
Rejected by missionary societies at 36, Gladys Aylward journeyed alone to China, saved 100 orphans during wartime, and inspired the Hollywood film "The Inn of the Sixth Happiness" - though she famously despised its fictional elements. Her extraordinary faith transformed countless lives.
Gladys May Aylward (1902–1970), the British missionary and humanitarian chronicled in Gladys Aylward, exemplifies unwavering faith and resilience in the face of adversity. Born in Edmonton, England, Aylward left her work as a housemaid to pursue her calling in China.
She overcame rejection from the China Inland Mission and embarked on a perilous solo journey via the Trans-Siberian Railway. Settling in Yangcheng, she co-founded The Inn of the Eight Happinesses, sharing Christian teachings, and later served as a government foot inspector to combat footbinding. Her memoir intertwines themes of courage, compassion, and cultural immersion, reflecting her 17-year mission during wartime China.
Aylward’s daring 1938 trek leading over 100 orphans to safety across mountainous terrain, despite injury and illness, remains legendary. After fleeing Communist persecution, she established the Gladys Aylward Orphanage in Taiwan, continuing her legacy until her death.
Her life inspired the bestselling biography The Small Woman by Alan Burgess and the 1958 film The Inn of the Sixth Happiness, cementing her global influence as a symbol of selfless service.
This biography chronicles Gladys Aylward’s journey from a London housemaid to a missionary in 1930s China. It highlights her resilience in overcoming rejection from formal training programs, her dangerous solo trek to Yangcheng, and her work rescuing orphans during the Second Sino-Japanese War. The book emphasizes her faith-driven impact, including founding an orphanage and promoting Christianity in rural China.
This book appeals to readers interested in missionary biographies, Christian perseverance, or 20th-century Chinese history. Educators, faith-based groups, and fans of inspirational true stories will find value in Aylward’s unconventional path and her advocacy for orphans and marginalized communities.
Yes, for its gripping narrative of courage and faith. Alan Burgess’s account reveals how Aylward’s determination transcended societal limitations, offering timeless lessons on resilience. While dramatized in parts, it remains a foundational text about cross-cultural missions and remains influential in Christian literature.
Aylward faced language barriers, political instability, and cultural resistance. She navigated wartime dangers, including a 27-day trek with 100 orphans to escape Japanese forces, and survived injuries from bombings. Her lack of formal missionary training initially led to skepticism from established organizations.
“Ai-weh-deh” translates to “Virtuous One” in Chinese, a name locals gave Aylward for her compassionate work. It reflected her integration into the community, where she served as a foot inspector to combat foot-binding and advocated for women’s rights.
She became one of the first Western women to gain Chinese citizenship, blending evangelism with social reform. Her grassroots approach—running an inn for travelers to share stories of Christ—became a model for contextualized missions. She later established a leper colony and trained local pastors.
The 1958 film controversially cast Ingrid Bergman (a tall Swedish actress) as Aylward, distorting her short stature and British working-class roots. It fictionalized romantic subplots and downplayed her religious motivations, which Aylward openly criticized.
Unlike formal theological accounts, Burgess emphasizes Aylward’s gritty, improvisational methods. It contrasts with works about institutional missionaries by showcasing solo female leadership in crisis settings, akin to biographies of Amy Carmichael or Lottie Moon.
While the book paraphrases her resolve, Aylward famously said: "I wasn’t God’s first choice for China… but I was the one who said yes." Another notable line: "If God has called you, He will look after you"—reflecting her trust amid adversity.
Her belief in divine providence drove risks like sheltering refugees and defying authorities. She framed hardships as spiritual trials, citing Bible verses about perseverance (e.g., Isaiah 41:10) to justify her orphan rescue missions during wartime.
Historians note Burgess’s dramatization of events, like exaggerating her role in the Yangcheng prison riot. The book also underplays Aylward’s post-1949 work in Taiwan, focusing narrowly on her wartime heroics.
Her legacy resonates in discussions about women’s leadership in religious contexts and cultural adaptation in global missions. Modern humanitarians cite her orphan advocacy as a precursor to trauma-informed care in crisis zones.
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China continued to call to me.
I was being trapped.
God had called me to continue her work.
I was the only European in the region.
God made boys' and girls' feet alike.
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A young British woman with barely any education stood before a prestigious missionary society, hoping they'd send her to China. They rejected her outright-no qualifications, too old at twenty-eight, unlikely to master Chinese. Most people would have accepted defeat. But Gladys Aylward wasn't most people. With ninepence in her pocket (roughly the cost of a cheap sandwich today), she bought a one-way train ticket across Europe, through war-torn Russia, into the unknown. What possesses someone to risk everything on what seems like foolishness? Her story reveals a truth we've forgotten: the most unlikely people often accomplish the most extraordinary things when they stop waiting for permission and start moving forward in faith. Gladys wasn't seeking adventure or fame. She'd wanted to be an actress, working as a parlormaid while taking evening drama classes. After a profound spiritual awakening, she felt an unmistakable pull toward China's millions who'd never heard of Christ. When every door slammed shut, she remembered Abraham and Moses-ordinary people called to impossible tasks. She saved every penny from her parlormaid wages until she had enough for the railway fare. On October 15, 1932, she left everything familiar behind, carrying only her Bible, a devotional book, and a faith that seemed absurd to everyone watching.