What is
My Grandmother's Hands by Resmaa Menakem about?
My Grandmother's Hands explores racialized trauma through a body-centered lens, arguing that systemic racism and white supremacy manifest as physical and psychological wounds passed down generations. Resmaa Menakem introduces Somatic Abolitionism—a practice of healing racial trauma via embodied awareness, breathwork, and communal accountability. The book blends personal narratives, historical analysis, and practical exercises to help readers confront and mend intergenerational pain.
Who should read
My Grandmother's Hands?
This book is essential for therapists, educators, activists, and anyone grappling with racial inequity or intergenerational trauma. It’s particularly valuable for white, Black, and "blue bodies" (police officers) seeking tools to recognize and heal embodied racialized trauma. Menakem’s somatic approach also appeals to those interested in trauma-informed social justice work.
Is
My Grandmother’s Hands worth reading?
Yes—the book became a New York Times bestseller for its groundbreaking fusion of somatics and anti-racism. Readers praise its actionable strategies for dismantling white-body supremacy and its compassionate reframing of racial trauma as a collective healing journey. Over 85% of Amazon reviewers rate it 4+ stars, highlighting its transformative impact.
What is
white body supremacy in
My Grandmother’s Hands?
Menakem defines white body supremacy as a trauma response embedded in Western institutions and nervous systems, prioritizing white bodies as the "standard" of safety and humanity. Unlike systemic racism, it focuses on how this hierarchy lives in our muscles, gut reactions, and ancestral memory, perpetuating violence unconsciously.
How does
My Grandmother’s Hands address police violence?
The book categorizes police officers as "blue bodies" shaped by institutionalized fear and racialized trauma. Menakem argues that policing systems weaponize this trauma, creating cycles of harm. He offers body-based practices for officers to recognize their conditioned reactions and build resilience against dehumanizing behaviors.
What are the key practices in
My Grandmother’s Hands for healing racial trauma?
Menakem suggests:
- Body scans to identify trauma-held tension
- Settling practices like measured breathing to calm fight-or-flight responses
- Clean pain (leaning into discomfort) versus dirty pain (avoidance)
- Communal "cultural somatics" rituals to rebuild trust across racial divides.
How does
My Grandmother’s Hands use the metaphor of "grandmother’s hands"?
The title refers to Menakem’s grandmother’s hands—scarred from picking cotton—as symbols of inherited Black resilience and trauma. He uses this imagery to frame racial healing as tending to both historical wounds and present-day bodily reactions to oppression.
What criticisms exist about
My Grandmother’s Hands?
Some academics argue Menakem oversimplifies historical complexities, while critics suggest his focus on individual somatic work risks neglecting structural change. However, most praise the book for bridging personal healing and collective action in anti-racism work.
How does
My Grandmother’s Hands differ from
The Body Keeps the Score?
While both address trauma’s physicality, Menakem specifically maps how racial hierarchy encodes itself in nervous systems. Van der Kolk’s work focuses on general trauma recovery, whereas Menakem ties somatic experiences to centuries of racialized violence and offers culturally specific healing modalities.
What is
Somatic Abolitionism in
My Grandmother’s Hands?
Somatic Abolitionism is Menakem’s framework for dismantling white-body supremacy through embodied anti-racist practices. It combines trauma therapy techniques with community-building rituals to reprogram conditioned racialized reactions in muscles, breath, and posture—not just cognition.
Can
My Grandmother’s Hands help white readers confront racial bias?
Yes—Menakem provides explicit exercises for white bodies to recognize their trauma-driven fragility (e.g., guilt/shutdown responses) and build stamina for racial discomfort. Techniques like "grounded presence" aim to replace defensive reactions with accountable, embodied anti-racism.
How does
My Grandmother’s Hands define
clean pain vs.
dirty pain?
- Clean pain: Courageously facing racial discomfort to grow (e.g., acknowledging privilege).
- Dirty pain: Avoiding conflict through denial, defensiveness, or spiritual bypassing. Menakem argues that clean pain is essential for collective healing.
What makes
My Grandmother’s Hands unique in anti-racism literature?
Unlike theory-focused texts, it prioritizes embodied practice over intellectual debate. Menakem rejects "ally theater," instead offering daily somatic rituals to transform racial trauma at a nervous-system level—a approach praised by Oprah Winfrey and trauma expert Bessel van der Kolk.