
Forget the "creative genius" myth. "How to Fly a Horse" reveals creativity as ordinary, accessible work requiring persistence through failure. Kevin Ashton's game-changing perspective has inspired innovators worldwide. What if your next breakthrough is simply waiting for your patient, determined effort?
Kevin Ashton, author of How to Fly a Horse: The Secret History of Creation, Invention, and Discovery, is a technology visionary and innovation expert renowned for coining the term “Internet of Things.”
Blending insights from his groundbreaking work at MIT’s Auto-ID Center—where he pioneered RFID technology and developed the Electronic Product Code—with his experience as a serial entrepreneur (Zensi, EnerNOC), Ashton explores creativity and human ingenuity in this genre-defying book.
His writing, featured in the New York Times, The Atlantic, and Quartz, distills complex ideas into accessible narratives. A sought-after speaker, he has shared his contrarian perspectives at events like PTC LiveWorx and influenced global tech policy.
How to Fly a Horse won the 2015 Business Book of the Year award from 800-CEO-READ and has been celebrated for reshaping how organizations approach innovation.
How to Fly a Horse debunks the myth of innate creative genius, arguing that innovation arises from ordinary, incremental efforts. Kevin Ashton uses historical examples—like the Wright brothers and Rosalind Franklin—to show how collaboration, persistence, and problem-solving drive breakthroughs. The book emphasizes that creativity is a universal skill accessible through hard work, not a rare gift.
This book is ideal for entrepreneurs, artists, educators, and anyone seeking to demystify creativity. Ashton’s insights are valuable for teams aiming to foster innovation, individuals facing creative blocks, or readers interested in historical case studies of invention. Its practical advice applies across industries, from technology to the arts.
Yes—readers praise it as a compelling blend of inspiration, history, and actionable advice. Reviewers highlight its fresh perspective on creativity, calling it “one of the best books you haven’t read” for its balance of storytelling and practical frameworks. It’s particularly recommended for skeptics of the “lone genius” narrative.
Ashton defines creativity as an ordinary, iterative process involving problem-solving and persistence. He rejects the idea of “eureka moments,” arguing that breakthroughs like the Wright brothers’ airplane or DNA discovery resulted from accumulated small steps, not innate talent. Creativity, he asserts, is a universal human trait.
Failure is framed as essential to innovation. Ashton illustrates how setbacks provide critical feedback, using examples like Thomas Edison’s repeated experiments and Rosalind Franklin’s perseverance in DNA research. The book encourages viewing failure as a necessary step toward solutions, not a final outcome.
Key examples include:
The myth claims creativity is a rare, innate gift reserved for “geniuses.” Ashton argues this belief stifles innovation by discouraging ordinary people from pursuing ideas. He contrasts this with real-world examples of creators who succeeded through systematic effort rather than divine inspiration.
The book highlights how innovations—from the first airplane to DNA’s discovery—rely on building others’ work. Ashton stresses that no creation happens in isolation, citing teams like Jobs and Wozniak at Apple and the collaborative nature of scientific research.
Unlike works focusing on “brainstorming” or innate talent, Ashton’s book grounds creativity in historical rigor and actionable processes. It complements titles like Atomic Habits (systems-driven growth) and Grit (perseverance), but stands out for debunking romanticized creation myths.
Some critics argue Ashton underplays the role of individual brilliance or serendipity. However, most praise his evidence-based approach, with one reviewer noting, “The book’s strength is its rejection of simplistic narratives in favor of nuanced, real-world examples.”
As a technologist who coined “the Internet of Things,” Ashton blends historical analysis with firsthand innovation experience. His entrepreneurial insights and MIT research lend credibility to the book’s arguments about collaborative, incremental creation.
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Creativity is not magic.
The truth is that creating is ordinary, not magical.
Creation is everyone's birthright.
The soul of creation isn't magic or genius-it's work.
The evolutionary niche of new belongs to all humans.
Break down key ideas from How to Fly a Horse into bite-sized takeaways to understand how innovative teams create, collaborate, and grow.
Distill How to Fly a Horse into rapid-fire memory cues that highlight key principles of candor, teamwork, and creative resilience.

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A forged letter from 1815 claimed Mozart composed entire symphonies in his head, effortlessly transcribing perfect music onto paper. We want to believe this story-that creativity is a gift bestowed on the chosen few, arriving in magical flashes of inspiration. But here's what actually happened: Mozart worked obsessively, revised constantly, and needed his instruments to compose. He struggled. He erased. He rewrote. The myth persists because it's comforting to believe that if we're not geniuses, we're simply not creative. This convenient fiction lets us off the hook. The word "creativity" didn't even exist until 1926, when philosopher Alfred North Whitehead coined it to describe something mystical and rare. Meanwhile, the reality tells a different story entirely. A twelve-year-old enslaved boy named Edmond Albius solved a problem that had stumped botanists for centuries. Using a bamboo toothpick, he figured out how to hand-pollinate vanilla orchids-a technique still used worldwide today. His innovation wasn't born from genius but from careful observation and experimentation. What makes Edmond unusual isn't that he created something-it's that history actually remembered his name. Most creators remain invisible, their contributions absorbed into the fabric of progress without acknowledgment. The numbers don't lie. The U.S. Patent Office took 130 years to grant its first million patents but only 8 years for its sixth million. Copyright registrations exploded from 5,600 in 1870 to over 600,000 by 1991. Scientific papers increased tenfold between 1955 and 2005. When we actually start counting creators, they're everywhere-nearly as many Americans received first patents in 2011 as attended a typical NASCAR race. This isn't a story about rare genius. It's a story about human nature itself. Lewis Terman tried to prove otherwise in 1921 with his "Genetic Studies of Genius," tracking over 1,500 California children identified as gifted by IQ tests. His "Termites," as they were called, should have changed the world. Instead, many found ordinary jobs. Meanwhile, the kids Terman rejected-William Shockley and Luis Alvarez among them-went on to win Nobel Prizes. Genius doesn't predict creative ability because it isn't required for creation.