
From 1713's first copyright laws to today's streaming wars, legendary manager Simon Napier-Bell exposes music's shadiest dealings. Ever wonder how technological revolutions repeatedly transformed an industry built on exploitation? This insider's account reveals why the tune remains the same - the money always wins.
通过作者的声音感受这本书
将知识转化为引人入胜、富含实例的见解
快速捕捉核心观点,高效学习
以有趣互动的方式享受这本书
Picture a cramped office where power plays out through humiliation. Mike Stewart, president of United Artists Music, forces his sidekick Murray Deutch to get an unnecessary shoeshine-not because his shoes need it, but because he can. This wasn't cruelty; it was Tuesday in the music business. The year was 1966, and this jelly-like executive wanted young manager Simon Napier-Bell to join his stable of songwriters trapped in the Brill Building's tiny rooms, churning out hits like factory workers. Napier-Bell walked away, but the scene haunted him. Managing The Yardbirds meant navigating an industry he didn't understand-an industry built on a foundation most people never question: someone can own a song. Not the recording, not the performance, but the song itself. This simple legal principle, established in 1710 when Britain's Statute of Anne declared that written works could be owned as property, created an entire ecosystem of hustlers, visionaries, and artists. What began as a fourteen-year monopoly on sheet music evolved into a global business that would shape culture, exploit talent, and occasionally produce magic.
将《Ta-Ra-Ra-Boom-De-Ay: The Dodgy Business of Popular Music》的核心观点拆解为易于理解的要点,了解创新团队如何创造、协作和成长。
将《Ta-Ra-Ra-Boom-De-Ay: The Dodgy Business of Popular Music》提炼为快速记忆要点,突出坦诚、团队合作和创造力的关键原则。

通过生动的故事体验《Ta-Ra-Ra-Boom-De-Ay: The Dodgy Business of Popular Music》,将创新经验转化为令人难忘且可应用的精彩时刻。
随心提问,选择声音,共同创造真正与你产生共鸣的见解。

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