Gods of the Upper Air: How a Circle of Renegade Anthropologists Reinvented Race, Sex, and Gender in the Twentieth Century book cover

Gods of the Upper Air

How a Circle of Renegade Anthropologists Reinvented Race, Sex, and Gender in the Twentieth Century

Charles King
5 (2 Reviews)

『Gods of the Upper Air』の概要

In "Gods of the Upper Air," Charles King reveals how Franz Boas and his students revolutionized our understanding of race, gender, and humanity. Praised by Ibram X. Kendi as "vital for our times," this award-winning narrative shows how renegade anthropologists dismantled dangerous stereotypes that still threaten us today.

『Gods of the Upper Air』の主要テーマ

  • cultural relativism
  • scientific racism
  • boasian anthropology
  • eugenics movement
  • human diversity

『Gods of the Upper Air』の名言

  • Was adolescent rebellion a biological inevitability or merely a cultural creation?

  • "All is individuality," he declared.

  • Their story isn't just about academic debates but about how science can either reinforce prejudice or help dismantle it.

  • "Where among us is such hospitality?"

  • This research dealt a significant blow to racial determinism.

『Gods of the Upper Air』の登場人物

  • Franz BoasGerman-born Columbia professor and anthropologist
  • Margaret MeadDetermined young researcher of Samoan culture
  • Madison GrantWealthy eugenicist and author of racial theories

著者について

『Gods of the Upper Air』の著者について

Charles King, New York Times-bestselling author of Gods of the Upper Air: How a Circle of Renegade Anthropologists Reinvented Race, Sex, and Gender in the Twentieth Century, is a professor of international affairs and government at Georgetown University. This groundbreaking historical nonfiction work explores the origins of modern anthropology through the lens of marginalized scholars challenging societal norms—a theme reflecting King’s expertise in cultural history and geopolitical analysis.

A former Marshall Scholar with degrees from Oxford and the University of Arkansas, he has authored multiple award-winning books, including Odessa (National Jewish Book Award) and Midnight at the Pera Palace, which chronicles Istanbul’s transformative era.

King’s work has been featured on NPR’s Morning Edition, BBC, and CNN, and his writings appear in The New York Times and Foreign Affairs. Gods of the Upper Air received the Francis Parkman Prize and was translated into over a dozen languages, cementing its status as a pivotal exploration of identity and human diversity.

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この本に関するよくある質問

Gods of the Upper Air chronicles the rise of cultural anthropology in the early 20th century, focusing on Franz Boas and his students—Margaret Mead, Ruth Benedict, Zora Neale Hurston, and Ella Deloria. The book explores their revolutionary work debunking racist and sexist myths, arguing that culture—not biology—shapes human behavior. It highlights their fieldwork across global communities to prove humanity’s fundamental unity despite differences.

This book is ideal for readers interested in anthropology, social justice, or intellectual history. Scholars of race, gender, and cultural studies will appreciate its analysis of systemic bias, while general audiences enjoy its narrative-driven profiles of pioneering thinkers. Fans of biographies or histories of scientific revolutions will also find it compelling.

Yes—it’s a New York Times bestseller and award-winning work (Francis Parkman Prize, Anisfield-Wolf Award) praised for merging rigorous scholarship with vivid storytelling. The book bridges academia and popular history, offering insights into debates about identity that remain urgent today.

Charles King is a Georgetown University professor of international affairs and government. A former Marshall Scholar, he’s written award-winning books on global history, including Midnight at the Pera Palace and Odessa. His works combine narrative flair with deep research, often focusing on cultural crossroads and marginalized voices.

Key themes include cultural relativism (rejecting “primitive vs. advanced” hierarchies), the social construction of race/gender, and the ethical role of science. The book argues that understanding diverse customs fosters empathy and challenges systemic oppression, ideas foundational to modern anthropology and social sciences.

Boas and his team disproved theories linking intelligence to skull size or gender roles to biology. For example, Mead’s work in Samoa showed adolescence isn’t universally turbulent, while Hurston documented Black cultural practices as sophisticated, not “primitive.” Their research laid groundwork for contemporary identity studies.

  • Franz Boas: Founder of modern anthropology, criticized scientific racism.
  • Margaret Mead: Studied Pacific Islander cultures, authored Coming of Age in Samoa.
  • Zora Neale Hurston: Novelist/anthropologist blending folklore with academic study.
  • Ruth Benedict: Analyzed Japanese society post-WWII.
  • Ella Deloria: Preserved Sioux traditions amid colonialism.

  • “Humanity is one undivided thing”: Central thesis against biological determinism.
  • “Seeing the world as it is requires some distance, a view from the upper air”: Metaphor for anthropological objectivity.
  • “Gray cruisers, destroyers, and support vessels clogged the harbor”: King’s evocative prose anchoring historical moments.

Unlike dry academic texts, King’s narrative blends biography, history, and social critique. It complements Mead’s Coming of Age in Samoa by contextualizing her work within broader debates, while offering a more accessible entry point than Boas’s technical writings.

Some scholars argue it oversimplifies complex academic debates or underplays critiques of Boas’s methods. Conservative critics dismiss its progressive stance on identity as “culture war” rhetoric. However, most praise its balance of rigor and readability.

The book revived interest in Boas’s legacy, emphasizing anthropology’s role in combating prejudice. Its themes resonate in studies of intersectionality, decolonizing research, and LGBTQ+ rights, reinforcing the discipline’s relevance to contemporary social issues.

As debates over race, gender, and nationalism persist, the book reminds readers that “differences” are culturally invented, not innate. It provides historical context for movements like Black Lives Matter and #MeToo, underscoring the power of science to challenge systemic bias.

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