What is
On Paper by Nicholas A. Basbanes about?
On Paper chronicles paper's 2,000-year journey from its invention in ancient China to its transformative role in revolutions, scientific breakthroughs, and cultural movements. Basbanes explores how paper enabled the Renaissance printing press, fueled Enlightenment ideas, and shaped modern infrastructure like currency and legal systems. The book also examines paper’s environmental costs and enduring relevance in the digital age.
Who should read
On Paper?
History enthusiasts, bibliophiles, and sustainability advocates will find this book compelling. It appeals to readers interested in how everyday materials shape civilization, offering insights into paper’s role in art, politics (e.g., the Pentagon Papers), and technological milestones like the first hot-air balloon. Educators and students studying material culture or media history will also benefit.
Is
On Paper worth reading?
Yes—Basbanes combines rigorous research with engaging storytelling, revealing paper’s overlooked impact on human progress. Critics praise its blend of historical depth (e.g., Gutenberg’s press) and contemporary relevance, such as debates about deforestation versus digital alternatives. The Scientific American review cited in the book highlights paper’s unique cognitive benefits.
How did paper influence the Renaissance?
Paper democratized knowledge by enabling mass book production via Gutenberg’s press, spreading works by Shakespeare and Galileo. Basbanes details how affordable paper fueled scientific journals, maps, and bureaucratic records, accelerating Europe’s intellectual rebirth.
What role did paper play in political scandals?
The book links paper to watershed moments like the Dreyfus Affair (1894), where leaked documents exposed injustice, and the 1971 Pentagon Papers, which revealed U.S. government deceit during the Vietnam War. Basbanes argues such scandals underscore paper’s power to challenge authority.
How does Basbanes address paper’s environmental impact?
He traces paper’s ecological toll, from deforestation during the Industrial Revolution to modern recycling efforts at the NSA (where classified documents become pizza boxes). The book balances criticism of past practices with examples of sustainable innovation, like Japanese washi craftsmanship.
What are key quotes from
On Paper?
A standout passage describes the Montgolfier brothers lining their 1783 hot-air balloon with paper, calling it “a force in shaping historical events”. Another reflects on 9/11 notes salvaged from rubble, showing paper’s emotional resonance as a “vehicle for human connection”.
How does
On Paper compare paper to digital technology?
Basbanes acknowledges digital convenience but cites studies showing people retain information better on paper. He argues paper’s tactile nature—its weight, smell, and durability—ensures its survival despite e-books, as seen in libraries preserving ancient manuscripts.
What critiques exist about
On Paper?
Some readers may find its 430-page scope overly detailed, particularly sections on industrial papermaking. However, most praise its comprehensive approach, with BookBrowse noting it “transcends a mere history to become a social chronicle”.
How does the book explore paper in art and culture?
Basbanes highlights Japanese washi paper’s role in calligraphy and origami, contrasting it with Western mass production. He also examines paper’s use in currency, legal contracts, and even hygiene, showing its embeddedness in daily life.
Why is
On Paper relevant in the 2020s?
As debates about AI and screen dependency intensify, the book reminds readers that paper underpins democracy (e.g., voting ballots) and creativity. Basbanes’ research into sustainable practices also aligns with modern eco-conscious trends.
How does
On Paper reflect Nicholas Basbanes’ expertise?
Drawing on his background in bibliophile culture, Basbanes interweaves archival discoveries (e.g., visits to Chinese paper mills) with analysis of paper’s literary legacy, cementing his reputation as a meticulous historian of material culture.