
Bestselling novelist held captive by his "number one fan" - Stephen King's "Misery" won the first Bram Stoker Award by exploring obsession's darkest corners. The Guardian called it "one of the greatest thrillers ever written," while its film adaptation earned Kathy Bates an Oscar.
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Paul Sheldon drifts in and out of consciousness, aware only of excruciating pain. Through his mental fog, he recalls childhood memories of pilings at Revere Beach that would disappear and reappear with the tide - a perfect metaphor for his current agony. As his mind clears, he realizes the "pilings" are his shattered legs. A woman looms over him, introducing herself as Annie Wilkes, his "number-one fan" - a phrase that will soon take on sinister meaning. Annie appears unnervingly solid, like an African idol - dense and immovable. She administers Novril, a codeine-based painkiller, every six hours. Three crucial facts become clear: Annie has access to many drugs, Paul is becoming addicted to Novril, and Annie is dangerously unstable. She explains she rescued him after finding his overturned car during a snowstorm. When she mentions owning a pig named Misery after Paul's character, he realizes with growing horror: "This woman is not right." Annie's true nature emerges when she discovers Paul has killed off her beloved character Misery Chastain in his latest novel. Her rage is apocalyptic - she nearly attacks him with a water pitcher before smashing it against the door. In her fury, she reveals a god complex, declaring "a writer is God to the people in a story," and that God "happens to have a couple of broken legs" in her house. After disappearing for fifty-one hours - leaving Paul to suffer withdrawal, thirst, and hunger - Annie returns with a bizarre ultimatum. She wheels in a charcoal grill and presents Paul with his manuscript of "Fast Cars," the contemporary novel he'd just completed before his accident. With cruel simplicity, she demands he burn it, offering pain medication as reward. Despite his internal struggle over destroying two years of work, Annie's psychological torture eventually breaks him. This act represents more than the loss of a manuscript - it's the obliteration of Paul's identity as a serious writer.