Journey through Black Europe with Johny Pitts' award-winning "Afropean" - winner of four prestigious literary prizes and translated into eight languages. Owen Jones called it "a revelation" for challenging Europe's white-centric narrative through stunning photography and powerful storytelling.
Johny Pitts is an award-winning writer, photographer, and cultural critic, celebrated for his genre-blending work, Afropean: Notes from Black Europe. The book fuses travelogue, memoir, and social critique to map African diasporic experiences across Europe.
Born in Sheffield to an African-American father and white British mother, Pitts draws from his dual heritage to interrogate themes of identity, belonging, and postcolonial legacy. His groundbreaking Afropean.com platform, a digital archive of Black European life, directly informs the book’s blend of street photography, journalism, and historical analysis.
Pitts’ collaborative photobook Home Is Not a Place, co-created with poet Roger Robinson, was shortlisted for the 2023 British Book Awards. His 2024 AFRØPEAN Podcast expands his exploration of Black urban cultures across six European capitals. A regular contributor to The Guardian and The New York Times, his work has been exhibited at Amsterdam’s Foam Gallery and London’s Photographers’ Gallery.
Afropean: Notes from Black Europe has been translated into nine languages and received the Jhalak Prize, Leipzig Book Award for European Understanding, and Bread and Roses Award for Radical Publishing. In 2025, Pitts was honored with the EM Forster Award from the American Academy of Arts and Letters for his contributions to transatlantic cultural discourse.
Afropean documents Johny Pitts’ journey across Europe to explore Black identity in marginalized communities, blending travelogue, history, and cultural analysis. Visiting locations like Lisbon’s Cape Verdean shantytowns and Paris’s Clichy Sous Bois, the book challenges monolithic European narratives by centering Afropean voices. It critiques colonial legacies while highlighting resilience and cultural fusion in diasporic spaces.
This book suits readers interested in multiculturalism, European identity, and diaspora studies. Academics, historians, and general audiences gain insights into how Black communities navigate dual allegiances and shape continental culture. It’s particularly valuable for those seeking alternative perspectives on urban marginalization and postcolonial Europe.
Yes—critics praise its vivid storytelling and fresh lens on Black European experiences. Pitts’ blend of personal narrative, photography, and historical critique offers a poignant examination of identity and belonging. Readers applaud its humanizing portrayal of overlooked communities.
Coined by musician Marie Daulne, "Afropean" describes a dual identity embracing African heritage and European citizenship. Pitts expands it into a cultural framework, exploring how Black Europeans negotiate belonging in societies shaped by colonialism and migration.
The book links Europe’s colonial past to modern racial dynamics, such as critiques of Belgium’s AfricaMuseum and Paris’s banlieues. Pitts underscores how historical amnesia perpetuates systemic inequities, while Afropeans reclaim agency through art and community.
Some readers note a lack of narrative structure, calling it a “series of journalistic articles”. Others desire deeper analysis of systemic racism beyond personal anecdotes. However, most praise its intimate, ground-level perspective.
By centering Black perspectives, Pitts redefines Europe as a mosaic of diasporic cultures. The book contrasts tourist hotspots with marginalized neighborhoods, revealing how Afropeans sustain vibrant communities despite exclusion.
As a British-born writer of mixed heritage, Pitts uses his passport privilege to access diverse Afropean spaces. His photography and journalism background enriches the book’s immersive, visual storytelling.
Key sites include:
Unlike academic texts, Pitts’ on-the-ground reporting prioritizes personal stories over theory. The blend of memoir and documentary journalism offers a visceral, accessible exploration of identity.
Pitts’ photos of neighborhoods like Cova Da Moura complement written narratives, adding visceral depth to discussions of poverty, resilience, and cultural pride. Visuals underscore the book’s commitment to centering Afropean agency.
As Europe grapples with rising nationalism and debates over migration, the book remains a critical resource for understanding systemic racism and multicultural coexistence. Its themes of identity negotiation resonate amid ongoing social fractures.
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Afropean identity describes a liminal space where African and European cultures merge.
This wasn't the sanitized diversity celebrated by distant politicians.
The experience shattered any notion of an 'unspoken brotherhood among the Black diaspora'.
Clichy embodied profound social failure and the consequences of systemic exclusion.
Maybe that's what I am!
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Imagine standing at Europe's edge, rain-soaked and squinting across the Mediterranean toward Africa, only to realize the continent you seek is already beneath your feet. This is the revelation at the heart of "Afropean," Johny Pitts' remarkable journey through Black Europe's hidden tapestry. The term "Afropean" - borrowed from musician Marie Daulne - describes that liminal space where African and European identities merge to create something entirely new. Through five winter months traversing the continent, Pitts explores communities existing in the shadows of official European narratives, revealing vibrant cultures thriving despite marginalization. What makes this journey so compelling is its rejection of both academic jargon and sensationalism in favor of a deeply personal, street-level view of Black European life. As we follow Pitts from Sheffield's working-class neighborhoods to Paris's banlieues, from Amsterdam's archives to Lisbon's unrecognized settlements, we discover a Europe rarely acknowledged in travel brochures or history books - one where Africa has always been present, though often deliberately obscured. Growing up in Sheffield's Firth Park, I witnessed authentic multiculturalism through friends like Mohammed, who effortlessly blended Yemeni heritage with British working-class culture. This wasn't the sanitized diversity celebrated by politicians but something genuine that emerged through community solidarity and cultural exchange. Yet without support, such communities struggled against overwhelming odds. Before my European journey, I witnessed the tragic deterioration of my Jamaican neighbor Tina from a vibrant woman to a crack addict - one of many casualties in neighborhoods where Black people fought daily against systemic racism.