
Lucy Score's #1 New York Times bestseller completes her addictive Knockemout trilogy with Lucian and Sloane's enemies-to-lovers saga. With 30,000+ reviews and multiple collector's editions, this 698-page emotional rollercoaster proves why Score's work has been translated into thirty languages and optioned for television.
Lucy Score is the #1 New York Times bestselling author of Things We Left Behind, the third installment in her wildly popular Knockemout series that has captivated millions of readers with its perfect blend of steamy romance, laugh-out-loud humor, and small-town charm. Born in 1980 and raised in a literary family in Pennsylvania, Score specializes in contemporary romance that delivers both heartfelt emotion and sizzling chemistry.
After being unexpectedly fired from her corporate job in 2015, Score's second novel Pretend You're Mine rocketed to #1 on Amazon, launching her full-time writing career.
Her breakout hit Things We Never Got Over, the first book in the Knockemout series, made her an instant NYT bestseller and secured a television development deal with Amazon MGM Studios. Known for her fiercely loyal fanbase and signature witty voice, Score has sold millions of books worldwide, with her work translated into 31 languages.
Things We Left Behind is a romance novel following Sloane Walton, a small-town librarian, and Lucian Rollins, a wealthy political consultant, as they navigate rekindled feelings amid unresolved past trauma. Set in Knockemout, Virginia, the story explores their enemies-to-lovers dynamic as they work together on a legal case involving corruption and justice while confronting family legacies. The novel balances emotional depth, humor, and suspense as both characters heal from grief and learn to trust again.
Things We Left Behind is perfect for romance readers who enjoy enemies-to-lovers dynamics, second-chance storylines, and emotionally complex characters. Fans of small-town romance with substance will appreciate the blend of steamy scenes, family drama, and themes of justice and personal growth. Readers seeking stories about healing from trauma, confronting family legacies, and building authentic relationships will find this compelling. The book appeals to those who want romance with deeper emotional layers beyond typical contemporary fiction.
Things We Left Behind offers more than typical romance by combining passionate chemistry with substantial themes like grief, justice, and family legacies. Lucy Score crafts emotionally layered characters facing real trauma while maintaining humor and tension throughout. The dual timeline revealing Sloane and Lucian's complicated past adds depth to their present-day reconciliation. Readers appreciate the balance of steamy romance, suspenseful legal drama, and character growth, making it a satisfying read for those seeking both entertainment and emotional substance.
Things We Left Behind can be enjoyed as a standalone despite being the third book in Lucy Score's Knockemout series. While previous characters appear and earlier couple's weddings feature in the plot, the story focuses primarily on Sloane and Lucian's relationship with sufficient context provided. Reading the earlier books enhances understanding of secondary characters and community dynamics but isn't necessary to follow the main storyline. New readers can start here and backtrack if they enjoy Score's writing style and world-building.
Sloane Walton and Lucian Rollins share a complicated history as childhood neighbors and former best friends whose bond was shattered by traumatic events involving Lucian's abusive father. Their relationship evolves from mutual animosity and bickering to undeniable chemistry when forced proximity reignites long-suppressed feelings. Initially engaging in secret encounters, they gradually confront past wounds and current obstacles, including Lucian's refusal to consider marriage and children due to fear of repeating his father's patterns. Their journey demonstrates how trust and vulnerability can overcome deep-seated trauma.
Things We Left Behind explores family legacies as both characters grapple with their fathers' opposing influences—Sloane honoring her father's justice work while Lucian seeks to erase his father's abusive legacy. The novel examines grief, trauma, and healing as both protagonists process unresolved pain affecting their ability to trust and love. Justice and community support emerge through Sloane's legal aid work for wrongfully imprisoned Mary Louise. Additional themes include forgiveness, revenge, personal growth, and the transformative power of genuine connection in overcoming past damage.
The Mary Louise case involves a woman serving an unjust 20-year prison sentence that Sloane's father, Simon, had been investigating before his death. After Simon's funeral, Mary Louise's son Allen asks Sloane to help appeal his mother's conviction, leading Sloane to establish a legal aid foundation with friends Lina and Naomi. The case connects to crime boss Anthony Hugo's corrupt network of private prisons and bribed judges. Sloane's pursuit of justice triggers escalating threats, including library arson and physical attacks, ultimately exposing widespread corruption and securing Mary Louise's release.
Things We Left Behind elevates the enemies-to-lovers trope by grounding antagonism in genuine trauma rather than superficial misunderstandings. Sloane and Lucian's bickering stems from a painful shared past involving Lucian's abusive father, creating authentic emotional barriers. Their chemistry builds through forced proximity and accidental foreplay during arguments, leading to a passionate one-night stand that neither can forget. Score masterfully balances sexual tension with emotional vulnerability as both characters confront why they truly pushed each other away, making their reconciliation deeply satisfying and earned.
Family legacy drives both protagonists' motivations and conflicts in Things We Left Behind. Sloane inherits her father Simon's commitment to justice and community service, immediately establishing a legal aid foundation to continue his work helping those in need. Conversely, Lucian dedicates his life to erasing his abusive father Ansel's stain on the Rollins name through his consulting firm supporting ethical politicians. The contrasting legacies highlight how parental influence shapes identity, with Sloane embracing her inheritance while Lucian fights to overcome his, creating tension about their future together.
Things We Left Behind concludes with Sloane and Lucian achieving their happily-ever-after through marriage and commitment to building a family together. Lucian reverses his vasectomy, symbolizing his willingness to overcome fear and embrace the future Sloane desires. The corrupt officials threatening them are exposed and imprisoned, securing justice for Mary Louise and the community. The couple establishes a foundation honoring Simon's legacy while creating their own path forward. Their Christmas Eve wedding celebrates their journey from childhood friends to estranged enemies to devoted partners.
Lucian Rollins captivates as a complex character haunted by his abusive father's legacy while building an empire dedicated to justice and moral politics. His "broken men break women" belief system creates internal conflict as he simultaneously loves Sloane yet fears damaging her. Score layers his wealthy, controlled exterior with deep vulnerability, guilt over their fractured past, and fierce protectiveness. His transformation from emotionally unavailable mogul to committed partner willing to reverse his vasectomy demonstrates genuine character growth rooted in confronting trauma rather than convenient plot resolution.
Things We Left Behind distinguishes itself by combining second-chance romance with legal thriller elements and social justice themes rather than relying solely on relationship drama. Unlike typical second-chance stories, Sloane and Lucian's separation stems from childhood trauma and protective instincts rather than simple misunderstandings. Score integrates substantial subplots involving corrupt officials, wrongful imprisonment, and community activism that raise stakes beyond romantic reconciliation. The small-town setting and ensemble cast create depth while maintaining focus on the central couple's emotional journey, offering both escapist romance and meaningful substance.
저자의 목소리로 책을 느껴보세요
지식을 흥미롭고 예시가 풍부한 인사이트로 전환
핵심 아이디어를 빠르게 캡처하여 신속하게 학습
재미있고 매력적인 방식으로 책을 즐기세요
You don't count as company.
Don't play with me, Pixie.
like she's the goddamn sun.
Not everyone gets to be happy.
a reminder of my bravery
Things We Left Behind의 핵심 아이디어를 이해하기 쉬운 포인트로 분해하여 혁신적인 팀이 어떻게 창조하고, 협력하고, 성장하는지 이해합니다.
Things We Left Behind을 빠른 기억 단서로 압축하여 솔직함, 팀워크, 창의적 회복력의 핵심 원칙을 강조합니다.

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Sloane Walton is grieving her father's death when Lucian Rollins-her childhood neighbor and current nemesis-appears at the funeral. Their first encounter in years crackles with unresolved tension. He's frustratingly attentive, ordering her favorite breakfast burrito and lending her his expensive coat, while she bristles at his self-control and cold demeanor. Their interaction reveals years of unspoken history masking a deeper connection. Their relationship operates on a delicate balance-when Sloane returns Lucian's coat with a burger and fries, she declares, "You don't count as company," establishing their pattern of never exchanging thanks. Their banter cuts deep, with Sloane calling him "Lucifer" while he pushes her away despite obvious attraction. When they accidentally touch, Lucian warns, "Don't play with me, Pixie," using her childhood nickname. This antagonism stems from their complicated past. As teenagers, they formed an unlikely friendship-Lucian found sanctuary in Sloane's bedroom, listening to Shania Twain and finding rare peace away from his abusive home. When Sloane tried helping by calling police during a violent incident with his father, it led to Lucian's arrest and a permanent rift between them. Now adults, they circle each other warily. Their friends see what they refuse to admit-Knox observes that Lucian looks at Sloane "like she's the goddamn sun." Despite mutual declarations that they're terrible for each other, their bodies betray them whenever they're close, creating a tension impossible to resist.