What is *Say It Well* by Terry Szuplat about?

*Say It Well* is a guide to mastering public speaking, blending Terry Szuplat’s experience as Barack Obama’s speechwriter with actionable strategies to overcome anxiety, craft persuasive messages, and inspire audiences. It covers AI-assisted speechwriting, attention-grabbing openings, scientifically backed persuasion tactics, and impactful closings, while emphasizing empathy and authenticity in communication.

Who should read *Say It Well*?

Aspiring speakers, professionals, entrepreneurs, students, and anyone facing public speaking fears will benefit. The book is particularly valuable for leaders seeking to inspire teams, advocates pitching causes, or individuals delivering toasts, eulogies, or presentations. Szuplat’s relatable anecdotes and Obama-era insights make it ideal for those wanting to communicate with clarity and confidence.

Is *Say It Well* worth reading?

Yes—it’s a **USA Today** bestseller and Porchlight Award winner for Best Business Book (2024). Szuplat’s blend of White House storytelling, practical frameworks (e.g., overcoming stage fright, AI tools for drafting), and real-world success stories from diverse speakers offers fresh, actionable advice for modern communicators.

How does *Say It Well* help overcome stage fright?

Szuplat shares his journey from anxiety to confidence, offering techniques like reframing fear as energy, practicing deliberate pauses, and focusing on audience connection. He emphasizes preparation strategies used by Obama, such as rehearsing aloud and visualizing success, to turn nervousness into compelling delivery.

Can AI be used to write speeches, according to *Say It Well*?

Yes—the book advises using AI to draft initial content or brainstorm ideas but stresses the irreplaceable role of human editing to infuse emotion, humor, and personal stories. Szuplat warns against over-reliance on AI, advocating for a balance between efficiency and authentic voice.

What public speaking lessons from Obama does *Say It Well* share?

Key lessons include using concise language, structuring arguments around relatable stories, and prioritizing vocal variety. Obama’s emphasis on empathy—tailoring messages to audiences’ values—and his “rule of three” for memorable phrasing are highlighted, alongside behind-the-scenes anecdotes from crafting historic addresses.

How does *Say It Well* address empathy in communication?

The book argues that empathy is critical for bridging divides, urging speakers to acknowledge opposing viewpoints respectfully. Szuplat shares frameworks for finding common ground, such as “yes, and” thinking, and using inclusive language that reflects shared values, even in polarized contexts.

What are the best speech openings and closings per *Say It Well*?

Strong openings include surprising stats, provocative questions, or heartfelt gratitude (despite traditional advice). Closings should rally action with a “call to purpose” or a resonant quote. Szuplat critiques overused templates, advocating for endings that leave audiences feeling hopeful and empowered.

L'arte di parlare in pubblico

Trova la Tua Voce, Esprimi il Tuo Pensiero, Ispira Qualsiasi Pubblico

Terry Szuplat

4.19(305 Reviews)

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In "Say It Well", il ghostwriter di Obama, Terry Szuplat, rivela i segreti dietro una comunicazione efficace. Questo bestseller nazionale e vincitore del Porchlight Award sfida la saggezza convenzionale - come il non terminare mai con un "grazie" - insegnandoti al contempo a parlare con la sicurezza necessaria per affascinare qualsiasi pubblico.

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Capitolo 1

Words That Move Mountains: The Art of Crafting Speeches That Matter

The terror of public speaking is a universal experience, even for those who make their living from words. Despite writing speeches for President Obama for eight years, I found myself trembling at a simple karaoke bar in Japan with colleagues-heart racing, hands shaking, voice quivering. The irony wasn't lost on me: I had crafted powerful addresses for one of history's greatest orators while being unable to speak comfortably myself. After leaving the White House, my speaking attempts remained inconsistent-sometimes acceptable, often disastrous. I froze during television interviews, suffered coughing fits on conference calls, and couldn't even deliver a simple dinner toast. An unexpected call from a Finnish speechwriter finally forced me to confront my fears. Drawing on lessons from witnessing Obama connect with audiences across forty countries, I realized the art of public speaking needed refreshing for our diverse, technology-transformed world. What emerged were practical tools for presentations, pitches, and everyday communication, enriched with behind-the-scenes White House stories. As Obama's supporter Edith Childs demonstrated with her electrifying "Fired up! Ready to go!" chant that energized his campaign, a single voice can truly change a room-and ultimately, the world.

Capitolo 2

The Power of Your Authentic Story

Everyone possesses a sacred story worth sharing. Growing up in working-class East Falmouth, my parents encouraged my voice, leading to confident childhood speeches. Yet in college, despite White House internships and other achievements, I stopped speaking publicly for decades. Washington's elite academic culture had made me doubt myself, focusing on what I wasn't rather than who I was. President Obama faced similar struggles. He froze during an early fundraising pitch and learned effective speaking through various channels-church basements, Black pastors, law school, and political campaigns. He emphasized that "everybody has a sacred story" and that effective speaking requires knowing yourself and your beliefs-a journey of self-acceptance I was still navigating. The most powerful principle of effective speaking is deceptively simple: give the speech that only you can give. When speakers ask what they should say, my answer is always to personalize it. Tell stories only you can tell-especially your own. This is why understanding your story is crucial; once you know it, you can share it authentically. For our White House speechwriting team, every speech became an opportunity to ask: What could Barack Obama say that no one else could? We considered all elements that made him unique-his mixed heritage, faith background, multicultural upbringing, global family connections, and historic position as the first African American president. His worldview balanced faith in America's greatness with recognition of its shortcomings. Though conventional wisdom suggests "it's not about you," that's oversimplified. While you shouldn't be narcissistic, the most compelling speeches are often personal. Your audience craves authenticity and originality-they want you. Sharing your unique stories reduces speaking anxiety (you know them better than anyone), helps avoid delivering generic remarks, and makes you more memorable. Great speakers are great storytellers, and our most powerful stories are often our own. This is why I strongly caution against using artificial intelligence to write personal speeches. While chatbots synthesize information quickly, they're merely collators of existing content-not originators. They don't know your life, experiences, values, or beliefs. Your audience wants authenticity, not algorithm-generated text. Even with detailed prompts, bots produce generic content lacking your unique voice.

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Capitolo 3

Understanding What a Speech Really Is

One of my first speeches for President Obama nearly became a disaster when policy experts replaced my accessible language with technical jargon from a cybersecurity report. Panicking, I called Ben Rhodes who advised, "Just write what you think Obama should say." This reminded me that a president physically delivers every word I draft to an audience that's listening. This experience taught me what a speech truly is-and isn't. A speech is not an essay, white paper, press release, news article, or book. Instead, it's best understood as a performance-like a play. It has a setting (venue), staging (podium, lighting), an entrance, a script, and most importantly, an audience. Unlike other forms of communication, a speech creates a shared experience between speaker and listeners. Since your audience can't reread what they miss, every syllable must be clear to the ear. When giving a speech, you're the lead role-and you've been perfectly cast. The biggest mistake speakers make is trying to sound like someone else. Even as Obama's speechwriter, I'm begging you not to try sounding like Obama-only he should sound like him, and only you should sound like you. Obama himself resisted pressure to speak in ways that weren't authentic, telling me, "You have to be yourself." It's the Golden Rule of Public Speaking. A speech creates a powerful shared experience between speaker and audience. Obama described magical moments when "a current of emotion passes back and forth between you and the crowd, as if your lives and theirs are suddenly spliced together." This connection is scientifically real-Princeton researchers discovered "neural coupling" where speakers' and listeners' brain waves actually align during effective communication. The more our brain patterns synchronize, the better we understand each other. This explains why we describe great speakers as "electrifying" their audience-they literally create neural synchronicity with listeners.

Capitolo 4

The 50-25-25 Rule: The Path to Powerful Presentations

The most common mistake in preparing presentations is rushing to write without proper planning. Instead, follow my 50-25-25 Rule: spend 50% of your time thinking and organizing, 25% writing, and 25% editing and practicing. This approach works regardless of your timeframe-whether you have a month, a week, or just hours to prepare. The best predictor of a good presentation isn't what happens at the podium but the preparation beforehand. The more prepared you are, the less nervous you'll be. Thorough preparation requires complete situational awareness. Before any speech, ask ten critical questions: Who is my audience? What do we have in common? When is it? What is it? Why me? Where do I fit in the program? Where is it? What's the staging? Will there be a podium? How long should I speak? President Obama would begin our speech preparation by asking "What's the story we're trying to tell here?" As an author before becoming a politician, he understood that good speeches are good stories. Sometimes he'd immediately identify the headline theme, other times he'd methodically outline his entire argument with supporting evidence. "I can't overemphasize it enough," he told me, "you have to decide on the purpose of your communication." Great speakers must be excellent researchers who sift through material to find golden nuggets-interesting ideas, surprising quotes, and compelling stories that make remarks shine. Even President Obama made time to prepare thoroughly, reading speeches of wartime leaders and theologians before his Nobel Peace Prize address. To find your gold: Learn by studying what others have said on your topic; Listen by consulting with experts and community members; Be Inclusive by involving representatives of the communities you're addressing; Ask Everyone for ideas; Find Quotes That Surprise rather than using familiar lines; Look for the Little Things that paint vivid pictures; and Include Stories That Touch Your Heart. After all your thinking and research, transform ideas into words on paper. Despite what some speech coaches advise, I strongly recommend writing out your remarks word for word in most situations. Writing reveals the strengths and weaknesses of your argument and allows you to fill in holes in your logic before you speak. It's a sign of respect for your audience and can be a forcing mechanism for your team, ensuring everyone understands your direction.

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Capitolo 5

Have 'em at Hello: Creating Powerful Openings

The opening moments of your speech create an irretrievable first impression. One of the worst ways to start is with a tedious list of acknowledgments that kills the energy in the room. Instead, establish an emotional connection with your audience through powerful openings: say "hello" with genuine warmth, establish your credibility ("As a lifelong member of this community..."), or start with a compelling story. While a killer opening line can be effective, don't obsess over crafting the perfect sound bite-as Obama advised, "Get the story right first, and the lines will follow." Other effective openings include invoking scripture (when appropriate), acknowledging people briefly and with enthusiasm, celebrating what your audience loves (their "firsts, foods, and fans"), shocking them with an unexpected statement, or greeting them in their own language. And contrary to popular advice, you don't need to start with a joke-just add touches of humor by being self-deprecating, surprising your audience with unexpected comments, borrowing tested material (with attribution), or using clever wordplay. When Florida high school senior Zander Moricz faced censorship of his graduation speech under the state's "Don't Say Gay" law, he found an ingenious solution. Rather than defying his principal's warning about discussing his sexuality, Zander used his curly hair as a clever metaphor: "I used to hate my curls... I spent mornings and nights embarrassed of them" and "having curly hair in Florida is difficult... due to the humidity." The audience understood exactly what he meant, laughing and applauding his creative workaround.

Capitolo 6

Be a Uniter: Building Bridges Through Your Words

The core purpose of any good speech is to unite people around a worthy cause. In our increasingly divided world, speakers must choose whether to inflame divisions or bring people together. Whether delivering a toast, workplace presentation, community appeal, or political speech, the goal should be to unite listeners for good. As Obama advised, "You need to deliver a message that is going to resonate and get traction." This requires focusing on substance over style and connecting through three powerful approaches: shared challenges, shared identity, and shared ideas. People unite most naturally when facing common threats. Cultural psychologist Michele Gelfand explains that "the more a group perceives a threat, the more that group will work together." To motivate action, make challenges concrete using vivid language rather than abstractions. Gelfand's research identified a "Threat Dictionary" of 240 words like "attack," "collapse," "suffering," and "devastating" that speakers use when describing challenges. While demagogues exploit our tribal instincts to divide us, we can evoke shared identities to unite people. Contrary to popular belief, group identities don't always lead to discrimination-groups that value diversity can actually embrace outsiders. Evoking shared identity is a powerful way to inspire audiences, starting with how you present yourself. We all contain multitudes of identities. I describe myself as both a white Virginian with military connections and a progressive who marched for racial justice-seemingly contradictory personas that are both authentic. How we identify ourselves affects whether audiences see us as part of their group, which influences their openness to our message. When speaking, strategically choose which of your authentic identities might best connect with your specific audience. "We" is democracy's most powerful word. Unlike demagogues who separate "us" from "them," using inclusive language like "we," "our," and "all of us" can unite audiences around common ground. Research shows that reminding people of shared identities decreases negative attitudes toward political opponents, and candidates who use "we" and "us" more often win more votes. Beyond shared identities, speakers can motivate audiences by appealing to common beliefs. Many business leaders miss this opportunity, focusing only on products rather than wrapping their message in larger ideas. Obama's speeches consistently returned to America's founding belief that "all men are created equal." Whether addressing community safety, product launches, or environmental innovation, connecting your message to a bigger idea-like universal rights, privacy, or intergenerational responsibility-can unite and inspire your audience.

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Capitolo 7

Speak from Your Heart...and to Theirs

The chapter opens with Greta Thunberg's data-heavy climate speech that left audiences confused, illustrating how facts alone often fail to persuade. While logic is important, relying too heavily on statistics can backfire because audiences may be skeptical of data, resist information that challenges their beliefs, or become emotionally numb to large-scale problems. Studies show that presenting more statistics can actually decrease support-people donated more to help one child (Rokia) than when shown statistics about the broader crisis alongside her story. Statistics often fail to persuade because audiences are inherently skeptical of numbers, resist information contradicting their beliefs through confirmation bias, and respond more to emotion than facts. Fear can't be countered with data alone, as shown during the Ebola crisis. Research demonstrates that statistics can actually backfire-vaccine-skeptical parents became more resistant when given more information, and charitable giving decreased when appeals included statistics about large-scale problems rather than focusing on individual stories. This "psychic numbing" occurs because "it's hard for humans to generate feelings toward statistics." The right way to connect with an audience isn't through data but through emotion. Greta Thunberg's fiery UN speech-where she declared "You have stolen my dreams and my childhood with your empty words"-broke through globally because she didn't just speak her words, she felt them. Michelle Obama similarly refuses to give speeches without an emotional core. To tap into the audience's emotions (Aristotle's pathos), speakers must first feel something themselves. Research confirms the power of emotional language. Studies by Jonah Berger and Katherine Milkman found readers share online articles that trigger strong emotions like awe, anger or anxiety because these create physiological arousal and emotional connection. Similarly, tweets with moral-emotional words are 20% more likely to be shared. While showing emotion was once discouraged in public speaking-especially for women and people of color who still face unfair bias-authentically sharing feelings is now widely admired. From Hillary Clinton's emotional campaign moment to NFL players Jason Kelce and Jamaal Williams shedding tears publicly, emotional authenticity resonates powerfully. Obama's tearful response to the Newtown school shooting-when he paused for ten seconds, struggling with his composure-became one of his presidency's most-watched moments precisely because he spoke not just as a president but as a parent, unafraid to share his intimate feelings. In 2016, amid the Syrian refugee crisis affecting millions, it was the image of five-year-old Omran Daqneesh-bloodied and dust-covered in an ambulance-that finally made the world take notice. This demonstrates the "identifiable victim effect," where people respond more emotionally to a specific person than to statistics. Neuroscientist Dr. Paul Zak found that human-centered stories trigger oxytocin release, increasing compassion and generosity-what he calls "the moral molecule."

Capitolo 8

Talk Like a Human: Breaking Through the Jargon Barrier

Many people communicate in jargon, buzzwords, and bureaucratese-what I call gibberish or "word salad." This affliction, the Curse of Knowledge, assumes audiences possess the same vocabulary as the speaker. It infects business executives talking about "human capital" and "core competencies," nonprofit leaders urging "blue-sky thinking," financial experts using impenetrable terminology, and even doctors overwhelming patients with medical jargon. Even presidents like Obama could become overly professorial, discussing "international rules and norms" or the "Framework for Balanced and Sustainable Growth" that left audiences confused. This technical language creates barriers to understanding, breeds mistrust, and pushes audiences away when we should be welcoming them with clarity. For years, my advice to speakers using jargon was simple: Don't Speak Like a Robot. At the White House, Jon Favreau put it more positively: Talk Like a Human. Since we're humans talking to other humans, this approach makes perfect sense and is easier than you might think. The best speakers converse naturally with their audience as if talking with loved ones or friends. Michelle Obama "had no patience for jargon" and spoke like a normal person, calling her initiative "Let's Move!" rather than using a technical title. Follow the BBQ Rule: if you wouldn't say it at a family barbecue, don't say it in a speech. Keep language at about an eighth-grade level-the reading level of the average American-so everyone understands. Too often, speakers use abstract terms like "personal mobility" or "human mobility" without clarifying they mean cars or migrants. Many discuss concepts ("pay equity") rather than tangible goals (ensuring equal pay for equal work), or inputs (dollars invested) instead of outcomes (real-world impact). Ellen Moy transformed her nonprofit's messaging by focusing less on "the business model" and more on dignity and how her clothing program helps children feel comfortable at school. When speaking, avoid getting lost in mechanics and processes-talk about real people and how your work changes their lives. Acronyms can be dangerous when audiences don't share the same expertise. Some acronyms have unfortunate implications (like the Wisconsin Tourism Federation changing its name to avoid "WTF"). Even when you think your audience understands acronyms, someone likely won't. Remember: if you have to explain it, don't say it. Stop With Acronyms that Perplex. While legal review of speeches can prevent diplomatic incidents, lawyers sometimes take things too far, transforming clear language into convoluted jargon. One lawyer changed "Americans" to "U.S. persons" and "won" to "achieved a favorable result." Remember: a speech isn't a legal document. Write for the court of public opinion, not a court of law. Make your remarks understandable for general audiences while still addressing legitimate legal concerns.

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Capitolo 9

Make It Sing: The Music of Memorable Speech

Great speeches, like great songs, have rhythm that makes audiences feel something. As a young White House intern, I learned this lesson when my meticulously researched toast for President Clinton was covered in red ink by speechwriter Bob Boorstin, who taught me that speeches need cadence-they must be written for the ear, not just the eye. Like Italian pop star Adriano Celentano's gibberish hit "Prisencolinensinainciusol" that sounded American enough to top European charts despite meaningless lyrics, effective speeches have a beat that moves people emotionally and physically. You don't need musical talent to bring rhythm to your remarks-you just need to break free from predictable, prosaic language. Mario Cuomo famously said, "You campaign in poetry, but you govern in prose," but our everyday speeches don't have to be dull. Most of us use the same few thousand words repeatedly, making our language predictable. Political speeches are particularly guilty of this-you can easily finish sentences like "We shouldn't be dividing people, we should be uniting people" or "We shouldn't be holding people down, we should be lifting people up." Breaking this predictability can bring poetry to even routine presentations. Defense Secretary William Cohen, with his background in classical Latin and Greek literature, taught me that speeches can be beautiful and lyrical. "Speeches are an auditory experience," he explained. "Poets are said to pinch words until they hurt." Cohen elevated his speeches by borrowing elegant phrases like "praise that will never die" and "hearts touched with fire." Obama did this too, speaking of the "majesty" of national parks and that "spark of the divine" within us. Even in everyday presentations, replacing monotonous words with mellifluous ones can transform mundane remarks into memorable ones that surprise and resonate with your audience. Obama understood that "There's a rhythm to speaking, whether it's just you and a bunch of friends sitting on a porch or you're in front of a million people." This rhythm allowed him to seamlessly transition from speaking to singing "Amazing Grace" during his Charleston eulogy. Good rhythm makes speeches musical and memorable. Writing speeches as scripts-with each sentence starting at the left margin and space between lines-helps speakers see the rhythm on the page. Obama's famous "Yes, we can" speech demonstrates this approach, with each refrain standing alone and sentences building in length toward a crescendo. This format visually represents how the speech should sound when delivered, forcing speakers into the natural rhythm of the language. Repetition creates powerful musical refrains in speeches. Obama's New Hampshire speech used dual refrains simultaneously-beginning sentences with "It was..." and ending with "Yes, we can." The speech demonstrates how effective repetition can be when structured like poetry. While the Rule of Three (presenting ideas in groups of three) creates a pleasing rhythm that resonates with audiences, speakers shouldn't feel constrained by it. Obama used his refrain four times consecutively and said "Yes, we can" about a dozen times throughout the speech, proving that effective repetition can extend beyond three instances when it serves the speech's purpose.

Capitolo 10

Tell the Truth: The Ten Commandments of Honest Speaking

Obama's confrontation with Donald Trump over the phrase "radical Islamic terrorism" demonstrates the importance of truthfulness even when delivering pointed criticism. In our "post-truth" era where misinformation spreads rapidly through social media, maintaining factual integrity is crucial. Studies show falsehoods diffuse "significantly farther, faster, deeper, and more broadly than the truth," and lies can have deadly consequences, from the Vietnam War to the January 6th Capitol attack. While working for Obama, our team prioritized accuracy with rigorous fact-checking processes. Even when mistakes occurred, like Obama's "If you like your plan, you can keep your plan" statement during healthcare reform, acknowledging errors maintained credibility. Here are the "Ten Commandments for Telling the Truth" in public speaking: Plagiarism can destroy careers, as University of South Carolina president Robert Caslen discovered when he copied Admiral William McRaven's commencement speech almost verbatim without attribution. Less than a week after delivering these stolen words, Caslen resigned. The lesson is clear: always track your sources and give proper credit when borrowing content. Even paraphrasing requires attribution if you're using someone else's ideas. George Santos exemplifies the dangers of fabrication, having invented an entirely fictional biography-from Holocaust-surviving grandparents to 9/11 survivor mother to Wall Street credentials. His defense that he merely "embellished" his resume and was only "Jew-ish" didn't prevent his indictment on nearly two dozen criminal charges and expulsion from Congress. The internet makes fact-checking easy, making lies not just unethical but, as former White House researcher Alexandra Platkin puts it, "stupid." Even seemingly simple historical facts require verification-as demonstrated by a paragraph about Pearl Harbor containing eight factual errors. In our "post-truth" era, speakers must still distinguish between right and wrong, especially with nouns-people, places, and numbers. Many popular statistics and quotes lack verification-like the widely cited claim that 73% of people fear public speaking, which has no traceable source. Even the beloved Maya Angelou quote about people remembering how you made them feel appears to be misattributed. As Kristen Bartoloni from Obama's White House research team advises: "If you're going to say it, prepare to defend it." After nine Black worshippers were murdered in Charleston in 2015, South Carolina Governor Nikki Haley demonstrated the power of historical honesty by acknowledging both perspectives on the Confederate flag-those who saw it as heritage and those who saw it as "a deeply offensive symbol of a brutally oppressive past"-before calling for its removal from statehouse grounds. This "blemishing effect" actually builds credibility; acknowledging imperfections and painful truths makes audiences more likely to trust speakers. Good speakers embrace complexity rather than oversimplifying. Obama acknowledged his tendency toward "commas, semicolons, parentheses, and codicils" stemmed from "worrying about accuracy and precision and nuance." Despite political advisers pushing for simpler messaging to win votes, Obama maintained that acknowledging contradictory truths-"This is true, but this is also true"-was essential to honest communication.

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Capitolo 11

The Only Way to End a Speech: Leaving Audiences with Hope

In the aftermath of the shocking 2016 election, Obama's staff gathered in stunned disbelief. While many were distraught, Obama maintained his characteristic optimism, reminding them that "history doesn't move in a straight line" but "zigs and zags." Throughout his final months in office, he consistently offered messages of hope and confidence in America's future, even as many around him struggled with fear and uncertainty. It wasn't until his final departure that I realized Obama wasn't speaking for them but to them-trying to give them hope in a moment of despair. We're constantly bombarded with messages designed to make us afraid. Fear works because it activates our primitive brain functions, overwhelming rational thought, and negative information tends to stick with us more than positive experiences. While fear can occasionally be harnessed for good causes, it's ultimately destructive. Excessive fearmongering leads audiences to feel helpless rather than empowered. When speakers leave audiences more afraid, angry, suspicious, or inclined toward violence, they've chosen a dangerous path that undermines their ultimate goals. Unlike other forms of communication that can end ambiguously or tragically, speeches must conclude with hope because their purpose is to inspire action. People only act when they believe progress is possible. Hope drives our most important endeavors-from education to entrepreneurship to charitable giving. Without hope that change is possible, there's no reason for an audience to respond to your call. Neuroscientist Tali Sharot's research suggests humans possess an "optimism bias"-the belief that the future will be better than the present. About 80 percent of people across cultures and backgrounds experience this bias, even during difficult times. This makes hope a more effective motivator than fear. As speakers, we can tap into this hardwiring, knowing our audiences want an optimistic vision where their hopes trump their fears. Hope isn't blind optimism or wishful thinking. As Obama said after winning the Iowa caucuses, hope is "not ignoring the enormity of the tasks ahead" but rather "that thing inside us that insists, despite all the evidence to the contrary, that something better awaits us if we have the courage to reach for it." Effective speakers acknowledge obstacles while maintaining faith in eventual success. They prepare audiences for hardships without making unrealistic promises. Most importantly, they emphasize that hope requires action-hope without deeds is false hope. Army Ranger Cory Remsburg, nearly killed by a roadside bomb in Afghanistan, delivered a powerful twenty-four-minute speech despite his severe injuries-partial paralysis, blindness in one eye, and speech difficulties. Standing with assistance, he refused to shorten his remarks, celebrating wounded warriors and their caregivers. "I hope my story can be an example," he declared. "We all have challenges... everybody falls down... But I'm here to tell you... if I could pick myself back up... and push on... then you can too." His message of resilience and hope has proven contagious across the country, inspiring veterans and civilians alike. When asked why he always ends his speeches the same way, Remsburg simply answered: "To give hope."

★★★★★

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“Sono passati 23 giorni e l'ho usata ogni giorno. Ora fa parte della mia routine quotidiana.”

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Temi chiave in L'arte di parlare in pubblico

authentic storytelling
public speaking anxiety
speechwriting techniques
neural coupling
personal narrative branding

Citazioni da L'arte di parlare in pubblico

Your audience craves authenticity and originality—they want you.
Just write what you think Obama should say.
You have to be yourself.
Good speeches are good stories.

Personaggi di L'arte di parlare in pubblico

Terry SzuplatAuthor and former White House speechwriter
Edith ChildsSupporter who created the 'Fired up!' chant
Ben RhodesColleague who advised the author on speechwriting

Sull'autore

Terry Szuplat, autore bestseller del New York Times di Say It Well: Find Your Voice, Speak Your Mind, Inspire Any Audience, è uno stratega della comunicazione pluripremiato e uno dei ghostwriter della Casa Bianca che ha servito più a lungo sotto il presidente Barack Obama. Specialista in narrazione persuasiva e messaggistica di crisi, Szuplat attinge alla sua esperienza nella stesura di quasi 500 discorsi presidenziali su temi che spaziano dalla sicurezza nazionale alla giustizia sociale. Il suo libro fonde tecniche pratiche di public speaking con approfondimenti derivanti dalla scrittura per momenti storici, come la risposta alla sparatoria della Sandy Hook Elementary School e il discorso dopo l'attentato alla maratona di Boston.

Professore aggiunto di speechwriting presso l'American University e fondatore di Global Voices Communications, i saggi di Szuplat sulla leadership e la comunicazione sono apparsi su TIME, The Washington Post e The New Yorker. Il suo lavoro è celebrato per la capacità di fondere acume politico e narrazioni incentrate sull'essere umano, un'abilità affinata durante otto anni di missioni diplomatiche transatlantiche e discorsi pronunciati in oltre 40 paesi. Say It Well è stato tradotto in otto lingue ed è rimasto tra i 150 libri più venduti di USA Today per 14 settimane consecutive.

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Public speaking is one of the most valuable professional and personal skills, yet most people struggle with anxiety and ineffective delivery. This comprehensive plan takes you from building foundational confidence through advanced TED-level techniques, making it ideal for professionals, entrepreneurs, educators, and anyone who wants to influence, inspire, and lead through powerful communication.

4 h 56 m•4 Sezioni

PIANO DI APPRENDIMENTO

Speak Up and Stand Out

In today’s professional landscape, the ability to communicate with confidence is a critical differentiator for career growth. This plan is designed for professionals and aspiring leaders who want to conquer public speaking anxiety and command presence in both boardrooms and on stages.

2 h•4 Sezioni

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Master the Art of Public Speaking

Effective communication is the most critical skill for leadership and career advancement in any industry. This plan is designed for professionals and aspiring speakers who want to transform their anxiety into executive presence and persuasive power.

4 h 52 m•4 Sezioni

PIANO DI APPRENDIMENTO

Books for confident, authoritative speaking

Confident, authoritative communication is the cornerstone of professional success and social influence, yet many capable people are overlooked simply because they don't sound certain or commanding. This learning plan is designed for professionals, leaders, and anyone who wants to be taken seriously—whether you're navigating career advancement, leading teams, or simply want your ideas to carry weight in any room you enter.

4 h 12 m•4 Sezioni

PIANO DI APPRENDIMENTO

Never Run Out of Things to Say

Strong conversation skills are essential for professional success, meaningful relationships, and personal confidence. This learning plan is ideal for anyone who struggles with small talk, feels anxious in social situations, wants to improve their networking abilities, or simply desires to become more engaging and memorable in their interactions. Whether you're an introvert looking to build confidence or someone seeking to elevate their existing social skills, this structured approach will transform how you connect with others.

3 h 49 m•4 Sezioni

Creato da alumni della Columbia University a San Francisco

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1,000,000+ curious minds.

4.7

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1M+ learners

"Instead of endless scrolling, I just hit play on BeFreed. It saves me so much time."

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"I never knew where to start with nonfiction—BeFreed’s book lists turned into podcasts gave me a clear path."

@Chloe, Solo founder, LA

117

"Perfect balance between learning and entertainment. Finished ‘Thinking, Fast and Slow’ on my commute this week."

@Raaaaaachelw

"Crazy how much I learned while walking the dog. BeFreed = small habits → big gains."

@Matt, YC alum

108

"Reading used to feel like a chore. Now it’s just part of my lifestyle."

@Erin, Investment Banking Associate , NYC

254

"Feels effortless compared to reading. I’ve finished 6 books this month already."

@djmikemoore

"BeFreed turned my guilty doomscrolling into something that feels productive and inspiring."

@Pitiful

4.5K

"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

Scopri di piu su come si parla di BeFreed nel web

Creato da alumni della Columbia University a San Francisco

LOVED BY

1,000,000+ curious minds.

4.7

avg rating

1M+ learners

"Instead of endless scrolling, I just hit play on BeFreed. It saves me so much time."

@Moemenn

"I never knew where to start with nonfiction—BeFreed’s book lists turned into podcasts gave me a clear path."

@Chloe, Solo founder, LA

117

"Perfect balance between learning and entertainment. Finished ‘Thinking, Fast and Slow’ on my commute this week."

@Raaaaaachelw

"Crazy how much I learned while walking the dog. BeFreed = small habits → big gains."

@Matt, YC alum

108

"Reading used to feel like a chore. Now it’s just part of my lifestyle."

@Erin, Investment Banking Associate , NYC

254

"Feels effortless compared to reading. I’ve finished 6 books this month already."

@djmikemoore

"BeFreed turned my guilty doomscrolling into something that feels productive and inspiring."

@Pitiful

4.5K

"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

"Instead of endless scrolling, I just hit play on BeFreed. It saves me so much time."

@Moemenn

"I never knew where to start with nonfiction—BeFreed’s book lists turned into podcasts gave me a clear path."

@Chloe, Solo founder, LA

117

"Perfect balance between learning and entertainment. Finished ‘Thinking, Fast and Slow’ on my commute this week."

@Raaaaaachelw

"Crazy how much I learned while walking the dog. BeFreed = small habits → big gains."

@Matt, YC alum

108

"Reading used to feel like a chore. Now it’s just part of my lifestyle."

@Erin, Investment Banking Associate , NYC

254

"Feels effortless compared to reading. I’ve finished 6 books this month already."

@djmikemoore

"BeFreed turned my guilty doomscrolling into something that feels productive and inspiring."

@Pitiful

4.5K

"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

"Instead of endless scrolling, I just hit play on BeFreed. It saves me so much time."

@Moemenn

"I never knew where to start with nonfiction—BeFreed’s book lists turned into podcasts gave me a clear path."

@Chloe, Solo founder, LA

117

"Perfect balance between learning and entertainment. Finished ‘Thinking, Fast and Slow’ on my commute this week."

@Raaaaaachelw

"Crazy how much I learned while walking the dog. BeFreed = small habits → big gains."

@Matt, YC alum

108

"Reading used to feel like a chore. Now it’s just part of my lifestyle."

@Erin, Investment Banking Associate , NYC

254

"Feels effortless compared to reading. I’ve finished 6 books this month already."

@djmikemoore

"BeFreed turned my guilty doomscrolling into something that feels productive and inspiring."

@Pitiful

4.5K

"BeFreed turned my commute into learning time. 20-min podcasts are perfect for finishing books I never had time for."

@SofiaP

"BeFreed replaced my podcast queue. Imagine Spotify for books — that’s it. 🙌"

@Jaded_Falcon

201

"It is great for me to learn something from the book without reading it."

@OojasSalunke

"The themed book list podcasts help me connect ideas across authors—like a guided audio journey."

@Leo, Law Student, UPenn

483

"Makes me feel smarter every time before going to work"

@Cashflowbubu

Scopri di piu su come si parla di BeFreed nel web

Inizia il tuo percorso di apprendimento, ora

Capitolo 10

L'arte di parlare in pubblico

PanoramicaPanoramica di L'arte di parlare in pubblico

Un libro. Tanti modi per ascoltarlo.

Words That Move Mountains: The Art of Crafting Speeches That Matter

The Power of Your Authentic Story

Vedi ogni parola mentre la ascolti

Understanding What a Speech Really Is

The 50-25-25 Rule: The Path to Powerful Presentations

Ottieni di più da L'arte di parlare in pubblico

Have 'em at Hello: Creating Powerful Openings

Be a Uniter: Building Bridges Through Your Words

Vedi ogni parola mentre la ascolti

Speak from Your Heart...and to Theirs

Talk Like a Human: Breaking Through the Jargon Barrier

Ottieni di più da L'arte di parlare in pubblico

Make It Sing: The Music of Memorable Speech

Tell the Truth: The Ten Commandments of Honest Speaking

Vedi ogni parola mentre la ascolti

The Only Way to End a Speech: Leaving Audiences with Hope

Hai raggiunto la fine di L'arte di parlare in pubblico

Temi chiave in L'arte di parlare in pubblico

Citazioni da L'arte di parlare in pubblico

Personaggi di L'arte di parlare in pubblico

Sull'autore

Scarica il riassunto di L'arte di parlare in pubblico

Agli utenti è piaciuto anche

FAQ su questo libro

What is Say It Well by Terry Szuplat about?

Who should read Say It Well?

Is Say It Well worth reading?

How does Say It Well help overcome stage fright?

Scopri di più

1,000,000+ curious minds.

1,000,000+ curious minds.

Un libro. Tanti modi per ascoltarlo.

Words That Move Mountains: The Art of Crafting Speeches That Matter

The Power of Your Authentic Story

Vedi ogni parola mentre la ascolti

Understanding What a Speech Really Is

The 50-25-25 Rule: The Path to Powerful Presentations

Ottieni di più da L'arte di parlare in pubblico

Have 'em at Hello: Creating Powerful Openings

Be a Uniter: Building Bridges Through Your Words

Vedi ogni parola mentre la ascolti

Speak from Your Heart...and to Theirs

Talk Like a Human: Breaking Through the Jargon Barrier

Ottieni di più da L'arte di parlare in pubblico

Make It Sing: The Music of Memorable Speech

Tell the Truth: The Ten Commandments of Honest Speaking

Vedi ogni parola mentre la ascolti

The Only Way to End a Speech: Leaving Audiences with Hope

Hai raggiunto la fine di L'arte di parlare in pubblico

Agli utenti è piaciuto anche

Scopri di più

Panoramica di L'arte di parlare in pubblico