitation and racial oppression stem from the same dehumanizing logic. She rejects comparisons between animal agriculture and slavery, urging solidarity against shared systems of objectification.
This framework combines Black liberation and animal rights, recognizing both as casualties of white supremacy’s animality project. It moves beyond superficial analogies to address root causes of exploitation.
Unlike many anti-racism texts, Ko centers nonhuman animals as primary targets of racial capitalism and critiques single-issue activism. Her focus on colonial spirituality and consumption offers a unique decolonial perspective.
Some scholars note Ko’s dense theoretical style may challenge casual readers. Others debate her rejection of intersectionality, though many praise her innovative linking of racial and animal justice.
As debates about racial capitalism, vegan ethics, and decolonization intensify, Ko’s work provides critical tools to address interconnected oppressions. Its insights resonate amid ongoing movements for environmental and social justice.
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White supremacy functions as a consumption machine.
The narrative of animality is the real problem.
When you're classified as 'animal' your degradation becomes justified.
'Animal' isn't just a species designation—it's a label.
No racial liberation movement will succeed without addressing the animal.
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When Jordan Peele's "Get Out" premiered in 2017, it wasn't just another horror film - it was a cultural revelation exposing the cannibalistic nature of white supremacy. This is the foundation of Aph Ko's groundbreaking work "Racism as Zoological Witchcraft," which offers a revolutionary framework for understanding how racism and animal oppression function as dimensions of the same structure. Ko doesn't just challenge how we think about race and animals - she dismantles the very categories that have kept these conversations separate, revealing how white supremacy operates as a consumption machine that metabolizes both human and nonhuman bodies deemed "animal." For decades, Black liberation and animal rights movements have existed in seemingly perpetual conflict. The mainstream narrative suggests this tension exists because Black people are focused on securing human rights, making animal concerns seem offensive or secondary. This divide is reinforced by animal rights groups creating insensitive campaigns that appropriate Black struggles and white-dominated vegan spaces that feel unwelcoming to people of color. Black people have a particularly complicated relationship with animals due to a colonial history that has perpetuated dehumanizing associations between Blackness and animality. When celebrities declare they'll "wear fur every day until police stop killing Black people," they reflect a common but flawed perception that Americans care more about animals than Black lives. Our cultural setup forces marginalized groups to compete for attention, as though only one group can achieve liberation at a time. Rather than being simply "anti-speciesist," we need to examine how the concept of "animal" informs racism itself.