
Journey beyond taboos with "Death's Summer Coat," where Brandy Schillace unveils global death rituals from Tibetan sky burials to Victorian grief industries. This thought-provoking exploration fuels the "death positive" movement, asking: Why wait for winter when we can discuss mortality while summer's sun still warms our backs?
Brandy Lain Schillace, author of Death’s Summer Coat: What Death and Dying Teach Us About Life and Living, is a historian of medicine and cultural critic renowned for exploring humanity’s relationship with mortality.
A PhD holder and Editor-in-Chief of BMJ’s Medical Humanities Journal, Schillace combines academic rigor with accessible storytelling, drawing from her rural Ohio upbringing near abandoned coal mines and early exposure to healthcare disparities.
Her nonfiction work, including Mr. Humble and Dr. Butcher (a New York Times “macabre delight”) and the upcoming transgender history The Intermediaries, examines ethics, science, and societal norms.
Schillace’s expertise extends to media as host of the Peculiar Book Club and a recurring guest on Travel Channel’s Mysteries at the Museum and Dan Aykroyd’s The Unbelievable.
A 2024 Royden B. Davis Distinguished Author Award recipient, her writing has been featured in The Wall Street Journal, Scientific American, and The New Yorker. Death’s Summer Coat has been widely praised for bridging historical research with contemporary conversations about grief and community.
Death’s Summer Coat explores humanity’s evolving relationship with death through cultural rituals, historical events, and shifting social attitudes. Brandy Schillace examines practices like Victorian mourning photography, sati, and post-plague burial customs to reveal how societies navigate grief and mortality. The book blends anthropology, history, and personal reflection to demystify death as both a biological event and cultural phenomenon.
This book appeals to readers interested in thanatology (death studies), cultural anthropology, or medical humanities. It’s ideal for those seeking a non-academic introduction to death rituals, hospice workers exploring historical context, or anyone confronting personal grief. Schillace’s accessible style suits general audiences rather than specialists.
Yes, for its compelling synthesis of global death practices and thought-provoking analysis of modern mortality taboos. While some critics note its broad-stroke approach lacks academic depth, its strength lies in sparking conversation about death’s role in life. The book includes photos, sources, and further reading recommendations for deeper exploration.
Schillace details how 19th-century Britons used mourning jewelry, postmortem photography, and strict clothing codes to process grief publicly. These practices reflected both societal expectations and the era’s high mortality rates, contrasting sharply with today’s often privatized bereavement.
The book shows how mass deaths during the 14th-century plague disrupted traditional burial customs, leading to communal graves and accelerated decomposition methods. This crisis forced societies to develop new protocols that later influenced modern funeral practices.
As a medical historian and editor of BMJ Medical Humanities, Schillace combines rigorous research with accessible storytelling. Her focus on social justice and neurodiversity informs analyses of marginalized groups’ death experiences.
Schillace contrasts Western medicalized deaths with practices like Tibetan sky burials, Ghanaian fantasy coffins, and Indonesian Ma’nene corpse ceremonies. These examples challenge readers to reconsider their own cultural assumptions about “appropriate” mourning.
The book argues that 20th-century medical advances and funeral industry commercialization created societal death avoidance. Schillace advocates reclaiming death dialogue through death cafés, green burials, and hospice care transparency.
Some readers desire more academic rigor, noting brief treatments of complex topics like assisted dying or genocide. However, most praise its engaging balance of scholarship and readability for mainstream audiences.
Like Doughty’s works, Schillace’s book demystifies death for general readers but emphasizes historical analysis over memoir. It complements Smoke Gets in Your Eyes by providing global context to Doughty’s personal mortician experiences.
“Talking about death, and the rituals associated with it, can help provide answers. It also brings us closer together—conversation and community are survival strategies.” Schillace argues mortality awareness fosters human connection and resilience.
As AI and longevity science progress, Schillace’s exploration of ethics in death-tech (e.g., cryonics, digital afterlife avatars) grows increasingly pertinent. The book provides historical grounding for debates about mortality in an age of radical life extension.
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Everything dies.
Death is not necessary.
Death is discussed from the time the first pet or grand-uncle dies.
Our sanitization of death is strikingly recent.
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We've become strangers to death in the West. While death cafes and live-tweeted final moments might seem morbid novelties, they represent desperate attempts to reclaim what we've lost only recently-our ability to discuss death openly. This taboo is strikingly new, emerging just 150 years ago when we began replacing direct language about mortality with euphemisms and avoidance. Meanwhile, in many cultures worldwide, death remains an everyday conversation. As one Indian respondent noted: "Death is discussed from the time the first pet or grand-uncle dies." Our medical establishments now fight death at all costs, with companies like Google's Calico investing billions to literally "cure death." Yet despite these efforts, everything dies. This universal truth connects us across time and culture-from ancient burial rituals to modern hospice care. What makes humans unique isn't just that we die, but that we know we will die. Unlike animals who primarily recognize death as an event, we understand it as both event and process. This awareness begins remarkably early-children often contemplate mortality while observing dead insects or questioning what happens to elderly relatives. Even as we live, we experience small deaths daily. Our body completely regenerates itself every seven to ten years, with different tissues replacing themselves at varying rates. The transition from the abstract "I will die someday" to the immediate "I am dying" represents a fundamental shift in perspective that often prompts deep reflection on life's meaning and legacy.