
Pulitzer Prize-winning "Less" follows a failing novelist's global misadventures. Hilariously, Greer discovered his prestigious win while dressing a pug in polka dot bloomers. This satirical masterpiece proves Ann Patchett right: comic fiction can indeed capture both literary brilliance and heartfelt joy.
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Arthur Less is a man without armor in a world that demands it. Approaching fifty, this "minor novelist" with washed-out blond hair and perpetually sunburned nose feels like "a person without skin," having developed only "the transparent carapace of a soft-shelled crab" by middle age. When an elegant invitation arrives announcing his ex-boyfriend Freddy's wedding, Less faces an impossible choice: attend and endure awkwardness, or decline and invite ridicule. His solution? Create a third option by accepting every international invitation languishing on his desk, crafting an elaborate escape route around the globe. What begins as simple avoidance transforms into a profound journey of self-discovery. Less's vulnerability-the quality that makes him both endearing and frustrating-shapes every interaction as he travels from New York to Mexico City, Turin to Berlin, Paris to Morocco, India to Japan. This sensitivity explains his nine-year relationship with Freddy and his fifteen years with renowned poet Robert Brownburn before that. It also explains why his publisher's rejection of his latest manuscript feels not just like professional disappointment but existential crisis. What makes Less compelling isn't exceptional talent or remarkable achievements, but this very ordinariness coupled with extraordinary sensitivity. In a world that celebrates the exceptional, could there be value in beautiful mediocrity?