What is The Hypnotist's Love Story by Liane Moriarty about?

The Hypnotist's Love Story follows Ellen O'Farrell, a Sydney-based hypnotherapist who falls for Patrick, a widower with a young son. Patrick reveals on their fourth date that he has a stalker—his ex-girlfriend Saskia, who follows him everywhere and won't let go. Ellen becomes fascinated by the stalker's psychology, unaware that Saskia has been posing as one of her clients. The novel explores love, obsession, grief, and the complexities of moving forward after loss.

Who is Liane Moriarty and what is she known for?

Liane Moriarty is an internationally bestselling Australian author born in 1966 in Sydney. She's known for contemporary fiction exploring family dynamics, secrets, and suburban life, including Big Little Lies, Nine Perfect Strangers, and Apples Never Fall, all adapted for television. Moriarty earned her master's degree in Creative Writing at Macquarie University, where she wrote her first novel Three Wishes. The Hypnotist's Love Story was her fourth novel, published before her breakthrough bestseller The Husband's Secret.

Who should read The Hypnotist's Love Story?

The Hypnotist's Love Story is ideal for readers who enjoy contemporary romance with psychological depth, fans of domestic fiction exploring complex relationships, and anyone interested in Liane Moriarty's earlier work before Big Little Lies. It appeals to readers curious about stalking psychology, grief and moving on, and blended family dynamics. Those who appreciate multiple-perspective narratives and character-driven stories with emotional nuance will find this book engaging, though it's lighter than Moriarty's later suspense-heavy novels.

Is The Hypnotist's Love Story worth reading for Liane Moriarty fans?

The Hypnotist's Love Story offers an engaging contemporary romance with psychological insight, though many reviewers consider it lighter than Liane Moriarty's later bestsellers like Big Little Lies or The Husband's Secret. It showcases Moriarty's talent for multiple perspectives and relatable characters while exploring grief, obsession, and second chances. Readers seeking pure suspense may find it more romance-focused, but fans interested in Moriarty's evolution as a writer and her signature exploration of complex female characters will appreciate this earlier work.

What are the main themes explored in The Hypnotist's Love Story?

The Hypnotist's Love Story explores obsession versus love, examining how grief manifests differently in people through Patrick's lingering attachment to his deceased wife Colleen and Saskia's inability to let go. The novel delves into the power of the subconscious mind through hypnotherapy, second chances at love after loss, and the complexities of blended families. Liane Moriarty also examines past trauma's impact on present relationships, self-awareness and healing, and the fine line between fascination and danger when confronting human behavior.

Who are the main characters in The Hypnotist's Love Story by Liane Moriarty?

Ellen O'Farrell is the protagonist, a successful hypnotherapist who uses her professional insights to understand people's motivations. Patrick is a surveyor and widower still grieving his late wife Colleen while trying to build a new relationship. Saskia is Patrick's ex-girlfriend turned stalker who follows him obsessively, leaving texts and watching from afar. Jack is Patrick's eight-year-old son navigating his father's new relationship. The novel alternates primarily between Ellen's and Saskia's perspectives, providing insight into both women's complex emotional worlds.

What narrative structure does Liane Moriarty use in The Hypnotist's Love Story?

The Hypnotist's Love Story employs multiple first-person perspectives, alternating primarily between Ellen and Saskia's viewpoints. This narrative choice allows readers to understand both the stalked and the stalker's motivations simultaneously. Liane Moriarty uses introspective narration where characters reflect deeply on their thoughts, feelings, and past experiences. The author incorporates subtle foreshadowing and callbacks throughout, creating suspense while building empathy for all characters involved. This multifaceted approach adds psychological depth and moral complexity to what could have been a straightforward romance.

What are the most memorable quotes from The Hypnotist's Love Story?

* "I have a stalker" is Patrick's bombshell revelation to Ellen during their fourth date, setting the central conflict in motion. * "All hypnosis is self-hypnosis" is Ellen's professional mantra highlighting the mind's power and importance of self-awareness in healing. * "I love you. I hate you. I love you. I hate you. No, I definitely hate you" are Saskia's text messages to Patrick, revealing the volatile, obsessive nature of her feelings and her inability to process loss in healthy ways.

《催眠师的爱情故事》摘要

莉安·莫里亚蒂

3.71(164085 Reviews)

《催眠师的爱情故事》摘要概述

一位催眠治疗师爱上了一个被跟踪者纠缠的男人——而那个跟踪者恰好是他的前任。这部令人上瘾的心理言情小说因其对催眠疗法的真实描绘而备受赞誉，从双视角探讨了痴迷。当那个帮助他人面对现实的人自己也无法逃脱现实时，会发生什么？

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第 1 章

When Obsession Meets Love: The Hypnotist's Entanglement

What happens when the boundaries between love, obsession, and professional ethics blur beyond recognition? Liane Moriarty's psychological thriller "The Hypnotist's Love Story" deftly explores this question through the intertwined lives of a hypnotherapist, her new boyfriend, and his stalker ex-girlfriend. The novel became an instant sensation upon its release, with celebrities like Reese Witherspoon and Nicole Kidman championing its nuanced portrayal of complicated relationships. Following the phenomenal success of "Big Little Lies," this earlier work by Moriarty demonstrates her uncanny ability to transform everyday situations into compelling psychological explorations. As one reviewer noted, "Moriarty doesn't just write about obsession-she makes her readers obsessed with her characters."

第 2 章

The Complicated Triangle: Ellen, Patrick, and Saskia

Ellen O'Farrell is a 35-year-old hypnotherapist practicing from her Victorian beachside home, who has finally met someone promising after a string of failed relationships that left her questioning her judgment in men. Patrick Scott, a widowed surveyor with an eight-year-old son named Jack, seems to embody everything she's been looking for - successful, stable, and genuinely kind. Their first few dates progress wonderfully, filled with easy conversation and growing chemistry, until their fourth date when he makes an unsettling confession over dinner: "I have a stalker." His ex-girlfriend Saskia has been following him for three years, showing up at his regular haunts, leaving detailed notes on his windshield about his daily activities, and even sending text messages analyzing Ellen's appearance, right down to her choice of shoes and the way she holds Patrick's hand. Rather than being repelled by this revelation, Ellen feels a strange fascination that surprises even herself. "I find it sort of interesting," she admits to her horrified friend Julia over wine one evening. This unusual reaction stems partly from Ellen's professional curiosity as a therapist who regularly deals with complex human behavior, and partly from her own deep-seated insecurities about relationships. Having been raised by a single mother and two godmothers in a house full of women, without ever knowing her father who abandoned them before her birth, Ellen has always felt a certain void in her understanding of romantic relationships and male psychology. Meanwhile, through carefully crafted flashbacks and internal monologues, we get glimpses into Saskia's perspective, revealing a woman who recognizes the destructiveness of her behavior but feels powerless to stop it. "It's like an addiction," she explains in her journal entries, comparing her stalking to alcoholism - a compulsion she knows is ruining her life but can't seem to break. Saskia isn't portrayed as a one-dimensional villain but as someone grieving multiple devastating losses - her three-year relationship with Patrick, her cherished role as Jack's stepmother during his formative years, and her recently deceased mother who served as her only emotional anchor. Her stalking becomes a desperate way to maintain connection to the family unit she once had, watching from a distance as life goes on without her. The genius of Moriarty's narrative structure lies in how it creates genuine empathy for all three points of this triangle, weaving together their perspectives to create a tapestry of human vulnerability. We understand Ellen's fascination with the woman who preceded her, Patrick's frustration and fear for his son's safety, and even Saskia's desperate need to remain connected to her former life. When Ellen discovers that one of her hypnotherapy clients, "Deborah," is actually Saskia in disguise, the boundaries between stalker and stalked become even more intricately blurred. Rather than immediately exposing Saskia, Ellen continues treating her, drawn into a complex web of professional curiosity and personal investment, hoping to gain insight into both her boyfriend's ex and her own fears about relationships. This complex dynamic sets the stage for a story that's as much about the psychology of obsession as it is about the nature of love and loss - exploring how past trauma shapes current behavior, and how the lines between love and fixation can become dangerously thin.

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第 3 章

The Ghosts of Relationships Past

Every new relationship carries the weight of previous ones, but Patrick's past is particularly complicated. Not only does he have a stalker ex-girlfriend, but he's also a widower whose wife Colleen died of cancer, leaving him to raise their son alone. These two women - one dead, one refusing to disappear - haunt Patrick and Ellen's relationship in different but equally powerful ways, creating a complex emotional triangle that shapes their developing romance. Colleen's presence permeates their daily life through photographs, memories, and most significantly through Jack, who matter-of-factly tells Ellen, "That's my mum. My mum is dead." The casual way children process loss contrasts sharply with the adults' careful navigation of the subject. Ellen reflects that "dying is an elegant way to leave a relationship - final and mysterious, giving you the last word forever." She finds herself competing with an idealized memory, a competition made more difficult by the natural human tendency to sanctify the dead. Patrick frequently mentions how Colleen had a perfect pregnancy with no morning sickness, while Ellen suffers terribly from nausea. These casual comparisons, though perhaps unintentional, create an impossible standard against which Ellen measures herself. The visit to Colleen's grave becomes a pivotal moment in Ellen's understanding of her position in Patrick's life. The headstone reads "Life is not forever. Love is," listing Colleen as Patrick's "beloved wife" - words that hang heavily in the air. As Patrick and Jack kneel to kiss Colleen's photo on the headstone, Ellen feels increasingly uncomfortable, recognizing she can never replace this perfect, preserved memory. The scene illustrates how grief can create a kind of sacred space that new love struggles to enter. Meanwhile, Saskia represents a different kind of ghost - one who refuses to be exorcised and actively disrupts their present. Her persistent presence manifests in unexpected ways: random appearances at their favorite cafes, mysterious packages left at doorsteps, and the constant tension of wondering where she might appear next. Her stalking forces Ellen to confront uncomfortable questions about her own relationship. What if Patrick still has feelings for Saskia? What if Ellen herself isn't as different from Saskia as she'd like to believe? The line between devoted love and obsession becomes increasingly blurry. In one revealing moment, Ellen admits she finds Saskia's obsession "strangely validating," suggesting that being the object of such intense focus confirms her relationship's significance. This admission hints at Ellen's own insecurities and need for validation, blurring the line between healthy love and unhealthy obsession. The confession also reveals how past relationships can distort our perception of normal romantic behavior. Through these complicated dynamics, Moriarty masterfully explores how past relationships shape current ones, and how the ghosts of former lovers - whether literally dead or figuratively refusing to disappear - continue to influence our romantic lives. The author shows how new relationships must not only navigate present challenges but also compete with idealized memories and unresolved emotional attachments. This creates a rich tapestry of psychological complexity that goes beyond simple romantic rivalry to explore deeper questions about love, loss, and the nature of healthy attachment.

第 4 章

The Psychology of Obsession

Moriarty delves deep into the psychology of obsession, presenting it not as a simple villain-victim narrative but as a complex human behavior with understandable (if not justifiable) roots. Through Saskia's first-person narrations, we gain insight into how her stalking behavior developed gradually after her relationship with Patrick ended. "It's like an addiction," Saskia explains, describing how she initially just drove past Patrick's house occasionally, then progressed to following him, then to entering his home when he wasn't there. Each escalation brought momentary relief followed by increased anxiety, creating a cycle similar to substance addiction. Her behavior is further complicated by genuine grief-not just for the relationship, but for her role as Jack's stepmother and for her recently deceased mother. The novel also explores how society views stalking differently based on gender. When Ellen's friend Julia confesses to making silent phone calls to an ex-boyfriend's new girlfriend as a teenager, it's treated as a youthful indiscretion rather than criminal behavior. This double standard highlights how women's obsessive behaviors are often minimized or romanticized in popular culture. Ellen's professional knowledge of psychology adds another layer to this exploration. As a hypnotherapist, she understands how the unconscious mind can drive behavior despite conscious intentions. She recognizes in Saskia's behavior patterns similar to those she helps clients break through hypnotherapy-deeply ingrained thought patterns that resist rational intervention. In one particularly insightful moment, Ellen's psychiatrist mother Anne suggests that Saskia might be suffering from "complicated grief"-grief that becomes "stuck" and prevents normal healing. This clinical perspective offers a compassionate framework for understanding Saskia's behavior without excusing it. The novel also examines how obsession affects its object. Patrick displays symptoms of hypervigilance and anxiety from years of being stalked. He constantly scans environments for Saskia, has trouble sleeping, and experiences intense anger that sometimes spills over into his relationship with Ellen. His reluctance to pursue legal remedies stems partly from guilt-he knows Saskia's behavior began after he abruptly ended their relationship following his wife's death. Through these nuanced portrayals, Moriarty invites readers to consider obsession not as an aberration but as an extreme manifestation of universal human needs for connection, meaning, and control.

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第 5 章

The Power of Hypnosis and Suggestion

Hypnotherapy isn't just Ellen's profession-it's a central metaphor for the novel's exploration of how we influence and are influenced by others. Through Ellen's practice, Moriarty introduces readers to the science behind hypnosis, dispelling myths (you can't get "stuck" in hypnosis; all hypnosis is ultimately self-hypnosis) while highlighting its genuine therapeutic applications. Ellen uses hypnosis to help clients quit smoking, lose weight, overcome phobias, and address deeper psychological issues. In one session, she helps an accountant with fear of public speaking by guiding him through age regression to discover the "Initial Sensitizing Event"-a humiliating preschool incident involving a snail, a crying girl, and destroyed Easter eggs. This detailed portrayal of hypnotherapy shows how adult behaviors often stem from childhood experiences we've consciously forgotten. The novel also explores how hypnotic suggestion operates in everyday life, often without our awareness. Ellen notes that "everyone is in a trance from birth due to societal hypnosis," referring to the unconscious adoption of social norms and expectations. Patrick's relationship with Colleen, for instance, continues to "hypnotize" him years after her death, influencing his behavior with Ellen in ways he doesn't fully recognize. When Patrick asks Ellen to hypnotize him to help with insomnia, she hesitates, recognizing the ethical complications of using her professional skills in a personal relationship. This boundary-crossing foreshadows a pivotal moment when, under hypnosis, Patrick reveals his deepest feelings about Colleen: "I will never love another woman like her... I look at Ellen and I think: It's not the same." This devastating revelation demonstrates how hypnosis can bypass conscious filters to access raw emotional truths. It also raises questions about whether some truths are better left unspoken-would Ellen and Patrick's relationship have been stronger if she never heard these words? The concept of suggestion extends beyond formal hypnosis to include the ways we unconsciously influence each other. Ellen plants a hypnotic trigger in Patrick-touching his shoulder to induce calm-which becomes significant during a crisis involving Saskia. Similarly, Ellen attempts to "unhypnotize" Saskia from her obsession with Patrick by suggesting she imagine closing and locking a door on her memories. Through these explorations of hypnosis and suggestion, Moriarty invites readers to consider how much of our behavior stems from unconscious programming and how susceptible we all are to influence-whether from therapists, lovers, or our own past experiences.

第 6 章

Family Dynamics and the Search for Identity

At its heart, "The Hypnotist's Love Story" is about the search for identity within the context of family-both the families we're born into and those we create. Ellen, raised by a single mother and two godmothers without knowing her father, has always felt a certain incompleteness in her understanding of herself. Her teenage diary reveals this anxiety: "As a fatherless daughter, I lack a template and fear becoming promiscuous." This fear has manifested in a series of failed relationships, including a significant one with Jon, an atheistic academic who subtly undermined her profession with his demands for "empirical evidence." Ellen's attraction to Patrick stems partly from his different approach-he respects her work and responds well to her hypnotic suggestions, symbolizing an acceptance of her complete self. The novel takes a dramatic turn when Ellen's mother Anne reveals she has reconnected with Ellen's father, who has divorced and moved back to Sydney from the UK. This revelation forces Ellen to confront her assumptions about her origins and identity just as she's preparing to create a new family with Patrick and Jack. Patrick's family dynamics are equally complex. His son Jack navigates relationships with multiple parental figures-his dead mother Colleen, whose photo he visits at the cemetery; his father Patrick; his former stepmother Saskia, who read "The Very Hungry Caterpillar" to him fifteen times in a row; and now Ellen, who struggles to find her place in this complicated history. When Jack has a disturbing dream about "Armageddon" that continues "like a movie that went on forever," it symbolizes the apocalyptic changes in his young life-losing his mother, gaining and losing Saskia, and now adjusting to Ellen and a new sibling on the way. Saskia's perspective adds another dimension to these family dynamics. She questions "when a caregiver crosses the line from babysitter to mother," lamenting that despite years of caring for Jack, she has no legal rights to maintain a relationship with him after her breakup with Patrick. Her grief over losing Jack is as intense as her grief over losing Patrick, highlighting how stepparents can form profound attachments without legal recognition. Through these intertwined family stories, Moriarty explores how our sense of identity is shaped by our family relationships-and how creating new families inevitably involves reconciling with the patterns established in our original ones.

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第 7 章

Pregnancy and New Beginnings

Ellen's unexpected pregnancy serves as both a complication and a catalyst in the novel. Discovered shortly after she begins dating Patrick, the pregnancy accelerates their relationship timeline and forces them to confront issues they might otherwise have avoided. It also creates a parallel between Ellen and Colleen, Patrick's late wife, while highlighting the contrast with Saskia, who desperately wanted children with Patrick but never conceived. The physical experience of pregnancy becomes a metaphor for Ellen's emotional journey. Her morning sickness-which Colleen reportedly never experienced-represents the difficulties of integrating into Patrick's complicated life. When Ellen bursts into tears at Colleen's parents' home after seeing a photo of Colleen with baby Jack, her excuse of "hormones" masks deeper anxieties about replacing a dead woman in her family's affections. For Saskia, Ellen's pregnancy represents a final loss-the child she might have had with Patrick. Finding Ellen's pregnancy test in the bathroom cabinet during a hypnotherapy session becomes a turning point in her obsession, triggering violent thoughts that frighten her with their intensity. The pregnancy also forces Ellen to reconsider her professional boundaries. As a hypnotherapist, she's accustomed to maintaining emotional distance from clients' problems, but impending motherhood makes her more vulnerable. During a session with Luisa, who ironically is seeing Ellen for "unexplained infertility," Ellen feels guilty about her accidental pregnancy. Patrick's reaction to the pregnancy reveals his complicated grief over Colleen. While externally supportive, he constantly compares Ellen's experience unfavorably to Colleen's "perfect" pregnancy. This pattern culminates in his hypnosis-induced confession that "I will never love another woman like her," suggesting he views Ellen and their child as a second-best replacement family. Despite these complications, the pregnancy ultimately represents hope and renewal. When Luisa calls Ellen in tears to announce her own natural pregnancy after years of trying, exclaiming "You got me pregnant!" it symbolizes Ellen's power to facilitate new beginnings-both for her clients and herself. The novel's conclusion, with Saskia glimpsing Ellen with her baby daughter in "a purple dress with little legs stuck straight out in front" at Circular Quay, suggests that new life can heal old wounds. Ellen has created the family she always wanted, while Saskia has found a different path forward, becoming godmother to her friend Kate's son.

第 8 章

The Road to Healing and Forgiveness

The novel's final act focuses on healing-not just from physical injuries after Saskia and Jack's accident on the stairs, but from the psychological wounds all the characters carry. This healing process requires both professional intervention and personal growth. Saskia's recovery begins in the hospital, where her fractured pelvis and broken ankle force her to be physically still for the first time since her obsession began. This enforced stillness creates space for reflection and connection with others. Her work colleague Lance, his wife Kate, and her old friend Tammy form an impromptu support network, showing Saskia that relationships exist beyond her fixation on Patrick. Ellen facilitates this healing by speaking to Saskia "in a professional voice," suggesting she has hit "rock bottom" like an addict and that this could be her turning point. Rather than condemning Saskia, Ellen acknowledges her own complicated feelings: "I was sort of addicted to you watching us. I found it strangely validating." This honesty creates space for Saskia to acknowledge her behavior without shame-inducing judgment. The legal system provides external structure for Saskia's recovery. The Apprehended Violence Order prohibiting her from approaching Patrick, combined with court-mandated psychiatric treatment, creates boundaries she couldn't establish for herself. Her psychiatrist's direct questions-"How do you think Patrick felt when you kept ringing him?"-force her to develop empathy and recognize that "violence isn't just physical. You took away all his power." Patrick's healing is less explicit but equally important. His initial reaction to Saskia's presence is rage-"I feel like I could kill her"-suggesting unprocessed trauma from years of stalking. His reluctance to pursue legal remedies earlier stems partly from guilt over how he ended their relationship shortly after Saskia's mother died. By finally establishing legal boundaries and focusing on his new family with Ellen, Patrick begins to move forward. For Ellen, healing involves reconciling her professional and personal selves. Initially, she keeps her discovery of "Deborah's" true identity from Patrick, blurring ethical boundaries between therapist and partner. After the accident, she recognizes the limitations of her approach, berating herself for the "superficial nonsense" she told Saskia about "closing the door forever" on her past. This self-awareness represents growth in both her personal and professional understanding. The novel's conclusion suggests healing doesn't require geographical separation (Saskia stays in Sydney despite Ellen's suggestion to leave) or complete resolution (Ellen never learns that Saskia's mysterious leg pain vanished after her accident). Instead, it comes through developing new connections and finding purpose beyond past wounds. Saskia becomes godmother to Kate's son, while Ellen creates the family she always wanted with Patrick, Jack, and their baby daughter.

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第 9 章

The Transformative Power of Perspective

Throughout "The Hypnotist's Love Story," Moriarty masterfully shifts between different characters' viewpoints, demonstrating how the same events can appear radically different depending on perspective. This narrative technique isn't just stylistic-it's thematic, suggesting that understanding others' perspectives is essential for genuine connection and growth. Ellen initially views Saskia as a fascinating case study-a real-life example of obsession she can observe with professional detachment. From Saskia's perspective, however, her behavior isn't clinical but deeply emotional, stemming from genuine love for Patrick and Jack combined with unprocessed grief over multiple losses. When Ellen admits she found Saskia's watching "strangely validating," it reveals how even "normal" relationships contain elements of performance and observation. Patrick's perspective adds another layer of complexity. What Ellen sees as harmless curiosity about his ex, Patrick experiences as a violation of privacy that triggers traumatic memories. His reluctance to discuss Saskia stems not from secrecy but from a desire to protect his hard-won peace of mind. The novel's most powerful perspective shifts occur around Jack. From Ellen's viewpoint, he's Patrick's son whom she must win over to secure her place in their family. From Saskia's perspective, he's the child she helped raise for years, reading "The Very Hungry Caterpillar" fifteen times in succession and caring for him during asthma attacks. From Patrick's view, Jack is Colleen's legacy-a living reminder of his first love who needs protection from emotional upheaval. When Jack himself speaks, his perspective cuts through adult complications with childlike directness. Asked about gaining both a stepmother and a sibling, he simply hopes for "a baby brother he can teach stuff." His nightmare about "Armageddon" reveals how children absorb adults' emotional turmoil even when they can't articulate it. The novel's structure reinforces this theme by alternating between Ellen's third-person narrative and Saskia's first-person sections. This technique creates empathy for Saskia despite her troubling behavior, making readers question the boundaries between "normal" attachment and unhealthy obsession. In the final chapter, Saskia spots Ellen with her baby daughter at Circular Quay. For a moment, their perspectives almost converge-Saskia thinks Ellen is smiling at her and considers approaching to share that her mysterious leg pain has vanished. Then she realizes Ellen is smiling at someone else, possibly Patrick or Jack. Without turning to confirm, Saskia continues walking, "melting into the crowd." This ending suggests that healing comes not from forcing perspectives to align but from respecting their inevitable differences and finding peace within one's own. Through these shifting viewpoints, Moriarty invites readers to consider how our limited perspectives shape our judgments of others-and how expanding those perspectives might lead to greater compassion and understanding.

★★★★★

你已读完《催眠师的爱情故事》摘要

“坚持使用 23 天了，我每天都会打开它。它现在已经成为我的日常习惯。”

jayallen

《催眠师的爱情故事》摘要中的核心主题

stalking psychology
professional ethics
romantic obsession
blended family dynamics
grief and widowhood

《催眠师的爱情故事》摘要精选金句

Moriarty doesn't just write about obsession-she makes her readers obsessed with her characters.
I find it sort of interesting.
It's like an addiction.
Ellen admits she finds Saskia's obsession strangely validating.

《催眠师的爱情故事》摘要中的人物

Ellen O'FarrellA 35-year-old hypnotherapist and protagonist
Patrick ScottA widowed surveyor with a stalker ex-girlfriend
SaskiaPatrick's obsessive ex-girlfriend and stalker
ColleenPatrick's deceased wife and mother of Jack

关于作者

莉安·莫里亚蒂（Liane Moriarty）是畅销书《催眠师的情书》（The Hypnotist's Love Story）的澳大利亚作者，也是融合了浪漫、悬疑和心理惊悚题材的当代小说大师。莫里亚蒂1966年出生于悉尼，她将自己在广告和营销领域的背景融入创作，塑造出对人际关系、秘密以及现代生活复杂性观察入微的故事。

《催眠师的情书》探讨了痴迷、爱情以及治疗师与客户之间模糊界限的主题，展现了她在平凡设定中刻画身处非凡境遇的多层次人物的才华。

在成为全职小说家之前，莫里亚蒂在麦考瑞大学获得了硕士学位，并在那里创作了她的处女作《三个愿望》（Three Wishes）。此后，她出版了十部小说，其中包括《纽约时报》榜首畅销书《大小谎言》（Big Little Lies）、《丈夫的秘密》（The Husband's Secret）、《九个完美陌生人》（Nine Perfect Strangers）以及《苹果永远不会落下》（Apples Never Fall）。

她的作品在全球销量已超过2000万册，并被翻译成40多种语言。她的三部小说已被改编成屡获殊荣的电视剧，其中《大小谎言》荣获了八项艾美奖。莫里亚蒂与丈夫及两个孩子定居在悉尼，并继续创作引起全球读者共鸣的小说。

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学习计划

The Anatomy of a Revenge Swap

This plan is essential for writers and storytellers looking to master the dark mechanics of psychological thrillers. It is specifically designed for those interested in exploring the thin line between justice and vengeance through the lens of complex female protagonists.

1 h 30 m•3 章节

由哥伦比亚大学校友创建 | 源自旧金山

BeFreed 汇聚全球求知若渴的学习者

4.7

平均评分

7,840+ 条 App 评分

BeFreed 社区

说真的，我还没把这个 app 完全摸透，但用了这几天已经被惊艳到了… BeFreed 和我用过的任何学习类 app 都不在一个层级。它让人特别投入，还能实实在在地提升专注力，对刷手机停不下来的人来说太合适了！

@ladyInfinity

我买 BeFreed 正好 23 天，从那以后每天都在用。它已经完全融入了我的日常工作流和学习习惯。

@jayallen

说实话，这个 app 超出了我所有的预期。我可以让它就任何主题生成音频，无论是什么，效果都很惊艳。我的专业领域是心理治疗方向，而且是多学科交叉的，但它给出的内容非常准确。

@Raguipa

我最感激的是它大大减少了我刷手机的时间——花在搜索上的时间少了，吸收信息的时间多了。完整有声书、播客加上学习计划的组合，真的很出色。

@colonyofcreatorsNGO

我做 PhotoReading 快速学习讲师已经 24 年了… 书籍、阅读和学习就是我的本行，而 BeFreed 用一种创新的方式，把知识变得特别容易吸收，做得非常出色。

@BeFreed user

它不只是一个书籍摘要 app。我用过「有趣」这个阅读模式，比传统方式的摘要好得多，理解观点也更容易，光这一点就值回票价。

@austinakon

我爱这个 app。用了几天，完全停不下来。作为开始，再好不过了。

@jcrules328

我真的很喜欢这个产品；已经试用了大概一个月，感觉挖到宝了。它特别好用，因为我可以用 BeFreed 创建自己想学的主题，声音也很棒，旁白选择多到用不完。

@DanielCZ

说真的，我还没把这个 app 完全摸透，但用了这几天已经被惊艳到了… BeFreed 和我用过的任何学习类 app 都不在一个层级。它让人特别投入，还能实实在在地提升专注力，对刷手机停不下来的人来说太合适了！

@ladyInfinity

我买 BeFreed 正好 23 天，从那以后每天都在用。它已经完全融入了我的日常工作流和学习习惯。

@jayallen

说实话，这个 app 超出了我所有的预期。我可以让它就任何主题生成音频，无论是什么，效果都很惊艳。我的专业领域是心理治疗方向，而且是多学科交叉的，但它给出的内容非常准确。

@Raguipa

我最感激的是它大大减少了我刷手机的时间——花在搜索上的时间少了，吸收信息的时间多了。完整有声书、播客加上学习计划的组合，真的很出色。

@colonyofcreatorsNGO

我做 PhotoReading 快速学习讲师已经 24 年了… 书籍、阅读和学习就是我的本行，而 BeFreed 用一种创新的方式，把知识变得特别容易吸收，做得非常出色。

@BeFreed user

它不只是一个书籍摘要 app。我用过「有趣」这个阅读模式，比传统方式的摘要好得多，理解观点也更容易，光这一点就值回票价。

@austinakon

我爱这个 app。用了几天，完全停不下来。作为开始，再好不过了。

@jcrules328

我真的很喜欢这个产品；已经试用了大概一个月，感觉挖到宝了。它特别好用，因为我可以用 BeFreed 创建自己想学的主题，声音也很棒，旁白选择多到用不完。

@DanielCZ

我特别喜欢它能把有用的信息和想法浓缩成 8-15 分钟的播客式音频。我本来不太爱听播客，因为废话太多，但它把这些全都去掉了。

@BeFreed user

我正在读博士的最后阶段，需要读大量不熟悉的材料… 用 BeFreed，只要输入一个提示，app 就会帮你找到源材料并生成一期音频播客。我觉得 BeFreed 的流程比 NotebookLM 更顺畅。

@Brad

我经常在做早餐、散步、通勤的时候上 YouTube 找点东西听，而 BeFreed 提供了更有针对性的选择，没有广告，也没有废话！

@BeFreed user

这个平台最棒的地方是它的多面性。真的没有任何主题是它讲不了的，你丢给它什么它都能处理… 很少能找到一个毫无限制、又真正兑现承诺的学习工具。

@jayallen

BeFreed 太棒了。界面好用，让我花在找功能上的时间更少，花在学习上的时间更多。有声书、播客和学习计划的组合是天才设计，彻底改变了我的日常。

@BeFreed user

一开始我花了点时间才弄明白怎么生成意大利语的播客，然后就——哇！太棒了！我可以让它讲解任何一个话题，它讲得又好又聪明！

@matteo77

BeFreed 已经成了我每天都用的有声书 app… 我最喜欢的是，把自己的文字放进去，它就能生成随时随地都能听的音频。

@kotanzu1

我特别喜欢它能把有用的信息和想法浓缩成 8-15 分钟的播客式音频。我本来不太爱听播客，因为废话太多，但它把这些全都去掉了。

@BeFreed user

我正在读博士的最后阶段，需要读大量不熟悉的材料… 用 BeFreed，只要输入一个提示，app 就会帮你找到源材料并生成一期音频播客。我觉得 BeFreed 的流程比 NotebookLM 更顺畅。

@Brad

我经常在做早餐、散步、通勤的时候上 YouTube 找点东西听，而 BeFreed 提供了更有针对性的选择，没有广告，也没有废话！

@BeFreed user

这个平台最棒的地方是它的多面性。真的没有任何主题是它讲不了的，你丢给它什么它都能处理… 很少能找到一个毫无限制、又真正兑现承诺的学习工具。

@jayallen

BeFreed 太棒了。界面好用，让我花在找功能上的时间更少，花在学习上的时间更多。有声书、播客和学习计划的组合是天才设计，彻底改变了我的日常。

@BeFreed user

一开始我花了点时间才弄明白怎么生成意大利语的播客，然后就——哇！太棒了！我可以让它讲解任何一个话题，它讲得又好又聪明！

@matteo77

BeFreed 已经成了我每天都用的有声书 app… 我最喜欢的是，把自己的文字放进去，它就能生成随时随地都能听的音频。

@kotanzu1

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