
In "Information Doesn't Want to Be Free," Cory Doctorow challenges digital copyright laws that stifle creativity. McKenzie Wark praised this manifesto for creators' rights, while Sam Ferree celebrated its radical vision. What if trusting your audience - not restricting them - actually makes you more successful?
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Picture buying a book that stops working if you switch reading devices, or a movie that refuses to play because you moved to a different country. Sounds absurd, right? Yet this is precisely the world we've built with digital content. When you purchase an e-book or streaming movie today, you're not really buying anything-you're renting temporary access under conditions someone else controls. This isn't about protecting artists or preventing piracy. It's about power, and who gets to control the relationship between creators and their audiences. Digital locks work through encryption, scrambling content so it only plays on approved devices. Publishers and studios claim this protects against copying, but here's the uncomfortable truth: these locks don't actually stop piracy. Anyone determined to copy content can crack these protections within hours. What digital locks really do is trap legitimate customers inside corporate ecosystems while giving platforms unprecedented control over creators' work. Consider what happened when publisher Hachette disagreed with Amazon's terms in 2014. Because Hachette's books were locked into Amazon's proprietary format, they had no way to help customers move their purchases elsewhere. The books were hostages. Microsoft pioneered this strategy in the 1990s-encouraging software developers to use Windows-exclusive "protection," then systematically undercutting those same partners once they became dependent. As Internet Archive founder Brewster Kahle puts it, these platforms create "roach motels" where content checks in but can't check out. The music industry eventually learned this lesson. When Apple's iTunes gained monopolistic power through its FairPlay DRM system, record labels fought back by offering DRM-free MP3s through Amazon. This competitive pressure eventually forced Apple to abandon music DRM entirely. Book publishers, unfortunately, missed the memo and eagerly locked their entire catalogs into Amazon's Kindle format, surrendering the very control they claimed to be protecting. Beyond market manipulation, digital locks create serious security vulnerabilities. To function, they must hide their operations from device owners-essentially acting as sophisticated spyware on your own equipment. Sony's infamous 2005 CD rootkit secretly installed software that made certain files invisible to your operating system. When malware authors discovered this backdoor, they exploited it to hide their own viruses. The fundamental problem is inescapable: computers that deliberately hide their operations from their owners cannot be secure. As we increasingly live in a world made of computers-from cars to medical devices to pacemakers-this approach threatens not just our digital rights but our physical safety.