What is *The Witches Are Coming* by Lindy West about?

*The Witches Are Coming* is a sharp, humorous essay collection critiquing modern societal norms through a feminist lens. West tackles post-2016 political backlash, misogyny, toxic masculinity, and pop culture’s role in normalizing oppression, using references from *Ghostbusters* to Donald Trump. The title metaphor challenges patriarchal fearmongering, declaring, “Yes, we are witches—and we’re hunting you.”

Who should read *The Witches Are Coming*?

This book appeals to feminists, social justice advocates, and readers seeking incisive cultural criticism blended with humor. Fans of West’s prior work (*Shrill*) or writers like Rebecca Solnit will appreciate her unapologetic analysis of gender, power dynamics, and media. It’s ideal for those exploring intersectional feminism or disillusioned by post-Trump political rhetoric.

Is *The Witches Are Coming* worth reading?

Yes—readers praise its quotable prose, laugh-out-loud snark, and timely insights. Goodreads reviewers highlight its “biting wit” and “scholarly rhetoric,” calling it a standout in feminist literature. West balances levity with urgent critiques, making complex topics accessible while offering actionable optimism.

What are the main themes in *The Witches Are Coming*?

- **Accountability**: Examines systemic complicity in oppression, from #MeToo to racist media narratives. - **Pop culture critique**: Analyzes films, TV, and public figures (e.g., Adam Sandler, *Forrest Gump*) as vectors for harmful ideologies. - **Witch symbolism**: Reclaims “witch” as a label for women resisting patriarchal control.

How does *The Witches Are Coming* address feminism and politics?

West argues that 2016’s political shifts exposed existing societal fractures, particularly misogyny and white supremacy. She critiques both conservative policies and liberal complacency, urging collective action over “individual fixes” to systemic issues. Essays dissect abortion rights, rape culture, and media’s role in shaping public perception.

What iconic quotes are in *The Witches Are Coming*?

While direct quotes are restricted in reviews, readers highlight lines like: - “We’re not melting—we’re burning shit down.” - “The truth is not an algorithm; the truth is a searchlight”. These encapsulate West’s blend of defiance and clarity, often cited for social media shares.

How does this book compare to Lindy West’s *Shrill*?

While *Shrill* focuses on personal essays about body positivity and identity, *The Witches Are Coming* adopts a broader sociopolitical scope. Both use humor, but the latter emphasizes systemic critique over memoir, reflecting West’s evolution from individual to collective advocacy.

What criticisms exist about *The Witches Are Coming*?

Some readers note West’s sarcastic tone may alienate those unfamiliar with her style, and her focus on U.S.-centric issues limits global applicability. However, most praise her ability to 平衡 wit with substantive analysis.

마녀들이 온다 요약

린디 웨스트

4.1(26125 Reviews)

마녀들이 온다 요약 개요

"The Witches Are Coming"에서 뉴욕타임스 작가 린디 웨스트(Lindy West)는 #MeToo 이후의 페미니즘 담론을 재정의한 날카로운 에세이들을 통해 미국 문화 속의 여성 혐오를 명쾌하게 해체합니다. 굿리즈 초이스 어워드(Goodreads Choice Award) 후보에 오른 이 컬렉션은 "마녀사냥"이라는 비난을 전 세계의 진실을 말하는 이들을 위한 전투의 함성으로 탈바꿈시킵니다.

전달 방식을 선택하세요

다양한 학습 방식으로 마녀들이 온다 요약 살펴보기

마녀들이 온다의 같은 아이디어를 담았습니다. 나에게 맞는 목소리, 깊이, 속도를 고르고 언제든 바꿔 보세요.

1장

When Witches Speak Truth to Power

In a Chicago queer bar, a white man in his forties complains he's "NOT ALLOWED TO DANCE" because a woman rejected him. When advised he could dance without touching strangers, he asks for backup "if something goes wrong." This encounter perfectly captures our cultural moment - men confusing being asked to respect boundaries with being forbidden from basic human activities. When called out for wrongdoing, they claim to be victims of "witch hunts," a ridiculous comparison to historical witch trials where tens of thousands were tortured and executed. No one loves this deflection more than Donald Trump, who has tweeted "witch hunt" hundreds of times. But what if the witches really are coming - not with pitchforks and torches, but with truth and accountability? In her New York Times bestseller, Lindy West confronts our cultural myths with sharp humor and unflinching honesty, challenging us to examine who benefits when certain stories go unquestioned.

2장

The Mythology of Male Mediocrity

I once set out to watch every major Adam Sandler movie to understand his cultural impact. After eight films and his 1993 comedy album, I realized something profound: there was never an Adam Sandler for girls. No one making blockbuster comedies about girls being gross and having fun. From "Happy Gilmore" to "Little Nicky," Sandler's films follow a predictable formula: he plays a loser who's secretly THE BEST, talks in a funny voice, has anger issues that somehow benefit him, is secretly amazing at some sport or skill, urinates in public, behaves like a giant baby, and despite being deeply unappealing, attracts a beautiful woman. In "Big Daddy," he kidnaps a child and teaches him inappropriate behaviors while degrading Leslie Mann's character for working at Hooters to put herself through law school. In "That's My Boy," he plays a character who fathers a child with his middle school teacher - turning statutory rape into comedy. These films normalize harmful ideas: women as prizes for male growth, women lusting after men who offer nothing, women shamed for their sexuality or punished for rejecting men. White men failing upward has become so normal it distorts our perception of quality. If Ellen Cleghorne had made something as terrible as "Little Nicky," would she have gotten to make seventy-seven more films? Or even one? Yet Sandler was also a product of his time, reflecting those values while trying to make people laugh. The real problem isn't just the movies themselves but the emptiness around them - I don't begrudge straight white boys their abundance, I just wish the rest of us had had the same. When I saw Sandler host SNL years later, I unexpectedly cried watching the male cast members perform their Sandler impressions. They were simultaneously kids again and the men those kids dreamed of becoming. It was magical because Sandler was FOR THEM - in his worlds, comedy boys were king. Girls deserved more than just a reflected glow.

들리는 모든 단어를 눈으로 확인하세요

마녀들이 온다 요약의 각 단어가 오디오에 맞춰 실시간으로 강조되어 편하게 따라 읽을 수 있습니다.

3장

The Myth of Male Charm and Institutional Power

For as long as I can remember, I've been convinced a man would sneak into my house and murder me. When Netflix released their Ted Bundy documentary series in 2019, it was irritating watching everyone suddenly become Bundy experts. Some of us have had "List of serial killers by number of victims" bookmarked since 2006! What strikes me most about Bundy isn't his supposed charisma but how little charisma he actually needed. Billy McFarland, the Fyre Festival con artist, is the most obvious bumbling dumbass ever birthed by the universe - yet good people were conned by him. Ted Bundy and Billy McFarland are both more charming than Donald Trump, who still pratfalled into becoming the most powerful man on earth. America's bootstrap ethos conditions people to cheer deregulation and beg for the removal of consumer protections. We're literally asking to be conned. The past few decades have been a tug-of-war over the benefit of the doubt - Black Lives Matter demands white America adjust its assumptions about cops and criminals, while #MeToo demands we reexamine what credibility looks like. Institutional benefit of the doubt is monstrously powerful, turning lies into truth through incantation. When Judge Edward Cowart sentenced Bundy to death, he still praised him: "You're a bright young man. You'd have made a good lawyer... I don't feel any animosity toward you." This isn't evidence of Bundy's charisma - it's evidence that men don't need charisma to succeed. I wonder how many of Bundy's victims would have made good lawyers. I wonder how many female lawyers Judge Cowart mentored. Is there such a thing as a likable woman? Likability in a sexist, racist culture isn't objective - it's compulsory femininity, invisible labor, whiteness, smallness, sweetness. If someone is universally likable, I don't trust them. We will not play likability anymore - it's an endless runner game that keeps women from accruing real power. "Witch" is what we call a woman who demands the benefit of the doubt, who speaks truth, who punctures the con. A witch has power, and power in women isn't likable.

4장

The Media That Shapes Us

Growing up, I didn't chafe at shallow representations of women on screen; I took notes. From makeover shows I learned I was ugly. From romantic comedies I learned stalking means he loves you. From Disney movies I learned if I made my waist small enough, a man might marry me. From "The Smurfs" I learned boys can have seventy-eight possible personalities and girls can have one: "high heels." From "The Breakfast Club" I learned rage is the selling point of an alluring bad boy, not the red flag of an abuser. In "Revenge of the Nerds," the heroes install hidden cameras in women's bathrooms and commit sexual assault by deception. In "Weird Science," virgins just MADE A WOMAN. Remember Fat Monica? I need a separate therapist just for Fat Monica. Two years after Weinstein's fall, Hollywood is in an unprecedented sociopolitical reckoning. To make that reckoning stick, we must examine how show business helped create this mess. No matter how many inspirational memes we create about equality, the culture that sells is still on-screen showing us how people are supposed to look and talk and fuck. I know what "The Bachelor" contestants look like. "The Biggest Loser" ran for seventeen seasons. Victoria's Secret won't feature trans or fat models because it's selling "a fantasy." Thin people would still do anything not to look like me. What we need from Hollywood is about a hundred years of phase cancellation - not just neutrality or "nice," but new work that actively challenges old assumptions and offers radical models for how to conceive ourselves. We need artists and studios fighting for diversity because it's right. Unseating powerful abusers is a start, but not an end unless we radically change the power structure and shared values. The solution? You do it. On my show "Shrill," we made choices about stories, characters, casting, writers, directors and crew. Whatever your sphere, you can make choices within it. Be a demon about diversity and never let anyone sleep.

마녀들이 온다 요약에서 더 많은 것을 얻으세요

매일 새로운 인사이트를 10만 개 이상의 레슨에서 만나보세요
단어가 강조되어 오디오와 실시간으로 동기화됩니다
내 라이브러리를 저장하고 모든 기기에서 이용하세요

5장

The Complicated Relationship with Our Heroes

I've developed a minor ailment I'm not ashamed of but don't broadcast: I'm obsessed with "Guy's Grocery Games" and will watch as many consecutive episodes as the Food Network feeds me. Guy Fieri does the same joke in every episode. When contestants are poised at the starting line awaiting his "Three, two, one, GO!" command, he tricks them with casual conversation. "You know, Three Dog Night is a great band. I saw them two years ago at Clearwater Casino. But they didn't play 'One (Is the Loneliest Number).' I had to go ask for my money back." As the contestants look confused, Fieri turns to the camera: "Not so quick, are they?" When they finally realize the countdown was hidden in his anecdote, they panic while Fieri luxuriates in his deception. My favorite thing about Fieri is that he's objectively terrible at talking about food, saying only four things: "That's the real deal!" "You've got the salty from the pork, the sweet from the sauce, the crunchy from the lettuce!" "Killer!" and "This is Flavortown, baby." When he interacts with actual celebrity chefs, they show him kindness and encouragement rather than mockery. There's something endearing about his gaucherie - watching competent colleagues humor this saxophone of a man bungling around like a golden retriever is medicine during difficult times. But if it's revealed Guy Fieri owns a puppy mill or did 9/11, he'll pass from my life like many before him. This is the slow work of progress. Chip and Joanna Gaines of "Fixer Upper" fame are another comfort. Their formula is simple: live in Waco where mansions cost $74,000, knock down walls, cover everything in "shiplap," add a giant wall clock, hire a youth pastor/blacksmith to make custom art. Their charming banter and perfect relationship make them #goals. But in 2016, BuzzFeed reported the Gaineses attended Antioch Community Church, whose pastor believes in conversion therapy for LGBTQ people - a cruel practice condemned by medical associations but still legal in 41 states. For the general public, the controversy didn't stick, but LGBTQ fans now have to think about it whenever they watch the show. People aren't binary; they're not good or bad. There's nothing wrong with asking for accountability from those we admire. Every person is, to varying degrees, a fixer upper.

6장

The Wellness Industry's Class Problem

I traveled to Culver City for In Goop Health, Gwyneth Paltrow's inaugural "health and wellness expo" where women paid between $500-$1,500 to attend. Color-coded bracelets indicated whether you were a Lapis ($500), Amethyst ($1,000), or Clear Quartz ($1,500) Gooper, with more money buying more activities like foam roller workouts, "sound baths," or lunch with "GP" herself. The venue featured wellness stations where Goop's "resident shaman" would tell you which crystal you needed, a tent for aura photography, an oxygen bar, and IV drips. Food came in tiny portions: vegan donuts, quinoa and lox in seaweed, unsalted bone broth. The Goop Marketplace sold face potions and the infamous $55 jade eggs that Goop suggested women carry in their vaginas. In 2014, I tested Paltrow's diet book "It's All Good" for a week, spending $300 on three days' worth of groceries. The experience was a disaster: I nearly vomited from wet almonds (which Paltrow insists must be soaked to break down their difficult-to-digest enzyme coating), exploded soup in my blender, set chicken on fire, and made an avocado smoothie that "could give diarrhea an existential crisis" though Paltrow called it "beautiful." Despite my mishaps, most recipes were actually delicious. But the diet required hours of daily chopping and cleaning, making it practical only for people with flexible schedules, disposable income, and household help - people with Clear Quartz bracelets. The class implications of making wealth a prerequisite for "wellness" never came up at the expo. The women were having fun, connecting in the spontaneously intimate way women often do, just dressed in the language of magic and monetized wellness. I don't mock people who believe in crystals - it's not that different from organizing your life around Fitbits or bullet journaling, as long as you're not promising miracles or replacing vaccines with carnelian. The event was shockingly white - I counted maybe ten people of color among hundreds of attendees. The panels avoided politics entirely, though you can't honestly address "wellness" without addressing poverty, racism, healthcare access, and reproductive rights - unless you're only talking about people who are already disproportionately well.

들리는 모든 단어를 눈으로 확인하세요

마녀들이 온다 요약의 각 단어가 오디오에 맞춰 실시간으로 강조되어 편하게 따라 읽을 수 있습니다.

7장

The Danger of False Equivalence

South Park is still on the air, though it premiered when I was a freshman in high school. Back then, it was considered so outrageous that my husband wasn't allowed to watch it growing up. In the 90s, South Park was seen as dangerously edgy content "BY BAD BOYS FOR BAD BOYS." But now, creators Trey Parker and Matt Stone are middle-aged millionaire dads, yet we still treat South Park like the daring vanguard of counterculture. Their ideology hasn't perceptibly shifted in twenty-two seasons. For decades, they've positioned themselves as the only "Reasonable Men" who stand against both Right and Left, insisting both sides are equally stupid and worthy of mockery. They've created a neat trap: criticize the show, and you're just a moral scold, a "boring person." The only acceptable position is nihilistic detachment. But both sides are not equally bad or stupid. This false equivalence has become extinction-level dangerous, especially regarding climate change. When Republicans are separating children from parents at the border and calling for a return to coal while we have perhaps thirty years before there's no more ice, smirking at liberals for being "social justice warriors" crosses from contrarianism into detached-from-reality psychopathy. In 2018, the People for the American Way gave Parker and Stone a "Freedom Award." When accepting, they announced "We're republicans," causing nervous laughter from the liberal audience. But this wasn't news - they've been publicly identifying as Republicans since at least 2001. Their "South Park Republicanism" became a proto-alt-right movement of young white men who felt "bullied" by liberals and fought back with irreverence and vicious stereotyping. The idea that "people on the far left and far right are the same exact person" is dangerous. While liberals are imperfect, Republicans literally want to strip healthcare, suppress wages, expand gun access, cage refugees, force unwanted births, roll back LGBTQ rights, and extract every last resource from our ecosystem until everything burns, starves or drowns. There is no cool version of conservatism - to conserve inherently means embracing stasis because the current system benefits certain people very well.

8장

Abortion Stories as Radical Truth-telling

From the moment I considered turning my memoir Shrill into a TV show, I insisted on including an abortion in the pilot episode. I mentioned it repeatedly in every meeting, making it clear: "we're putting an abortion in the pilot, and we're doing it right." The resulting Hulu series features Annie Easton getting pregnant from casual sex and having an abortion simply because she doesn't want to be pregnant - a truth that "wanting an abortion is the same as needing an abortion." The show depicts Annie receiving compassionate care at Planned Parenthood with her best friend beside her, feeling "relieved, grateful, and powerful" afterward. My real abortion was similar, except I went alone - something I might have done differently had I seen such representation on television. Annie's experience isn't universal - she's white, insured, and lives in a state without waiting periods or forced ultrasounds - but it represents countless underrepresented abortion stories like mine. In 2015, while writing Shrill and amid national hysteria about Planned Parenthood "selling baby parts," my friend Amelia Bonow texted that she'd just posted about her abortion on Facebook. We'd recently discussed why so few friends knew about our abortions despite neither of us feeling ashamed. We realized abortion stigma was creating silence that anti-choice voices filled with lies. When Amelia wrote "I have a good heart and having an abortion made me happy in a totally unqualified way," I shared it on Twitter with #ShoutYourAbortion. The hashtag exploded globally, with people sharing stories of freedom from shame, illegal abortions in religious countries, late-term procedures for nonviable pregnancies, and transgender experiences. While anti-choice rhetoric remains monolithic and simplistic ("Life begins at conception," "Abortion is murder"), pro-choice messaging has struggled against this propaganda because most people who have abortions remain silent. We fall into defensive traps, arguing about extreme cases like child rape victims, when the fundamental truth is that abortion restrictions of any kind represent total disenfranchisement. We must stop treating such arguments as serious and instead flood the world with our real, complex abortion stories.

마녀들이 온다 요약에서 더 많은 것을 얻으세요

매일 새로운 인사이트를 10만 개 이상의 레슨에서 만나보세요
단어가 강조되어 오디오와 실시간으로 동기화됩니다
내 라이브러리를 저장하고 모든 기기에서 이용하세요

9장

Online Radicalization and the Cost of Engagement

I've always played video games - from eight-bit Nintendo as a child to Dragon Age and Zelda as an adult - valuing them as escapes to closed, fixable universes where I can solve problems even when the real world feels overwhelming. Yet I've never called myself a "gamer," partly because I'm not especially skilled and partly because of the term's gatekeeping and baggage. In 2014, Gamergate erupted when an angry man targeted his ex-girlfriend, a video game developer, claiming her success came not from talent but from "political correctness" and "fourth-wave feminism." This sparked a movement of men harassing women in gaming under the guise of "ethics in video games journalism." The movement became a gateway for radicalizing young men into more extreme ideologies. Mike Cernovich exemplifies this trajectory - starting as a men's rights advocate who once targeted me with a bizarre weight-loss challenge video, he leveraged Gamergate to shepherd teenage boys toward white supremacy and fascism. By 2016, he was promoting Pizzagate conspiracy theories, and by 2017, he was photographed at the White House giving the alt-right "okay" sign - the same gesture later flashed by the New Zealand mosque shooter who murdered fifty Muslims. I deactivated my Twitter account in 2017 because it felt like being in a nonconsensual BDSM relationship with the apocalypse. Twitter's platform enables Trump to spread lies, attack citizens, and undermine the press using the same troll playbook I've faced for years. Despite years of harassment, those of us who complained were told we were too soft, while Twitter's leadership offered meaningless features instead of solutions. I discovered that internet trolls are often deeply unhappy people - a man who harassed me revealed in his YouTube videos that he was "unhappy with the way I look" and "not satisfied with myself as a man." What actually stopped the harassment? Quitting Twitter. It works. Yet Twitter's leadership continues to drag their feet on addressing Nazis and white supremacy on their platform. I've lost a promotional platform, but gained peace. I don't wake up dreading what horrors accumulated overnight or waste hours blocking trolls. Sometimes it's okay to just let things go.

10장

The Power of Women's Anger

I didn't call myself a feminist until I was nearly twenty because my world taught me feminists were ugly, angry, and ridiculous. I wanted male approval, not realizing that success and safety bestowed conditionally aren't really success and safety - they're domestication and implied violence. It took me two decades to become brave enough to be angry. Women's anger is systematically weaponized against them. The men's rights movement was designed to provoke women's anger only to use it as evidence that women are "hysterical" and "hate men." They didn't fight for real men's issues but instead harassed women and advocated for horrific policies. I wrote the statement that became infamous when a woman reading it was filmed, mocked, and turned into a meme for "feminist hysteria." This woman faced years of harassment, threats, and privacy violations - including being stalked by a liquor store employee who posted security footage of her online, leading to sexual assault threats. Christine Blasey Ford's testimony against Brett Kavanaugh demonstrates this double standard perfectly. While she remained supernaturally poised and careful during her testimony about sexual assault, Kavanaugh was allowed to be openly angry and indignant. She lost despite her perfect composure; he won despite his rage. Ford now lives in hiding with security, while Kavanaugh sits on the Supreme Court. Women are expected to absorb violence, discrimination, and subordination without complaint. When they do express anger, they're dismissed as irrational or emotional. But feminism itself is the collective manifestation of female anger - anger that men suppress for a reason.

들리는 모든 단어를 눈으로 확인하세요

마녀들이 온다 요약의 각 단어가 오디오에 맞춰 실시간으로 강조되어 편하게 따라 읽을 수 있습니다.

11장

Creating the Change We Need to See

In creating the TV adaptation of my memoir "Shrill," I made the show I needed when I was younger - stories featuring a fat character with a complex, dynamic life who has sex, has fun, and makes mistakes "that didn't involve cake pops." I promised to make a show where the fat protagonist never steps on a scale and sighs, and I delivered. Strangers regularly tell me how much it helped them. However, visibility isn't justice. Despite my success breaking into Hollywood's beauty-obsessed infrastructure, real-world discrimination persists. I describe medical professionals dismissing my ankle injury (which turned out to be a bone spur) as a weight issue, the lack of clothing options for larger women, and how even for my own TV show about being fat, wardrobe had to custom-make almost all the clothes because nothing suitable was available. When promoting Shrill at the Television Critics of America event, I was struck by how journalists fixated almost exclusively on Elizabeth Banks' appearance. Multiple reporters asked variations of "Elizabeth, you're gorgeous! Why would you be interested in this project?" - reducing the show to a simplistic conversation about body size rather than its artistic and political merits. Even after Banks attempted to redirect conversation to her directorial ambitions and feminist storytelling, the questions continued about her physical appearance. Despite the #MeToo movement and some progress, fundamental cultural attitudes remain deeply entrenched. A few powerful men losing jobs and a few women gaining power doesn't change how people think on a large scale. "The hardest truth to swallow isn't that this cultural moment-the reckoning, the witches are coming, the last straw-is not a finish line but that there may be no finish line at all. Maybe we will have to fight forever."

12장

Hope in the Face of Climate Crisis

Climate change has transformed my beloved Pacific Northwest, with summer wildfires bringing smoke that chokes the city and obscures landmarks. I recall the first summer when all mountain snow melted, now an annual occurrence, and weather forecasts reading "89 degrees, smoke." The smoke-filled air creates a claustrophobic preview of what's coming if climate change continues unchecked. Though daily life continues with mundane normalcy for many Americans, we're "well past the window of procrastination." Human-made climate change can be unmade by humans, but requires more than individual actions like composting or banning straws. We need to "remember what a society is for" and recognize our collective duty to prevent suffering. I describe my personal grief about climate change, recounting sobbing into my husband's back in "absolute true fucking grieving terror" after reading a post suggesting we've missed the window to prevent climate collapse. I rail against politicians who mock climate concerns while bragging about increased oil production. Despite my despair, I rally: "Do not despair. Despair is the death of action." The world is "beautiful and good and worth saving" and we must fight through daily civic engagement, calling representatives, marching, and voting for leaders who will protect the planet. The concept of a "liberal elite" evolved from leftist critiques of Soviet bureaucrats into a right-wing propaganda tool. This strategy serves to stigmatize the very concept of care itself - for the environment, for vulnerable communities, for the future - as weakness, enabling the powerful to strip away rights and protections while citizens "weep for the guns." Despite the overwhelming noise of the Trump era, we've finally named problems long kept in shadow. As the 2020 campaign begins, I remember my husband calling the 2016 election "part of the Civil War." Those who believe straight white men have a mandate to burn the rest of us as fuel never truly conceded that war. But I live in the America that won-with art, empathy, free press, and fierce protest. We've won this war before and will win again. The witches are coming, not for your life but for your lies, your legacy, and our future.

★★★★★

마녀들이 온다 요약 완독을 축하합니다

“23일째 매일 사용하고 있어요. 이제 제 일상의 한 부분이 되었습니다.”

jayallen

마녀들이 온다 요약의 핵심 주제

male mediocrity
cultural gaslighting
accountability culture
gendered media tropes
institutional benefit of doubt

마녀들이 온다 요약의 명문장

White men failing upward has become so normal it distorts our perception of quality.
Institutional benefit of the doubt is monstrously powerful, turning lies into truth through incantation.
If someone is universally likable, I don't trust them.
A witch has power, and power in women isn't likable.
From romantic comedies I learned stalking means he loves you.

마녀들이 온다 요약의 등장인물

Lindy WestThe author and narrator of the essays
Adam SandlerComedian used as a case study for male mediocrity
Ted BundySerial killer discussed regarding male charisma
Billy McFarlandFyre Festival con artist discussed as a case study

저자 소개

뉴욕 타임스 베스트셀러 작가이자 페미니스트 문화 비평가인 린디 웨스트(Lindy West)는 그녀의 자극적인 에세이집 『마녀들이 온다(The Witches Are Coming)』를 통해 체제적 불평등, 대중문화, 그리고 젠더 정치를 탐구합니다. 현대 페미니즘의 결정적인 목소리로 꼽히는 웨스트는 가디언(Guardian) 칼럼니스트, 디 아메리칸 라이프(This American Life) 기고자, 그리고 재생산권 운동인 #ShoutYourAbortion의 공동 설립자로서의 경험을 바탕으로 날카로운 위트와 굴하지 않는 사회 비평을 결합합니다.

그녀의 데뷔 회고록이자 뉴욕 타임스 베스트셀러인 『쉬릴: 시끄러운 여자의 기록(Shrill: Notes from a Loud Woman)』은 훌루(Hulu) 시리즈로 제작되었으며, 미디어 내의 지방 공포증(fatphobia)과 여성 혐오를 해체하는 그녀의 명성을 공고히 했습니다. 웨스트의 작업물은 제제벨(Jezebel), GQ, 그리고 그녀가 영화와 문화를 비평하는 뉴스레터인 *버트 뉴스(Butt News)*에 게재되어 왔습니다.

스트레인저 지니어스 어워드(Stranger Genius Award) 수상자이자 에스콰이어(Esquire) 올해의 책 선정 작가인 그녀는 코미디 팟캐스트 *텍스트 미 백(Text Me Back)*을 공동 진행하며 워싱턴주의 올림픽 반도에 거주하고 있습니다. 『쉬릴』은 12개 언어로 번역되었으며, 훌루의 호평받는 각색판을 통해 전 세계에 스트리밍되었습니다.

마녀들이 온다 요약 다운로드

마녀들이 온다 요약을 무료 PDF 또는 EPUB으로 받으세요. 인쇄하거나 오프라인에서 언제든 읽을 수 있습니다.

다른 사용자들도 좋아한 책

In Defense of Witches

Mona Chollet

Witchcraft for Wayward Girls

Grady Hendrix

Women, Men and the Whole Damn Thing

David Leser

Mediocre

Ijeoma Oluo

WE: A Manifesto for Women Everywhere

Gillian Anderson

How to Be a Woman

Caitlin Moran

Men Who Hate Women

Laura Bates

White Trash

Nancy Isenberg

마녀들이 온다 요약에 관한 자주 묻는 질문

더 알아보기

학습 계획

Witchcraft: From Ancient Fear to Modern Ritual

This course is essential for history enthusiasts and modern practitioners seeking to understand the socio-political evolution of magic. It offers a scholarly yet practical bridge between historical persecutions and the empowerment found in contemporary ritual design.

2 h 30 m•5 섹션

학습 계획

The Female Eunuch: Reclaiming Vitality

This plan is essential for anyone seeking to understand the radical roots of modern feminism and the social construction of gender. It is ideal for students of sociology, gender studies, or readers looking to reclaim their personal autonomy from societal expectations.

1 h 12 m•3 섹션

학습 계획

Feminist Rhetoric for High-Stakes Debates

This learning plan is essential for competitive debaters, legal professionals, and activists looking to integrate sophisticated feminist theory into their advocacy. It bridges the gap between academic gender studies and practical, high-stakes communication to challenge status quo narratives.

2 h•4 섹션

학습 계획

Feminism: From Foundations to Future

This plan is essential for anyone looking to move beyond surface-level slogans to understand the structural and historical roots of gender equality. It is ideal for students, activists, or professionals eager to apply an intersectional lens to modern cultural and social challenges.

2 h•4 섹션

학습 계획

Wiccan magic

This learning plan provides a comprehensive path from foundational ethics to advanced spiritual mastery. It is ideal for seekers looking to integrate earth-based spirituality and feminine divinity into their personal growth and magical practice.

4 h 1 m•4 섹션

학습 계획

The Birth of Wisdom

This plan bridges the gap between ancient logic and modern existential critique, offering a powerful toolkit for independent thought. It is ideal for students of philosophy, debaters, or anyone seeking to liberate their mind from conventional biases.

1 h•2 섹션

학습 계획

The Evolution of the Feminine Principle

This plan provides a critical framework for understanding how the social status of women was systematically reshaped from prehistory to the digital age. It is ideal for students of sociology, history, and media studies seeking to understand the roots of gender inequality.

1 h 45 m•3 섹션

학습 계획

The Edited Woman: Sovereignty & Artistry

This program is essential for women who feel their creative potential is limited by external expectations or internal blocks. It is designed for aspiring and established artists who want to align their personal autonomy with their professional craft.

5 h 40 m•4 섹션

컬럼비아 대학교 동문들이 제작 | 샌프란시스코에서 개발

BeFreed는 호기심 넘치는 글로벌 커뮤니티를 하나로 연결합니다

4.7

평균 평점

앱 평가 7.84천 개 이상

BeFreed 커뮤니티

정말이지 아직 앱을 다 써 보지도 않았는데, 며칠 써 본 것만으로도 깊은 인상을 받았어요… BeFreed는 제가 써 본 어떤 학습 앱과도 차원이 달라요. 몰입감이 엄청나고 집중력도 실제로 좋아져서, 스마트폰을 하염없이 스크롤하는 분들께 딱이에요!

@ladyInfinity

정확히 23일 전에 BeFreed를 구입했는데, 그날부터 하루도 빠짐없이 쓰고 있어요. 제 일상 업무 흐름과 학습 습관에 완전히 자리 잡았어요.

@jayallen

솔직히 이 앱은 제 기대를 전부 뛰어넘었어요. 어떤 주제든 오디오로 만들어 달라고 할 수 있고, 결과물이 놀라워요. 제 전문 분야는 심리치료 쪽이고 여러 학문이 얽혀 있는데도 답변이 아주 정확해요.

@Raguipa

제일 고마운 건 스크롤하는 시간이 확 줄었다는 거예요. 검색하는 시간은 줄고 흡수하는 시간은 늘었어요. 오디오북 전권, 팟캐스트, 학습 플랜의 조합이 정말 훌륭해요.

@colonyofcreatorsNGO

저는 24년째 PhotoReading 속진 학습 강사로 일하고 있어요… 책과 독서, 배움이 제 전문인데, BeFreed는 정보를 소화하기 쉽게 전달하는 혁신적인 방식을 정말 잘 구현했어요.

@BeFreed user

단순한 책 요약 앱이 아니에요. '재미' 스타일을 써 봤는데, 전통적인 방식보다 훨씬 나은 요약이고 아이디어를 이해하기도 쉬워요. 이것만으로도 값어치를 해요.

@austinakon

이 앱이 정말 좋아요. 며칠 써 봤는데 듣는 걸 멈출 수가 없어요. 시작하기에 이보다 좋을 수 없어요.

@jcrules328

정말 마음에 들어요. 한 달 정도 써 봤는데 숨은 보석을 찾은 기분이에요. BeFreed로 제가 원하는 주제를 직접 만들 수 있어서 좋고, 목소리도 훌륭한 데다 내레이션 선택지가 무궁무진해요.

@DanielCZ

정말이지 아직 앱을 다 써 보지도 않았는데, 며칠 써 본 것만으로도 깊은 인상을 받았어요… BeFreed는 제가 써 본 어떤 학습 앱과도 차원이 달라요. 몰입감이 엄청나고 집중력도 실제로 좋아져서, 스마트폰을 하염없이 스크롤하는 분들께 딱이에요!

@ladyInfinity

정확히 23일 전에 BeFreed를 구입했는데, 그날부터 하루도 빠짐없이 쓰고 있어요. 제 일상 업무 흐름과 학습 습관에 완전히 자리 잡았어요.

@jayallen

솔직히 이 앱은 제 기대를 전부 뛰어넘었어요. 어떤 주제든 오디오로 만들어 달라고 할 수 있고, 결과물이 놀라워요. 제 전문 분야는 심리치료 쪽이고 여러 학문이 얽혀 있는데도 답변이 아주 정확해요.

@Raguipa

제일 고마운 건 스크롤하는 시간이 확 줄었다는 거예요. 검색하는 시간은 줄고 흡수하는 시간은 늘었어요. 오디오북 전권, 팟캐스트, 학습 플랜의 조합이 정말 훌륭해요.

@colonyofcreatorsNGO

저는 24년째 PhotoReading 속진 학습 강사로 일하고 있어요… 책과 독서, 배움이 제 전문인데, BeFreed는 정보를 소화하기 쉽게 전달하는 혁신적인 방식을 정말 잘 구현했어요.

@BeFreed user

단순한 책 요약 앱이 아니에요. '재미' 스타일을 써 봤는데, 전통적인 방식보다 훨씬 나은 요약이고 아이디어를 이해하기도 쉬워요. 이것만으로도 값어치를 해요.

@austinakon

이 앱이 정말 좋아요. 며칠 써 봤는데 듣는 걸 멈출 수가 없어요. 시작하기에 이보다 좋을 수 없어요.

@jcrules328

정말 마음에 들어요. 한 달 정도 써 봤는데 숨은 보석을 찾은 기분이에요. BeFreed로 제가 원하는 주제를 직접 만들 수 있어서 좋고, 목소리도 훌륭한 데다 내레이션 선택지가 무궁무진해요.

@DanielCZ

유용한 정보와 아이디어를 8~15분짜리 팟캐스트 스타일 오디오로 압축해서 들을 수 있다는 게 정말 좋아요. 원래 팟캐스트는 군더더기가 많아서 안 좋아했는데, 여기는 그걸 싹 걷어냈어요.

@BeFreed user

박사 과정을 마무리하는 중이라 낯선 자료를 많이 읽어야 해요… BeFreed에서는 프롬프트만 입력하면 앱이 자료를 찾아서 오디오 팟캐스트로 만들어 줘요. BeFreed의 과정이 NotebookLM보다 더 매끄럽게 느껴져요.

@Brad

아침을 준비하거나 산책하거나 출퇴근할 때 들을 것을 YouTube에서 자주 찾곤 했는데, BeFreed는 광고도 군더더기도 없이 훨씬 더 딱 맞는 걸 들려줘요!

@BeFreed user

이 플랫폼의 가장 큰 장점은 활용도예요. 다루지 못하는 주제가 말 그대로 하나도 없어요. 무엇을 던져도 다 소화해요… 제한이 전혀 없으면서 약속을 실제로 지키는 학습 도구는 정말 드물어요.

@jayallen

BeFreed는 환상적이에요. 디자인이 편해서 헤매는 시간은 줄고 배우는 시간은 늘었어요. 오디오북, 팟캐스트, 학습 플랜의 조합은 천재적이에요. 제 하루가 완전히 달라졌어요.

@BeFreed user

처음엔 이탈리아어로 팟캐스트를 만드는 방법을 이해하는 데 시간이 좀 걸렸는데, 알고 나니까 — 와! 정말 대단해요! 어떤 주제든 설명해 달라고 하면 정말 똑똑하게 잘 설명해 줘요!

@matteo77

BeFreed는 제가 매일 쓰는 오디오북 앱이 됐어요… 제일 마음에 드는 건 텍스트를 넣으면 이동 중에도 들을 수 있는 오디오로 만들어 준다는 점이에요.

@kotanzu1

유용한 정보와 아이디어를 8~15분짜리 팟캐스트 스타일 오디오로 압축해서 들을 수 있다는 게 정말 좋아요. 원래 팟캐스트는 군더더기가 많아서 안 좋아했는데, 여기는 그걸 싹 걷어냈어요.

@BeFreed user

박사 과정을 마무리하는 중이라 낯선 자료를 많이 읽어야 해요… BeFreed에서는 프롬프트만 입력하면 앱이 자료를 찾아서 오디오 팟캐스트로 만들어 줘요. BeFreed의 과정이 NotebookLM보다 더 매끄럽게 느껴져요.

@Brad

아침을 준비하거나 산책하거나 출퇴근할 때 들을 것을 YouTube에서 자주 찾곤 했는데, BeFreed는 광고도 군더더기도 없이 훨씬 더 딱 맞는 걸 들려줘요!

@BeFreed user

이 플랫폼의 가장 큰 장점은 활용도예요. 다루지 못하는 주제가 말 그대로 하나도 없어요. 무엇을 던져도 다 소화해요… 제한이 전혀 없으면서 약속을 실제로 지키는 학습 도구는 정말 드물어요.

@jayallen

BeFreed는 환상적이에요. 디자인이 편해서 헤매는 시간은 줄고 배우는 시간은 늘었어요. 오디오북, 팟캐스트, 학습 플랜의 조합은 천재적이에요. 제 하루가 완전히 달라졌어요.

@BeFreed user

처음엔 이탈리아어로 팟캐스트를 만드는 방법을 이해하는 데 시간이 좀 걸렸는데, 알고 나니까 — 와! 정말 대단해요! 어떤 주제든 설명해 달라고 하면 정말 똑똑하게 잘 설명해 줘요!

@matteo77

BeFreed는 제가 매일 쓰는 오디오북 앱이 됐어요… 제일 마음에 드는 건 텍스트를 넣으면 이동 중에도 들을 수 있는 오디오로 만들어 준다는 점이에요.

@kotanzu1

웹에서 BeFreed가 어떻게 논의되고 있는지 더 보기

지금 바로 학습 여정을 시작하세요

5장

마녀들이 온다 요약

마녀들이 온다 요약 개요

다양한 학습 방식으로 마녀들이 온다 요약 살펴보기

When Witches Speak Truth to Power

The Mythology of Male Mediocrity

들리는 모든 단어를 눈으로 확인하세요

The Myth of Male Charm and Institutional Power

The Media That Shapes Us

마녀들이 온다 요약에서 더 많은 것을 얻으세요

The Complicated Relationship with Our Heroes

The Wellness Industry's Class Problem

들리는 모든 단어를 눈으로 확인하세요

The Danger of False Equivalence

Abortion Stories as Radical Truth-telling

마녀들이 온다 요약에서 더 많은 것을 얻으세요

Online Radicalization and the Cost of Engagement

The Power of Women's Anger

들리는 모든 단어를 눈으로 확인하세요

Creating the Change We Need to See

Hope in the Face of Climate Crisis

마녀들이 온다 요약 완독을 축하합니다

마녀들이 온다 요약의 핵심 주제

마녀들이 온다 요약의 명문장

마녀들이 온다 요약의 등장인물

저자 소개

마녀들이 온다 요약 다운로드

다른 사용자들도 좋아한 책

마녀들이 온다 요약에 관한 자주 묻는 질문

What is The Witches Are Coming by Lindy West about?

Who should read The Witches Are Coming?

Is The Witches Are Coming worth reading?

What are the main themes in The Witches Are Coming?

더 알아보기

BeFreed는 호기심 넘치는 글로벌 커뮤니티를 하나로 연결합니다

다양한 학습 방식으로 마녀들이 온다 요약 살펴보기

When Witches Speak Truth to Power

The Mythology of Male Mediocrity

들리는 모든 단어를 눈으로 확인하세요

The Myth of Male Charm and Institutional Power

The Media That Shapes Us

마녀들이 온다 요약에서 더 많은 것을 얻으세요

The Complicated Relationship with Our Heroes

The Wellness Industry's Class Problem

들리는 모든 단어를 눈으로 확인하세요

The Danger of False Equivalence

Abortion Stories as Radical Truth-telling

마녀들이 온다 요약에서 더 많은 것을 얻으세요

Online Radicalization and the Cost of Engagement

The Power of Women's Anger

들리는 모든 단어를 눈으로 확인하세요

Creating the Change We Need to See

Hope in the Face of Climate Crisis

마녀들이 온다 요약 완독을 축하합니다

다른 사용자들도 좋아한 책

더 알아보기