Heaven Is For Real by Todd Burpo Summary

Heaven Is For Real recounts the true story of Todd Burpo’s son, Colton, who described visiting heaven during a near-death experience at age three. Colton shares vivid details—meeting Jesus, angels, and deceased relatives—including a miscarried sister his parents never told him about. The book explores themes of faith, family resilience, and the afterlife through Colton’s childlike perspective.

This book is ideal for Christians seeking affirmations of faith, readers curious about near-death experiences, or those grieving loss. Its accessible storytelling appeals to both religious and secular audiences interested in spiritual themes, though critics note its lack of theological depth.

Yes, Todd Burpo frames the book as a nonfiction account of his son Colton’s 2003 appendectomy and subsequent heavenly visions. The family’s emotional journey and Colton’s unexplained knowledge (e.g., his miscarried sister) are presented as evidence of authenticity.

Colton described heaven as brightly lit by God’s presence, populated by winged angels, and filled with vibrant colors. He claimed Jesus had “markers” (stigmata) on his hands, sat at God’s right side, and emphasized loving children. He also met relatives like his great-grandfather and unknown sister.

Many found it spiritually uplifting, strengthening their belief in an afterlife. Critics, however, questioned its doctrinal accuracy and reliance on a child’s testimony. Despite debates, it became a bestselling phenomenon, inspiring a movie adaptation.

Colton’s accounts include biblical elements (e.g., Jesus’ wounds, God’s throne) but add speculative details like Gabriel sitting to God’s left. Some theologians argue it blends Scripture with imaginative interpretation, risking oversimplification of complex doctrines.

Skeptics cite inconsistencies in Colton’s recollections, potential parental influence, and the commercialization of a spiritual experience. Others argue near-death visions are neurological, not divine. The book avoids addressing these critiques directly.

The Burpos’ story offers comfort by portraying heaven as a reunion with loved ones. Colton’s mention of his miscarried sister—later confirmed via ultrasound records—resonates with grieving parents, though some find this anecdote emotionally manipulative.

Notable lines include Colton’s declaration that “Jesus really loves the children” and his description of God as “really, really big.” These phrases underscore the book’s theme of divine love and accessibility.

Unlike Proof of Heaven (Eben Alexander), which blends science and spirituality, Burpo’s narrative prioritizes evangelical Christian perspectives. Both books face skepticism but differ in tone—Burpo’s is more folksy and personal.

The book emphasizes trusting God through crises, as seen in the Burpos’ financial and health struggles. Colton’s story is framed as a reminder to approach faith with childlike wonder, though critics argue it risks reducing theology to anecdotes.

For readers open to faith-based narratives, it’s a quick, emotionally engaging read. However, those seeking rigorous theological analysis may find it lacking. Its cultural impact and relatable storytelling make it a worthwhile conversation starter.